We love to talk about what's going on in the graphic design world. Check out some of our older posts on The Blog Archive.

AI language models belong in your design workflow — but where they help and where they get in the way is worth understanding.

6 practical tips for graphic designers on getting started with DALL-E, Midjourney, and Adobe Firefly.

AI image generators raise real questions about copyright, attribution, and professional disclosure. Here is how to navigate them.

Six essential principles for designing a logo that works — from the initial concept through to colour, type, and scalability.

Our top 26 logo revamps — for better or worse, you decide. A visual history of how the world's most recognised brands have evolved their identities over decades.

Art Director Djordje Joksimovic spent a day walking us through life at Leo Burnett — one of the most famous agencies in advertising history. His account is a rare, honest look at what it means to be a creative inside a global network.

Something big has happened in the publishing world. Something interesting.

Focusing on a simple approach and execution, this tutorial will teach you tips and tricks to creating professional and dynamic poster ads for your portfolio.

Web design principles that hold up in 2026 — covering layout, mobile-first, performance, accessibility, typography and dark mode.

Choosing a handful of European design talents from the whole continent is a daunting task — here is what we found.

Working with typefaces is about as basic as it gets for graphic designers. A solid knowledge of type, a keen eye for which fonts suit each project, and an awareness of what is available are rudimentary parts of the job.

Following on from Contemporary Type Foundries Part 1, here are six more foundries worth knowing — from a Dutch one-person studio to a Croatian practice with a flair for precision.

Next to sculpture, painting, architecture, cinema, cuisine and couture, France's graphic design seems nowhere.

It should come as no surprise that some of the best designed websites are those of design studios themselves.

In a profession dominated by screens and AI tools, the designers who maintain a connection to making things by hand stand out. Here is why that still matters — and how to keep it alive.

This inspiring article has been written by graphic design student Jacob Cass.

Fabien Barral is a French graphic designer who built a studio from a remote village, landed the Rolling Stones, and made texture-rich work that designers still reference today. This is his story.

Luke Feldman's SKAFFS illustrations have been described as what Tim Burton is to cinema. Clients include Coca-Cola, Apple, and Disney. Here he talks process, style, and what it really means to develop your own visual language.

Veerle Pieters is a Belgian graphic and web designer whose tutorials, blog, and work for clients including Google and the Library of Congress have made her one of the most recognised designers in the field. Here is her interview with The Graphic Design School.

James Victore believes that knowing about jazz, wine, and auto-racing can make you a better designer. He also believes the best designs punch you in the gut. Both things are true, and both say something about how he works.

A review of David Airey's Logo Design Love — one of the best books on identity design, covering the full creative process from sketch to PDF.

A curated collection of the best logo galleries and trend resources, with notes on what trends mean for logo designers — and why some designers argue against following them.

Mind mapping is one of the most effective brainstorming techniques for graphic designers. Learn how to use mind maps for idea generation, concept development, and creative thinking.

In the first of a series of lessons entitled Professional Practice, we have sourced one of todays hottest working English based freelance designers to give you the leg up on building yourself a truly professional Graphic Design practice.

Providing a quote for graphic design services is one of the most difficult areas of the field to navigate. It can kind of be like going on a first date.

This week's article on professional design practice concerns project planning. Good, thoughtful project planning can be indispensable to the smooth running of your professional life as a freelancer.

They come in all shapes and sizes, from all different professional backgrounds, and we rely on them to pay our fees. A large portion of the freelancer's life is spent looking for them, bagging them, and spending a considerable amount of our daily slog trying to work out what they want. I'm speaking of course about clients, and this article is all about working with them...

At the same point each month, every month, an employed person receives a wage packet from their payroll department, and their bank account is credited with their salary. Safe in this knowledge, they can plan their finances around this fixed point.

So you find yourself pitching for a job and have come up with an ingenious solution to a fiendishly tricky design conundrum, and all you want to do is get on the phone to the client and sing it from the bottom of your lungs. Slow down there pardner.

A rookie mistake in the design world is working without a contract. I too have fallen to the sorry plight of ultimately working for free with no promise of continued work or payment on the horizon.

Save perhaps their personality, the freelance graphic designer's portfolio is, undoubtedly, the most valuable asset in their professional life. The portfolio is the freelancer's shop window — an intimate glimpse into their being for all who view it.

We went to France, Italy, Spain, and everywhere else where they serve great wine after dessert, to find the most inventive typographic designers Europe has to offer.

The brief. That genesis of the creative process. All design jobs begin with a briefing from the client, usually in written form (the preferred option) though they can also be given verbally.

In Part 1 we discussed the role of receiving and understanding the creative brief — a vital part of the designer's job. Now for the fun part.

Brazil's graphic design scene combines European rigour, Afro-Brazilian visual energy and a distinctly Latin imagination — here is some of the best work to emerge from this creative giant.

Chances are you have heard of Open Source. But what does the term actually mean, and what does it offer design students in 2026? From GIMP 3.0 to Krita and free AI tools — a practical guide.

Luke Feldman generously made TGDS students a tutorial using his distinctive style and one of his quirky characters. See how Luke transforms a hand-drawn sketch into a vector character in Illustrator.

Your business card leaves an impression of you even when you are not in the room. A thoughtfully designed card keeps you on the radar of the people you hand it to. Here are some of our favourites.