# The Graphic Design School - LLMs.txt Professional graphic design education and AI-powered design tools **Generated:** 2025-09-29T05:33:27.537Z **Site URL:** https://www.thegraphicdesignschool.com **Total Pages:** 155 **AI-Processed Pages:** 155 **Total Word Count:** 159,165 **Framework:** Gatsby.js (React-based Static Site Generator) ## About This File This file provides structured information about The Graphic Design School for Large Language Models. Content has been extracted from the built Gatsby site and enhanced with AI-powered analysis for better understanding and categorization.\n\n---\n\n# Site Overview ## Content Statistics - **Total Pages:** 155 - **Total Word Count:** 159,165 - **Average Words per Page:** 1027 - **Content Templates:** home, courses, ai-home, course-single, contact, blog-single, dex-single, student-single, page - **Last Updated:** 2025-09-29 ## Primary Sections\n- **The Graphic Design School | Online Graphic Design Courses** (/)\n The Graphic Design School offers online courses for aspiring graphic designers. [Quality: 3/5]\n- **Our Online Design Courses | The Graphic Design School** (/courses/)\n Explore online design courses at The Graphic Design School to enhance your creativity and skills. [Quality: 4/5]\n- **Learn Artificial Intelligence | The Graphic Design School** (/ai/)\n Learn how AI enhances graphic design skills through courses and resources. [Quality: 4/5]\n- **CUA40720 Certificate IV in Design | Online Courses | The Graphic Design School** (/courses/certiv/)\n The CUA40720 Certificate IV in Design offers a comprehensive online graphic design qualification recognized across Australia. [Quality: 4/5]\n- **Intensive Foundation Course | Online Courses | The Graphic Design School** (/courses/intensive-foundation/)\n The Intensive Foundation Course offers a comprehensive online introduction to graphic design over 11 modules. [Quality: 4/5]\n- **Web Design Course | Online Courses | The Graphic Design School** (/courses/web-design-course/)\n Intensive web design course for graphic designers focusing on UI/UX principles. [Quality: 4/5]\n- **Design For Social Media | Online Courses | The Graphic Design School** (/courses/design-for-social-media/)\n Learn practical social media design skills to engage clients and create impactful content. [Quality: 4/5]\n- **Design@Work | Online Courses | The Graphic Design School** (/courses/design-at-work/)\n Design@Work offers online design courses for non-designers to enhance their skills using Adobe InDesign. [Quality: 4/5]\n- **Contact Us | The Graphic Design School** (/contact/)\n Contact The Graphic Design School via phone or email for inquiries. [Quality: 4/5]\n\n## Content Categories\n- **Courses:** 59 pages (Avg Quality: 4.0/5)\n- **Contact:** 1 pages (Avg Quality: 4.0/5)\n- **Blog:** 43 pages (Avg Quality: 4.0/5)\n- **Portfolio:** 39 pages (Avg Quality: 4.0/5)\n- **Student Work:** 1 pages (Avg Quality: 4.0/5)\n- **Terms:** 1 pages (Avg Quality: 4.0/5)\n- **About:** 6 pages (Avg Quality: 3.5/5)\n- **Faq:** 1 pages (Avg Quality: 4.0/5)\n- **Resources:** 2 pages (Avg Quality: 4.0/5)\n- **Services:** 1 pages (Avg Quality: 4.0/5)\n- **Education:** 1 pages (Avg Quality: 4.0/5)\n\n---\n\n# Complete Site Content Full content of all pages with AI enhancements. ## Page 1: The Graphic Design School | Online Graphic Design Courses\n**URL:** /\n**Template:** home\n**Priority:** 10\n**Word Count:** 2393\n**Last Modified:** 2025-09-29T05:21:54.475Z\n**AI Category:** courses\n**AI Quality:** 3/5\n**AI Summary:** The Graphic Design School offers online courses for aspiring graphic designers.\n\nThe Graphic Design School est. 2008. The world's first solely online graphic design school. PreviousCOURSES Web Design CourseExtend your skillset with some mad UI/UX skills, an add on course for graphic design graduates. Web taught the TGDS way, awesome! I'm Ready for the Next Step as a Designer Web Design Course Web Design Course Web Design Course Web Design Course Web Design Course Web Design Course Web Design Course Web Design Course Web Design Course Web Design Course Web Design Course Web Design Course Web Design Course Web Design Course Web Design Course Web Design Course Web Design Course Web Design Course Web Design Course Web Design Course Web Design Course Web Design Course Web Design Course Web Design Course Web Design Course Web Design Course Web Design Course Web Design Course Web Design Course Web Design Course Web Design Course Web Design Course Web Design Course Web Design Course Web Design Course Web Design Course Web Design Course Web Design Course Web Design Course Web Design Course Web Design Course Web Design Course Web Design CourseCOURSES Intensive Foundation CourseNeed some hefty design skills without the qual? Save a bit of dough with the IFC, cover the first 11 modules of the 12 module qual course here. Find Out How to Get Mad Design Skillz Intensive Foundation Course Intensive Foundation Course Intensive Foundation Course Intensive Foundation Course Intensive Foundation Course Intensive Foundation Course Intensive Foundation Course Intensive Foundation Course Intensive Foundation Course Intensive Foundation Course Intensive Foundation Course Intensive Foundation Course Intensive Foundation Course Intensive Foundation Course Intensive Foundation Course Intensive Foundation Course Intensive Foundation Course Intensive Foundation Course Intensive Foundation Course Intensive Foundation Course Intensive Foundation Course Intensive Foundation Course Intensive Foundation Course Intensive Foundation Course Intensive Foundation Course Intensive Foundation Course Intensive Foundation Course Intensive Foundation Course Intensive Foundation Course Intensive Foundation Course Intensive Foundation Course Intensive Foundation Course Intensive Foundation Course Intensive Foundation Course Intensive Foundation Course Intensive Foundation Course Intensive Foundation Course Intensive Foundation Course Intensive Foundation Course Intensive Foundation Course Intensive Foundation Course Intensive Foundation Course Intensive Foundation CourseAus Qualification CourseCOURSES CUA40720 Certificate IV in DesignThe government accredited CUA40720 Certificate IV in Design qualification is recognised by employers and industry groups Australia wide. Find Out How to Get Qualified CUA40720 Certificate IV in Design CUA40720 Certificate IV in Design CUA40720 Certificate IV in Design CUA40720 Certificate IV in Design CUA40720 Certificate IV in Design CUA40720 Certificate IV in Design CUA40720 Certificate IV in Design CUA40720 Certificate IV in Design CUA40720 Certificate IV in Design CUA40720 Certificate IV in Design CUA40720 Certificate IV in Design CUA40720 Certificate IV in Design CUA40720 Certificate IV in Design CUA40720 Certificate IV in Design CUA40720 Certificate IV in Design CUA40720 Certificate IV in Design CUA40720 Certificate IV in Design CUA40720 Certificate IV in Design CUA40720 Certificate IV in Design CUA40720 Certificate IV in Design CUA40720 Certificate IV in Design CUA40720 Certificate IV in Design CUA40720 Certificate IV in Design CUA40720 Certificate IV in Design CUA40720 Certificate IV in Design CUA40720 Certificate IV in Design CUA40720 Certificate IV in Design CUA40720 Certificate IV in Design CUA40720 Certificate IV in Design CUA40720 Certificate IV in Design CUA40720 Certificate IV in Design CUA40720 Certificate IV in Design CUA40720 Certificate IV in Design CUA40720 Certificate IV in Design CUA40720 Certificate IV in Design CUA40720 Certificate IV in Design CUA40720 Certificate IV in Design CUA40720 Certificate IV in Design CUA40720 Certificate IV in Design CUA40720 Certificate IV in Design CUA40720 Certificate IV in Design CUA40720 Certificate IV in Design CUA40720 Certificate IV in DesignCOURSES Design For Social MediaSocial Media Design done the epic way, The Graphic Design School way. We focus on Design and Content with a peppering of practical marketing and strategy! I'm Ready for the Next Step as a Designer Design For Social Media Design For Social Media Design For Social Media Design For Social Media Design For Social Media Design For Social Media Design For Social Media Design For Social Media Design For Social Media Design For Social Media Design For Social Media Design For Social Media Design For Social Media Design For Social Media Design For Social Media Design For Social Media Design For Social Media Design For Social Media Design For Social Media Design For Social Media Design For Social Media Design For Social Media Design For Social Media Design For Social Media Design For Social Media Design For Social Media Design For Social Media Design For Social Media Design For Social Media Design For Social Media Design For Social Media Design For Social Media Design For Social Media Design For Social Media Design For Social Media Design For Social Media Design For Social Media Design For Social Media Design For Social Media Design For Social Media Design For Social Media Design For Social Media Design For Social MediaCOURSES Design@WorkStruggling to design at work with the wrong tools? The design course you do when you don't want to do a design course. Short & sweet! Find Out How to Learn Design Fast Design@Work Design@Work Design@Work Design@Work Design@Work Design@Work Design@Work Design@Work Design@Work Design@Work Design@Work Design@Work Design@Work Design@Work Design@Work Design@Work Design@Work Design@Work Design@Work Design@Work Design@Work Design@Work Design@Work Design@Work Design@Work Design@Work Design@Work Design@Work Design@Work Design@Work Design@Work Design@Work Design@Work Design@Work Design@Work Design@Work Design@Work Design@Work Design@Work Design@Work Design@Work Design@Work Design@WorkCOURSES Web Design CourseExtend your skillset with some mad UI/UX skills, an add on course for graphic design graduates. \n\n---\n\n## Page 2: Our Online Design Courses | The Graphic Design School\n**URL:** /courses/\n**Template:** courses\n**Priority:** 9\n**Word Count:** 427\n**Last Modified:** 2025-09-29T05:21:54.867Z\n**AI Category:** courses\n**AI Quality:** 4/5\n**AI Summary:** Explore online design courses at The Graphic Design School to enhance your creativity and skills.\n\nOur Design Courses! Unleash your creativity and study online. Choose from our four design courses and start rocking the design world.Mad Skillz for LessTGDS IntensiveFoundation CourseAn online intensive skills packed course in graphic design. You will cover 11 modules during the course and be issued a Certificate of Completion. Our favourite course!Learn More Intensive Foundation CourseIntensive Foundation CourseIntensive Foundation CourseIntensive Foundation CourseIntensive Foundation CourseIntensive Foundation CourseIntensive Foundation CourseIntensive Foundation CourseIntensive Foundation CourseIntensive Foundation CourseIntensive Foundation CourseIntensive Foundation CourseIntensive Foundation CourseIntensive Foundation CourseIntensive Foundation CourseIntensive Foundation CourseIntensive Foundation CourseIntensive Foundation CourseIntensive Foundation CourseIntensive Foundation CourseAus Qualification CourseCUA40720Certificate IV in DesignThe government accredited CUA40720 Certificate IV in Design qualification is recognised by employers and industry groups Australia wide.Learn More CUA40720 Certificate IV in DesignCUA40720 Certificate IV in DesignCUA40720 Certificate IV in DesignCUA40720 Certificate IV in DesignCUA40720 Certificate IV in DesignCUA40720 Certificate IV in DesignCUA40720 Certificate IV in DesignCUA40720 Certificate IV in DesignCUA40720 Certificate IV in DesignCUA40720 Certificate IV in DesignCUA40720 Certificate IV in DesignCUA40720 Certificate IV in DesignCUA40720 Certificate IV in DesignCUA40720 Certificate IV in DesignCUA40720 Certificate IV in DesignCUA40720 Certificate IV in DesignCUA40720 Certificate IV in DesignCUA40720 Certificate IV in DesignCUA40720 Certificate IV in DesignCUA40720 Certificate IV in DesignMaster SM DesignDesign For Social MediaSocial Media Design done the epic way, The Graphic Design School way. We focus on design and content with a touch of marketing and strategy — delivered in a practical way you that you can use in the real world, for real clients.Learn More Design For Social MediaDesign For Social MediaDesign For Social MediaDesign For Social MediaDesign For Social MediaDesign For Social MediaDesign For Social MediaDesign For Social MediaDesign For Social MediaDesign For Social MediaDesign For Social MediaDesign For Social MediaDesign For Social MediaDesign For Social MediaDesign For Social MediaDesign For Social MediaDesign For Social MediaDesign For Social MediaDesign For Social MediaDesign For Social MediaFor Non-DesignersDesign@WorkDesign@Work is the design course for non-designers. A course focusing on enabling you to accomplish design tasks without years of design training.Learn More Design@WorkDesign@WorkDesign@WorkDesign@WorkDesign@WorkDesign@WorkDesign@WorkDesign@WorkDesign@WorkDesign@WorkDesign@WorkDesign@WorkDesign@WorkDesign@WorkDesign@WorkDesign@WorkDesign@WorkDesign@WorkDesign@WorkDesign@WorkBack to the TopGet Started.You can enrol any day of the year whenever you are ready to start, from anywhere in the world.Enrol hereBrochures, Phone Calls & QuestionsDownload brochures, book phone calls, or ask questions anytime.Contact TGDSOther ways to get in touchAustralia 1300 655 485International +61 1300 655 485Ask Anything info@thegraphicdesignschool.comGet a quote accounts@thegraphicdesignschool.comAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 3: Learn Artificial Intelligence | The Graphic Design School\n**URL:** /ai/\n**Template:** ai-home\n**Priority:** 9\n**Word Count:** 262\n**Last Modified:** 2025-09-29T05:21:54.986Z\n**AI Category:** courses\n**AI Quality:** 4/5\n**AI Summary:** Learn how AI enhances graphic design skills through courses and resources.\n\nDiscover how AI can automate tasks, generate designs, and enhance workflow with our curated tools list. AI & Graphic Design: Friend or Foe?Regardless of your skillset — whether you are a current designer or a complete newbie to design, this course has been designed to give you the skills you need in order to practice as a Social Media Designer. ChatGPT in The Graphic Design ProcessThis is the introductory discussion trying to asses whether machines are working for us of we are working for the machines.ArticlesWant to learn more about AI?Check out some of our articles.Just getting started with AI? Level up your skills with our new and exciting comprehensive resources section.Use ChatGPT ResponsiblyThis revolutionary AI language model requires responsible use.Read the Article 6 Tips: How to use Dall-E6 essential tips for beginners and graphic designers on getting started with Dall-E.Read the Article Using Dall-E EthicallyFriend or Foe? The revolutionary AI image generator with ethical implications.Read the Article Subscribe to our YouTube ChannelSee all coursesFind us on the GramGet Started.You can enrol any day of the year whenever you are ready to start, from anywhere in the world.Enrol hereBrochures, Phone Calls & QuestionsDownload brochures, book phone calls, or ask questions anytime.Contact TGDSOther ways to get in touchAustralia 1300 655 485International +61 1300 655 485Ask Anything info@thegraphicdesignschool.comGet a quote accounts@thegraphicdesignschool.comAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 4: CUA40720 Certificate IV in Design | Online Courses | The Graphic Design School\n**URL:** /courses/certiv/\n**Template:** course-single\n**Priority:** 8\n**Word Count:** 3227\n**Last Modified:** 2025-09-29T05:21:57.584Z\n**AI Category:** courses\n**AI Quality:** 4/5\n**AI Summary:** The CUA40720 Certificate IV in Design offers a comprehensive online graphic design qualification recognized across Australia.\n\nCUA40720 Certificate IV in DesignThe government accredited CUA40720 Certificate IV in Design is recognised by employers and industry groups Australia wide. This qualification is part of the national Vocational Education and Training (VET) system. Course Costs & Payment PlansThe Course EthosOnline But IntensiveYes intensive. We know what you need to know in order to be a designer, a smart one. So we don’t take any short cuts. Others may teach from a text book, or from a stream of videos. We don’t. Design training designed by industry expertsWe have designed our CUA40720 Certificate IV in Design course to be a comprehensive qualification in graphic design. You will cover 12 modules during the course and be issued a CUA40720 Certificate IV in Design qualification after successfully completing the course. More Than Just Software LearningWe teach a mixture of what we call ‘OLD SCHOOL’ meets ‘NEW SCHOOL’ techniques that get to the core of what it means to be a real designer: an understanding of the culture of design combined with the techniques of a solid design process, from design brief to idea generation, sketching, layout, comp and finishing in the Adobe Suite. The Certificate IV QualificationPortfolio & QualificationThis course is ideal for someone who wishes to obtain a qualification for their skills. Being a portfolio based industry; we feel your skills are the most important aspect to your design training. Whether you need the qualification or not is entirely a personal choice. That’s why we run the qualification and the non-qualification courses! Self Paced CourseSetting a schedule. Students have up to 15 months to complete the 12 modules. As the course is self-paced, you can decide how many hours a week you wish to concentrate on your study. An approximate guide is 750 hours to complete the 12 Modules. Course OutlineThe 12 modules within the course have been holistically designed around the 15 Units of Competency comprised in the CUA40720 Certificate IV in Design training package. Module 1 - Introduction to Graphic Design+SummaryModule 1 offers an overview of what graphic design is and the immense professional opportunities it provides. Students will be inspired and enlightened whilst being taken on a journey to the great works of past and present iconic graphic designers. You will be introduced to the most popular designer sites encompassing work within the various industries that designers work in. DefinitionsDefinition: A definition of graphic design and its specialised industries. History: The history of written communication from ancient to present times with visual examples of pivotal movements and designer work. Specialities: Explanation of the various specialities within the industry of graphic design. An understanding of graphic design’s role in future industries. Social Networks: Introduction to professional organisations and affiliations that will enrich the student’s understanding of the profession. Outcomes A definition of graphic design. An introduction to pivotal historic and contemporary designers. An introduction to the various specialities included in the graphic design profession. Introduction to online design resources that will inspire and enrich student’s education throughout the module. Module 2 - Design Basics+SummaryIn this module, students will begin putting design elements and principles into practice. Students will begin to make decisions using the visual language of a designer. By doing simple studies, this module will introduce students to Adobe Illustrator™ software. DefinitionsVocabulary: Design elements and principles. Studies: Illustrated studies reinforcing the concepts and vocabulary of design. Refinement of final studies using Adobe Illustrator™ software. Software: Introduction to vector-based computer software Adobe Illustrator™. Outcomes A working knowledge of design elements and how to use them. A working knowledge of design principles and how to use them. An introduction to design vocabulary needed to evaluate solutions and communicate as a designer. Ability to manipulate space to communicate specific objectives. Module 3 - Introduction to Typography+SummaryTypography is a critical skill to the graphic designer. In Module 3, students will get an overview of what typography is, and the integral role it plays in graphic design. They will learn the history and evolution of the alphabet and typographic design and will advance into basic theory and practice. DefinitionsHistory: Students will be introduced to the evolution of the alphabet and letter-form design. Vocabulary: Students will learn type families, type anatomy and type principles. Studies: Students will learn how to illustrate the basic type families and apply tools to them. Software: Students will learn typographic tools available in Adobe Illustrator™ software. Outcomes A knowledge of the evolution of the alphabet & letter-forms. A knowledge of the history of typographic design. An introduction to typographic vocabulary needed to communicate as a typographic designer. Ability to classify the different classifications of typography. Module 4 - Colour+SummaryIn Module 4, students will learn the critical elements and principles of colour that create meaningful design. Students will be introduced to the relative theory of colour and will learn the vocabulary and tools needed to create and talk about colour design. DefinitionsVocabulary: Students will learn the vocabulary associated with colour theory. Studies: Students will display a working knowledge of the concepts in this Module by completing several computer based colour studies using templates provided. Software: Students will learn the colour tools available in Adobe Illustrator™ software. Outcomes A knowledge of different types of colour perception. An understanding of the colour vocabulary needed to communicate as a designer. An introduction to the colour theories needed to work with colour. Ability to manipulate colour using basic colour tools. Module 5 - Advanced Typography+SummaryIn Module 5 students will advance their knowledge of typography by learning how to apply graphic design elements and principles to typographic design. All studies in this Module will be computer based. DefinitionsVocabulary: Students will learn advanced typographic theory and vocabulary. Studies: Students will display a working knowledge of the concepts in this Module by completing several computer based typographic studies using templates provided. Software: Students will learn advanced typographic tools available in Adobe Illustrator™. Outcomes An expanded knowledge of type anatomy, tools and vocabulary. An introduction to the elements, principles and theories of design as they apply to typography. The ability to create letterforms, lines of type and body copy, using Adobe Illustrator™ software. Module 6 - Photography+SummaryIn Module 6 students will get an overview of photography. \n\n---\n\n## Page 5: Intensive Foundation Course | Online Courses | The Graphic Design School\n**URL:** /courses/intensive-foundation/\n**Template:** course-single\n**Priority:** 8\n**Word Count:** 2871\n**Last Modified:** 2025-09-29T05:21:57.500Z\n**AI Category:** courses\n**AI Quality:** 4/5\n**AI Summary:** The Intensive Foundation Course offers a comprehensive online introduction to graphic design over 11 modules.\n\nIntensive Foundation CourseThe Intensive Foundation Course is an online intensive foundational course in graphic design. You will cover 11 modules during the course and be issued a Certificate of Completion after successfully completing the course. Course Costs & Payment PlansThe Course EthosWe Teach You From the Ground UpRegardless of your skill set we will start you from scratch and give you the mad skillz you need in order to practice design at a professional level. Equipped With The Relevant SkillsYou will complete the course with a well-rounded portfolio showcasing your skills. This course is for people who want to become graphic designers yet do not feel they need a government accredited qualification to do so. Loaded With ValueThe graphic design industry is reputed to be an industry based on portfolio. This considered, The Graphic Design School believes that offering an alternate to the government accredited qualification pathway offers students the flexibility to undertake study without the price tag attached to a qualification. If you need the qualification for your skills see the CUA40720 Certificate IV in Design Course. Self Paced CourseSetting a schedule? Students have up to 12 months to complete the 11 modules. As the course is self-paced, you can decide how many hours a week you wish to concentrate on your study. An approximate guide is 700 hours to complete the 11 modules. Course OutlineThe 11 modules within the course have been designed to nurture a full understanding of the philosophies and ideologies that underpin good graphic design, from the ground up! Module 1 - Introduction to Graphic Design+SummaryModule 1 offers an overview of what graphic design is and the immense professional opportunities it provides. Students will be inspired and enlightened whilst being taken on a journey to the great works of past and present iconic graphic designers. You will be introduced to the most popular designer sites encompassing work within the various industries that designers work in. DefinitionsDefinition: A definition of graphic design and its specialised industries. History: The history of written communication from ancient to present times with visual examples of pivotal movements and designer work. Specialities: Explanation of the various specialities within the industry of graphic design. An understanding of graphic design’s role in future industries. Social Networks: Introduction to professional organisations and affiliations that will enrich the student’s understanding of the profession. Outcomes A definition of graphic design. An introduction to pivotal historic and contemporary designers. An introduction to the various specialities included in the graphic design profession. Introduction to online design resources that will inspire and enrich student’s education throughout the module. Module 2 - Design Basics+SummaryIn this module, students will begin putting design elements and principles into practice. Students will begin to make decisions using the visual language of a designer. By doing simple studies, this module will introduce students to Adobe Illustrator™ software. DefinitionsVocabulary: Design elements and principles. Studies: Illustrated studies reinforcing the concepts and vocabulary of design. Refinement of final studies using Adobe Illustrator™ software. Software: Introduction to vector-based computer software Adobe Illustrator™. Outcomes A working knowledge of design elements and how to use them. A working knowledge of design principles and how to use them. An introduction to design vocabulary needed to evaluate solutions and communicate as a designer. Ability to manipulate space to communicate specific objectives. Module 3 - Introduction to Typography+SummaryTypography is a critical skill to the graphic designer. In Module 3, students will get an overview of what typography is, and the integral role it plays in graphic design. They will learn the history and evolution of the alphabet and typographic design and will advance into basic theory and practice. DefinitionsHistory: Students will be introduced to the evolution of the alphabet and letter-form design. Vocabulary: Students will learn type families, type anatomy and type principles. Studies: Students will learn how to illustrate the basic type families and apply tools to them. Software: Students will learn typographic tools available in Adobe Illustrator™ software. Outcomes A knowledge of the evolution of the alphabet & letter-forms. A knowledge of the history of typographic design. An introduction to typographic vocabulary needed to communicate as a typographic designer. Ability to classify the different classifications of typography. Module 4 - Colour+SummaryIn Module 4, students will learn the critical elements and principles of colour that create meaningful design. Students will be introduced to the relative theory of colour and will learn the vocabulary and tools needed to create and talk about colour design. DefinitionsVocabulary: Students will learn the vocabulary associated with colour theory. Studies: Students will display a working knowledge of the concepts in this Module by completing several computer based colour studies using templates provided. Software: Students will learn the colour tools available in Adobe Illustrator™ software. Outcomes A knowledge of different types of colour perception. An understanding of the colour vocabulary needed to communicate as a designer. An introduction to the colour theories needed to work with colour. Ability to manipulate colour using basic colour tools. Module 5 - Advanced Typography+SummaryIn Module 5 students will advance their knowledge of typography by learning how to apply graphic design elements and principles to typographic design. All studies in this Module will be computer based. DefinitionsVocabulary: Students will learn advanced typographic theory and vocabulary. Studies: Students will display a working knowledge of the concepts in this Module by completing several computer based typographic studies using templates provided. Software: Students will learn advanced typographic tools available in Adobe Illustrator™. Outcomes An expanded knowledge of type anatomy, tools and vocabulary. An introduction to the elements, principles and theories of design as they apply to typography. The ability to create letterforms, lines of type and body copy, using Adobe Illustrator™ software. Module 6 - Photography+SummaryIn Module 6 students will get an overview of photography. They will learn the basic tools they need to shoot photography as a graphic designer, will learn how graphic designer’s work with professional photographers and will learn how to source online stock photography. They will be introduced to pixel-based graphic design software Adobe Photoshop™. DefinitionsVocabulary: Students will learn the tools and vocabulary associated with printing and photography. \n\n---\n\n## Page 6: Web Design Course | Online Courses | The Graphic Design School\n**URL:** /courses/web-design-course/\n**Template:** course-single\n**Priority:** 8\n**Word Count:** 2368\n**Last Modified:** 2025-09-29T05:21:57.473Z\n**AI Category:** courses\n**AI Quality:** 4/5\n**AI Summary:** Intensive web design course for graphic designers focusing on UI/UX principles.\n\nWeb Design CourseNew to the web design world? This intensive course takes graphic designers deep into the design and UI & UX pillars of the web. Learn, experience and master the aspects of visual and human interaction design unique for working in the world of the web! Course Costs & Payment PlansThe Course EthosLoaded With ValueThe course will equip you with all the skills necessary to understand information, user interface design, and the ability to plan and design a multi-page website project, for both desktop and mobile. There are many job definitions within the web design discipline. A Web Designer is a person who creates the visual elements of websites. Web designers design the overall look for a website and let a Webmaster/Developer do the actual coding. Most often, they are also proficient with web graphics and images. Self PacedStudents have 6 months to complete the course. This course is entirely self-paced, this means that students can study online and in their own time. Enrolments in the Web Design Course are taken all year round any day of the year. The approximate time to complete the course is 200 hours. This varies from student to student. No-Code Included!Back–end developers and web developers are broadly called software engineers, their’s is an entirely different skill set to web design. Web designers and developers communicate with each other and often collaborate to create complete website projects. Course OutlineThe 6 modules within this course have been designed holistically, aimed to nurture a designer new to the world of web through the design and deployment process of a site. Module 1 - Introduction to Web Design+SummaryModule 1 offers an overview of what role an understanding of graphic design plays in web, UI and UX design. Students will examine the fundamental principles and philosophies of graphic design from the new perspective of working within the constraints of designing for the internet. Module 1 will coalesce these skills together to bring students to the point of laying out an online feature article. DefinitionsDefinition: A definition of web design and it’s associated and specialised industries. History: The history of digital communication from Blaise Pascal’s numerical proof for the calculator To Modern times. Major milestones are marked with defining moments from that year, decade or era. Roles: Explanation of the various specialities and roles within the field of web design and development. An understanding of the skill sets involved in these roles. Outcomes Understanding of the principles of user-centred design and its application in web design. Understanding of the principles of information design. Understanding of the principles of interface design. Advanced understanding of the principles of graphic design for the screen environment. Understanding of the role of markup languages for web design and what they do. Ability to plan and design a multi-page website project. Module 2 - Visual Design Elements in the Web Environment+SummaryModule 2 explores the use of images, multimedia and web-unique elements in website design. In this module students will critically analyse the use of these web design elements, accounting both for their effectiveness in the design and also their performance on the site. Module 2 will also begin to foster students’ understanding of the role of wireframe prototypes in a webpage’s design and how to implement a grid system over a page. DefinitionsVocabulary: Learn many of the most common filetypes and documents encountered online both as a user and designer. Elements: Look into the most commonly utalised web design elements and how they function to contribute to or detract from a greater website’s design. Hierarchy: Explanation Of the purpose and use of hierarchy in page layout design to make user readable and understandable interfaces. Grid Systems: Introduction to grid systems in website design. Students will look at applying grid layouts to a page in order to size, shape and position their web elements. Outcomes Define resolution and identify standards for print and for screen. Understand image file formats and compression for use on the web. Compare and understand different image techniques used in web design. Identify grid systems and how they are utilised. Understand how grid systems are used in planning and developing an interface design. Improving interface design with learnt skills. Module 3 - Designing Information and Navigation+SummaryModule 3 builds a familiarity and experience with working and designing for a fully scoped website. Students will expand upon their knowledge of single page hierarchies and design systems and translate into multi-page and multi-level website structures. DefinitionsInformation Architecture: The categorical or structural description of a website, looking at how the user will journey through the site and how to give a consistent, layout to multi-level sites. Taxonomy: The descriptive terminology used to label items, pages, or products in an online shop, blog or portfolio. Target User Analysis: How to define the key demographics and descriptors for user groups high value and vital user groups to the site. Analysis looks at the intent, digital literacy and conversion efficacy of these groups. Responsive: Introduction To designing to differing screen and interface devices. Outcomes An understanding of the role Information Architecture plays in mapping out a website’s design. Apply procedures to create target audience demographics and design for their needs. Understand how to shape designs around the limitations and constraints of current day interfaces and accessibility requirements. Simultaneously work their designs to both desktop and mobile users, whilst still making effective considerations for intermediary devices. Module 4 - Scoping and Project Design Specification+SummaryIn Module 4 students will begin to work on their Main Web Design Project for their work in the Web Design Course. Students will be allowed to choose their website design client from a list of supplied clients, create a site for their own design work or choose a real world client of their own. DefinitionsDesign Brief: The aspects of written analysis looked at in each of the earlier modules will now be applied to the student’s chosen project. MVP: The Minimum Viable Product is the minimum level of design necessary in order to demonstrate how the site will look and feel to the client. Specifications Document: Students completing each assessment in this module will consider each aspect of the design process, including product research and scheduling. Outcomes Students will work to create a full and professional level design brief for a newly created (or completely redesigned) website. This design brief will include the research and presentation requirements for the specification documents included in a professional website design project. \n\n---\n\n## Page 7: Design For Social Media | Online Courses | The Graphic Design School\n**URL:** /courses/design-for-social-media/\n**Template:** course-single\n**Priority:** 8\n**Word Count:** 1542\n**Last Modified:** 2025-09-29T05:21:57.533Z\n**AI Category:** courses\n**AI Quality:** 4/5\n**AI Summary:** Learn practical social media design skills to engage clients and create impactful content.\n\nDesign For Social MediaWhilst ‘others’ regurgitate the same old marketing stuff, we say BLAH to teaching the outdated and YES to teaching you the true tricks of the trade. We focus on the practical design lessons that will guarantee to make your clients love you for being the greatest Social Media Designer that we can teach you to be! Course CostsThe Course EthosWe Teach You From The Ground UpRegardless of your skillset — whether you are a current designer or a complete newbie to design, this course has been designed to give you the skills you need in order to practice as a Social Media Designer. This course is compatible with Desktop, Laptop and Tablet devices. Serious About Earning An Income As A Social Media Designer?If you’re serious about earning an income as a Social Media Designer, whether it be designing for your own business, your workplace, or a list of clients, you will need a serious social media design course. Don’t worry, we won’t waste your time with stats, analytics and marketing jargon that can be hard to retain. That’s a TGDS promise! Introducing Design for Social Media CourseIntroducing our new course Design for Social Media. You'll learn how to create custom social media template designs and visual content, that will capture the attention of your audience and drive engagement.We Teach In CanvaIf you are a graphic designer, you are likely eye rolling right now, we get it, hear us out… Canva creates accessibility and independence for your clients. Social media, as we all know, encourages you to create an influx of content. The new wave of design is to create independence for your clients when generating content. Canva affords you as the designer, the possibility to create suites of original templates enabling clients to manage their social media design accounts month to month. Coming back to you month in month out! Who's It For?Whether you are a newbie to design or a seasoned graphic designer, we start you from scratch in this course. Seasoned designers will love having the opportunity to strengthen their understanding of the elements and principles of design as used in social media. While newcomers to design will be taught how to design from scratch. Course OutlineEmbrace new skills with three extensive and informative modules over three months — completely self-paced to complete approximately 100hrs. Read through the module outlines to see how we get you there: Module 1 - Professional Social Media+SummaryIn this module we review the various business opportunities that lay in waiting for you as a Social Media Designer. We jump into the ‘why’s’ of Canva and consider the importance of elements and principles in graphic design and photography. In Module 1 you will explore the theory and psychology of colour and how it applies to branding. You will also learn how to create accessible colour palettes for implementation across future design projects. Finally, you will learn the fundamentals of type, how to successfully pair type styles and how to create a type system for your designs. Module 2 - Clients, Design and Practical Social Media Marketing+SummaryIn Module 2 we will delve into social media marketing. Here we will learn how to create a successful social media marketing strategy from auditing your client’s social media accounts and setting SMART goals, to developing a target persona and performing a competitor analysis. You will learn how to write a creative brief with your client, create brand guidelines and identify yours or your client’s unique tone and voice. You will begin to use analytics, review metrics, schedule your client’s content. You will also learn how to identify your client’s best performing content buckets. This module is part of the design process that will give you the confidence to produce incredible content in Module 3. Module 3 - Creating Incredible Content+SummaryIn Module 3 you will be styling and conducting your own photoshoot using the process work from the exercises you completed in pre modules. You will get to know the DSLR camera functions and learn how to make image edits using a range of image editing tools. You will start generating ideas for your final template suite and use your final sketches to help you execute your template designs for a number of popular social media platforms. You will create a brand kit to help you organise your client’s brand assets, logos and colour palettes. We will teach you the importance and application of using a basic grid system in your designs. You will also learn to use some additional features to create animations within your templates. In the final exercise you will create a suite of designs, a full client presentation and style guide. Module 3 also has an option to submit your final assessment for your tutor to review and offer feedback. PreviousUnbelievably KindI had the best experience studying with TGDS. The content and whole learning system was amazing, I have advanced such a long way in my skills and knowledge of Graphic Design since undertaking this course.— Georgina BAmazing SupportThe best international on-line design school you could ever ask for, especially during the lockdown. The theory is structured very thoughtful, the video tutorials are really helpful, especially if English is not your native language.— Anastasia BHighly RecommendedI couldn't recommend a course more highly!! The staff were absolutely incredible and always helped when you needed. The content was very interesting and covered a broad range of design projects.— Zoe BStudy AnywhereYou can take it anywhere with you and it fits in nicely with the rest of life. I now work as a freelance designer in my hometown of Melbourne.— Robert AThank you TGDS!!Everything was well laid out and the support from the staff and teachers was fantastic. I thought long and hard before enrolling on which school would be best for me but I'm very glad I chose The Graphic Design School.— Lee JLoved my time at TGDSThe Tutors and Support staff are all gems, and are always willing to help you out at any time. I loved my time at TGDS ... if anyone is looking for a future involving graphic design - TGDS is a must!— Erin SAwesome SupportI was able to work from home after the course. I also didn’t ever feel alone, I was always on the forum and teacher’s portal working through any challenges.— Jacqui HBrilliant CourseAny folks wanting to expand their learning in a practical and creative way then this is the course for you. The course is all kinds of awesomeness and I highly recommend it!— Trina RHighly RecommendedTGDS worked with me and took the time for me to understand the course before signing up. They made me feel like I was in good hands, they even helped me with the important decision of which Mac to buy!— Emma ASuper HelpfulI LOVED my studies at The Graphic Design School! Especially throughout the whole Covid thing, me and my studies wasn’t bothered at all by that! I learned everything that was initially planned and the tutors are super helpful!— Sally BFun & HelpfulSimply put, I would not have been able to study graphic design in depth and at this level, if the TDGS wasn’t around. I really appreciate the availability of such a program and the flexibility that it offers.— Caio FUnbelievably KindI had the best experience studying with TGDS. The content and whole learning system was amazing, I have advanced such a long way in my skills and knowledge of Graphic Design since undertaking this course.— Georgina BAmazing SupportThe best international on-line design school you could ever ask for, especially during the lockdown. The theory is structured very thoughtful, the video tutorials are really helpful, especially if English is not your native language.— Anastasia B NextHelp & SupportHere's a bunch of frequently asked questions.How much is the course?+Here's a nicely laid out page with our payments and payment plans prices page.How do I enrol?+Enrolment is easy, you may enrol any day of the year. Be online and studying within a matter of seconds after enrolling through our enrolments page. If you need an invoice or a quote before you enrol, please contact our accounts team.When can I start my studies?+You may enrol any day of the year. Be online and studying within a matter of seconds after enrolling through our enrolments page.What will I need?+The complete list of the equipment requirements for the Design For Social Media Course available on the Equipment page.What will this course be assessing?+You can read about what will we will be looking for in your assignments in our Student Handbook.What are my responsibilities?+The responsibilities outline for students of The Graphic Design School is included in our student handbook here.Back to the TopReady to get Started?You can enrol any day of the year. As we are online and training is self paced, there is no pressure. Enrol when you are ready to start, from anywhere in the world.Click the link below to check out our flexible payment plans!Course Costs & Payment PlansAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 8: Design@Work | Online Courses | The Graphic Design School\n**URL:** /courses/design-at-work/\n**Template:** course-single\n**Priority:** 8\n**Word Count:** 1430\n**Last Modified:** 2025-09-29T05:21:57.558Z\n**AI Category:** courses\n**AI Quality:** 4/5\n**AI Summary:** Design@Work offers online design courses for non-designers to enhance their skills using Adobe InDesign.\n\nDesign@WorkIf your job role or business relies on you to be a little bit of a designer yet you have no intention of becoming a fully fledged designer. Or, you are an employer that does not have a design budget and you may have an employee you would like to train up, Design@Work is for you. Course Costs & Payment PlansThe Course EthosLevel Up Your Skill SetDesign@Work is the design course for non-designers. A course focusing on enabling you to accomplish design tasks without years of design training. We supply you with a selection of beautiful work related design templates, teach you a simple set of working design skills and instruct you how to use Adobe InDesign so that you may apply designs to our templates. Designed to Work Around YouEntirely online and self paced you can fit it in at work, around work, when you want. You will have access to the course for 12 months. You may use the design templates at your leisure or when your work requires that special design job. The course can be completed in a much shorter period, however, if you prefer to go at a leisurely pace, you can dip into the resources and learn what you need, when you want. Learn The Right ToolsMicrosoft Word and PowerPoint were not made to be design tools. Introducing InDesign. InDesign is what we call a ‘multi page layout program’. This means that you can create a design that has one or more pages. InDesign is great for type and can also accept what we call vector and pixel based graphics. Fancy words for graphics and images. InDesign is very intuitive and can be used from a beginner to a professional level. Using InDesign on a regular basis will expand your skills and in the future, create your own designs. That’s tons of scope and lot’s of creative possibilities. We like that! Students in Australia, NZ, Europe and Asia Pacific (excluding Japan) are eligible to receive the student discount for the Adobe Creative Cloud required to complete this course. We will let you know how to go about this upon enrolment. Customisable TemplatesChoose from a set of Services or Goods related templates; Business Cards, Flyers, Newsletters, Brochures, Letterheads and even a personal Mood Board for the presentation of your ideas. We regularly add to templates, so let us know if there is something you need. Course OutlineAs you use your templates for work we will also be teaching you lots of other cool design stuff too, so here is the course broken down. Module 1 - Welcome to Design@Work+SummaryThe first module of this course lays the foundations that will be built upon in Module 2. Students will learn to start using Adobe Illustrator™, and as they progress through the module content they will be nurtured through Software Learning Video Tutorials in InDesign™. DefinitionsThe Creative Cloud Suite: Students will learn which programs are good for a variety of uses in desktop publishing and why MS Word is no good for designing. Adobe InDesign™: InDesign is Adobe’s publishing and typesetting platform, students will be taught an overview of what it can do for their work. Design Brief: Students will come to understand what it means to create a design brief, and what one entails. Outcomes An overview of the different types of design documents, colours, typography through your field research. Source content from past and present and liaise comfortably with a designer. Understand the importance of colour to a company’s design system. Understand different styles and uses of Typefaces; Serif and Sans Serifs, and when to use them. Use a Design Brief to lay the foundations for a company’s Style Guide. Module 2 - Working with Design@Work Templates+SummaryBuilding upon the foundations laid in Module 1, in this module students will work with pre-existing design templates, create quick and cool design projects. Additionally students will work with Adobe InDesign to create fully scoped projects for their work. DefinitionsDesign Templates: Students will become familiar with using design templates in order to turn over beautiful designs quickly and cleanly. Company Logos: Using their company’s logo, students will learn to work with the different ways a logo can be incorporated into a design system. Outcomes Students will have a familiarity with setting up a document in InDesign from scratch Nurture an understanding of Adobe InDesign tools and menus Understand how to use Templates for quick design deployment Use Adobe InDesign and other services for email marketing Accreditation OptionalAlthough the Design@Work course is intended for those wishing to up-skill, we do have a completely optional choice for students to submit a set of 3 designs, their briefs and a few other pieces of evidence as assessments. Successful completion will achieve a Certificate of Completion accompanied by a Nationally Accredited Statement of Attainment. Units Of CompetencySuccessful completion of the assessments will achieve a Certificate of Completion accompanied by a Nationally Accredited Statement of Attainment. Units of Competency+ICPPRP224Produce pages using a page layout application CUAPPR411Realise a creative project CUAGRD311Prepare files for print BSBWRT411Write complex documents CUADIG304Create Visual Design Components PreviousAwesome SupportI was able to work from home after the course. I also didn’t ever feel alone, I was always on the forum and teacher’s portal working through any challenges.— Jacqui HHighly RecommendedTGDS worked with me and took the time for me to understand the course before signing up. They made me feel like I was in good hands, they even helped me with the important decision of which Mac to buy!— Emma ASuper HelpfulI LOVED my studies at The Graphic Design School! Especially throughout the whole Covid thing, me and my studies wasn’t bothered at all by that! I learned everything that was initially planned and the tutors are super helpful!— Sally BAmazing SupportThe best international on-line design school you could ever ask for, especially during the lockdown. The theory is structured very thoughtful, the video tutorials are really helpful, especially if English is not your native language.— Anastasia BLoved my time at TGDSThe Tutors and Support staff are all gems, and are always willing to help you out at any time. I loved my time at TGDS ... if anyone is looking for a future involving graphic design - TGDS is a must!— Erin SHighly RecommendedI couldn't recommend a course more highly!! The staff were absolutely incredible and always helped when you needed. The content was very interesting and covered a broad range of design projects.— Zoe BThank you TGDS!!Everything was well laid out and the support from the staff and teachers was fantastic. I thought long and hard before enrolling on which school would be best for me but I'm very glad I chose The Graphic Design School.— Lee JBrilliant CourseAny folks wanting to expand their learning in a practical and creative way then this is the course for you. The course is all kinds of awesomeness and I highly recommend it!— Trina RFun & HelpfulSimply put, I would not have been able to study graphic design in depth and at this level, if the TDGS wasn’t around. I really appreciate the availability of such a program and the flexibility that it offers.— Caio FStudy AnywhereYou can take it anywhere with you and it fits in nicely with the rest of life. I now work as a freelance designer in my hometown of Melbourne.— Robert AUnbelievably KindI had the best experience studying with TGDS. The content and whole learning system was amazing, I have advanced such a long way in my skills and knowledge of Graphic Design since undertaking this course.— Georgina BAwesome SupportI was able to work from home after the course. I also didn’t ever feel alone, I was always on the forum and teacher’s portal working through any challenges.— Jacqui HHighly RecommendedTGDS worked with me and took the time for me to understand the course before signing up. They made me feel like I was in good hands, they even helped me with the important decision of which Mac to buy!— Emma A NextBack to the TopReady to get Started?You can enrol any day of the year. As we are online and training is self paced, there is no pressure. Enrol when you are ready to start, from anywhere in the world.Click the link below to check out our flexible payment plans!Course Costs & Payment PlansAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 9: Contact Us | The Graphic Design School\n**URL:** /contact/\n**Template:** contact\n**Priority:** 8\n**Word Count:** 1150\n**Last Modified:** 2025-09-29T05:21:54.905Z\n**AI Category:** contact\n**AI Quality:** 4/5\n**AI Summary:** Contact The Graphic Design School via phone or email for inquiries.\n\nWe love a chat! The best way to get in touch is to contact us by phone or send us an email if you prefer.This Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosLet’s discuss your options. We love a chat. Drop us a line and get in touch with us to discuss which course is best for you. Our info gang will help you decide which education pathway will get you the design skillz that you need! Book a Phone Call, Ask a QuestionThe best way to contact us directly is by phone, alternatively drop your details into the form below and we’ll get back to you.Contact TGDSFind us on the GramBack to the TopGet Started.You can enrol any day of the year whenever you are ready to start, from anywhere in the world.Enrol hereBrochures, Phone Calls & QuestionsDownload brochures, book phone calls, or ask questions anytime.Contact TGDSOther ways to get in touchAustralia 1300 655 485International +61 1300 655 485Ask Anything info@thegraphicdesignschool.comGet a quote accounts@thegraphicdesignschool.comAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 10: Create an Iphone Advertising Poster | Blog | The Graphic Design School\n**URL:** /blog/create-an-iphone-advertising-poster/\n**Template:** blog-single\n**Priority:** 6\n**Word Count:** 2897\n**Last Modified:** 2025-09-29T05:21:58.322Z\n**AI Category:** blog\n**AI Quality:** 4/5\n**AI Summary:** A tutorial on creating an iPhone advertising poster using Photoshop.\n\nCreate an Iphone Advertising PosterSee the final result at its original size Download the Photoshop Work file (v2) Step 1Open up photoshop and bring out your canvas. You’ll want a lot of space to work with, so don’t be shy to start with a fairly large canvas. Each project will differ, so you’ll need to be the judge on the amount of space you want (I went with a 940 x 710 canvas). Pic a solid colour for your background, and used the bucket tool (quick-key: ‘G’) to fill it in. If you want lighting to show, try picking a dark colour, as it will be much easier to show it than in bright backgrounds. For this piece, we will choose the colour black Step 2Now grab a fancy brush set, and use it to create a vector/pen-tool like effects around the centre of the canvas. If you don’t know how to install brushes, read the next section at of this tutorial to get some help with that you that. If not, just skip to the next part. Installing Brushes: After you download the brush set (it should come in either a .abr file, or a .zip. If it’s a zip, unzip it to be able to get to the .abr file). After you have that ready, go back to photoshop, and select the brush tool (quick key: ‘B’). Click on the drop down menu for the brushes in the top bar: Now click on the button on the top right corner, and go down to load brushes. Select the brush set you want (the .abr file), and click ok. The brushes from that set should now be found at the end of you current brushes, and ready to be used! Step 2 (Continued…) As for brush sets, the one I used can be found here: https://axeraider70.deviantart.com/art/Winter-Breeze-Brushes-44617350, and full credit goes to the maker of the set. If you are familiar with the Pen-tool, however, draw a few line shapes flowing outward from the centre of the canvas, as well as some small circles spread throughout. You will want a similar effect as shown below: As for what colour to use, again, it depends on what you want your final product to look like. If you want something fiery and exciting, use warm colours (red, orange, yellow, etc…); if you want something more cool and sophisticated, pick colder colours (blue, green, purple, for example). You will have to keep these decisions in mind throughout the tutorial, but make sure you stick to a certain type. After you have your layer of the vector shape, you will want to duplicated it (right click on the layer > duplicate), and flip it horizontally. One way to do this is to press Ctrl/⌘+T while editing the layer you want to flip, then right click and choose Flip Horizontally. Make sure it centres nicely, as shown below: Step 3Now we’re going to be playing around with a few brush settings. Get out the default “Soft Round 9 pixels” brush (it comes pre-installed with photoshop), then open up the brush settings. Now use the following settings on your brush: Brush around a bit in your canvas until you get a suitable effect. You’ll want this to cover a good area of where you’ll be working. Also, make sure to brush in the colour white. Leave this layer in Normal, and set the opacity to around 85%. Step 4To start out our techy look, grab the pentool, and draw some shapes that come out of the centre of the image and are a techie shape. This can be hard to do with the pentool/default brushes alone, so downloading a brush back is recommended. You can utilize whichever one you prefer, but for reference, I used these in my artwork: https://wizard-studios.deviantart.com/art/Technetronic-Brush-Set-40742521. Use a soft brush eraser to erase around the edges of some parts: Step 5Before we start the next part, we’ll have to go over a new type of outside tool that can be used in graphics for photoshop: C4D renders. If you know about these, and know how to use them, then you can skip this paragraph. If not, follow along my friends. C4D is a 3D render program that allows people to create virtual images in very detailed 3D. The most common use of this program is for models, but some people also make these renders to be used in photoshop, to add an amazing effect to a piece of art. There are two main types of C4Ds we will be dealing with: Effect C4Ds, and Render C4Ds. Effect C4Ds are used for lighting, and they’re just mainly glows and reflections. An example can be found here: https://ess3nce.deviantart.com/art/C4D-Effect-Render-4-35285672. Render C4Ds, on the other hand, are abstract renders used to implement a particular art work with extra effects. Another example can be seen here as well: https://drugi.deviantart.com/art/Underwater-c4d-54685612. Again, all credit goes to the creators of the individual art works. I won’t be able to tell you exactly which ones to use, as it is impossible to recycle C4Ds for every need. The best places to find them, however, are https://www.deviantart.com/, https://planetrenders.net/, and sometimes even google. All the C4Ds I used can be seen in the .psd file provided along with the tutorial, so if you wish to use them, or want to see what they look like, just check the layers. Now to move onto actually using these. Find a nice and flowy Render C4D, and make sure it is in a bright colour. You’ll want it to flow along with the direction of the previously drawn red Pentool shapes. Resize it, and erase parts of it that don’t fit, to get something like this: Just as it was done with the red Pentool, flip it horizontally and place it to that it flows nicely off the middle of the canvas: Step 6Now it’s time to grab another c4d. Pick one that flows nicely with the image, and has a colour you want for the final product. Make sure it’s a compact one, and doesn’t have too many parts flowing out of it. Place it in the centre of the image, then set the blending mode of the layer to Lighten. To change blending modes of layers, there is a drop down bar in the layers window: The just go down the the layer mode you need, and select it. This will be a technique used throughout the tutorial, so make sure to remember how to do it. Next, go Filters > Distort > Ocean Ripple, and use these settings on it: As always, erase what you don’t like with a soft brush, and the result should come out something like this: Step 7You guessed it: it’s time for another C4D. However, this is an important one, so much sure you chose it wisely. You’re going to want one that sort of acts like a case for your product. We’re going to be placing the iPhone on the centre of the canvas, so the “shell” C4D must appear to sort of circle around the product. It’s hard to explain, but if you look at the .psd file and the image below, you will see what I mean. If any part of this C4D is going to be erased, you should use a Hard brush instead of the Soft brushes we’ve been generally using. Once you have your C4D picked out, place it properly in the canvas, while trying to envision where your product will be placed. \n\n---\n\n## Page 11: Professional Design Practice :: Lesson 1 :: Self-Promotion & Winning Work | Blog | The Graphic Design School\n**URL:** /blog/professional-design-practice-lesson-1-self-promotion-winning-work/\n**Template:** blog-single\n**Priority:** 6\n**Word Count:** 2174\n**Last Modified:** 2025-09-29T05:21:57.916Z\n**AI Category:** blog\n**AI Quality:** 4/5\n**AI Summary:** The blog discusses self-promotion strategies for graphic designers to win work in a competitive market.\n\nProfessional Design Practice :: Lesson 1 :: Self-Promotion & Winning WorkLook out for the following in the new series; Freelance Fee Structures & How to Quote, Project Planning (Breaking Jobs Into Milestones), Dealing with Clients, Charging & Invoicing, Law in Design Practice, The Portfolio, A Conclusion of Sorts. Being Freelance. Benefits & Pitfalls. Self-promotion & Winning Work In this climate of Olympian-sized competition, compounded, undoubtedly, by the worldwide recession, it’s imperative for us to do all we can to stand out from our peers, to make an impact on those we meet, to conduct ourselves with integrity when meeting new people and to start to cultivate a reputation, in order that we might be remembered by those commissioning design, and chosen over the competition. The Lesser Bird of Paradise knows a thing or two about standing out. Image courtesy of Bluepeak Travel Photography bluepeakt Great Expectations Many children across Great Britain grow up hearing the oft-quoted phrase “from little acorns, large oak trees grow”. This is a worthwhile phrase to remember when starting out on the path to a career in graphic design. Many undergraduates, having spent years reading about star-designers and surfing the websites of their favourite studios, become stuffed to the gills on great work, and may face a rude awakening when, on graduating, they find that Nike aren’t banging at their door to insist on giving them their next international campaign to work on, or that Pentagram haven’t created a job position especially for them. Starting out rarely involves working with clients of Nike’s calibre. More realistically, your first break might come through a small charity, a local acupuncturist or an acquaintance in need of an identity. These are the kinds of “little acorns” which, though not as glamourous as Nike and its ilk, offer young graphic designers an opportunity to cut their teeth, do some great work and begin to cultivate a reputation. In his best-selling book “It’s Not How Good You Are, It’s How Good You Want To Be” Paul Arden writes “We are always waiting for the perfect brief from the perfect client. It almost never happens. You’re probably working on a job or project right now and saying ‘This is boring, let’s just deal with it and get it over with. We’ll make the next one good.’ Whatever is on your desk right now, that’s the one. Make it the best you possibly can.” Paul is right. By conducting yourself with integrity and doing your best on each job you’re commissioned you will be making moves toward building a good professional reputation. Rather than pursue the big beasts… …adjust your sights and go after those that need you most! Lioness picture used with permission of Laurent Geslin, photographer Laurent-Geslin Moggie picture supplied by Herbi Ditl www.flickr.com/photos/herbivore A recent branding project for a newly-formed free church by Hotson Studio Hotson Studio In any event, it’s a sure bet that the “dream clients” (Nike and, in Britain, perhaps Selfridges) will already have access to award-winning, highly reputable design studios. The evidence for this is there in the quality of their campaigns. Far better to look in the less exposed, more pedestrian corners of the High Street and business world, and to seek out those who could really do with your help. Adrian Shaughnessy in “How to be a Graphic Designer Without Losing Your Soul” puts it nicely when he says “There is more personal satisfaction in taking a client with no apparent potential and producing effective and resonant work for them than there is in working for so-called ‘cool brands’.” With realistic expectations, and a personal business ethic in place, you can deploy the techniques explored below to help make things happen. Word of Mouth It occasionally frustrates me how many potential clients are going about their work unaware of just how much good graphic design could enhance the value of their business. These potential clients are everywhere. One of our jobs is to tap into this rich seam and pull some aboard, just as the brown bear scoops the salmon from the fast-flowing stream in the wilds of Canada. There are various methods of finding clients at our disposal, and to maximise our chances of building a solid client base we need to exploit each of them as best we can. As a freelance graphic designer you’re your own shop front. Image courtesy of Colin Turner. Even in this digital age one of the surest ways of making contacts and finding work remains plain old-fashioned word of mouth. Make sure family members and friends all know what you do and have at least some idea of what the profession entails. They will then be in a position to mention your name (and perhaps pass on a well-designed business card of yours that you’ll have supplied them with) should they hear of anything going. Between you and everybody you know, you probably know more people who commission design than you’d think. There’s no reason why the same rule cannot apply to clients. If you have an existing client then ask him to keep his ear to the ground for you and recommend you to his associates. By ruthlessly exploiting every contact you can think of things can (at the best of times) develop for you in an exponential manner. Your Online Presence Some graphic designers still pride themselves on running a thriving business without the need for a website, but they are now a minority breed. In the digital age it pays to work at your online presence, through your own site and the larger, networking-based ones. At the bare minimum, a well-designed single webpage can act as a message board through which potential clients might email, telephone or write you. You can also supply a link to a website like Flickr, where you can keep an up-to-date online portfolio of your work. If you use Twitter, or run a blog, then leave the links on your webpage. If you’re a web-savvy designer then I won’t need to stress how beneficial and impacting a well-designed and planned website can be. Letterpress printers Typoretum work hard at their online presence and have an integrated approach, each page giving links to the others, forming an intuitive whole www.typoretum.co.uk I have found Twitter to be a useful tool for making contacts. Twitter seems to be like Marmite in that people either love it or hate it (or don’t “get” it), but through persevering with Twitter, winning followers and following the interesting Tweeters, advertising your work and leaving links to useful online stuff, you can gain a valuable network of online contacts, some of whom may contact you when they need creative services. With a copy & paste you can publish the same information you tweet through Facebook, LinkedIn and Bebo, your own blog or website. Once you get going this can take seconds, and it pays to disseminate your information as widely as possible. There are dedicated businesses such as View Creatives in Britain where you can upload a cv and selection of work, which prospective clients can then download for a small fee and view respectively. Some of these sites, for a small monthly standing order, give the option of being a premium user which guarantees a place near the top of the list and offers more space to upload images of work. This too, parallel to a networking-based online presence, may be worth considering. Link each account, blog and website back to the others. The more relentless you are at publicising yourself, informing your followers and friends of recent work and advertising your wares online the better your chances of making a successful go at gaining a substantial pool of contacts. Self-promotional Material Back in the real, tangible world of print and paper, you will also need to engage in the production of printed promotional literature. This too, when starting out, can be a useful tool in generating leads and contacts. Be prepared to work hard to make whatever you do visually arresting and distinctive. The world is awash with printed, moribund detritus and amongst all this you’ll want to get noticed. You might start with a postcard, displaying an image of a favourite piece of work on one side and your contact details on the reverse. The more ambitious-minded might want to experiment with an intricately folding piece displaying a choice selection of work. This adds a tactile element for the end user to experience. Graphic design studio Turnbull Grey letterpress print their own greetings cards and frequently use them for self-promotional purposes Turnbull Grey Your promotional piece should be used to leave behind at interviews and meetings, and to send out to people. Direct mail should be considered, and the same rules about making your piece visually compelling apply. Just as I’m advising you all to do here, I myself recently designed and had printed a 16pp A3 poster, which folds down to postcard size. One side contained a selection of imagery from my portfolio with explanatory text, and the reverse some typography and contact details. I sent this piece out, combined with a handwritten letter on my own letterhead, to existing and prospective clients and London-based studios whose businesses I admired. In two months I’ve been invited along to several portfolio reviews with design studios (advice and criticism given at these are invaluable) and pulled a new client on board who I am now working for. My database of contacts received a considerable boost through the endeavour. I learned that details with this sort of thing matter. Be sure to have a well-designed, cohesive suite of stationery with which to use when writing to people. Find out your contact’s name and record it accurately to avoid the dreaded “Dear Sir/Madam” at the top of your letterhead. Another tip from Adrian Shaugnessy “…when you write a letter, especially a letter promoting you or your company, always write the address on the envelope by hand. It is so fare to get a letter with a handwritten address that most people instinctively open these first.” Your stationery needn’t be gorgeously foil-blocked like Build’s is, but put as much effort into its design as they did www.designbybuild.com The Self-initiated Brief “Self-initiated projects are often necessary for the individual’s … psychic health, and the urge to experiment and explore is perfectly reasonable”. So says Adrian Shaughnessy, who then goes on to make clear that we should be under no illusion that self-initiated projects impress in the same way that a real, commercial project will. He has a valid point, although there are no hard and fast rules to what works in graphic design. I have met people in studios who have politely leafed through my commercial work unconcernedly and only really displayed any interest when coming across my letterpress work, which is largely self-initiated. One past client even took me on for a summer on the strength of a student sketchbook. Though rare, if good enough (and out there online) your work may be spotted by the editor of a design journal and images requested for inclusion, and this can happen for personal projects just as easily as commercial ones (see the record sleeves by Hector Pottie below). My own feelings on the matter are that self-initiated projects allow the designer to give full reign to his creative impulses, allowing any potential client a better insight into who the person he may commission really is. These fictional, silk-screen printed record sleeves by Hector Pottie were deemed fit for inclusion in an issue of British-based Grafik magazine Summary By pouring sweat, blood and tears over the various means and methods described above, you will be laying the sound foundations of a healthy freelance life. Maintain realistic goals, be aware of the zeitgeist, of all that goes on around you, and try to act with originality and precision when working on self-promotional and -initiated work, and your online presence. Treat self-promotion as an ongoing process rather than a sequence of one-offs. By maintaining a critical, striving attitude to your own work and acting with integrity and professionalism in your dealings with people you’ll soon be on the front foot and cracking open the champagne! “Pop!” “Whey!” “Splash” “Fizz” “Pour, pour, pour” “Clink” “Cheers!” “Glug, glug, glug…”–Image supplied by Alessandro Termignone Next week in our series of Professional Design Practice… Freelance Fee Structures & How to Quote Ready to Kickstart Your Design Career?See all coursesFind us on the GramBack to the TopGet Started.You can enrol any day of the year whenever you are ready to start, from anywhere in the world.Enrol hereBrochures, Phone Calls & QuestionsDownload brochures, book phone calls, or ask questions anytime.Contact TGDSOther ways to get in touchAustralia 1300 655 485International +61 1300 655 485Ask Anything info@thegraphicdesignschool.comGet a quote accounts@thegraphicdesignschool.comAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 12: What Is Open Source & How Does It Relate To Graphic Design? | Blog | The Graphic Design School\n**URL:** /blog/what-is-open-source-how-does-it-relate-to-graphic-design/\n**Template:** blog-single\n**Priority:** 6\n**Word Count:** 2137\n**Last Modified:** 2025-09-29T05:21:57.688Z\n**AI Category:** blog\n**AI Quality:** 4/5\n**AI Summary:** The article explains open source and its relevance to graphic design.\n\nWhat Is Open Source & How Does It Relate To Graphic Design?Open Source: What is it? How to use it? Chances are you have heard of Open Source, and if you haven’t you will have used it in some form or another. But what does the term “open source” actually mean? An open source program is one who’s source code can be accessed, improved and redistributed by one and all. If many hands make light work, then many coders make open source programs possible. The Free Software Foundation (FSF) states ‘Free software is a matter of liberty, not price. To understand the concept, you should think of free as in free speech, not as in free beer.’ The FSF has some pretty tight criteria for what complies as open source and what doesn’t. You can check those out here. Many still think of it in terms of “Free Beer” (who doesn’t love free beer?), “Free Code” or the “Open sharing of Knowledge”. If we talk in terms of beer as a metaphor for Open Source. Open Source is essentially a worldwide community of brewers that can add their dose of yeast, sugar or water to the beer to better it’s final outcome, and unlike certain industry tycoons that we wont mention here (cough Bill Gates) no one has a claim, there is no ugly monopoly, licensing is shared and distribution to all mankind is advocated. Sounds like more beer for all. How is it Applied? Commonly Open Source is applied to software, however, open source is spanning across other products and services. You can find open source hardware, books, products, journalism and films such as the now infamous Big Buck Bunny. You can even find the recipe to cola through OpenCola. In an age where we seem less and less divided by geographic and economic barriers the cyber age has gone all ‘hippy’ on us and more and more we are sharing code, ideas, music, words, inspiration and most importantly all working towards a common goal. If you would like to read a bit more about how it all got started (quite a scandalous story) see at the end of the article. So enough of the ideals! How does it apply to design students and what can I get for free? Many Open Source software projects were either started in colleges or started by recent college graduates. Whether it’s a coincidence or not, a lot of the available open source software is ideal for college students. Free and Open Source Software Tools for Students With the widespread use of the Internet and the growth of web-based applications, there are also a lot of hybrid forms of software available – free software with APIs (Application Programmer Interfaces) but not truly open source. The following list covers some of the best free and open source software from an average student’s perspective. Note: The list is arranged by software category, with recommended applications and the occasional short list of alternative or supplemental apps. Visualisation, Graphics, Photo editing and Diagramming Tools This is a fairly broad category that includes vector and raster graphics editors, 3D graphics programs, and diagramming tools. **Recommendations for Design Work ** Inkscape a graphics editor, with capabilities similar to Illustrator, CorelDraw, or Xara X, using the W3C standard Scalable Vector Graphics (SVG) file format. Gimp, an Image Manipulation Program. It is a freely distributed piece of software for such tasks as photo retouching, image composition and image authoring with capabilities similar to Photoshop. Scribus professional page layout program. with capabilities similar to InDesign. Blender, a 3D content creation suite, available for all major operating systems under the GNU General Public License. Gliffy a diagram creation software, you can easily create professional-quality flowcharts, diagrams, floor plans, technical drawings, and more. At The Graphic Design School students have the choice of learning in Adobe and Open Source softwares in our online course. Not because we believe that tomorrows Graphic Design industry will suddenly dump Adobe as software standards, but because we believe in affordable access to creativity and education for all. Web Browsers So you need a good browser. TGDS recommends: Mozilla Firefox. This is hands down one of the best web browsers available regardless of what your major is. There are many hundreds of useful add-ons for writing, researching as well web development and design. Alternatives: Google Chrome, Opera, Safari. Research There’s no one software tool that will satisfy all your research needs, but start with some of the following Ottobib for research paper bibliographies. Google Reader for subscribing to your favourite web feeds. Spreeder to help you do all your reading faster. Dictionary.com to look up definitions. SpellJax to make sure you’re spelling is spot on. Google Video, YouTube and Vimeofor some learning via web video. Learning and Brainstorming Research is useless if you’re not actually learning anything. An ideal way to learn new material is by using concept mapping or mind mapping – which are similar but not exactly the same. TGDS recommended: XMind and FreeMind. Alternatives: Mindomo, Mindmeister, Cmap, Comapping. (Comapping offers real-time mind map editing from multiple users, which is ideal for virtual team brainstorming.) Document Editing and Management There probably aren’t many students who don’t have to write a term paper or essay. This is pretty much a given for most students. When it’s time to aggregate all that research you’ve done in the library (or online), you have numerous software options for writing and producing a finished paper. OpenOffice suite, includes a word processor, spreadsheet and presentation tool, which it’s also compatible with MS Office. Get all your assignments completed in no time. And it even converts documents to Adobe PDF format for when you have to submit term papers. Alternatives: Google Docs + Spreadsheets, Zoho. Supplemental: PDF Creator to produce a finished document that you can email or upload to your TGDS tutor. Presentation Tools If you need alternatives to MS PowerPoint, pick from either OpenOffice, Google or ZohoShow presentation tools, or you could embed your presentations into a web page with SlideShare. FTP/ File Transfer/ File Storage Need to share those documents and presentations with your study/ project team? You can FTP (upload) to a team website or use a filesharing service. TGDS recommended FTP: FileZilla. Alternatives: FireFTP (runs in the Firefox browser as an addon). Filesharing: There are far too many services to make a recommendation. However, if you have a Google Mail (GMail) account, you can save files online by attaching them to a draft email. Programming/ Coding/ Web Development If you don’t already know it, the Linux operating system is the breeding ground of an immense number of open source projects – having taken the mantle from its predecessor UNIX. If you want to take full advantage of the numerous open source coding tools, you might have to install Linux on your computer. (Or you can install the cygwin environment for MS Windows, but you miss out on a lot of true Linux features.) Even if you don’t want to/ can’t use Linux, you have a number of options for coding and web development: Perl, PHP, Python, Ruby and Ruby on Rails – all of which are good for relatively fast prototyping of code. If you need an open source IDE (Integrated Development Environment) for code development and testing, try Eclipse, which has components that cover Java and many of the languages above. If you’re using Java only, you can also try Ingres Cafe. If you want a multi-platform web authoring tool comparable to FrontPage or Dreamweaver, try NVu. Finally, Microsoft’s Dreamspark program also allows students to download and use their developer and design tools for no charge. Forums/ Social Networks Need a custom social network for team/ class/ department projects? BuddyPress gives you that ability by installing over a WordPress Multi-User (WPMU) installation. Alternative: BBPress or Vanilla forums. A Word on Donations It’s good practise and great karma to donate to an open source project. You can often find a Paypal donation symbol on Open Source websites. There is a lot of blood, sweat and tears that go into Open Source projects by the individuals that inspire and run them. If you are using an Open Source program that you couldn’t live without, then show your gratitude by donating some short change. A few bucks a piece makes a big difference to the life blood of an Open Source collaborative. Perhaps you can consider that it’s your turn to shout the ‘free beer’. The early days The story begins in the 1970s, when software invariably came supplied (or bundled) with purchased hardware. Vendors made their money from hardware purchases, and the software was seen as a low value item that would need to be customised by the individual user. Consequently, when the software was supplied to customers it was accompanied by its source code and a licence that permitted modifications. This all took place before the arrival of the personal computer and free and open source licensing model. In February 1976, Bill Gates, then a 20-year-old founding partner of Microsoft, wrote an open letter to early personal computer hobbyists, taking issue with the ‘theft’ of personal computer software within the hobbyist community. He asked: ‘Hardware must be paid for, but software is something to share […] Is this fair?’ Although many hundreds of people had used his Altair BASIC software, Gates estimated that only 10 per cent had actually paid for it. He was of the opinion that software should be sold, regardless of whether it was bundled with hardware. Reaction to the Gates’ open letter was strong and varied, with many arguing for alternatives. For example, Jim Warren, then editor of Dr. Dobb’s Journal, wrote in the July 1976 ACM Programming Language newsletter “There is a viable alternative to the problems raised by Bill Gates in his irate letter to computer hobbyists concerning ‘ripping off’ software. When software is free, or so inexpensive that it’s easier to pay for it than to duplicate it, then it won’t be ‘stolen’.” The birth of FOSS (Free Open Source Software) Almost a decade later, 1984 saw the start of GNU Emacs , a project created by Richard Stallman. This was the first free software application. Shortly afterwards, in 1985, the Free Software Foundation (FSF) was founded. The foundation is committed to the freedom of software users. The FSF outlines and maintains the Free Software Definition : ‘Free software is a matter of liberty, not price. To understand the concept, you should think of free as in free speech, not as in free beer.’ The definition also refers to four kinds of freedom; if users have all of these freedoms, a program is free software. Some years later, in the late 1990s, Eric Raymond presented and published ‘The Cathedral and the Bazaar’ , an essay based on his experiences managing an open source project, fetchmail . Two distinct models of software development are presented and compared: the ‘cathedral’ model and the ‘bazaar’ model. In the cathedral model software is developed by a restricted group of software developers while source code is not made generally available between releases. In the bazzaar model software is developed via the Internet in view of the public who have access to the source code in development. Raymond credits Linus Torvalds, the creator of the Linux Kernel project, as the inventor of the bazaar model. In 1998 Netscape, the most widely used browser before the browser wars of the 1990s, was released as free software. It later became Firefox, the key product of the Mozilla Foundation, which is also responsible for the Thunderbird email client, and many other web related technologies and products. References Used If you’re looking for more Open Source desktop software, visit the Sourceforge repository. Just search with a suitable keyword, and browse through the options. You can also check the following references, which were used in building the list of free and open source tools above. Free College Software Guide. Students : Top Web Tools for College Students. 50 Awesome Open Source Resources for Writers and Writing Majors. Web Tools for Students. 100 Terrific Web Tools for Meeting Your Personal and Career Goals. Ready to Kickstart Your Design Career?See all coursesFind us on the GramBack to the TopGet Started.You can enrol any day of the year whenever you are ready to start, from anywhere in the world.Enrol hereBrochures, Phone Calls & QuestionsDownload brochures, book phone calls, or ask questions anytime.Contact TGDSOther ways to get in touchAustralia 1300 655 485International +61 1300 655 485Ask Anything info@thegraphicdesignschool.comGet a quote accounts@thegraphicdesignschool.comAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 13: Professional Design Practice :: Lesson 4 :: Dealing with Clients | Blog | The Graphic Design School\n**URL:** /blog/professional-design-practice-lesson-4-dealing-with-clients/\n**Template:** blog-single\n**Priority:** 6\n**Word Count:** 2011\n**Last Modified:** 2025-09-29T05:21:57.857Z\n**AI Category:** blog\n**AI Quality:** 4/5\n**AI Summary:** Lesson 4 focuses on effectively dealing with clients in the graphic design industry.\n\nProfessional Design Practice :: Lesson 4 :: Dealing with ClientsProfessional Design Practice Lesson 4: Dealing with Clients They come in all shapes and sizes, from all different professional backgrounds, and we rely on them to pay our fees. A large portion of the freelancer’s lot is spent looking for them, bagging them, and spending a considerable amount of our daily slog trying to work out what they want. I’m speaking of course about clients, and this article is all about working with them, retaining them, educating them and occasionally sacking them. Mention the word ‘client’ to a fellow designer and the response will quite often be one of a humorous tutting under the breath coupled with a rolling of the eyeballs, which you’ll be invited to join in with in a moment of good-natured designer-fellow feeling. This is all very well, though a little close examination reveals clients to be a generally good bunch, who, to state the obvious, we rely upon for our livelihoods. At their best they can push us beyond the safe confines of what we’ve become used to, and it’s an oft-quoted phrase out of the mouths of the wise that’s fast becoming a truism, that the very best design comes out of a collaborative endeavour between the designer and client. Let’s look at things here a little more closely… The Good, The Bad & The Meddlesome. Image used with permission of Peter Lewandowski. A Marriage, (of sorts…), the Designer/Client Relationship A marriage, (of sorts…). Image courtesy of Wild Cakes. “Without clients there is no graphic design and without demanding clients there is no great graphic design.” So says Adrian Shaughnessy. It’s a decent quote and should help pull into sharp focus the sometimes unfair nature of things whereby clients are looked upon unfavourably as this unknowable force, an irritating fact of life and a brake on our creativity. Certain ‘star’ designers are often cited, inaccurately, as having enjoyed unfair patronage by some über-benevolent client early on in their career, but the truth often turns out to be a little different, these well known designers having had to work just as hard as we all do for a certain amount of indulgence. I’ve attempted to redress the balance here of how clients are viewed, but how should the designer act towards them? Along what lines should the relationship run? The best piece of advice I can give here, and this might strike you all as blindingly obvious, is to treat your clients with respect and attentiveness, in a similar way as you would your friends. This isn’t to say you should befriend your clients (a modicum of professional detatchment is always a good thing) but just as we all have to work at our friendships to prevent them from going stale, and an inconsiderate remark can damage a friendship beyond repair, so you should work on your client relationships to prevent a drift occurring. They’re not all monsters (very few are) but the clients on your roster will all be as diverse as this bunch here, and will all want something different from the others. Image courtesy of Paxton Holley. Designers should train themselves to be hyper-sensitive to their clients needs. It’s a mistake to assume that all clients want the same thing, or have the same expectations of you as a designer. No two clients are the same. Some will want to be highly involved in the design process, some will need lots of attention, some will be suspicious of the idea that graphic design has intrinsic value and can help their business. You’ll need to develop empathy and understanding in a bespoke way for each of your clients (no easy feat, but beneficial in the long run). By developing this understanding you’ll strike the right tone with them and be able to better glean what they want, which should be the main goal in any designer/client relationship. You’ll learn about each other and some sort of rapport may blossom. These are the conditions necessary for flourishing long-term relationships to develop. Retaining Clients The heights a design-conscious client (The British Guardian newspaper) and a reputable graphic design studio (Cartlidge Levene) can scale together. Guardian offices wayfinding system imagery used with permission of SeptemberIndustry. Winning new clients is a challenge faced by all freelancers, and will never go away throughout your career. Once you’ve built a solid roster of clients, retaining them is another challenge you’ll have to face. But getting repeat work from an existing client is easier than winning new work from scratch. It won’t happen automatically, and you’ll have to make your client aware that you’re available and looking for more work. Added to this, if you train yourself in the empathy and understanding skills I’ve outlined above you’ll go some way to keeping existing clients on your books. Naturally, as a designer you’ll also have to keep delivering the goods, on time and within budget, to avoid your clients looking elsewhere. Conduct yourself with honesty when discussing problems and briefs with clients, defend your work when it’s questioned and admit to it when you’re wrong. Demonstrate that you care deeply about what you do and be attentive to your client’s wants and predilections. By conducting yourself in this manner and delivering the work you’ve agreed to carry out, you’ll be doing all you can to hold on to the clients you’ve won and get repeat work off them. Educating Clients It’s back to school for some clients to design education boot camp. Image courtesy of Alida Thorpe. There are corporations and individuals out there, skilled in the argot of design practice, who regularly commission design and have a good track record for producing good work. These are often to be found at the top of many freelancers’ ‘wish lists’ of dream clients. They do exist but aren’t nearly so numerous as those clients unversed in professional design practice or language, and who require a little more help throughout the relationship. I hesitate to use the word ‘education’ here, but as formal as it sounds there really is no better term for the learning process which occurs between the inquisitive, receptive client and the articulate designer. Smaller clients may be used to handing over design work to soulless ‘design and print’ facilities, or having a go at producing logotypes, advertisements, layouts and newsletters themselves. Contracting the services of a graphic designer can be a leap into the unknown for many businesses, who will all possess, at the least, a vague idea of what they want, but often little knowledge of the many aspects of design processes involved in their delivery. Assuming you have an open-minded and receptive client, it’ll be up to you to occasionally explain ‘why’ things work the way they do. This could involve any aspect of design practice, from colour theory and grid systems right through to conceptual-based matters. When called for, guide your clients through the tricky terrain of the design landscape with patience and understanding. Remember that you’re speaking to a client and not a fellow designer and adjust your language accordingly. In return, and by developing an inquisitive disposition (which should be mandatory for those looking for a career in the creative sector) you’ll likely learn lots from the varied types of businesses out there. There’s No Easy Answer to this Age-old Question… Look to form long-lasting, prosperous relationships based on equality with your clients (you’ll have to share the driver’s seat throughout your career at times). Image used with permission of Lino M. Concerning clients, possibly the single most common question which preoccupies and occasionally distresses graphic designers is this: How do I stop my client from meddling with my work? An overly-meddlesome client can be a bane on a designer’s existence, and it irks us to have our work interfered with by non-professionals. We all wish, reasonably enough, for clients to defer to our better judgment regarding semiotics, aesthetics and the like, but, alas, this doesn’t always happen. Confronted with a situation like this you could flatly refuse to carry out the suggested amends, telling the client he’s plain wrong, or agree with him and set about implementing the suggestions with the minimum of fuss, keeping silent about your own concerns. My own favoured, third way is to acknowledge what a client wants to do, tell him you’re happy to do as he asks but voice your concerns, and say that alongside what he’s asked you to do you’d like also to show him the concept you think would work best. Present several layouts/concepts to him and see what happens. As designers we aren’t always right and can’t win every battle, but by keeping in place a system for dealing with these kinds of situations we’ll more often get our work through than not. Be a warrior as opposed to a doormat. If your client attempts to take control of a project and disregards your opinions entirely, don’t be a doormat… Be a warrior, and find your voice as a designer to convince him —gently— of a better direction. Doormat image supplied by Rukiasan. Kit Fisto image used with permission of Ted Schwartz. Sacking Clients When to press the red button? Image supplied by Luke Robinson. It’s possible that at some point in your career a client will prove himself to be troublesome enough for you to decide to let him go. Various things can happen to make you arrive at this decision. The client might be well-meaning but hopelessly disorganised to the extent that you start to lose money. Personal factors might make it difficult for you to maintain a working relationship. You may belatedly spot an out-and-out charlatan in your midst. A client might not be able to pay you. If this last thing happens, suspend all work immediately. Waste no more time or energy until your client has got his finances in order. If it’s a personal matter, and you decide that a particular client is simply not worth the trouble, then contact him to explain that you are severing your working relationship, politely but firmly, and provide reasons why. Make sure all loose ends are tied up before doing so (have you been paid up to date?) and then act on your decision! Useful Top Tips Never tell clients what to think of your work When defending your work, always argue from the audience’s perspective, never your own Take an interest in your clients’ affairs In Sum… For better or worse, we as freelance designers are linked in symbiotic relationships with our clients. Good clients keep us on our toes and can provide a check on our egos. They exist as (or propose) puzzles which we as designers must decipher and provide solutions for. It can be a highly satisfying part of the freelancer’s job to seal and then develop a working relationship with a good client, unravelling, deciphering, deducing, reassessing and reappraising matters throughout each relationship. To take less able or design-conscious clients and gently bring them on takes what they called in Victorian times ‘character’. Getting into the habit of forming your own opinions, and defending your ideas will boost your communication and articulation skills like little else. More than a necessary evil then, let’s hear it for the client! Unique, diverse, and each with a puzzle for you to solve. Let’s hear it for the clients! Image courtesy of Judy Baxter. Ready to Kickstart Your Design Career?See all coursesFind us on the GramBack to the TopGet Started.You can enrol any day of the year whenever you are ready to start, from anywhere in the world.Enrol hereBrochures, Phone Calls & QuestionsDownload brochures, book phone calls, or ask questions anytime.Contact TGDSOther ways to get in touchAustralia 1300 655 485International +61 1300 655 485Ask Anything info@thegraphicdesignschool.comGet a quote accounts@thegraphicdesignschool.comAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 14: Professional Design Practice :: Lesson 3 :: Project Planning | Blog | The Graphic Design School\n**URL:** /blog/professional-design-practice-lesson-3-project-planning/\n**Template:** blog-single\n**Priority:** 6\n**Word Count:** 1974\n**Last Modified:** 2025-09-29T05:21:57.875Z\n**AI Category:** blog\n**AI Quality:** 4/5\n**AI Summary:** Effective project planning enhances creativity and organization in design practice.\n\nProfessional Design Practice :: Lesson 3 :: Project PlanningBy running your business along well-oiled, well-organised lines you’ll be able to wring the most amount of time out of your days, maximise your profits, avoid mislaying things and generally inject some calm into your busy life. A modicum of planning, far from acting as a restraint on creativity, can in fact free us to spend more time on the creative process. It should therefore be an integral part of all our working lives. Follow the guides below, or a life of professional chaos awaits! Project Planning First Things First To begin with, you’ll need a system for booking jobs in, and allocating project codes/numbers to them as they arrive. This could be termed “Processing”. Designing a system for these codes/numbers can be entirely your own decision, the only rule being that once you’ve devised it you should keep things consistent across all projects. You might take the first three letters of your client’s name, add a numeral(s) indicating which project for this client this job is and happens the year and month the job is booked in. When devising your project plan, break your jobs down into clearly delineated milestones for best organisation. Image courtesy of JohnnyEnglish Create a folder with subfolders on your hard drive. The name of the first-level folder should correspond with your client’s name. Do the same within your email account. As correspondence and attachments starts to flow back and forth between you both you’ll be able to archive and store information, messages and files in an organised manner. Job bags are useful for storing things in which relate to projects. Plastic A3 folders make good job bags. At the start of each job you might not have a lot of physical ‘gumph’ to fill them with, but once your project is underway, and depending on how you work, you may find yourself accumulating a daunting amount of scraps of paper, printed emails and sketches from meetings and the like which it’d be useful to store all in one place. Attach a label with the client name and project number/code on it and affix to a consistent place on the job bag. Planning Jobs & Projects Planning is a set of systems and methods. Good planning is purposeful and clear-sighted, effective and efficient; it helps to avoid mistakes. Download a free PDF template that you can print out or save and fill in for each of your projects, download HERE Important Planning Questions What am I trying to do? (Aim) What is important? (Criteria) How do I best go about achieving the aim within the given conditions? (Working method) When do I start? (Deadlines and time) Without having an aim, it’s difficult to score. Image courtesy of Skyline Studio Aims As it states in ‘The Little Know-It-All’ “Aims are a decision-makers’s guidelines and signposts.” Without setting your aims, how can you expect to attain them? There’s a good mnemonic which psychotherapists and life coaches use when explaining aims to their clients; SMART. Aims should be specific, measurable, achievable, realistic and time-based. Put them down in writing, lest you forget things. As repeated elsewhere, once written down, aims and goals take on a concrete life and become commitments. Review them periodically and amend wherever appropriate. Every project you embark on will need some kind of plan, which should be broken down into a list of jobs based on priority. The most important jobs should be tackled first, and anything that can be done in under three minutes should be attended to immediately. A good project plan should remain intuitive and realistic and help you find your way around the job. Wayfinding signage from Berardo, Centro Cultural de Belém, Lisbon courtesy of Prentiss Riddle Top Tips for Effective Job Planning Self-discipline will be required Little jobs needing less than three minutes should be done at once Larger jobs should be broken down into several steps Check the job list once a week Set up a calendar Keep a deadline reminder within your calendar Note: A reminder system is a good thing to build in to your project plan. At risk of over-stating the point, without writing things down small jobs can fester in the mind, build up so they seem insurmountable and stress you out. Even if you haven’t forgotten anything, you may convince yourself that you have simply by not recording things on paper. From the book ‘The Little Know-It-All’: “Self-discipline means being able to overcome our innate laziness and inertia, and to carry out even unpleasant tasks in order to achieve more in the end.” Employ SMT (single-minded thought) as often as possible. There exists a theory called ‘The 80:20 Principle’ which states that for many people we waste around 80 per cent of our time on unproductive activities, and that 20 per cent of our most productive time leads to 80 per cent of our success. “Time is money.” Image courtesy of Patrick T. Power Time Management We’ve all heard the oft-quoted phrase “Time is money”. It’s a phrase that holds water as the more time we squander on useless activities the longer the time period the money we’re earning is made in. Set overall and milestone deadlines for each job within your project on paper, and stick to these deadlines to maximise your productivity and profits. It may help to keep this overall concept of your projects in mind: A project is an undertaking with a delineated beginning and end, in terms of deliveries and timescales involved. They’ll vary in complexity, but all projects will involve stages and sub-projects within the larger whole, and each will need its own thought-through and planned timeline and defined aim. Assembled together, these sub-projects should come together to help realise the larger, project aim. Have your expected project start and end dates in place during the initial phase of project planning. Image courtesy of Anna Leahart The Four Prime Components of Planning Evaluation: What are the challenges here and what needs to be done? Planning: How do I deal with the challenges? Execution: What will my solution look like? Observation: How do I check the outcome? Without adequate planning, projects can quickly fail in a number of ways. Deadlines may be exceeded, milestones missed, jobs forgotten about and things mislaid. You can find yourself on the backfoot, having to play at catch-up because of your own inadequate planning. With the best will and design skills in the world, without adequate planning, you run the risk of your project turning into a mess. Image courtesy of Frontline Blogger Projects usually succeed if… Everybody involved in the project has the same clearly defined aims and outcomes in mind The project is adequately planned, above all to prevent false starts and having to repeat individual steps The work is carefully timetabled and monitored to ensure the project can be concluded There are open channels of communication at all levels and at all business locations You have in place emergency plans you can fall back on if events do not run as planned Further Rules of the Planning Process Plan ahead Consider contingencies and emergency options Break projects down into manageable milestoness Make a list of resources needed Draw up a project budget Execution Review project aims Stay motivated and enthusiastic Complete the project By constantly monitoring project progress you’ll be able to stay on top of events. Image courtesy of Lars Schleicher Monitoring Constantly monitor your daily activities and workflow Keep an eye on timeframes and progress Do the same for events ot down any outcomes, both foreseen and unforeseen Adaptation Solve problems as they occur Keep plans supple and amend if necessary Take emergency steps if need be Conclude project on time The project plan The project plan is a detailed description of what is required of each project, and is made up of some or all of the following parts: 1. Project Definition A description of the tasks to be carried out Project resources needed Stated project aims Project outcome Projected project outcomes 2. Project Variables Jobs to be executed Project start date Predicted project duration Predicted end date Another way to view the project plan is as an intricately-composed system of variable key segments. Image courtesy of Adele Turner 3. List of Milestones and Jobs to be Done Responsibilities (if working in a team) Jobs Predicted outcomes Planned start date Planned end date Actual start date Actual end date 4. Project Budgets Actual project budget Projected budget (if different) Any other expenses Unforeseen costs Sometimes things just happen that are beyond our control, so always have a contingency plan in place. Image courtesy of Laura Thorne 5. Supplementary plans “B” plan Emergency plans 6. Project approval Case Study: CFTC Experts brochure Client: Commonwealth Secretariat Designer: Poonum Chauhan Design Agency: The Fink Agency LLP I recently caught up with Poonum Chauhan, a senior designer at The Fink Agency in London, to ask her about any projects she’d been involved in where good project planning had been essential. Her words on a particularly devilish project, in terms of logistics and planning, are given below. The CFTC Experts brochure is composed of information supplied by countries stretching from East Africa to the Pacific Islands and the Caribbean. This project was quite a large one with a lot of different elements involved, and which all had to be pieced together to produce a highly professional document. With countries involved from the entire Commonwealth, and individual experts from these countries each writing profiles, the planning, collation and timing of this project needed to be highly organised and efficient, which, as we discovered, didn’t always turn out to be the case! Time zones, work trips, meetings abroad and the general hierarchy of the organisation proved to be challenge, along with budgets too! Also, the print was given away, so liaising with the Commonwealth’s printers to ensure the job came out how we wanted it was imperative. A 152pp, 210x210mm brochure, with a throw-out cover, and a 6 colour job were all things to take into consideration when we started this. Also, having to think about courier costs around the world, we had to drop our original case-bound idea as production and postage costs would’ve been just too high!" Summary In ‘The Professional Practice of Design’, Dorothy Goslett writes “Many designers, though admitting its necessity, think that design administration is boring, a tiresome chore always to be put aside for doing second if something more exciting crops up to be done first. But good design + good administration = good fees well earned.” If you don’t pay enough attention to it already, get involved in project planning and administration. The routines will soon become habitual and the benefits will reveal themselves to be substantial. For what designer, or client for that matter, doesn’t want his project finished on time and within budget? Did you meet your planned end date? Were you on time and on budget? You must’ve been if you’ve followed this guide! Image courtesy of Teena Vallerine References A chapter on project planning in the excellent ‘The Little Know-It-All, Common Sense for Designers’ book, which I recommend to you all. Ready to Kickstart Your Design Career?See all coursesFind us on the GramBack to the TopGet Started.You can enrol any day of the year whenever you are ready to start, from anywhere in the world.Enrol hereBrochures, Phone Calls & QuestionsDownload brochures, book phone calls, or ask questions anytime.Contact TGDSOther ways to get in touchAustralia 1300 655 485International +61 1300 655 485Ask Anything info@thegraphicdesignschool.comGet a quote accounts@thegraphicdesignschool.comAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 15: Professional Design Practice :: Lesson 2 :: Freelance Fee Structures and How to Quote :: Updated | Blog | The Graphic Design School\n**URL:** /blog/professional-design-practice-lesson-2-freelance-fee-structures-and-how-to-quote-updated/\n**Template:** blog-single\n**Priority:** 6\n**Word Count:** 1850\n**Last Modified:** 2025-09-29T05:21:57.898Z\n**AI Category:** blog\n**AI Quality:** 4/5\n**AI Summary:** The blog discusses freelance fee structures and quoting strategies for designers.\n\nProfessional Design Practice :: Lesson 2 :: Freelance Fee Structures and How to Quote :: UpdatedThrough working with a variety of clients, my best advice for contracting your services is do not jump in the water before you know how deep it is! By this I mean it is absolutely imperative before even agreeing to work on a piece that you know the entirety of the project. I have learned the hard way to never respond in the affirmative until you ask the right questions. Creating lasting client relationships, one quote at a time Let’s begin with the simple part which, if you haven’t already, you’ll need to have in place: Your working rates, both hourly/daily and project rates. All freelance designers need to establish their rates and be prepared to provide them when prompted. We’ll get onto pricing entire jobs below but for now we’ll tackle rates, which you’ll need to have in place before you can quote for jobs anyway. Your rates are what you charge clients for your time and services. Hourly and daily rates are the most common; both used and asked after. Some individuals choose to charge their clients by the half hour but in general and for the purposes of this blog I’ll stick to the two rates mentioned above. When deciding what and how you are going to charge people, there are several factors to consider. Experience Level Understand your skill level in the current marketplace A fledging junior will charge differently from a middleweight designer, who will charge differently from a freelance creative director. This all comes down to experience. You’ll get better the more experienced a designer you become, and will have to adjust your fees throughout your career to reflect this. Assuming for now you’re at a junior level, you’ll need to choose rates which aren’t quite as high as those charged by middleweights, but good enough for someone who cares about what they do and considers him or herself a fledging professional. In Great Britain, between £12–15 per hour and £80–100 per day are reasonable rates for a junior graphic designer. Each country will have its own averages. Do your research and place yourself where you feel you belong within the appropriate range of rates. What are my skills? Don’t count any of them out. If you happen to count certain specialised skills then you may want to think about a range of rates for the different services you offer. In addition to solid typography and layout skills and a decent knowledge of printing processes, (which should all be mandatory), perhaps you’re also a bit of a Flash wizard, Aftereffects Jedi or Processing ninja. Competences in these areas, because so baffling to the majority of people, tend to mean that clients will pay a higher fee for them. Given this, to keep a set of rates for standard graphic design services and another for more specialised abilities is a good idea. Variable Rates There are large and small businesses, rich and poor, and everything in between. A good client list should consist of both small businesses and organisations, where shortfalls in budgets are compensated for by a hefty dose of creative freedom afforded the designer, and larger, more established clients, where typically the work is more corporate in look and feel and designers will have more to rail against, but who usually have more money to spend than their smaller high street brethren. Bearing this in mind, whilst stopping short of advocating rampant, opportunistic greed I see nothing wrong with keeping your working rates supple to allow for the different types of businesses/organisations who might approach you and ask you to quote for a job. It would seem instinctively wrong to quote a local charity the same fee as you would a blue-chip high street bank for the same job. Given this, it is good to keep a range of fees at your disposal, with a top and a bottom end, to allow for the different types of businesses who may engage your services. Pricing Jobs. Here’s where the Fun Begins… With a clear and considered decision made on what rates you are going to charge people, you will be able to quote for jobs with a degree of precision. The same rules regarding striking a balance apply here, and the rates you will have established should form your first consideration when quoting for jobs. There are several factors to reflect on here, some, most or all of which you should build in to quotes you submit wherever appropriate. The more factors you examine and deem relevant to each particular job the more you’ll protect yourself against unforseen eventualities and maximise your profits. It’s also worth noting here to get as much information about the impending job as possible from the client before returning with an estimate. The more information you have at your disposal the better your judgement will be, and the more accurate your quote. What is the timeline for the project? One of the most basic questions you’ll need to consider and estimate on is how much time the job is going to take up. To give this your best estimate, you’ll need to think about how quickly you can complete the actual task, minus client meetings, traveling times, back-and-forth decisions etc. Start to think about how fast you work, how easily the creative process comes to you and how proficient you are with the software packages you use. If the client is looking for something to be done in a few days this may rule out the project all together, depending on your schedule and then the rest of the parameters are a moot point. What is the budget? Remember your time and money is just as precious as your clients. As your client will be looking for you to be upfront with your costs, it is also important that they be upfront with theirs. Depending on the scope of the project their budget may give you a better idea of how they would prefer to handle payment and be a deciding factor in your billing in whether or not you choose to work for an hourly or project rate. “Would you be able to send me a brief of the project?” Sometimes a client will come to you with a vague idea of what it is they are looking for—actually more than some of the time, a lot of the time. It is best if the client submit to you in writing (preferably by email-so you have a time and date attached to the document) their request. This will also help you in understanding the project details. Within this should include the message for the project, the specs, and general creative direction. The timeline and budget should also be acknowledged here. Who is the direct point of contact? The person who asks you to provide design services may not be the person you will be dealing with directly on the piece. Find out the names and contact information of all of those who will be involved in the decision making process and what their role is during the design phases. When you get to know all parties up front, design surprises (and by this I mean major design changes) will be less likely later on. Remember, bigger projects usually equal more people involved. Where and how will the piece be used? While you should be able to deduce this information from the client brief, it is valuable to know the true scope of the project for not only the sake of the design work involved, but also with regard to the budget. Does the budget provide for the necessary funding to complete the project like purchasing imagery, fonts, and other items that could have specific usage or copyright entanglements? As a professional in the industry you will be expected to be knowledgeable on not only your work but also the financial aspect of design. Be prepared to answer questions on similar projects, and remember to offer the client suggestions of other design services you would be able to offer to further enhance their product. Maybe they are only looking for a logo, but as the designer you would be best apt to design the whole identity package. Steer clients away from piecing together their own business cards and letterhead as these elements all represent their brand and a unified appeal will only benefit its cohesiveness and strength. After those five questions (and then some) have been answered, you should be prepared to draft up a quote for your client. The two most common methods of charging are either a total project estimate or an hourly rate which should also provide estimated total hours to complete the piece. While no one can provide you with a one-size-fits-all method of charging, acknowledge your personal experience level, the depth of what you will be providing, and a thorough understanding of your client. Keep in mind the quote is not the same as the contract. The quote is set forth to provide an initial agreement between both parties with the allowance for further negotiations until both you can your client have come to a mutual agreement. In addition to your client’s timeline you should also establish your own project timeline that allow for revisions and sufficient production time with regard to whether or not your piece will need to go through a printer or other third party. Within your initial quote discuss a proposed deposit (generally non-refundable) and the subsequent payment schedule. You should be wary of starting any project without a deposit and defined payment plan. In Sum… In summary, never let a client pressure you to provide them with an immediate quote. You have not even agreed to work on the project yet! Look out for other red flags, like clients that want to push off discussing payment until a later date, or one whose expectations do not align with what you can deliver. Be honest and build lasting relationships. In fact, the more you educate clients on design and design services the better off your relationship will be in the future. Download here our Design Project Quote Template Here are some additional resources on the topic: David Airey Smashing Magazine / Invoice Like A Pro Graphic Design Blender / How to Quote a Design Project Smashing Magazine / Effective Strategy To Estimate Time For Your Design Project Ready to Kickstart Your Design Career?See all coursesFind us on the GramBack to the TopGet Started.You can enrol any day of the year whenever you are ready to start, from anywhere in the world.Enrol hereBrochures, Phone Calls & QuestionsDownload brochures, book phone calls, or ask questions anytime.Contact TGDSOther ways to get in touchAustralia 1300 655 485International +61 1300 655 485Ask Anything info@thegraphicdesignschool.comGet a quote accounts@thegraphicdesignschool.comAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 16: Mind Maps for Graphic Design :: Ideas Generation Techniques | Blog | The Graphic Design School\n**URL:** /blog/mind-maps-for-graphic-design-ideas-generation-techniques/\n**Template:** blog-single\n**Priority:** 6\n**Word Count:** 1674\n**Last Modified:** 2025-09-29T05:21:57.956Z\n**AI Category:** blog\n**AI Quality:** 4/5\n**AI Summary:** Mind mapping enhances idea generation for graphic designers by visually organizing thoughts.\n\nMind Maps for Graphic Design :: Ideas Generation TechniquesThe most difficult part of being a creative of any kind is idea generation. Why do you think there are so many copy-cats out there? There are several methods available to brainstorm. Mind mapping has been around since the 70’s, it’s uses and attraction is snowballing. So what is it? And how does it apply to Graphic Design? What is a Mind Map? A mind map is an intricate web of thoughts, ideas, names, words and images that all stem from one central idea or word in diagram form. Many designers use Mind Mapping to brainstorm and generate ideas. The loose and visual manner in which a mind map is created is not only a fantastic tool to ‘free up’ creativity, its a great way to communicate to clients, team members and professors while in a design’s concept phase. Mind Mapping: A Crash Course Lets look at a mind map that has a topic that we are all familiar with before looking at a mind map in terms of a design tool. One can see in the Mind Map above, the author has started with a central topic ‘Solving Global Warming’. The main points then radiate outward from the centre. These represent the main points of the Mind Map. Each one of these points sprouts its own branches and twigs. This star-like pattern of ideas is referred to as ‘Radiant Thinking’. Getting the Creative Juices Flowing Mind mapping expert Paul Foreman has dedicated an enormous amount of time to the study of mind mapping, in his e-book entitled “Idea Creation”, he shares his philosophy on opening up your mind to the creation of ideas through mind mapping: Everything stems from a thought Every thought is a word Every idea is a thought Every word is a potential idea Every image is a potential idea Every thought is a potential idea Good thoughts come when bad thoughts stop Good ideas come when bad ideas go You flick your brains switch to ‘on’ when you stop over *thinking Once you still the mind ideas come Patience allows time for ideas to evolve Preconceived notions only breed preconceived ideas Stressing for answers brings stressful results Stretching your mind is effortless and simple Saying: “I can't think of anything” Really means: “I think I can't think of anything” Ideas don't dry up – thoughts do Mind Mapping in Graphic Design So, now that you know a little of how mind mapping works. How can you use a mind map while generating design ideas? We contacted Damien Horan. Renowned graphic designer for international surf brands, Mambo, Volcom, Insight and a successful Freelance graphic designer in his own right. Damien recently designed the logo and branding for hip new restaurant/bar “Little Avalon” (named after the local surf break). Damien, having lived and surfed in the area for years knew all there was to know about the local surf culture. Damien worked in conjunction with infamous Mambo graphic designer and artist Jim Mitchel, in developing the concepts and ideas for the bar. Damien knew that the bar had to appeal to the surf culture in order to ‘make it’ in the Avalon scene. Owner operator Shane Clinton, wanted the ambience of a chic inner city bar, with the familial feeling of local surf shops. It was important that the branding of Little Avalon, combine the culture of city and surf. Not an easy task. Damien had received his client brief and used these to define the map’s main branches. The results of his research and images were then applied to the outer branches/twigs. Applying these words and images to a mind map helped create visuals, with relevant connections between the maps branches as well as between the twigs. Creating a somewhat intricate, yet easy to read, visual embodiment of all design aspects that the logo needed to encompass. Points realised throughout the process: Typeface must have serifs that represent the organic shape of a wave. Inspired by a B&W photo of the area the color palette became very dark. Keeping it crisp, black and white were chosen. Exploring the available typefaces with curved serifs, he was inspired to create his own font. An abbreviated version of ‘Little Avalon’… ‘LA’ was the locals appelation of the surf break, therefore essential to feature it in the branding. The ‘LA’ and ‘Little Avalon’ where to remain independent of each other. Damien’s working sketches. Hand Drawn Sketches Computer Comps Final Logos Application One can imagine easily from this example how you may use a mind map in your career as a designer or during your studies as a student. Although idea generation is only one step of a much more involved design process. It is a recommendable practice to adopt at any level. Unlike many methods of brainstorming that encourage refining the concept for an idea. A mind map does the opposite, it helps us think holistically about a problem and tackle it from all sides. Although most designers employ more than one method to brainstorm, we find mind mapping a very successful way to get those creative juices flowing. Mind Mapping Spreading its Wings David Kelley, founder of IDEO one of the planet’s most innovative design firms, uses mind maps to foster creativity. IDEO designed the Apple mouse, the first laptop computer, and the Palm V. Mind maps are a popular thinking tool in Silicon Valley. Kelley says: When I want to do something analytical, I make a list. When I’m trying to come up with ideas or strategize, I make a mind map. Mind maps are organic and allow me to free associate. They are great for asking questions and revealing connections between seemingly unrelated ideas. I start in the center with the issue or problem I am working on and then as I move farther away I get better and better ideas as I force myself to follow the branches on the map and in my mind. The cool thing is that you allow yourself to follow your inner thoughts, which is different than making a list where you are trying to be complete and deal with data. Oprah magazine featured an article The Mind Map: “Six Steps to Get Your Creativity Flowing” on the role of mind mapping and idea generation techniques. In this article Oprah states: Forget Making a List! Lists often come from the organized, analytical left side of your brain, and to solve an intractable problem, you want to engage the right, the creative side. Make a mind map instead. Get a big piece of paper and start in the center with a circle that contains the original problem. Write different solutions, and follow paths outward on the page, limb by limb, pushing beyond the obvious. To plan a party, for example, I put “A great dinner party for friends” in the middle, and among the many branches, one went: “Make your own sundaes → mashed potatoes → have dessert first → sit on floor → indoor picnic.” Another branch went: “Progressive dinner → go to a different restaurant for dessert(s) → show up at friends’ houses uninvited → scavenger hunt to find food.” A third: “Teach something → learn something → juggling → magic trick → expert invitee on food/wine.” Your to-do list will just get you from point A to B. Other Fun Stuff, Extra Reading and Free Mind Map Templates At The Graphic Design School, we are Mac lovers. We are now also iphone freaks, keeping in touch with the student forum when on the go is important for staff and tutors. We found this groovy new free iphone app ZeptoPad Brainstorming App that allows you to mind map on the run! MindNode is a great mind mapping application for iOS - MindNode Free Mind Map Templates Ebook Paul Foreman from Mindmap Inspiration, has generously donated readers an e-book with 22 mind map templates. Download the Free Template Ebook here. Articles A Mind Map From IDEO’s David Kelley, Business Week The Mind Map: Six Steps to Get Your Creativity Flowing, The Oprah Magazine Galleries Mind Map Art Website Tony Buzan John Clapp’s Sketchbook NovaMind’s Website mappio.com The Mindjet Blog Blogs Mind Map Insiration Mind Tools mind-mapping.org mindmapsearch.org IQmatrix Blog Austin Kleon Blog The Mindmap Blog Books How to Think Like Leonardo da Vinci: Seven Steps to Genius Every Day Mind Maps at Work: How to Be the Best at Your Job and Still Have Time to Play Author: Damien Horan for The Graphic Design School Sydney Artist/Designer & Tea drinking procrastinator Damien began his creative journey as a Dazed 70’s child absorbed by the music, diversity & extreme lifestyles of the era. This pathed the way for a dreamy high school experience followed by an even dreamier Art School education spent surfing twin fins. Since then, after many broken pencils & command z’s he has nurtured his wiry frame into a High Profile Artist/Designer with talents compared to Picasso & Magritte. He has worked with many international companies including Mambo, Volcom and Insight and is currently designing his own fresh blend of cotton called ‘The Astral Plane’. The Astral Plane The Astral Plane’s Blog “Share Your Graphic Design Process Group” on Flickr We have started a group on flickr for Graphic Designers and students who wish to share their Graphic Design Process. Share Your Graphic Design Process, on flickr Ready to Kickstart Your Design Career?See all coursesFind us on the GramBack to the TopGet Started.You can enrol any day of the year whenever you are ready to start, from anywhere in the world.Enrol hereBrochures, Phone Calls & QuestionsDownload brochures, book phone calls, or ask questions anytime.Contact TGDSOther ways to get in touchAustralia 1300 655 485International +61 1300 655 485Ask Anything info@thegraphicdesignschool.comGet a quote accounts@thegraphicdesignschool.comAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 17: Do's and Don'ts of Website Design | Blog | The Graphic Design School\n**URL:** /blog/dos-and-donts-of-website-design/\n**Template:** blog-single\n**Priority:** 6\n**Word Count:** 1653\n**Last Modified:** 2025-09-29T05:21:58.308Z\n**AI Category:** blog\n**AI Quality:** 4/5\n**AI Summary:** Essential guidelines for effective website design to enhance user experience.\n\nDo's and Don'ts of Website DesignDO: Keep your page structured In the recent months we’ve seen an explosion of great grid layouts and css files. The most famous (in my opinion) being 960.gs and one of the cooler, more light weight grid systems being the 1kb grid. Following after the structure and balance of a great magazine/newspaper, these grid systems help lay out information in a structured and easy to follow format. DONT: Just place boxes everywhere We’ve all seen these types of websites before – 20+ boxes, all different sizes, nothing lining up properly and not on piece that actually grabs your attention because you’ve just ran into a whirlwind of craziness. if you’re a web designer and you cannot properly place items in a structured environment, well, I would’t really call yourself a web designer. DO: Focus on what’s important Are you building a website for a business that sells one specific product? If so, make sure that’s the focus of the home page. Allow yourself space on the inner pages to place calls to action for that specific item. If you’re building a blog that gives out freebies or writes tutorials, make sure they’re getting the proper amount of focus and attention. Websites like WOO Themes do a great job and putting forward what their main focus is – wordpress themes. DONT: Place irrelevant ads across your page If you’re going to try and make money from your website/blog, do yourself a favour and lay off the excessive advertisements. If your page loads and has 70% ads and only 30% content, odds are high that people will leave and never come back. Making your ads the #1 priority is a bad idea. Try blending them in and making sure they don’t take away from the content. DO: Choose the right colour scheme Knowing what your readers emotions are will help you in choosing the proper colour scheme. You won’t want a bright and ‘loud’ colour scheme if your website is in the meditation niche. You’ll notice that most punk rock bands have CMYK colour schemes (pink, yellow, black and blue), while a doctor/medical website will generally stick with a lighter, more ‘open’ colour scheme DONT: Overdo it with 20 different colours Having every colour that is inside the 64 set of crayons on your screen will not only look bad, but it will annoy your readers and drive them away. Your colours should blend well together, not clash. If you’re not good at picking colour schemes, I’d suggest a site like Colour Lovers which has user generated colour schemes posted. Find the right colour scheme (at most, 5 colours) and see how much better your designs turn out. DO: Make it easy to scan your pages People will not spend 5 minutes trying to figure out what your website is about and what it has to offer. The best way to ensure you’re getting the right information out to your reader is to make the page easy to scan. Use proper H tags (similar to how this post is using h3 tags) to focus on the important items. You can also use pull quotes, block quotes and images. DONT: Write one paragraph per page that is 1,000+ words long If there’s one thing that stops me from subscribing to a blog is that the posts are literally 1,000+ words and have no paragraph breaks. This, and they normally don’t even have blog words or any indication that there’s anything important inside their content. Break your content up and make it easier to read – please, and thank you. DO: Keep it simple stupid It’s a proven fact that sign up forms with more than 3 items (usually – name, email & one other item) will have a significantly lower sign up rate than the easier forms. People HATE doing things for too long – so don’t over complicate things. Make things as easy as possible for your readers by pretending a 4 year old will be viewing it. It definitely helps get things out in the open where they need to be. DONT: Go on and on (and on) about nothing Rambling, excessive LOL’s, too many smiley faces and random dribble will drop attention spans of your visitors. You want them to stay – act like it. If you have a personal blog where you write about your life, thats one thing, but to randomly post about what you ate, or where you went yesterday on your business website will definitely drive people away. DO: Focus on killer copywriting Words matter. Keep them short, sweet and to the point. If you have trouble writing copy that attracts the readers attention to where you need it to go, hire someone. Copy is just as important as the design of your website. Choosing the right words for sign up buttons, page headings, navigation items and calls to action can be the difference between 50% sign up rate and a 90% sign up rate. DONT: Stuff your pages full of keywords Google isn’t stupid. Neither are your readers. If your page has the main keyword for your site stuffed into each paragraph 30-40 times, it will not only read very poorly, but you’ll be penalised. Writing should flow naturally and should only mention your keywords where they fit. DO: Set your navigation up properly If you’ve got a sign up page on your website, maybe you’ll have your main navigation in a blue colour, while the sign up button is in a green colour. Regardless, you’ll want to make your navigation easy to spot and easy to use. DONT: Make your readers search to find something Your readers shouldn’t spend 30-40 seconds trying to find a contact or about page. They also shouldn’t have to click through three pages just to get to a sign up form. Get the important things out in the open. For the items that aren’t required to have a strong focus on your website, you might want to invest in a search box – I HATE when websites don’t have a search box. Web design 101 maybe? DO: Optimize your load times If there’s one recurring theme in this entire article it is the fact that visitors are impatient. You need to build your website with optimal speeds and allow your page to load in around 1-2 seconds. You can do this by making sure your css files are compressed, using the google hosted javascript files and ensure your page is coded and designed with optimal speeds in mind. Someone like embed a video on their site. Then I will not suggest you to make it auto load or auto play, because it makes your site slow. If you do not know how to set them, I suggest you to use moyea flash video mx 6, because you can set the player’s profile in this software. The product site: video-to-flash.com. DONT: Make everything on your page an image Text on a website is there to be exactly what it is -text. There is no need to make the text blocks of your site jpg images. Also, making your website background 1MB or more in size will also cause your page to load very slow. I’ve seen websites also use 2 different javascript libraries and load 10+ plugin scripts for them in the headers and their websites took around 20 seconds to fully load. DO: Choose the right fonts and sizes I’ve only recently got into typography and have realised that it is a highly important aspect of web design. Making your section titles the right size and making sure the fonts you’re using will greatly effect the experience your visitors have when viewing your websites. Generally speaking, you should use one main font for the content and then you may switch the titles of the pages to a different font. DONT: Have 5 different fonts in 10 different sizes Picture this: Page titles are in times new roman, content for those pages are in Arial, navigation links are in comic sans and the sidebar is in impact (yes, that impact). How ugly does that look? Now, remember that vision the next time you want to build a website with 5 different fonts. DO: Make your page visually appealing The world may tell you that people don’t judge a book by its cover, but thats a lie. The first thing people see is the web design you’re branded with. That first impression better be a good one. Utilise textures/gradients that give your website depth and draw attention to the beauty of your design. I would strive to ensure each of your website designs are accepted to galleries like css mania. DONT: Throw a bunch of crap together and think you’ll do well Animated gif’s are your first no-no. After that comes the marquee scrolling text and the jumbled mess of text and graphics that resemble a 13 year olds myspace page. It isn’t cute and in case you’re not aware of it, it’s no longer 1980. Things have changed and people don’t expect to see something that looks like a 7 year old made it. If you’re a professional, act like it and make sure your designs are up to par. Ready to Kickstart Your Design Career?See all coursesFind us on the GramBack to the TopGet Started.You can enrol any day of the year whenever you are ready to start, from anywhere in the world.Enrol hereBrochures, Phone Calls & QuestionsDownload brochures, book phone calls, or ask questions anytime.Contact TGDSOther ways to get in touchAustralia 1300 655 485International +61 1300 655 485Ask Anything info@thegraphicdesignschool.comGet a quote accounts@thegraphicdesignschool.comAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 18: A Day in the Life at the Leo Burnett Agency | Blog | The Graphic Design School\n**URL:** /blog/a-day-in-the-life-at-the-leo-burnett-agency/\n**Template:** blog-single\n**Priority:** 6\n**Word Count:** 1600\n**Last Modified:** 2025-09-29T05:21:58.387Z\n**AI Category:** blog\n**AI Quality:** 4/5\n**AI Summary:** Explore the creative and relaxed work environment at Leo Burnett Agency.\n\nA Day in the Life at the Leo Burnett AgencyIt was his creation of the Marlboro Man, the Jolly Green Giant, and Tony the Tiger that would make his small mid-western company one of the largest, most sought-after agencies in the world. The Marlboro Man and the Jolly Green Giant are said to be two of three most recognised characters in the world (with Ronald McDonald). A Day in the Life at the Leo Burnett AgencyLeo Burnett’s iconic work that kick started a career spanning decades and dozens of multi-national agencies: The Marlboro Man, The Jolly Green Giant and Tony the Tiger. Big ideas come from the big pencilThat is the statement behind Leo Burnett’s thinking, along with a humankind approach. The single greatest thing for Leo and Design Schools are its people. In the end it all comes down to the people you meet, talk to, network with, work with, love, avoid, respect and so on. I have a great opportunity to work with top professionals from many different areas of expertise, every day. The advice, opinions, views, knowledge and skill set of each individual at Leo offers me a network of highly skilled assistance at my fingertips, that’s priceless. Leo Burnett Belgrade, I believe has a specific climate, we call it a ‘relaxed’ atmosphere. Your priority at work is to finish your days duties regardless of when you arrive. Working hours are 9am to 5pm, however many people arrive after 10. So long as you meet the requirements of an 8hr day. This atmosphere enables you to feel free to find your own private way of functioning to your best advantage. I believe our ‘relaxed’ atmosphere, and different schedules can be difficult for the Accounts dept. when trying to gather us all for a group meeting. However, designers are those lay-back, cool and often quiet people that you handle with care, their genius allows them to invent ‘stuff’ from scratch, and that kind of talent requires kit gloves and flexibility! Advertising is the fine art of separating people from their moneyImage Campaign Client: Heinz Agency Location: Paris, France Creative Director: Stephan Ferens » Copywriter / Art Director: Eric Esculier. The most rewarding aspect, once every detail of a campaigns communication has been perfected, is feedback. We receive this feedback when the campaign ‘hits the streets’. This is the ‘litmus test’. The public. The truth, the moment that you learn whether you invested yourself in something that can make you feel accomplishment and pride or feel like hell! Learning is a constant process and campaigns definitely enhance your learning, however I believe that learning really starts on the day you enter any office or design school, in my case Leo Burnett. Advertising can be a tough world, and each day can takes its toll. Every day you bury yet another unused idea that seemed as bright as a star. Yet, as this industry requires, we continue to ‘reach for the stars’ because we want to be the best. Advertising guru Paul Arden once said “It’s not how good you are, it’s how good you want to be!” He was damn right too. This is the quote that has most inspired me in my career and my life. The better you want to be, the better colleagues you will have, the more happiness you will spread, the more people you will inspire and the more people will love you for it. That is the simplest life philosophy. Once again Leo was right it all comes down to people, ourselves included. Image Campaign Client: McDonalds Leo Burnett Chicago Global Chief Creative Officer: Mark Tutssel Chief Creative Officer: John Condon EVP/Creative Group Head: John Montgomery Creative Directors: V. Cook, G. Fox-Robertson, B. Shembeda, A. Gross Working in an environment of creatives one is constantly aware of the fact that creative people have big egos! We insist on how great we are and how amazing our design is. Working in this agency has taught me that we should always share our knowledge with others, no matter how big your ego, or almighty your position. (People that don’t share their ideas, probably don’t have many of them anyway). Leo Burnett Belgrade has 120 employees, and many walls, however, colleagues are not segregated by departments and teams, our agency has moved the barriers between us, we support and enrich each others ideas. Our philosophy is that if we haven’t moved these metaphorical barriers our day has been unproductive… useless. Our attitude to healthy competition and challenge sees us having some great nights out after a synergy of successes. Although our barriers are less than in other more traditional agencies we do team up (Art Director and Copywriter for example) to work together in 'micro7rsquo; environments, presenting ideas and working long hours on pitches for clients. We do what we can to keep the agency’s spirit alive and beating. Like the rhythm that exudes from the speakers of my iTunes playlist. I have earnt the role as the agency’s DJ. I play music to over 40 people on my floor. I keep them happy! one of the perks of being a ‘creative’. And so starts another day… I’m getting up, fresh enough so I can rewind the film in my head of how I got here. A spanking new morning in Belgrade 2009, clean head, big drive, full batteries, after so many trips, boarding passes, frequent desk changes, computer desktops, cityscapes and music on iTunes. I start with a double shot of coffee, warm milk with one sugar, please. Made from the Communal Leo Burnett coffee machine… of course! Definitions that you may find useful in this articleCopywriter has ultimate responsibility for an advertisement’s verbal or textual content, which often includes receiving the copy (https://en.wikipedia.org/wiki/Copywriter) information from the client. Art Director An Art Director isn’t necessarily the head of an art department. He/She typically works in tandem with a copywriter. The team usually works together to devise an overall concept (also known as the “big idea”) for an ad, commercial, mailer, brochure, or other advertisement. An A.D. may come up with the headline or other copy, and the copywriter may suggest a visual or aesthetic approach. Each person usually welcomes suggestions and constructive criticism from the other. Ideally, the words and visual should not parrot each other; each should enhance or enlarge the other$#39;s meaning and effect. Accounts Account Services or Account Management is somewhat the sales arm of the advertising agency. An account executive meets with the client to determine sales goals and creative strategy. They are then responsible for coordinating the creative, media, and production staff behind the campaign. Throughout the creative process, they keep in touch with the client to update them on the ad’s progress and gain feedback. Upon completion of the creative work, it is their job to ensure the ad’s production and placement. Creative Director The CD oversees the design of branding and advertising for a client and ensures that the new branding and advertising fits in with the client’s requirements and the image they wish to promote for their company or product. The main aspects of this role are to interpret a client’s communications strategy and then develop proposed creative approaches and treatments that align with that strategy. Another is to initiate and stimulate creative ideas for and from everyone involved in the creative process. Creative directors normally oversee copywriters and art directors. Traffic The traffic department regulates the flow of work in the agency. It is typically headed by a traffic manager (or system administrator). Traffic increases an agency’s efficiency and profitability through the reduction of false job starts, inappropriate job initiation, incomplete information sharing, over- and under-cost estimation, and the need for media extensions. In small agencies without a dedicated traffic manager, one employee may be responsible for managing workflow, gathering cost estimates and answering the phone, for example. Large agencies may have a traffic department of five or more employees Featured Designer Djordje Joksimovic Featured Agency Leo Burnett Djordje is Art Director at Leo Burnett Belgrade. Communication is a priority. Perception is everything. Design is the key. What I’m Like? As a boy I dreamt about launching and flying a spacecraft, and was only happy if the other kids that played with me were happy too. Today I’m launching the brands that serve the purpose and help people to feel comfortable and happy about themselves. In fact, design is the way we talk to each other these days, and doing so in clear, direct, honest and interesting ways, we can make better things – and make things better. Handstand To be unique, imaginative, simple and memorable by capturing people’s imagination to inspire them to be the best they can be. Craftwork I create work, inspired through humanity to influence people’s behavior. Rocket Science I help marketing people to make their brands part of people’s lives by understanding, inspiring, and activating human behavior. Djordje’s Blog Follow Djordje on Twitter Ready to Kickstart Your Design Career?See all coursesFind us on the GramBack to the TopGet Started.You can enrol any day of the year whenever you are ready to start, from anywhere in the world.Enrol hereBrochures, Phone Calls & QuestionsDownload brochures, book phone calls, or ask questions anytime.Contact TGDSOther ways to get in touchAustralia 1300 655 485International +61 1300 655 485Ask Anything info@thegraphicdesignschool.comGet a quote accounts@thegraphicdesignschool.comAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 19: undefined | Blog | The Graphic Design School\n**URL:** /blog/archive/\n**Template:** blog-single\n**Priority:** 6\n**Word Count:** 1562\n**Last Modified:** 2025-09-29T05:21:58.340Z\n**AI Category:** blog\n**AI Quality:** 4/5\n**AI Summary:** The blog archive offers insights and resources for graphic design students and enthusiasts.\n\nWe love to talk about what's going on in the graphic design world. Check out some of our older posts on The Blog Archive.Blog for graphic design students6 Things To Keep In Mind When Designing A LogoPaulywood for istockphoto has released an article on logo creation. A great article for those graduates or students wanting to get into…Read the Article 26 Logos & Their Design EvolutionOur top 26 logo revamps for better or worse you decide. It’s hard to argue with the Art Paul’s and the Paul Rand’s of the design world.Read the Article A Day in the Life at the Leo Burnett AgencyWe have been lucky enough to follow Leo Burnett Art Director Djordje Joksimovic for a day around legendary Agency Leo Burnett. Leo Burnett created iconic symbols of American-branded products.Read the Article A State of IndependentsSomething big has happened in the publishing world. Something interesting.Read the Article Create an Iphone Advertising PosterFocusing on a simple approach and execution, this tutorial will teach you tips and tricks to creating professional and dynamic poster ads for your portfolio.Read the Article Do's and Don'ts of Website DesignA short and sweet article of the main Do's and Don'ts in Web Design by Angela Lisl.Read the Article European WebsitesWe have to say there is not a more daunting task than choosing a handful of European talents.Read the Article Focus :: Contemporary Type Foundries :: Part 1Working with typefaces is about as basic as it gets for graphic designers. A solid knowledge of type, a keen eye for which fonts are appropriate for each project and an awareness of what's available to us are rudimentary components of the job.Read the Article Focus :: Contemporary Type Foundries :: Part 2Following on from *Contemporary Type Foundries Part 1*, presented below are the final six type foundries I've chosen to display. So, without further ado...Read the Article Focus - French Graphic DesignNext to sculpture, painting, architecture, cinema, cuisine and couture, France's graphic design seems nowhere.Read the Article Focus :: Graphic Design Studio WebsitesIt should come as no surprise that some of the best designed and looking websites are those of design studios themselves.Read the Article Get off the Mac, roll up your sleeves and get making.In the working world it has become increasingly difficult to free yourself from the Mac and create something with your hands.Read the Article How & Where To Get Paid Freelance Work While You're Still A Design StudentThis is inspiring article has been written by graphic design student Jacob Cass.Read the Article Interview with Fabien BarralWe interviewed one of the most talented French Designers. This is what he had to say about himself...Read the Article Interview with Luke FeldmanIt has been said that Luke Feldman is to digital art what Tim Burton is to cinema, or Dr. Seuss is to children's books, his distinctive unmistakable design style, has landed him jobs with Coca Cola, Apple and Disney to name but a few. This is Luke Feldman Interview with The Graphic Design School.Read the Article Interview with Veerle PietersVeerle is one the design industry's most savvy and branded designers. Her candid interview with The Graphic Design School, reveals a charm and savoir faire that has seen her (deservedly) shoot to the top of her game. Based in Belgium Veerle studied graphic design and print, before moving into web design.Read the Article James Victore :: Don't Be A Design ZombieJames Victore is a man of action. He believes that knowing about jazz and wine and auto-racing can make you a better designer.Read the Article Logo Design LoveDavid Airey, super blogger and notorious designer has released a book called Logo Love Design.Read the Article Logo Trends and GalleriesHere are our fav logo galleries and trend articles. The for and against trends, the good, the better and the darn beautiful logos of 2009.Read the Article Mind Maps for Graphic Design :: Ideas Generation TechniquesPaulywood for istockphoto has released an article on logo creation. A great article for those graduates or students wanting to get into…Read the Article PrintPrints can be anything from digital art to advertising, to layouts for magazines, posters, flyers newspapers you name it. We have scoured the four corners of Europe to find you the best of Print Designs.Read the Article Professional Design Practice :: Lesson 1 :: Self-Promotion & Winning WorkIn the first of a series of lessons entitled Professional Practice, we have sourced one of todays hottest working English based freelance designers to give you the leg up on building yourself a truly professional Graphic Design practice.Read the Article Professional Design Practice :: Lesson 2 :: Freelance Fee Structures and How to Quote :: UpdatedProviding a quote for graphic design services is one of the most difficult areas of the field to navigate. It can kind of be like going on a first date.Read the Article Professional Design Practice :: Lesson 3 :: Project PlanningThis week's article on professional design practice concerns project planning. Good, thoughtful project planning can be indispensable to the smooth running of your professional life as a freelancer.Read the Article Professional Design Practice :: Lesson 4 :: Dealing with ClientsThey come in all shapes and sizes, from all different professional backgrounds, and we rely on them to pay our fees. A large portion of the freelancer's life is spent looking for them, bagging them, and spending a considerable amount of our daily slog trying to work out what they want. I'm speaking of course about clients, and this article is all about working with them...Read the Article Professional Design Practice :: Lesson 5 :: Invoicing ClientsAt the same point each month, every month, an employed person receives a wage packet from his payroll department, and his his bank account is credited with his salary. Safe in this knowledge, he can plan his finances around this fixed point.Read the Article Professional Design Practice :: Lesson 6 :: The PresentationSo you find yourself pitching for a job and have come up with an ingenious solution to a fiendishly tricky design conundrum, and all you want to do is get on the phone to the client and sing it to him from the bottom of your lungs. Slow down there pardner.Read the Article Professional Design Practice :: Lesson 7 :: Graphic Design ContractsA rookie mistake in the design world is working without a contract. I too, have fallen to the sorry plight of ultimately working for free with no promise of continued work or payment on the horizon.Read the Article Putting Together an Effective PortfolioSave perhaps his personality, the freelance graphic designer's portfolio is, undoubtedly, the most valuable asset in his professional life. I have written elsewhere that the portfolio is the freelancer's shop window, an intimate glimpse into his or her being for all who view it.Read the Article The Best of European Typography... Ooh la la!We went to France, Italy and everywhere else that serve great wine and cheese AFTER the dessert, to find the most passionate and sometimes quirky typography designers Europe has to offer.Read the Article The Creative Brief :: Part 1The brief. That genesis of the creative process. All design jobs begin with a briefing from the client, usually in written form (the preferred option) though they can also be given verbally.Read the Article The Creative Brief :: Part 2Hey there. In the last article we discussed the role of receiving and understanding the creative brief — a vital part of the designer's job.Read the Article Visual Culture :: BrazilBrazil, the sunniest of the amusingly-acronymned BRIC nations (Brazil, Russia, India, China), is currently enjoying unprecedented amounts of goodwill on the international world stage, not hindered by its increasing confidence in areas like diplomacy and manufacture, nor Rio's mayor Eduardo Paes winning the Olympic bid for his city.Read the Article What Is Open Source & How Does It Relate To Graphic Design?Chances are you have heard of Open Source, and if you haven't you will have used it in some form or another. But what does the term "open source" actually mean and how does it relate to designers in terms of resources? Come on a sharing, caring 'open' journey with us into the world of Open Source...Read the Article When times are tough, graphic designers get tactileAs always its up to the graphic designer to keep the economy running when times are tough... Really! Graphic Design makes the modern world go around, and the medicine go down!Read the Article You too can Create your Very Own Digital CharactersFeaturing in this months who's who wasn't enough, Luke Feldman generously made The Graphic Design students a tutorial using his funky design style and one of his quirky characters. See how Luke transforms a sketch into a vector character.Read the Article Your Business Card is Crap! Not quite!Your business card leaves an impression of You, even when you are not there. A beautiful business card helps you stay in on the radar of the people you are giving it to, a great business card makes you standout. We have came across some beauties, and we would like to share them with you.Read the Article Back to the TopAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 20: Putting Together an Effective Portfolio | Blog | The Graphic Design School\n**URL:** /blog/putting-together-an-effective-portfolio/\n**Template:** blog-single\n**Priority:** 6\n**Word Count:** 1549\n**Last Modified:** 2025-09-29T05:21:57.786Z\n**AI Category:** blog\n**AI Quality:** 4/5\n**AI Summary:** A guide on creating an effective portfolio for freelance designers.\n\nPutting Together an Effective PortfolioWe have to love our portfolios, agonise over what goes into them, and tend and nurture them as we would a sapling we’d once planted. Nothing should be left to chance, not even tiny details, as it’s these, at times, that we may be judged on. So let us not delay any longer, but instead plunge into the sober, matte black folds of the portfolio… Contained Therein: What to Include What graphical wonders might reside within… What should a freelance designer’s portfolio contain? For starters, it should include no more than 6–10 projects. Any more and you risk your interviews dragging on and prospective employers and clients hurrying you along whilst glancing at their watch. Try not to include two too similar projects, even if you’re equally proud of both. Each piece in the portfolio should come with its own unique narrative. There is an exception to this rule; it can be ignored if you have a series of projects designed for a certain client, say a triptych of biannual trade brochures, which together demonstrate the development of a concept or narrative and can be presented, from your point of view, as a single project. Your portfolio truly is your shop window to the world, offering others a glimpse of your priorities, competencies, predilections and professional level. Sweat blood over it. Image courtesy of © Juan Pablo Cambariere. For traditional ‘paper’ portfolios, high-quality printouts of uniform size are recommended. These printouts could include developmental and conceptual work alongside the final solutions. Attempt to inject a dose of uniformity into things; it looks neat and consistent and your efforts won’t go unnoticed by those on the opposite side of the table. Just be sure that each project tells its own unique story, and go to brow-furrowing lengths deciding just what to include, and the order in which you present them. Print-based designers will naturally enough want to include finished printed pieces, but these may still be combined with printouts explaining the ‘journey’ of each project. Exactly the same rules described above apply to web-based designers. They can, if they choose to make use of printouts, show frames from websites they’ve designed, which can in turn accompany actual visits around the websites themselves, if a laptop is present. A dazzlingly original portfolio concept. A series of perfect-bound books contained within a slipcase and all bound with an elastic band. Image courtesy of © Zoo Press. The Receptacle Itself Photographers’ archive boxes make handsome receptacles for a freelancer’s portfolio. They are sturdy, protecting, beautifully made from acid-free materials and discrete in their design, much in the same way the slim black case is. Their self-folding covers carry just enough weight for them to open and lie flat with a pleasing ‘clunk’. Also of immense value, they allow the freelancer to carry his work around loose-leaf fashion. To carry your work loose-leaf is an infinitely more desirable system than having a ringbound portfolio, which requires the designer to frequently turn the case around and (if the case is on the larger side) awkwardly turn the plastic sleeves as he goes. Loose-leaf printouts allow the freelancer to pass them around to those they’re presenting to, and this is A Good Thing. “Thou shalt not use Powerpoint to present thy portfolio”. Image used with kind permission of © Ian Ruotsala. If you have a laptop, you may wish to make this your main portfolio receptacle. Laptops are good for this, and a modern, not-too-scuffed Apple laptop can help make a slick impression on others. Be sure to have all the technical bases covered before presenting; arriving to a meeting with an uncharged laptop, sans mains charger isn’t going to impress anybody. Choosing to carry your portfolio on a laptop allows for expedient and rapid updating of work. You can shuffle things around, add and omit projects as you see fit and effectively tailor your body of work to suit each new meeting and interview you bag. You can of course do the same with a traditional paper-based portfolio, though high-quality printouts can represent a not negligible expense. A final word on using laptops, if you do choose to pursue this route avoid using Powerpoint in your presentations; everybody by now should know that this software is the last word in corporate uncool. This Is The Modern World Portfolio site of successful designer Fabien Barral. Of course, most freelancers with a decent body of work nowadays will also have an online presence, used, in the main, to display their work. Take as much care with your online portfolio as you would your physical one. Strive for a uniformity and dynamism in your photography of projects, and make sure that images and pdfs saved from the computer are of sufficiently high and consistent resolution. Write concise, foolproof explanations to accompany the work and organise it all in an intuitive level-based fashion, much as you would a website. Sites like Flickr and View Creatives go some way to aiding the freelancer in this professional-feeling endeavour, but you’ll still need to pour energy and vim into the whole enterprise to create the right appearance. A Dynamic Process Don’t, through neglect or complacency, allow your portfolio to become stale… “Retro” bedroom image used with permission of © Steve Collins. If not tended regularly, and updated at least periodically, portfolios can make their owners seem stale and static-seeming, much as a restaurant that hasn’t updated its menu or decor since the 1970s would appear. Your relationship with your portfolio (for that’s what it really is), should be a dynamic process which engages your thoughts and labour continuously. A portfolio assembled two years in the past may have once seemed the sexiest thing alive, but if not updated and cared for as and when necessary, projects may become vaguely dated, printouts and interleaves may ‘stick’ together and, if you spend a lot of time carrying them around, projects inside the portfolio may become dog-eared and crumpled. Keep things shipshape and Bristol fashion as best you can. If printouts look a little worse for wear, replace them. Rotate, add and omit projects when desirable. Useful Top Tips Keep things small. A portfolio any larger than A3 is really too big Keep things clean & uncrumpled Loose-leaf sheets are better than ring-bound sleeves Assembling a portfolio should not be a one-off exercise, but a dynamic and continual process Request and absorb other people’s comments and allow this information to flow back into the way you maintain your portfolio Interleave your loose-leaf sheets with a bold and dazzling substrate, though choose something that doesn’t overpower the work contained within If you choose to carry your portfolio on a laptop, for pity’s sake avoid using Powerpoint in your presentations! The “restless and questing” disposition of the freelancer when putting together his or her portfolio is an asset, not a fault. Image courtesy of © Humminggirl. In Sum A restless disposition when it comes to the freelancer’s personal portfolio is, according to Adrian Shaugnessey, a strength, not a weakness: “Designers are never happy [with their portfolios]. I’ve known many competent and talented designers who’ve begun portfolio sessions with an apology: ‘I’m just about to redo it,’ the say; or, ‘Sorry, it’s a bit out of date.’ It seems to be a designer foible that the portfolio is ‘never finished’ and ‘never representative of current work’. Yet far from being a sign of weakness, this is a good sign: It indicates a restless and necessary desire to improve and develop.” Keep things on the smaller side; a portfolio any larger than A3 for the graphic designer is, nine times out of ten, unnecessary. Image used with permission of © Stefho74. To reiterate what I stated at the top, your portfolio is your second most important asset after your personality, and thus requires the thought, care and attention this level of importance deserves. Like a Savile Row tailor, your success as a freelancer may depend on tiny details, and the portfolio is a complex enough animal to through up lots of details-based challenges. Pour thought and care (not to mention funds) into things, leave nothing to chance and be unswerving in your commitment to the upkeep and presentation of your portfolio. Perhaps most important of all, remember that each project included should not be composed of merely an arresting image or piece, but tell a compelling story about you as a designer and the process you went through. This is the key to an effective and resonant portfolio! Aim for your portfolio to make a spectacular impression on others. Image used with kind permission of © Guiniveve. Ready to Kickstart Your Design Career?See all coursesFind us on the GramBack to the TopGet Started.You can enrol any day of the year whenever you are ready to start, from anywhere in the world.Enrol hereBrochures, Phone Calls & QuestionsDownload brochures, book phone calls, or ask questions anytime.Contact TGDSOther ways to get in touchAustralia 1300 655 485International +61 1300 655 485Ask Anything info@thegraphicdesignschool.comGet a quote accounts@thegraphicdesignschool.comAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 21: How & Where To Get Paid Freelance Work While You're Still A Design Student | Blog | The Graphic Design School\n**URL:** /blog/how-do-replica-designer-chairs-stack-up-a-review-of-sorts/\n**Template:** blog-single\n**Priority:** 6\n**Word Count:** 1440\n**Last Modified:** 2025-09-29T05:21:58.154Z\n**AI Category:** blog\n**AI Quality:** 4/5\n**AI Summary:** Tips for design students on securing freelance work while studying.\n\nHow & Where To Get Paid Freelance Work While You're Still A Design StudentJacob Cass is a 21-year-old designer from Newcastle, Australia, who freelances under his business Just Creative Design, which also doubles as a popular design blog. Jacob’s talent has brought him many awards and his work has been published in books worldwide. As a design student myself I know how hard it is to break into the field, but I am proof that it can be done with a bit of hard work… In this article I am going to share with you my tips on how and where to get freelance design jobs while you are still a graphic design student. The Problems There are four main problems that design students face: They do not yet have the skills needed to be a professional designer as they are still (1) trying to figure out the ins and outs of the software (2) and to top off this they still are yet to have a reputable portfolio (3) or (4) any knowledge about dealing with clients, budgeting or time management which more than likely means that you (5) have no reputation and no one knows about you. Let’s have a look at these problems and their solutions. Problem 1. You have no basic graphic design skills This of course, is the reason you are studying to learn these skills. However, do not be a static learner at University, you must propel yourself forward to learn more and be the leader of the pack. You should be active in graphic design forums, read design and freelancing blogs, borrow/buy books, ask questions and really get out there. Go to your local design studio and ask for work experience - I did this and I worked on all their pro bono jobs, it was a great experience and I learned more about clients and time management while I was doing it. These few things will help your basic design skills get up to scratch plus you will be ahead of the rest as not many people do this. Recommended Reading Graphic Design School by David Dabner A book about what your design course is teaching. A good aid! Non Designer’s Design Book by Robin Williams A great book for beginners at graphic design school, a must read. Graphic Design as a Second Language by Bob Gill This book is aimed mainly at students and teachers of design, and those that wish to improve their design solutions through a better design process Non Designer’s Type Book by Robin Williams This book is full of the bare essentials of typography. It is very easy to read and a must read for any graphic design student. How To Be A Rockstar Freelancer eBook by Collis Ta’eed This is a great book for freelancers just starting out, it teaches you the bare ropes of how to be a successful freelancer. How To Be A Graphic Designer Without Losing Your Soul by Adrian Shaughnessy This book covers the more advanced topics about being a graphic designer. Great for the more advanced students. Recommended Blogs Just Creative Design My own - varied tips & resources The Graphic Design School Blog Great tips, Tutorials, Articles, and free stock art. The focus on European trends is original and refreshing! All aimed at the Graphic design student. Freelance Switch Great tips on everything freelance All Graphic Design Very varied Graphic Design topics A Creative Curio Great for print tips Abduzeedo Great inspiration and more Smashing Magazine Huge lists of resources Recommended Forums Estetica Design Forum Graphic Design Forum Problem 2. You have no computer skills You need computer skills to be a successful graphic designer and a great way to acquire these skills is by reading tutorials, books and of course, practice. I repeat: tutorials, books and practice. By reading tutorials and books you gain more knowledge of the software and get better as a graphic designer. Try to get first hand experience off other professional designers - a great way to do this is ask for work experience at your local design studio, they are usually more than happy to help. Another handy trick is to get free stock items off the web and deconstruct them to see how they were made… this opened a whole new world for me. Last of all: practice, practice, practice and hopefully you won’t turn out like Other Recommended Tutorial Sites After you’ve tackled all the tutorials on this site, check out these other sites. Choose a beginners tutorial if that’s where your at, and revisit the Graphic Design School blog regularly as more Graphic Design tutorials are added weekly. PSDTuts VectorTuts Illustrator Tutorials Problem 3. You do not have a reputable portfolio Every designer had to start somewhere and every designer started with nothing so you are not alone. Building your portfolio is probably the most important thing you do at University as this is how you will get a full time job once you leave. Portfolios are another topic in itself, however you can build it up by making up your own fictional graphic design briefs, working for clients on the web, and by using your university work. Studios do not mind if your portfolio items are fictional as long as they are high quality and you can justify your design process & decisions made. Portfolios Resources 10 Tips On Creating a Design Portfolio Forums To build your portfolio up you can get some small paying jobs (between $15 to $300) on Digital Point Forums. Contests Although sometimes frowned upon in the design industry, contests are another way to build up your portfolio. I entered quite a few when I was starting out however have since stopped after establishing my self as a professional. Job Board sites If you are good enough you should check out job boards such as the 28 ones listed here. Problem 4. You have no knowledge about clients or time management Nearly all graphic design graduates lack client and time management skills! This is where experience is the key and there is no way to get better experience than to gain work experience at your local design/print store - just drop in and ask. You will be surprised at how happy they are to hear from you - just mention you’re a graphic design student and you’re wishing to learn some new things. By working there you will learn all about dealing with clients, time management and the design industry and the big picture. And more than likely, you will be working on charity based projects so you get to help the community too! This was an actual reply I received from a reader of my blog - it does work! Hi Jacob. You’re a legend. I followed your advice about just asking a local studio and was shocked when they said I could go in one day a week! I always thought they’d be miserable or have no time for silly young students, but true, THEY had to start somewhere as well! It maybe be pro-bono work but its vital experience that will set me apart from other students when applying for a full time job. Getting The Work Here comes the hardest part. After you feel confident enough to go out freelancing or working at a design studio during Graphic Design School, you should start looking for more jobs and clients. Here are ten great websites to find graphic design jobs… the rest is up to you! Coroflot Behance Job Board Authentic Jobs AIGA Design Jobs Krop Fresh Web Jobs Design:Related Smashing Magazine Simply Hired Doing contests lets you build up your portfolio however your chances of winning the contest are usually 1/100 which means you will more than likely, not get paid for your work. It is however a great way to build your portfolio, and perhaps get your work published. Here are some sites that can help. 99 Designs Crowd Spring Logosauce Good Luck! Ready to Kickstart Your Design Career?See all coursesFind us on the GramBack to the TopGet Started.You can enrol any day of the year whenever you are ready to start, from anywhere in the world.Enrol hereBrochures, Phone Calls & QuestionsDownload brochures, book phone calls, or ask questions anytime.Contact TGDSOther ways to get in touchAustralia 1300 655 485International +61 1300 655 485Ask Anything info@thegraphicdesignschool.comGet a quote accounts@thegraphicdesignschool.comAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 22: Professional Design Practice :: Lesson 5 :: Invoicing Clients | Blog | The Graphic Design School\n**URL:** /blog/professional-design-practice-lesson-5-invoicing-clients/\n**Template:** blog-single\n**Priority:** 6\n**Word Count:** 1429\n**Last Modified:** 2025-09-29T05:21:57.837Z\n**AI Category:** blog\n**AI Quality:** 4/5\n**AI Summary:** Lesson 5 covers essential invoicing practices for freelance designers.\n\nProfessional Design Practice :: Lesson 5 :: Invoicing ClientsFor the intrepid freelancer things are a little different, for he must send out invoices to his clients, and then wait to be paid. So far so straightforward, but there are several factors to consider with regard to invoicing, which I’ll be taking you through below. After all, getting paid on time is what keeps us all afloat, and what freelance designer doesn’t desire that? First Things First In-voice:: noun:: a list of goods sent or services provided, with a statement of the sum due for these; a bill This week’s article is all about bills, no pun intended, honest… Platypus image © Jersey Shooter. Detailed, ‘transparent’ and designed inbrand. Example of invoice © Hotson Studio. Let’s get some basics out of the way. Your invoice’s list of services should correspond directly with the services you agreed to carry out at the start of the job. Additional good practice would be to include the original contract offer (in whatever shape or form) itemising the services you’d agreed to for your client’s comparison. Your invoices should contain the name or studio name (if applicable) of the person providing services, which, for the freelancer, usually means himself. If you haven’t already provided your client with your bank details, include them somewhere on the invoice. Be scrupulously transparent about costs, both forseen and extraneous, and leave nothing hidden when invoicing your clients. Image used with permission of © Jen Hamilton-Emery. More than One Way to Skin a Cat… It’s perfectly reasonable to design a billing template yourself using a package like Adobe InDesign, (see example above) then generate your invoices from this template whenever you need to bill someone. If you care about how your invoices look and work (you should do; they’re part of your suite of materials) then this method allows for the greatest creative control and freedom. If you feel this is the way to go then take as much time over it’s design as you would your letterhead or logotype. Increasingly though, people are using other means to generate their invoices. MacFreelance is a piece of invoice and billing software made especially for creative professionals, and can allow freelance designers to create very professional-looking templates. MacFreelance and its competitors all come with features for including your own logotype and allow some, limited control over the design of documents. Many are also laden with additional bells ‘n’ whistles for monitoring project developments and carrying out billing administration. Subernova offers users a “simple and enjoyable way to create and send invoices and estimates.” I’ve used it in the past. It’s not half bad. Subernova, ‘project management and team collaboration’ software gives users the chance to create ‘insert here’-style invoices super quickly and like MacFreelance comes with additional features for setting project milestones, tracking time, keeping tabs on late payments, setting deadlines and more. A recent development also worthy of note is that Subernova is now syncable with iCal. For freelance designers who receive most of their money through PayPal, you can now create and save billing templates and store them within your Paypal account. These work in much the same expedient ‘insert here’ way as Subernova. Extraneous & Unforseen Costs Picked up any extraneous costs on your journey? Image © Tom Skinner. Certain extraneous costs should be carefully listed, firstly in the original service offer or estimate, then relisted in the invoice. Extraneous costs, or ‘further expenses’ can include courier/delivery fees, model fees and proof purchasing expenses. To the extent that not all expenses are foreseeable, when embarking on a new project you should also try to negotiate that the client assume all responsibility to remunerate extraneous costs. You might word this line into your original service offer: “The client or commissioning party has to reimburse the commissioned party for all extraneous costs actually incurred.” Setting Deadlines & Client Transgressions Educate yourself as to your legal position, but treat late-paying clients with courtesy. Image © Mark Flisher. The persisting problem of late payment is probably the largest non-creative cause for concern experienced by the freelance graphic designer. Freelancers are unlikely to take legal action against corporations for obvious time-based and financial reasons. The freelancer might also ask himself “why risk losing the potential repeat work by being litigious?” Safe in this knowledge, clients need not worry excessively over paying you on time and in accordance with the terms laid out on your invoice. Exceeding payment deadlines can put a strain on a small freelance business, not to mention the strain placed on the client/designer relationship. Freelancers need cashflow to survive just like any other tradesperson and chasing after late payments is a regrettably guaranteed part of the freelancer’s lot. A slow response to pay a freelancer’s fees from a seemingly lackadaisical client can leave many a designer stressed, frustrated and unsure of what action to take. But there is a system to follow. . ‘Lackadaisical client’ image used with permission of © Chelsea Steed The time period you should allow to elapse before sending out your first reminder shouldn’t be all that long, between 2–4 weeks after the exceeding of your payment deadline is about right. It’s good to know where you stand from a legal perspective, though difficult for me to look into every country’s law practices. In Great Britain, one month after receiving an invoice and having not paid, a client goes into arrears and is obliged to pay the designer for damages caused by delay. Should a disagreement arise, the designer will have to prove the successful delivery of the invoice. The damages, with regard to defaulted payments, is the interest which the designer must pay to his bank throughout the duration of the late payment and for the amount owed. Legal counsel costs may also be charged for here. It’s important to outline the legal implications above, but reaching a hostile legal situation can more often than not be averted, or wholly avoided. In ‘How to be a Graphic Designer without Losing your Soul’ Adrian Shaughnessy advises freelancer’s to handle the unfortunate chasing role not with aggression, but with courtesy and respect. “…Approach the individuals concerned with the utmost politeness; make friends with your clients’ finance departments, they are rarely the villains. When you get a cheque in the post call and thank them. Designers like to have their work praised, and so too do clerks in accounting offices.” His quote pertains to style over law, but both are worth paying attention to in equal measures. Repeat: “courteous not agressive, courteous not agressive…” Image courtesy of © Keri Minard. Summary The more precarious position experienced by freelance designers over full-time employees, within the context of getting paid, is part and parcel of the life we have chosen for ourselves. For those who send out invoices, benefits include the ability to charge higher design fees and a sympathetic attitude from government tax departments with regard to our annual expenditure and investments. Impediments include a less predictable financial life and, the big fly in the ointment, the tiresome task of chasing late payments. When it comes to billing your clients, project as professional an appearance as possible through the design of your invoice, include all your relevant terms & conditions and make it a rule to be wholly transparent about costs. Keep track of invoicing dates and deadlines, and should any late payment situations arise, remember to handle your clients in a well-mannered and friendly attitude. It’ll more than likely never happen, but you’ll have recourse to the law should you need it. Follow the advice above and you’ll be doing all you can to ensure a financially secure existence with good clients on board who pay on time, conditions necessary for producing great design and being a happy bunny! Learning to invoice professionally whilst being aware of where you stand legally makes for happy freelancers! Image courtesy of © Flavita Valsani. Ready to Kickstart Your Design Career?See all coursesFind us on the GramBack to the TopGet Started.You can enrol any day of the year whenever you are ready to start, from anywhere in the world.Enrol hereBrochures, Phone Calls & QuestionsDownload brochures, book phone calls, or ask questions anytime.Contact TGDSOther ways to get in touchAustralia 1300 655 485International +61 1300 655 485Ask Anything info@thegraphicdesignschool.comGet a quote accounts@thegraphicdesignschool.comAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 23: Professional Design Practice :: Lesson 6 :: The Presentation | Blog | The Graphic Design School\n**URL:** /blog/professional-design-practice-lesson-6-the-presentation/\n**Template:** blog-single\n**Priority:** 6\n**Word Count:** 1329\n**Last Modified:** 2025-09-29T05:21:57.825Z\n**AI Category:** blog\n**AI Quality:** 4/5\n**AI Summary:** Lesson 6 emphasizes the importance of effective presentations in design practice.\n\nProfessional Design Practice :: Lesson 6 :: The PresentationTo convince your client of the barnstorming excellence of your proposed solution, more often than not you’ll need to take him through things step-by-step in a presentation. Presentations are important to get right, and represent the ultimate test of your communication skills. Many a fine idea has been admonished or dismissed through poor presentation. Gulp down the words below to ensure this doesn’t happen to yours… First Things First The presentation is the moment of truth. The moment when the designer must bring all his communication skills to the fore and convince his audience that what he’s showing them is the right response to the brief. Many designers find presenting to clients nerve-wracking, which is understandable given that client decisions can at times mean the difference between shopping for food that week or going back to Mum’s for dinner. Presentations can feel momentous and even daunting, but persevere and over time they’ll become easier. Image used with permission of © Tim Phillips. Being nervous isn’t perceived by others as being half as bad as you’d think, and it’s good to keep in mind that nobody expects designers to possess statesman-level oratory skills. The main thing when giving presentations is to be yourself. If you’re a smooth sort of person that’s wonderful, but being rough-edged or a little awkward is equally fine, if that’s part of your personality. Just don’t try to be smooth if you’re not as you’ll more likely than not tie yourself up in knots with the effort of it all. Be yourself, and be passionate and confident about what you’re presenting. No one expects designers to be accomplished orators of Steve Jobs-level prowess. All in the Preparation “There is no such thing as luck. There is only adequate or inadequate preparation to cope with a statistical universe” — Robert Heinlein Be prepared and leave nothing to chance. Image used with permission of © Victor Chang. Another important ingredient in the presentation is preparation. Spend time on every little detail before the big day, and be sure to have each component or topic in place, and in the order you want to present them. From there, keep things simple and structured and take your clients, from beginning to end, through your creative process. Avoid making assumptions about what your clients know; you may have worked, lived and breathed the project for the past fortnight but your audience won’t have. You might begin by restating the brief, explaining the developmental process and ending with a compact summary. Presentations really needn’t be any more complicated than that. Adrian Shaugnessey, acclaimed designer and writer of ‘How to be a Graphic Designer Without Losing Your Soul’ states The great immutable law of making a design presentation is this: tell your audience what you are going to show them and then show it to them. That’s all there is to it. Don’t tell them what to think about what they are going to see, just tell them what it is that they are going to see. Try it. You’ll be amazed. This is sound advice. To reiterate what I stated above, you may have become used to your solution, but your client may have just been presented with something, to his mind, daring or even downright shocking. He’ll need time to digest things, and, after explaining what you’re about to present and presenting it, you can help this digestion by keeping quiet.#### A Visual Reference of What You might Include in Your Presentations Taking a lead from Shaugnessey, follow this visual reference guide for simple, effective presentations. The images comprise brief, project development and final execution of the visual identity for the Folkestone Film Factory. Imagery courtesy of © Playdontplay Creative. It’s not What You Say it’s the Way that You Say It I wrote above that ideas can be rejected based not on their inferior quality per se, but more on the way they are presented, and the illustration below demonstrates how, by utilising creative ways of thinking, we can often turn decisions favourably in our direction. This isn’t to contradict my other point about being yourself throughout presentations, but being aware of the micro-climate of each presentation you find yourself involved in and employing the communication skills necessary to resonate with each client will certainly do your cause no harm at all. Back to the example: Writer and producer Albert S. Ruddy, on being approached by Peter Bart, an executive at Paramount Pictures, agreed to work as producer on the forthcoming “The Godfather” movie. At that time a best-selling novel, the Godfather script had nonetheless managed to accrue certain negative associations based on the belief that it glorified the Sicilian mafia. It had been touted to and rejected by various Hollywood studios, and was back in Paramount’s in-tray when Ruddy agreed to take the job on. The only hurdle to clear was the approval of the then-head of Paramount Charles Blühdorn, who reserved final approval of producer and director on all motion pictures passed. Blühdorn was a volatile Austrian industrialist who talked candidly about getting involved in the film business more for the fun of it than the money. A meeting was set and Ruddy flew to New York to meet Blühdorn. “Whaddaya wanna do with this movie?” Blühdorn enquired in his inimitable and brusque style. Ruddy knew that if he began to discuss the novel Blühdorn would reject the project out of hand, so instead went on to expound “Charlie, I want to make an ice-blue, terrifying movie… about people you love.” Ruddy flew back to Los Angeles with Blühdorn’s blessing. Your rhetoric and planning will have to be polished, but you’ll need also to present great work. Image used with permission of © Thom Fougere. Top Presentation Tips Prepare thoroughly Speak factually, coherently, distinctly and not too quickly Intersperse your speaking with appropriate pauses to allow your audience to absorb the information Be as articulate as possible Argue convincingly, objectively and fairly Maintain eye contact Don’t speak for longer than your audience’s attention span allows Don’t use PowerPoint Aim to make coherent, well-structured and memorable presentations. Image used with permission of © Southtyrolean. In Sum… Thorough preparation and solid planning are vital for the effective implementation of good presentations. The work you present also has to be up to scratch. Ultimately though a lot rests on your personality. Throughout your presentations strive to come across as reasonable and likable, maintain eye contact with the members of your audience, speak articulately and passionately about your work, listen to comments and attempt to answer any questions put to you as best you can. Your clients, prospective or actual, need to be convinced that you are the not only the right designer for the job, but are also going to be easy to get along with. The more you satisfy clients of this important criteria, the more you’ll be trudging back from the supermarket laden with food from all the well-paid jobs you’ll have won! Don’t, through lack of preparation or confidence, allow stage fright to overshadow your presentations. Image used with permission of © Linus Gelber. Spending time on preparation, being yourself and showing first-rate work will help you turn out confident performances time and again! Image used with permission of © Linus Gelber. Ready to Kickstart Your Design Career?See all coursesFind us on the GramBack to the TopGet Started.You can enrol any day of the year whenever you are ready to start, from anywhere in the world.Enrol hereBrochures, Phone Calls & QuestionsDownload brochures, book phone calls, or ask questions anytime.Contact TGDSOther ways to get in touchAustralia 1300 655 485International +61 1300 655 485Ask Anything info@thegraphicdesignschool.comGet a quote accounts@thegraphicdesignschool.comAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 24: Interview with Luke Feldman | Blog | The Graphic Design School\n**URL:** /blog/interview-with-luke-feldman/\n**Template:** blog-single\n**Priority:** 6\n**Word Count:** 1310\n**Last Modified:** 2025-09-29T05:21:58.089Z\n**AI Category:** blog\n**AI Quality:** 4/5\n**AI Summary:** An interview with multimedia designer Luke Feldman, exploring his creative process and distinctive style.\n\nInterview with Luke FeldmanLuke’s style is an inspiration to all designers. We needed to know what makes this guy tick. His candid and open approach left us charmed… Thanks Luke! Welcome to The Graphic Design School Blog. Tell us a little bit about yourself. A brief bio… Luke Feldman, the creator of SKAFFS, is an Australian multimedia designer who creates for a multitude of platforms. Inspired by childhood experiences and a vivid imagination, his illustrations and animations are distinctive with defined lines, elaborate detail, and intensely vibrant colors. SKAFFS is a collection of work made up of art, animation, games, giant vinyl adhesives, skate decks and collector toys. Luke’s vast technical experience and skills developed working in numerous mediums. He studied Visual Arts and Multimedia in Australia and has worked in the gaming, education and animation industry; his work ranges from graphic design, illustration, computer animation, Flash interactive, mobile media, website design and functionality, character design, installations and advertising. While the scope of his work is extensive, it is bound together through his unique and dynamic style; a style that has led to a number of awards, exhibitions and collaborations with high profile artists including Theodore Geisel and Maurice Sendak and companies such as Disney, Coca-Cola, Facebook. Luke Feldman’s artwork blends the classic stylings of 1950s Disney with a modern design sensibility to create something both cutting edge and timeless. Andrew Farago, Manager & curator, San Francisco Cartoon Art Museum Gallery Indeed, one might contend that Feldman is to digital art what Tim Burton is to cinema, or Dr. Seuss is to children’s books, as each artist has a distinctive, unmistakable style. Hans Fink, Los Angeles’ Skinnie Magazine Luke Feldman’s instantly recognizable ‘Skaffs’ creations comprise a heady mix of bright colors and razor sharp style mixed with an underlying, almost tangible naivety that make his illustrations easily identifiable in a world where originality is not as easy to find as you might think… Jo Spurling, author and editor of Desktop magazine We are a blog for beginners and graphic design students. Can you share with us the most enjoyable moment, subject or lesson that you had while studying? Interactive design was probably my favorite subject as I got to learn all about Illustrator and Photoshop and how to ‘mock-up’ designs. One of my most enjoyable moments was an electronic design project whereby I had to concept, design, and develop a computer game and present it in its finished form including packaging. How did that moment, subject or lesson shape what you do now? This project helped me see the big picture and demonstrated what is involved in developing a product from concept. Being a creative director consultant, my work today is predominantly taking a project brief and fleshing it out into a concept, then a finished design to a full functioning product i.e. game, mobile content, Flash advertising. Describe your style of graphic design in a few words. What kind of advice would you give students who wish to excel in this style? My style is based on symmetry, flow and vibrant colours. My advice would be to develop a unique style, perfect it and experiment with your style by adapting it to as many platforms as you can. Do you use hand drawn techniques to help you develop a design. How important is this in your process as a Graphic designer? Everything I do starts off as a hand drawn sketch. It’s very important to be able to translate your ideas into physical form. Freehand drawing is an important skill as it is often the first thing you show future clients and you need to win them over with this concept to land the job. Do you keep an ideas journal? If so can we have a sneaky peek? I have a trusty sketch book that I carry around with me at all time. Ideas can come to me at any time of the day and it’s important for me to be able to jot these ideas down before I forget. These books also come in handy when thinking of concepts to pitch to clients. Below is a sneak preview. What are your favorite websites at the moment? My favorite websites would have to be: Flashkit Kirupa Cold Hard Flash Vector Tuts Plus Who are your 5 all time favorite graphic designers? Some awesome graphic designers would include McBess & James Jean. Mc Bess also featured in The Graphic Design School European websites. James Jean What typefaces do you use the most in your designs? I change fonts depending on the design brief. But, my most commonly used fonts would be century gothic, swiss 721 and avant-garde. I have also been known to create my own fonts here and there to better complete a project. What about your job do you find the most rewarding? Developing a concept into a finished product would be the most rewarding part of my job. I also like the challenge of being able to adapt my style to various platforms from print, to broadcast, to mobile media to wall installations. I have been fortunate enough to have written and illustrated my very own book through San Francisco-based publishers, Immedium. The book is called �Chaff n Skaffs: Mai and the Lost Moskivvy�. In this project I completed all the graphics in which each page is a finished piece of artwork, and I did all the text layout and graphic design. I have developed giant wall installations for LA stores and have developed my own product line of skate decks, artwork, collector toys, and iPhone applications. A moment to brag… who are your most prestigious clients? I’ve worked with some great companies. My most memorable projects and clients would be designing the 2007 advertising campaign for Coca Cola, the 2008 Apple MAC world 1-storey conference booth, animation design concepts for Disney and developing Flash content for Facebook. Where do you see your career in five years? I would hope to continue to grow as a multimedia designer and to continue to work with great companies on fun and challenging projects. And to continue to develop my SKAFFS line of products. What advice would you give to graphic design students around the world. About shaping a great portfolio? A great portfolio is important. Definitely take time out to put together a great selection of work. Ensure that your work has a distinct style but show diversity in how you apply your style. Be confident about your work and don’t give up. A question on everybody’s mind… Billy Elliot feels on fire when he dances … how do you feel when you are designing? Designing energizes me: It’s as if my design field is frenzied and the world around me stops; I don’t feel hungry; I don’t feel tired; I don’t feel thirsty. Thanks for taking the time to share your experiences with us… any famous last words? Thank you! If you would like to learn more about Luke you can visit his website Scaffs and Luke’s new book Chaffs and Skaffs Luke has kindly contributed a tutorial for you to have a crack at vectoring one of his adorable characters entitled �How to Create a Finished Vector Character� Ready to Kickstart Your Design Career?See all coursesFind us on the GramBack to the TopGet Started.You can enrol any day of the year whenever you are ready to start, from anywhere in the world.Enrol hereBrochures, Phone Calls & QuestionsDownload brochures, book phone calls, or ask questions anytime.Contact TGDSOther ways to get in touchAustralia 1300 655 485International +61 1300 655 485Ask Anything info@thegraphicdesignschool.comGet a quote accounts@thegraphicdesignschool.comAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 25: Get off the Mac, roll up your sleeves and get making. | Blog | The Graphic Design School\n**URL:** /blog/get-off-the-mac-roll-up-your-sleeves-and-get-making-once-a-week/\n**Template:** blog-single\n**Priority:** 6\n**Word Count:** 1224\n**Last Modified:** 2025-09-29T05:21:58.166Z\n**AI Category:** blog\n**AI Quality:** 4/5\n**AI Summary:** Encourages graphic designers to embrace hands-on skills alongside digital tools.\n\nGet off the Mac, roll up your sleeves and get making.Make the most of analogue and crafty disciplines offered through design education, and take your skills with you into the working world! The sleek, sexy and justifiably praised desktops and laptops that Apple make are now a staple -a necessity even- of any self-respecting graphic designer. We await the release of new iMacs and operating systems with impatience, queue up to purchase our copy, and coo over them once they’re installed as if they were newborn babies. We learn them inside out and gush, blog and tweet over new Photoshop filters. Graphic design, along with many other professions which used to require a certain amount of manual endeavour, has, with the rise of digital technology become nigh-on completely computer-based and desk-bound. The modern graphic designer need never sketch out a rough by hand or design a font on layout paper. Everything can now be done with the help of a computer. The one of the life essentials that you simply can’t live without. And yet there was a time when graphic design was a very hands-on profession, not at all centred around a magical-looking computer, and which involved all kinds of tactile and smelly materials, and which required actual physical effort to work with the various mediums associated with it. I’m talking drawing boards, airbrushes, magic markers, inks, layout pads, lightboxes, silk-screen printing, linocutting, collage and drawing. What is most fascinating here is that these analogue processes aren’t from some far-flung past. We aren’t talking William Morris’s Kelmscott Press here. No, many graphic designers and tutors in their fifties, forties and even thirties, will have some recollection of their professional life involving the making of things by hand. Some “out-of-this-world” models made entirely of Lego, from Grand Admiral / Mark Sandlin www.flickr.com/people/grandadmiral/ Thankfully, most design schools still offer students the chance to get to grips with some, if not most, of the processes listed in the paragraph above. And this fact should be celebrated, as it provides those willing to learn with an anchoring in the distant and not-so-distant analogue past. One could view this advocation of older processes as a certain charming backwardness through lack of funds on the design schools’ part, although the well-planned and carefully thought out courses will have been designed with the same points that I describe here in mind. Good design schools, like many designers out there ‘in the field’, recognise that it’s highly beneficial for the young graphic designer to think outside the Mac. For students, the freedom and breadth of disciplines offered should be taken advantage of, as the opportunity to indulge these passions (in the quantities that design schools can offer) will hardly likely come round again once you’re out there in the working world. During my own final year of education I decided I wanted to learn about letterpress printing, and planned to use it to print my major end-of-year project. In my pursuit I was fortunate enough to have a course head as enthusiastic as I was and who had valuable connections to a fine printing press in Wales. Within a month I had been packed off there for an intensive, hands-on introduction, and emerged two weeks’ later having learned to design, handset, compose and print using letterpress, and returned home with two posters to exhibit at my end-of-year show. On graduating I kept in touch with the staff at the press and continue to visit them each year. Two weeks is scarcely enough time to master the discipline, though I was at least given an initiation into letterpress printing which enabled me to continue to use it for personal projects. Clients and other designers seem to like the fact I include these handmade projects in my portfolio, and of all my work it is often these pieces, and not my commercial work, which is singled out for praise and which people are most easily able to recall when I speak to them. Lovely commission for ilovetypography.com letterpress-printed by Typoretum www.typoretum.co.uk Gorgeous 2010 handbound, accordion-fold letterpress-printed calendar by Campbell Raw Press www.campbellrawpress.com Two tactile Christmas cards from Hand & Eye Letterpress both set in wood and metal type and printed on a metal-coated board www.handandeye.co.uk As mentioned above, on completing your education, if you’re lucky enough to bag yourself a job either inhouse or within an independent studio, the chances are the prospect of long hours at the Mac beckons. You won’t mind this at all because within your studio, through all the graft, artworking and occasional tedium involved, you’ll glimpse moments of pure enchantment; when you get a job couriered over from the printers, or have an idea of yours passed for inclusion on a project. You’ll be trying very hard to make a positive contribution to your studio, to make the transition from someone who needs a lot of help and support to a genuinely productive member of the team. A charming montage of greetings cards and the colourful back patterning from letterpress-printed stationery designed and printed by Smock www.smockpaper.com Amidst all this though, try to maintain some link with the traditional processes you’ll have learned at some point during your education. It’ll be all too easy to let things slide when you’re strapped in to an iMac. Sketch out roughs with a pencil as opposed to on screen. Suggest using letterpress on that new album cover. Anything. Thankfully there is now more appreciation for the handmade than there was fifteen years ago. Back then the age of Mac had only just become prevalent and software like Photoshop had still to really catch on. Graphic designers (and their clients) were in thrall to what they could now accomplish with computer-aided design. Luckily, here at the end of the decade, you could say that disciplines such as letterpress and traditional drawing are enjoying something of a renaissance. People will always value the tactile and the handmade (if it’s any good that is) and by choosing to take this route where appropriate your professional life will be richer and more rewarding than it would be spent solely on the Mac. The creative possibilities that computer-aided design brings is undoubtedly a Good Thing. Adrian Shaugnessy again “The computer has revolutionized the design process. It has made the act of designing easier, and in many ways it has improved the way we design things. Yet in other respects it has made design more formulaic, and it has standardized the act of designing.” These are words worth heeding. Traditional skills retain a charm and often present a usage which should always be remembered, celebrated and, wherever appropriate, used! Impactful four and three-colour silkscreen prints by Waste Yourself www.wasteyourself.com Ready to Kickstart Your Design Career?See all coursesFind us on the GramBack to the TopGet Started.You can enrol any day of the year whenever you are ready to start, from anywhere in the world.Enrol hereBrochures, Phone Calls & QuestionsDownload brochures, book phone calls, or ask questions anytime.Contact TGDSOther ways to get in touchAustralia 1300 655 485International +61 1300 655 485Ask Anything info@thegraphicdesignschool.comGet a quote accounts@thegraphicdesignschool.comAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 26: Focus :: Contemporary Type Foundries :: Part 2 | Blog | The Graphic Design School\n**URL:** /blog/focus-contemporary-type-foundries-part-2/\n**Template:** blog-single\n**Priority:** 6\n**Word Count:** 1180\n**Last Modified:** 2025-09-29T05:21:58.242Z\n**AI Category:** blog\n**AI Quality:** 4/5\n**AI Summary:** The blog explores contemporary type foundries, highlighting Exljbris and Linotype's contributions to typography.\n\nFocus :: Contemporary Type Foundries :: Part 2ExljbrisThe distinctively coloured Exljbris homepage and a sample from their Didone-like typeface Questa. Imagery used with kind permission of © Exljbris Striking artwork by graphic designer Kristian Bjornard who has experimented with and modified Exljbris’s font Geotica Three. Described on its blog as a ‘one-man Dutch font foundry’ Exljbris was founded by Jos Buivenga. Exljbris is where Jos releases and offers his typefaces. For 15 years, his online friends and fans could follow the development of his typefaces and download the results at no cost. In 2008, while still working as an art director at an advertising agency, he released his first commercial typeface Museo with several weights offered for free. That strategy paid off and Museo became a huge bestseller. Partly thanks to that success he now calls himself a full time type designer. Recent projects include a custom version of Museo & Museo Sans for Dell and the Questa project, a collaboration with the well-known type designer Martin Majoor. Linotype(Top) The Linotype homepage is a portal to typographic manna; (below) a tantalising collection of Linotype specimens. All imagery used with kind permission of © Linotype. Linotype should need no introduction, being at the centre of typographical innovation (and upheaval) for the past 120 years (in one guise or another). This from their website: “The day Ottmar Mergenthaler demonstrated the first linecasting machine to the New York Tribune in 1886, Whitelaw Reid, the editor, was delighted: &ldqo;Ottmar,” he said, &ldqo;you’ve cast a line of type!” The editor’s words formed the basis for the company label, and marked the beginning of Linotype’s success story. Four years later, the ingenious inventor founded the Mergenthaler Linotype Company. Little did he know that after more than 100 years of successful business the Linotype, a wholly-owned subsidiary of Monotype Imaging Holdings Inc., would be following in his footsteps.” Today, Linotype sees itself as a partner to typographers and designers and has one of the world’s largest font libraries (10,500 typefaces and counting). Its comprehensive website is a masterly feat of navigation; visitors able to search for fonts not only through technical specifications but also by intended use (text, corporate, screen etc.), type foundry and character set features. In addition the Linotype Form Finder makes it possible for users to reshape a font sample displayed in order to select the kind of typeface he is looking for. There are so many other useful services and products on the Linotype site that it’s probably better you just have a peruse rather than read me prattling on. HypeForType(Top & middle) HypeForType’s homepage complete with arresting 3D type artwork and type specimens of Killer, Neo Deco and Links, which form distinctive pieces of design in their own right. HypeForType turned 1 recently and posted this announcement on their blog. Imagery used with kind permission of © HypeForType. “A labour of love for founder Alex Haigh” is how HypeForType is described on its website. The foundry is 1 year old now and already has an impressive collection of high quality, new and exclusive faces as well as some esoteric and unusual ones. Their blog is a good read, you’ll find competitions, interviews and exciting announcements there. Perhaps most striking of all is HypeForType’s predilection for working with some of the design industry’s big names, collaborations which produce unique one-offs available exclusively through HypeForType. LucasFontsLucasFonts’s website embodies much of what might be termed International or Swiss style design. Beneath are two examples from Germany of their fonts in use. Imagery used with kind permission of © LucasFonts. Lucas De Groot founded his own type foundry, LucasFonts, in 2000. Its aim, in a few words: “to make the world a better place by designing typefaces that look good and work well under any circumstances and in many languages.” The website claims “Graphic designers across the planet have discovered the special qualities of Luc(as)’ fonts. They are attracted by their functionality and friendly appearance and love the enormous range of possibilities that each family offers. Many also appreciate the idiosyncrasies – a quest for extremes that has resulted in some of the narrowest, thinnest, wittiest or boldest typefaces around.” LucasFonts has a sister company, FontFabrik which specialises in custom typefaces and is now world-renowned, having designed fonts for Microsoft, Heineken, Siemens and Volkswagen. SMelteryShown above are SMeltery’s idiosyncratic homepage, type specimens of Heretica, Geronto Bis (which Jack is particularly proud of) and Enfer, and engagingly designed samples of Sans Merci and Soupirs. Imagery used with kind permission of © SMeltery. SMeltery is a French type foundry founded by Jack Usine in 2002, which offers a very attractive range of display-type faces. There are some gems to be found in the ‘free’ section, though Jack’s currently most proud of recent works like Vidange, Megalopolis and Geronto Bis. A Bordeaux-based graphic designer, Jack also maintains a vigourous involvement in various aspects of visual culture, which seems to have influenced his energetic SMeltery typefaces in an intriguing way. TyponineImagery used with kind permission of © Typonine. Typonine is a digital type foundry and graphic design studio based in Croatia and The Netherlands. It is run by graphic and type designer Nikola Djurek who founded Typonine in 2005. Their fonts have a precision, tension and elegance about them which would make them a good choice for discerning clients. The Playground page of their website is a mischievous patch dedicated to type experiments and projects, and through Tipoplakat, customers can order from a collection of stunning typographic posters designed by Djurek and his close associates. SummaryUnobtrusive in their way, type foundries have made the transition from Old Trade to the digital age with élan and are a vital pillar of the modern design profession, indispensable to studios and those clients willing to commission bespoke fonts. But they should also become indispensable to students and fledglings, for even if unable to afford some of the fonts, it pays to be aware of things at the top end of the profession, and the services, guidance and free downloads make foundries an invaluable resource. You might be so convinced of a font’s appropriateness for a particular job that it’s possible to argue a client into parting with the funds for it. So captivated by the ligatures of a typeface that the 70 pounds/dollars/euros you had set aside for a big night out you instead divert for its purchase. Unrealistic? Maybe, but you live in hope! Ready to Kickstart Your Design Career?See all coursesFind us on the GramBack to the TopGet Started.You can enrol any day of the year whenever you are ready to start, from anywhere in the world.Enrol hereBrochures, Phone Calls & QuestionsDownload brochures, book phone calls, or ask questions anytime.Contact TGDSOther ways to get in touchAustralia 1300 655 485International +61 1300 655 485Ask Anything info@thegraphicdesignschool.comGet a quote accounts@thegraphicdesignschool.comAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 27: You too can Create your Very Own Digital Characters | Blog | The Graphic Design School\n**URL:** /blog/you-too-can-create-your-very-own-digital-characters/\n**Template:** blog-single\n**Priority:** 6\n**Word Count:** 1145\n**Last Modified:** 2025-09-29T05:21:57.640Z\n**AI Category:** blog\n**AI Quality:** 4/5\n**AI Summary:** Learn to create digital characters with step-by-step guidance from multimedia designer Luke Feldman.\n\nYou too can Create your Very Own Digital CharactersAuthor: Luke Feldman Luke Feldman is an Australian multimedia designer who has written tutorials on Illustrator, Photoshop, Flash and After Effects for various international magazines and websites. Luke is the creator of Scaffs, a world of bizarre and vibrantly colored characters. You can also check out the interview with Luke here. Final Image Preview You too can create your very own digital characters! Step 1: Hone in on your doodling skills, as we are going to transform your character into a cool digital character! Scan in your character design into the computer. I use Photoshop and then save it as a *.jpg file. For reference, I have included this image as well as the finished illustrator file (Illustrator CS2). (Note: I used Illustrator CS4 for this tutorial, but the process is the same for other versions) Step 2: When beginning a job you need to have a clear idea of what your target format is i.e. will it be used for print or web? A print design would be saved either as CMYK or RGB and at 250dpi or higher. A design for the web would be saved as RGB and at 72-75dpi for screen. Step 3: Create new document in Illustrator File>New. Keep in mind that this final illustration will be used for print so I will be creating a file with CMYK colors and at 300dpi. For this Tutorial make sure that you have the following panels open (All can be accessed via the Window menu): Layers Panel Stroke Panel Color Panel Appearance Panel Pathfinder Panel Step 4: Import the image into Illustrator File > Place. Name this Layer ‘Sketch’. This can be done by double-clicking on the actual layer name. Step 5: Select the image and set image transparency to 30%. I chose a 30% transparency because I want to be able to use this image as an overlay and Trace behind it. Now lock the layer – this can be done by going to the Layers Panel and selecting the check box next to the Eye icon. Step 6: Create new layer by using the drop-down menu on the top-right of the Layers Panel select New Layer and name it ‘Artwork’. The shortcut for this is “Command-L” for Mac or “Ctrl-L” for PC. Step 7: Select the Pen Tool and using the Stroke Panel, set the Stroke weight to 1, and the Color to Black C:100 M:100 Y: 100 K: 100. The stroke weight refers to the thickness of the ‘line’. Begin to draw basic outline of character on ‘Artwork’ layer in this order: Body Head Arm Step 8: Continue drawing the outline of character. When drawing the outline of the thumb make sure that the path isn’t closed i.e. don’t connect Thumb Ear and Eyes – I created the eyes using the Ellipse Tool Teeth and mouth I choose this order because when designing a character I like to get the characters main body shape right first and then go back and add the details. Step 9: Create a new Layer (“Command-L” for Mac or “Ctrl-L” for PC) and name it ‘Background’. Next create a simple box using the Rounded Rectangle Tool on this layer with a Fill color of C:30 M:30 Y: 60 K: 0. Once you have finished, lock this layer so you don’t accidentally select it. Step 10: Now we are going to add some color. I want to create a new orange color, so using the Color Panel insert the values of C:0 M:50: Y:100: K:0. Then using the drop-down menu on the top-right of the Color Panel select Create New Swatch. This adds the new color to the Swatch Panel. Reselect the ‘Artwork’ layer and color the characters body, head and arms with the new orange color. I also darkened the orange slightly around the eye C:0 M:50: Y:100: K:10. Step 11: Add a belly button that is made up of 2 circles using the Ellipse Tool. The inner ellipse is colored C:0 M:50: Y:100: K:10 and the outer ellipse is colored C:0 M:50: Y:100: K:10 Step 12: Here I want to create a coloured border for the character. Reselect the ‘Artwork’ layer and select all of the elements that you want the border to be around i.e. the head, body, arm thumb, teeth and mouth. Copy these objects (“Command-C” for Mac or “Ctrl-C” for PC). Step 13: Create a new Layer and call it ‘Border’. With the ‘Border’ layer selected paste these objects using Edit>Paste in Front (“Command-F” for Mac or “Ctrl-F” for PC) to the new layer. The Paste in Front command pastes the objects in exactly the same position in front of the currently selected object. Turn off the ‘Artwork’ layer so that you can see what you are selecting on the ‘Border’ layer. Step 14: With the ‘Border’ objects selected go to the Appearance Panel. Using the drop-down menu on the top-right of the Appearance Panel and press Clear appearance - this makes sure that all outlines or effects are removed. I find that clearing the appearance of objects that are going to be merged/combined with the Pathfinder Tool, reduces the chance of strange errors with the objects. With these objects still selected, give them a fill of Black C:100 M:100 Y: 100 K: 100. Step 15: With the objects still selected go to the Pathfinder Panel and select Merge – this merges all of the objects into one complete object. Add a Stroke to this object and add a weight of 6, colored Black C:100 M:100 Y: 100 K: 100. Step 16: Copy this object and paste it using Edit>Paste in Back (“Command-B” for Mac or “Ctrl-B” for PC) to the new layer. The Paste in Back command pastes the objects in exactly the same position behind the currently selected object. Change the Fill and Stroke color to C:15 M:15 Y: 30 K: 0. Change the Stroke weight to 10. Step 17: These techniques can be used to utilized to create lot of different styles for example graffiti, retro or comic book designs. I also highly recommend experimenting with the Pathfinder Panel as this can be used to create some really cool stenciling effects. Ready to Kickstart Your Design Career?See all coursesFind us on the GramBack to the TopGet Started.You can enrol any day of the year whenever you are ready to start, from anywhere in the world.Enrol hereBrochures, Phone Calls & QuestionsDownload brochures, book phone calls, or ask questions anytime.Contact TGDSOther ways to get in touchAustralia 1300 655 485International +61 1300 655 485Ask Anything info@thegraphicdesignschool.comGet a quote accounts@thegraphicdesignschool.comAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 28: Interview with Veerle Pieters | Blog | The Graphic Design School\n**URL:** /blog/interview-with-veerle-pieters/\n**Template:** blog-single\n**Priority:** 6\n**Word Count:** 1141\n**Last Modified:** 2025-09-29T05:21:58.054Z\n**AI Category:** blog\n**AI Quality:** 4/5\n**AI Summary:** An interview with Veerle Pieters discussing her journey as a graphic designer and blogger.\n\nInterview with Veerle PietersIf you haven’t heard of Veerle Pieters… Where have you been? The Graphic Design School loves Veerle, her philosophy to open herself and her processes to educate and share charmed us. Thanks Veerle, a beautiful lady! Welcome to The Graphic Design School Blog. Please tell us a little bit about yourself. A brief bio. I’m a graphic/web designer living in Belgium. I went to school in Mariakerke, Gent. I began my career in 1992 as a freelance graphic designer under the name of “Duoh!”. As a child I always loved drawing and considered it a hobby. I always thought it wouldn’t be possible to make this my day job so that’s why I studied tourism until I discovered that you could actually study graphic design. That may sound crazy now, but if you put it in its context and time frame (1987) it wasn’t very well known that you could actually study that. I always thought about it from an artistic point of view and believed there wasn’t a future in it. Studying graphic design changed that, and from that point on my hobby became my passion and income. You have been voted in the top 50 North x East’s Fifty Most Influential ‘Female’ Bloggers. How do you think you can use this title/influence to further your cause/career? It is nice to see your name on a list and it delivers an attention span towards you but in all honesty this doesn’t bring food on the table. The biggest catalyst towards your career is your work. Your portfolio is what should do the talking as these lists are only short term. Learn how to create hexagon pattern in this tutorial. Speaking of your blog. How much time do you need to spend daily on the upkeep of your blog… do you ever sleep or play? I think I spend an hour to two hours when I’m just doing my approved list checking and answering all the mails and comments. Most of my weekend time goes in to researching tutorials and creating them. Two last question on the subject of your blog. What was your goal when you started blogging? I didn’t have any. I’ve started this to learn CSS/HTML and my first blog was a test case after reading about pMachine in MacAddict magazine. Did you ever expect the success, or the fantastic Google page rank of 8? No I didn’t have any idea that would happen. I didn’t have any expectations. Learn how to create your own cityscape in this tutorial. We are a blog for beginners and graphic design students. Can you share with us the most enjoyable moment, subject or lesson that you had while studying? To be honest I have no idea since it is like 20 years ago. The only thing I vaguely remember is a bookbinding lesson that we had to craft a book from scratch with headband, bookmark… and everything. How did that moment, subject or lesson shape what you do now? Eye for details. Describe your style of graphic design in a few words. What kind of advice would you give students who wish to excel in this style? Illustrative with a strong preference towards colors. The best advice is to be passionate about what you do and keep on trying after failure. Learn how to create a circle spirograph in this tutorial. Why did yourself and Geert Leyseele (partner and one would assume the ‘brain’ in the self professed ‘beauty & brain’ duo) decide to open up your own Graphic Design studio as opposed to working for a larger firm, or independently? We had a few opportunities over the years to sell our business and become part of a larger group. We both are not interested in becoming a manager and direct other people. That would break the creative part that we love so much. Do you use hand drawn techniques to help you develop a design. How important is this in your process as a Graphic designer? Yes I still use a pencil and paper from time to time. It depends on what type of project I have going on. Most sketching is done for icons and logos and also wire framing for websites on occasions. It definitely is a bonus if you can draw your thoughts. Learn how to create a Line Spirograph in this tutorial. Do you keep an ideas journal? If so can we have a sneaky peek? Yeah I do and you can see some on my art section on my blog. Learn how to create a Cubic Pattern in this tutorial. Do you have a special method for brainstorming, i.e mind mapping etc? No, not really. We have noticed on your website that you are very open about sharing your process as a designer. Why is it important to you to communicate this side of your work with your visitors? Because we believe it show valuable information towards students. We don’t believe in not sharing what we know. What are your favorite websites at the moment? welovetypography.com ffffound.com Who are your 5 all time favorite graphic designers? Scott Hansen - https://iso50.com/ James White - https://blog.signalnoise.com/ Jacob Souva - https://www.twofishillustration.com/my-work Robert Lindström - https://cargocollective.com/designchapel Oksana Grivina - https://grivina.ru What typefaces do you use the most in your designs? Mostly Sans Serif ones. What about your job do you find the most rewarding? To see a client happy with a design that we created. A moment to brag… who are the most prestigious clients that you have worked with? Netvibes, Google, Library of Congress, Ernst & Young, Coca Cola… Where do you see your career and your studio in five years? I am where I want to be meaning earning a good living and loving what I do. What advice would you give to graphic design students around the world. About shaping a great portfolio? Let your work have the spotlight. One last question, that is on everbody’s mind… Billy Elliot feels on fire when he dances… how do you feel when you are designing? On cloud nine, not in this real world. Cheers, Veerle Find more about Veerle Duoh Website Veerle’s Blog Veerle’s photostream on Flickr Ready to Kickstart Your Design Career?See all coursesFind us on the GramBack to the TopGet Started.You can enrol any day of the year whenever you are ready to start, from anywhere in the world.Enrol hereBrochures, Phone Calls & QuestionsDownload brochures, book phone calls, or ask questions anytime.Contact TGDSOther ways to get in touchAustralia 1300 655 485International +61 1300 655 485Ask Anything info@thegraphicdesignschool.comGet a quote accounts@thegraphicdesignschool.comAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 29: Focus :: Contemporary Type Foundries :: Part 1 | Blog | The Graphic Design School\n**URL:** /blog/focus-contemporary-type-foundries-part-1/\n**Template:** blog-single\n**Priority:** 6\n**Word Count:** 1089\n**Last Modified:** 2025-09-29T05:21:58.270Z\n**AI Category:** blog\n**AI Quality:** 4/5\n**AI Summary:** Exploration of contemporary type foundries and their offerings for designers.\n\nFocus :: Contemporary Type Foundries :: Part 1Many fledging creatives use only what they have in their system fonts library and a handful of passable faces saved off a cracked disc of thousands of dubious free fonts. Working this way, a designer can produce perfectly good results (some say this can be achieved through Helvetica alone) but it’s the wise designer who maintains an awareness of modern-day type foundries. Between them, foundries release beautifully crafted, extensive and noteworthy font families year on year. Whilst many cost money (staff at foundries have to earn a living too) some are reasonably priced and others offered for free. And besides the fonts, through their websites type foundries offer all sorts of helpful advice and a glimpse into their fascinating profession, which is what I aim to show here, in the first of two articles on the topic. In a Nutshell A type foundry designs and/or distributes typefaces. Originally, type foundries manufactured and sold metal and wood typefaces and matrices for line-casting machines like those made by Linotype and Monotype, and were designed to be printed on letterpress printers. Today’s digital type foundries accumulate and distribute typefaces (typically as digitized fonts) created by type designers. Some type foundries also provide custom type design services. CastleTypeThe CastleType homepage (top) and samples above from (bottom) Latin Ct, Sculptura and Goudy Trajan. Imagery used with kind permission of © CastleType San Fransisco-based independent type foundry CastleType was established in 1990 by Jason Castle, and specialises in revivals, classic styles, decorative fonts and custom font design. Custom services offered are extensive, taking in logo digitization (whereby customers supply their logo and a digital version is added to a favourite font) and the digital rendering of existing typefaces. The revival and classic styles are remarkable for their elegance and the display faces are bold and confident. Jason is currently busy expanding his Goudy Trajan family with Cyrillic and Greek characters and the release of Sonrisa —a precise and friendly looking sans serif— is iminent. Dalton MaagA shot from Dalton Maag’s website, the limited edition Tephra prints and pictures of a custom font designed for the University of London’s Central School of Speechf & Drama in use. Imagery used with kind permission of © Dalton Maag. London-based Dalton Maag has been designing fonts and logos and “supporting and assisting people in deepening their typographic skills” since 1991. In that near-two decade period they have seen exciting growth but what makes them remarkable is their branching out into both Cairo and Brazil—endeavours to contribute to emerging visual and typographic cultures in each country’s continent. Through doing so, Dalton Maag’s resumé has expanded to take in the vast typographic expanses of both the Arabic alphabet and South American languages. EmigréA page from Emigré’s exuberant looking website and samples of their fonts. Clockwise from upper left: Mrs. Eaves, Ottomat, Puzzler and Priori Acute. Imagery used with kind permission of © Emigré Yes, that Emigré, the iconic, much-mourned design journal Emigré. Some colleges and universities become so preoccupied with teaching their students of the cultural significance of the journal that they neglect to mention that the entity lives on in online form, with an archive of articles from the journal, an excellent shop and large collection of surprising and esoteric fonts available for download. These are of a diverse nature, though one thing that seems to permeate much of the collection is the jaunty angles which adorn the fonts’ serifs. Tiro TypeworksTiro Typeworks’s graceful and formal homepage and a glimpse of their acclaimed ornamental typeface Restraint. Imagery used with kind permission of © Tiro Typeworks. Tiro Typeworks was established in 1994 by John Hudson and Ross Mills and has evolved into a highly regarded foundry with a reputation for custom typefaces and font solutions. What makes them stand out from other comparable foundries is their expertise in multilingual computing and publishing, which they have specialised in since 1997. Their work in this area includes extensions to existing Latin typefaces and new typefaces for Arabic, Canadian Aboriginal Syllabics, Burmese, Cherokee, Cyrillic, Ethiopic, Greek, Hebrew, Latin, Ogham and Tahi scripts. Impressive stuff. An ornamental typeface of theirs that really stands out is Restraint, described as “an ornamental font which happens to contain letterforms. It is 100% fanciful all the time and not for the timid of heart.” A tour around Restraint, as well as the wider work Tiro are involved in, is highly recommended. FontsmithFontsmith’s homepage, a medley of typeface samples from the foundry (Rufus, Clerkenwell and Jack) and examples of the custom typeface designed for Film4 in action! Imagery used with kind permission of © Fontsmith. Fontsmith is a leading London-based type design studio founded in 1999 by Jason Smith. The studio consists of a team dedicated to designing and developing high quality typefaces for both independent release as well as bespoke fonts for international clients. In addition to their wide range of exceptional typefaces available through their website, Fontsmith are also noteworthy for having custom designed typefaces as part of rebranding projects for such celebrated clients as Channel 4, Mencap and BBC 1. Your writer uses a Fontsmith typeface —Clerkenwell— as part of his identity. OurTypeImagery used with kind permission of © OurType. Founded in 2002, OurType states it “has a vision that is different from most other font companies. It publishes newly designed fonts that are tailored to contemporary needs. Yet it respects traditional values, and strives for the highest quality of product. So it stands equally apart from those who are enslaved to the new and those who merely try to recreate the past. OurType fonts are useful, durable and attractive tools for anyone using type now.” The website contains lots of playful movement and the fonts offered are indeed contemporary yet formal. To be continued...A further six type foundries will be previewed in the second article in the series. Watch this space! Ready to Kickstart Your Design Career?See all coursesFind us on the GramBack to the TopGet Started.You can enrol any day of the year whenever you are ready to start, from anywhere in the world.Enrol hereBrochures, Phone Calls & QuestionsDownload brochures, book phone calls, or ask questions anytime.Contact TGDSOther ways to get in touchAustralia 1300 655 485International +61 1300 655 485Ask Anything info@thegraphicdesignschool.comGet a quote accounts@thegraphicdesignschool.comAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 30: The Creative Brief :: Part 2 | Blog | The Graphic Design School\n**URL:** /blog/the-creative-brief-part-2/\n**Template:** blog-single\n**Priority:** 6\n**Word Count:** 1088\n**Last Modified:** 2025-09-29T05:21:57.735Z\n**AI Category:** blog\n**AI Quality:** 4/5\n**AI Summary:** The article discusses the importance of research and adherence to the creative brief in design projects.\n\nThe Creative Brief :: Part 2Once the document has been digested and the nettle grasped, one of the most fun parts of the creative process may begin — research and mind mapping. This is the stage where, empowered by a belief that anything is possible, the designer can delve fully into his subject, unleash his imagination and give full rein to his creativity without fear of being pulled up short by the client (—that might occur later!). Checking against the brief It’s not a totally unrestrained part of the creative process though; throughout you’ll have to check your progress against the original brief. Not doing so can result in a wrong turn and the possibility of that cardinal sin: not meeting the needs of the brief! Working on a project in the early stages of my career, I took a pretty erratic divergence from what was discussed in the early meetings and, predictably, was pulled up short by the client. It wasn’t that there was anything wrong with the work I had submitted, it just didn’t answer the brief. So… Let’s return to the brief I provided as an example last time. In it, it is stated that the desired aim was for the new entity to look fresh and crisp, though in a sense established. Some sort of visual link to the existing (and already very well established) accountancy entity would also have to be provided. Reconciling these two demands was the unique question I was being called upon to answer. Establishing a link between the new company and old was easy; the existing corporate burgundy, when modified, was a strong and appropriate colour choice, so I carried it over into the new identity and introduced a secondary pallet of autumnal colours to be used alongside it. But back to research… Indeed, which as I described above is one of the most fun parts of the job. My particular client was based oop north in Manchester, a city famous for its bygone docks and textiles industries, and more recently its newly redeveloped Salford Keys district. I thought these aspects of the city offered enormous graphical potential, and put it to the client that any new identity conceived should have at its core something uniquely Manchester about it. This accepted, I threw myself into finding out everything about England’s second city I could, and quickly found my mind swimming in imagery of iron girders, spinning wheels, cranes, looms of silk, rainy cobbles and steel rivets; more than enough material to make a start with. And make a start I did, experimenting with every possible shape, type treatment, colour combination and these elements’ juxtaposition as I thought might work. It’s unlikely you’ll do quite as much sketching and brainstorming as during this stage of the creative process. The key to my particular project lay in the personality of the city in which the company was born, so my research largely sprung from this starting point. But factors will vary project to project. Other good areas to consider and questions to ask are: The sector your client belongs to. Research how your client’s competitors have handled their branding and identity — then look for a way of treating yours differently and creatively. The themes and messages your client wants to project. Try to obtain keywords and qualities off them and look for ways of exploring these. If solidity and straightforwardness are important to them, you might explore building/masonry type shapes and concentrate on producing concepts shorn of superfluous ornament. If tradition and establishedness is a must, then heraldry might be a good place to start, and so on. It’s best not to bombard your client with too many concepts —even at an initial stage— so I chose from my dozens of vector sketches six or eight marks which I thought had the strongest potential for development. ‘Pearls’ to paraphrase Alexander Dumas. ‘Rough, shapeless pearls, of no value, waiting for their jeweller’. Mind Mapping It’s a good idea to discuss mind mapping here, as it can be an invaluable asset at this early stage of throwing ideas onto the page. Mind mapping is a graphical variant on brainstorming. The method was developed by the Englishman Tony Buzan in 1974, and is based on insights from research on the human brain. He used his research to create a presentation method that addressed both the right and left-hand cerebral hemispheres equally by combining linguistic and logical thinking with intuitive and pictorial thinking. The typical structure of a mind map resembles a tree structure, where the subject is written in the middle of a sheet of paper. It’s best if a succinct, slogan-like word or caption is used here; lengthy sentences aren’t as effective at this stage. These keywords should trigger associations and chains of association by linking impressions, feelings and ideas. The keywords which spring from your central theme are written on lines which form the maind branches, and which can then branch further for subsequent sub-concepts. If further variations on these ideas come to mind, an additional branch is added to the appropriate main branch. This then produces further little branches on the existing main branches. The resultant mind map can be re-organised and re-structured at any stage, as it may not be clear at the outset how the map will develop, and in what direction. Use this highly effective technique when embarking on your research! For a more in depth look at mind mapping see our fantastic mind mapping blog article. In sum… In carrying out exhaustive, though tightly-focused research and using mind mapping to help you conceive your ideas —not forgetting to check your progress against the original brief— you’ll maximise your chances of presenting something your client will see potential in and want to see developed — and help you to avoid getting told off for bouncing off on a tangent! Ready to Kickstart Your Design Career?See all coursesFind us on the GramBack to the TopGet Started.You can enrol any day of the year whenever you are ready to start, from anywhere in the world.Enrol hereBrochures, Phone Calls & QuestionsDownload brochures, book phone calls, or ask questions anytime.Contact TGDSOther ways to get in touchAustralia 1300 655 485International +61 1300 655 485Ask Anything info@thegraphicdesignschool.comGet a quote accounts@thegraphicdesignschool.comAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 31: Interview with Fabien Barral | Blog | The Graphic Design School\n**URL:** /blog/interview-with-fabien-barral/\n**Template:** blog-single\n**Priority:** 6\n**Word Count:** 1041\n**Last Modified:** 2025-09-29T05:21:58.107Z\n**AI Category:** blog\n**AI Quality:** 4/5\n**AI Summary:** An interview with graphic designer Fabien Barral discussing his journey and creative philosophy.\n\nInterview with Fabien BarralI am Fabien Barral. I am a graphic designer. I am passionate about images and graphic design. I am a husband and I love my wife. I am a father and I love my daughter. I am not the clients I work with, I am the art I create with them. I am what I create. I create what I am. We asked some hard hitting questions (not really) to one of Europe’s most talented designers. His candid responses and enormous heart, resonate in Fabien’s designs. Welcome to The Graphic Design School Blog. Tell us a little bit about yourself. A brief bio… My name is Fabien Barral, I live in France, in an old country house, that my wife and I restored together. Our village is so remote and small that there are not enough houses to name the streets. I love the fact that I can work here on such amazing projects so far away. I was not a huge fan of school, while still at school I was introduced to an amazing design school. Design really appealed to me, Once into it, I loved it, and I have made it my life ever since. I’ve been designing for 12 years now, believe it or not, I learnt in a time without internet, and on photoshop without layers! See the original on Flickr We are a blog for beginners and graphic design students. Can you share with us the most enjoyable moment, subject or lesson that you had while studying? The best lesson I’ve learnt is that design does not start on computer… computer is just a tool… you have to step away from the computer to get inspired. One of my teachers told me that “the greatest ideas come from the subconscious”. When you need a big idea, fill your mind with all the background information you can about your subject, then step away from the project and let your subconscious work on the idea for you. Usually when you come back to the work, your mind has processed all the big info and the ideas flow out much smoother. How did that moment, subject or lesson shape what you do now? I always step back from computer to find ideas… Describe your style of graphic design in a few words. What kind of advice would you give students who wish to excel in this style? Combining stuff (texture, fonts work, organics, color treatment, watercolor effects, old imagery, handwriting) is the best way to describe my style. To develop this style I recommend finding your own sources… I always looks for old papers, old materials I scan stuff myself and use these as textures. Europavox reworked image Europavox final poster Do you use hand drawn techniques to help you develop a design. How important is this in your process as a Graphic designer? Not at all, I do not know how to draw, I am so bad at it… it was really hard when I was at design school, my teachers told me I couldn’t succeed if I can’t draw… they were wrong! Do you keep an ideas journal? If so can we have a sneaky peek? I do keep a journal, I use it for note taking only. So its not that interesting to see. I make my own journals because I never found the ones I want in the shops. Do you have a special method for brainstorming, i.e mind mapping etc? Yes, I check my own blog and choose images that fit the project I am working on… that’s why I update the blog so often, the more images are in it, the more I am inspired. What are your favourite websites at the moment? www.evasion.cc blog ffffound.com www.beastpieces.com Who are your 5 all time favourite graphic designers? My friend Reno Orange Tollesson Design Jennifer Sterling An also: Sonner Vallée u. Partner Paprika What typefaces do you use the most in your designs? Disturbance variations What about your job do you find the most rewarding? When I am as proud of the project, as much as the client is… It is rare but, these days it happens more and more. A moment to brag… who are your most prestigious clients? I was asked to redesign the Rolling Stones web site… Yes, you read correctly. I can’t believe it myself… It was a year ago now, the project was never online as the band have change their plan, but I hope it will be someday… Where do you see your career in five years? Roaming the world and working on more blockbuster movie or music group websites, having fun! What advice would you give to graphic design students around the world. About shaping a great portfolio? I like ‘The Combinations Rule’ from James Webb-Young’s little book: Designing is basically the practice of combining stuff; ideally in ways that haven’t been seen before. So, the more stuff you know (about everything), the greater chance you’ll find a relevant and distinctive, and therefore effective (and original) combination. A question on everybody’s mind… Billy Elliot feels on fire when he dances … how do you feel when you are designing? That’s what I call an “Imaginary moment”… I named my original website “Imaginary Moment”. I later changed the site to my own name. When I design I feel absorbed by the images I create… in an imaginary world. Thanks for taking the time to share your experiences with us… any famous last words? Designers are meant to be loved, not to be understood. Fabien Barral Thank You Fabien! Ready to Kickstart Your Design Career?See all coursesFind us on the GramBack to the TopGet Started.You can enrol any day of the year whenever you are ready to start, from anywhere in the world.Enrol hereBrochures, Phone Calls & QuestionsDownload brochures, book phone calls, or ask questions anytime.Contact TGDSOther ways to get in touchAustralia 1300 655 485International +61 1300 655 485Ask Anything info@thegraphicdesignschool.comGet a quote accounts@thegraphicdesignschool.comAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 32: The Creative Brief :: Part 1 | Blog | The Graphic Design School\n**URL:** /blog/the-creative-brief-part-1/\n**Template:** blog-single\n**Priority:** 6\n**Word Count:** 925\n**Last Modified:** 2025-09-29T05:21:57.744Z\n**AI Category:** blog\n**AI Quality:** 4/5\n**AI Summary:** The article emphasizes the importance of a well-structured creative brief in the design process.\n\nThe Creative Brief :: Part 1It’s difficult to overstate how important the humble brief is to the design process. In short, no brief, no project! Breaking the topic down into key aspects over several articles, I’ll be taking you through the ins and outs of everything you need to know about the brief. Let’s start with… Quality As mentioned above, some clients brief their designers verbally, others will supply a detailed written document, and some do something in between (an initial chat over a pint, some follow-up emails, a telephone call). Whichever way your client likes to deal with these things, I’d suggest always at least trying to obtain a written brief. It adds clarity to things and gives the designer a document to return to if unsure of the client’s intentions. Let’s assume you’ve got what you want, a written brief from your client. The next thing to consider is quality. Whilst a hastily-scribbled couple of sentences torn from a ring-bound notepad and pressed into the designer’s palm can result in mistaken instructions, general confusion and, ultimately, a solution which falls short of the client’s expectations, a detailed, structured and rational document, supported by meetings and telephone calls, can provide the designer with a sound understanding of what the client wants. The better the briefing, the more intuitive this understanding will be, and the greater the chances of you delivering a solution your client will love. An example of a good brief Shown below is an example of a well-written brief commissioning the work of a branding exercise for a new financial services company based in Manchester, England (the name of the company has been obscured). The client has tried to be as helpful as possible in providing the designer with all the information he’ll need before he starts the project, including company history and values, objectives, instructions on the tone of voice and visual image the company would like to project, and an informal ‘likes’ and ‘dislikes’ to help steer the designer in the right direction. Little, if nothing, has been left unclear. A brief like this, outlining exactly what the client wants, doesn’t want, likes and doesn’t like, gives the designer a flying start when beginning a project. Dear Lord, I never knew that… The word briefing comes from American military language and means a deployment discussion with a short description of the situation and explanation of the aims of the operation, and a detailed strategy. The term was introduced into advertising by the American advertising executive Rosser Reeves and the copywriter David Ogilvy, and was then adopted by marketing. Top Tips If your client is reluctant to provide you with a written brief, offer to write one yourself and supply it to him. If he’s not keen on the idea, alarm bells should start ringing Examine, prod, probe and jab at the brief until you know it inside out If unsure of anything, ask the client Develop a sixth sense for recognising a bad brief. If you come across one you can walk away from it, or suggest you re-write it Receiving the brief Once you’ve received your gleaming and faultless document, the creative process may begin! The first responsibility of the designer is to understand the brief, so be sure to go over yours with a fine tooth comb until you’re confident you fully understand your client’s aims, objectives, needs and desires. If unsure of anything, don’t make assumptions on behalf of anyone else, but get back in touch with the client and ask for further clarification. Bring to bear what you already know about the project and your client and try to read between the lines. In short, do as full a job as possible on understanding the brief. The re-briefing In addition to the chief document you will have received, an initial conversation will have taken place where the project will have been discussed and the commission offered. Much can be learnt at this (usually informal) stage, especially if the conversation happens face to face. Use the time to delve into your client’s thoughts, share concerns if there are any and try to gauge his intentions. After this initial chat, your receipt of the brief and examination of it, a re-brief might be necessary. The re-brief affords the designer an opportunity to go over any corrections and seek further clarification after the commission has been accepted. This re-briefing can be a valuable stage in the process, a time for discussion and for the designer to present the basic idea for his concept to the client, before time and money are invested in the implementation phase. Summary This might all seem a lot to take on board, but to secure yourself, then scrutinise, the document which holds the key to you delivering your best creative response is really common sensical. Succeed here and you’ll be ready to begin the fun stuff! Ready to Kickstart Your Design Career?See all coursesFind us on the GramBack to the TopGet Started.You can enrol any day of the year whenever you are ready to start, from anywhere in the world.Enrol hereBrochures, Phone Calls & QuestionsDownload brochures, book phone calls, or ask questions anytime.Contact TGDSOther ways to get in touchAustralia 1300 655 485International +61 1300 655 485Ask Anything info@thegraphicdesignschool.comGet a quote accounts@thegraphicdesignschool.comAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 33: 6 Things To Keep In Mind When Designing A Logo | Blog | The Graphic Design School\n**URL:** /blog/6-things-to-keep-in-mind-when-designing-a-logo/\n**Template:** blog-single\n**Priority:** 6\n**Word Count:** 903\n**Last Modified:** 2025-09-29T05:21:58.420Z\n**AI Category:** blog\n**AI Quality:** 4/5\n**AI Summary:** Essential tips for effective logo design aimed at aspiring graphic designers.\n\n6 Things To Keep In Mind When Designing A LogoPaulywood for istockphoto has released an article on logo creation. A great article for those graduates or students wanting to get into creating logos for istock. Below are our fav excerpts, check out the whole article, its well worth the read. 6 Things To Keep In Mind When Designing A Logo It All Starts With a Great IdeaBy clearly visualizing who your client is and with some forethought, research and planning, the end result should be an appropriate symbol that immediately identifies the company, and clearly communicates the product or service. This is absolutely key to a successful logo design and should always be foremost in your mind while conceptualizing your design. When you have your concept, start sketching it out to quickly come up with ways you can execute the idea. Starting in black and white can help ensure that your design is clear, legible and reproducible without any distracting features. Adding great color, style characteristics, or subtle effects will help make your design unique to stand out amongst the competition. Add some type to bring some context to your design and choose a font that compliments the symbol and communicates clearly. To ensure a successful logo remember to keep your design, Simple, Memorable, Timeless, Versatile, and Appropriate. ReproducibilityThe excessive use of detail in this logo will seriously compromise its ability to be reproduced. Fine details like the sharp pointed tail and thin lines will disappear when printed at smaller sizes and the small white shapes will fill in losing their definition. Outlined type with extreme gradients will print poorly as well, making the type hard to read at any size. On the right, the elephant is drawn with bold shapes, leaving ample white space in between for definition. Just the right amount of detail is used to help convey the idea and the solid flat colors used will ensure that this design will reproduce great with pretty well any process. I wouldn’t recommend using multiple colors like this in the type all the time but in this case it works to make it fun and exciting. Color PaletteThe sample on the left is using far too many colors than is necessary, making it very busy and more difficult to define the individual objects. The use of fluorescent and uncomplimentary colors makes the overall composition unappealing and less attractive. Using default colors straight from the swatch palette and plain black for the type make the design much less sophisticated than it could be. The sample on the right utilizes a beautiful main palette of custom mixed complimentary colors of orange, green and brown. They all work together in harmony to bring the cute kitties to life while adding a warm and cozy feeling. The use of dark brown for the type keeps it complimentary to the graphic and maintains a good contrast necessary for legibility. Using the same orange that’s in the kitties for the “petcare” type offers additional visual interest and helps separate it from the main type. This helps give the eye a break and enhances legibility as well. Simple is good right?The left example is very simple in its execution, using only basic square and circle shapes. The placement of all of the objects has left the overall composition looking static and boring while the plain black type is under considered, effectively ensuring that this logo generates about as much excitement as flossing your teeth. The example on the right however, has cleverly used positive and negative space to create the plate. The entire logo is comprised of only four shapes by creating two simple arcs to help define the plate and by letting the cutlery bleed off the bottom edge. The combination of these design choices and using Tragan for the font, give it a simple, classic, stylish feel appropriate for this audience. Choosing a TypefaceHard to read? It sure is! Skinny outlines, drop shadows and other effects used on type all work against keeping it clear and legible. The “Tiederhouse” text is too tightly kerned while the “Attorney ay law” type has far too much letter spacing. The type is placed too close to the graphic without enough breathing room and the tagline is much too small in proportion. The “Tiederhouse” text uses the font “Hobo” which is a 70’s style font not at all appropriate for a professional law office. The sample on the right uses a much more professional and appropriate looking serif font with spacing and shapes that seem to mimic the construction of the symbol. It’s clear, easy to read and is just the right amount of distance from the torch device. Making the line between the text gold colored would have been a nice touch. Ready to Kickstart Your Design Career?See all coursesFind us on the GramBack to the TopGet Started.You can enrol any day of the year whenever you are ready to start, from anywhere in the world.Enrol hereBrochures, Phone Calls & QuestionsDownload brochures, book phone calls, or ask questions anytime.Contact TGDSOther ways to get in touchAustralia 1300 655 485International +61 1300 655 485Ask Anything info@thegraphicdesignschool.comGet a quote accounts@thegraphicdesignschool.comAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 34: Your Business Card is Crap! Not quite! | Blog | The Graphic Design School\n**URL:** /blog/your-business-card-is-crap-not-quite/\n**Template:** blog-single\n**Priority:** 6\n**Word Count:** 879\n**Last Modified:** 2025-09-29T05:21:57.610Z\n**AI Category:** blog\n**AI Quality:** 4/5\n**AI Summary:** The blog post showcases innovative business cards that stand out and reflect creativity.\n\nYour Business Card is Crap! Not quite!Send us business cards that stand out, we will publish them! Your Business Card is Crap! This clip inspired us to make a reactive thread. We laughed so hard at this self professed ‘Rich jerk’. We couldn’t agree with his appellation more. Check it out, see what you think! Below are a few of our fav interactive business cards… that didn’t take 25 years to design!! “I am Emerson Taymor” Emerson Taymor is a quirky ‘little’ guy. His business card seems to reflect his overall style, check out his website too. www.emersontaymor.com Impact Salon www.creativesuitcase.com “Google Me Card” — Ji Lee Download a template to make your own! www.pleaseenjoy.com Lego Can you believe that this is a business card? For who else, but the employees at Lego. They are designed to look like the employee that they represent by matching hair color, style and accessories. www.lego.com Tur & Partner Jong von Matt of Germany (also featured in our European Print Article this month) made this awesome business card for Tur & Partner an architectural landscaping company. The card contains seedlings that germinate when you water and expose to light. Raphael Essoo-Snowdon He designed and created these awesome 3D glasses when he was a Graphic design student. He painstakingly did all of the cutting and construction by hand. Raphael Essoo-Snowdon on Flickr Peet Pienaar Laser cut business card of South African performance artist/graphic designer Peet Pienaar. From Daddy buy me a Pony magazine. “I’m using art as an excuse to live a very interesting life - it allows you to be whoever you want to be, do whatever you want to do, go where ever you want to go. It’s like a free ticket.” Peet Pienaar Peet Pienaar on Flickr 1scale1 Lasercut business card of David Sjunnesson of 1scale1: a Critical Research Studio looking into the development of interactive media solutions. This business card really needed to be interactive for a company with that kind of a mission statement. www.1scale1.com Scizors Scizors is a small post-production company who asked Ben Schlitter to create their identity and branding. Those ambitious enough to cut on the dotted line are rewarded with a small paper robot. benschlitter.com Bracket Bracket is a publication that features everything-in-between - ideas, process and voices overlooked and under-appreciated. Nice representation of the company through this simple yet effective idea… genius. www.silnt.com Che-Wei Wang This design is inspired by Ken Blackburn’s world record paper airplane. Tip: Fold the business card airplane with the wings tilted downward. It’ll fly like a dart. Nothing like a paper airplane flying around an office of board pencil pushers to get your message ‘out there’. cwwang.com Murillo Design A good identity promotes instant retention and long-term recall in an already overcrowded marketplace. As stated on their website And what better way to prove your point than practicing what you preach! Hell if they make it big, we might be able to use this business card as currency. www.murillodesign.com Donovan Mafnas Business card of our very own lovable tutor and forum technical advisor at The Graphic Design School Donovan Mafnas. Donovan is not only one of the most professional and efficient people that we have ever had the pleasure of working with, he is a ‘kick ass’ designer. Love your work Dino… again! www.fuelhaus.com Reactor The boys at Reactor thought they were worth a little extra. This is a great concept for a business card to leave at an interview… sets an ‘up and coming’ designer apart from the hoards of potentials that an employer may seek. Nice one! www.yourreactor.com The catapult business card Bryce Bell is a designer with a LOT of time on his hands, and quite a few fans. You can create one of these yourself, by visiting his site for instructions and instructional videos. You never know when you may need a catapult for an ant invasion… think about it! www.instructables.com Master Promo, Curitiba, Brazil They designed this card for Couples Therapist Marisa Schmit Silva. Makes you wanna have marital problems just to get your hands on one of these. Thanks to adgoodness for this find. www.frederiksamuel.com Make your own interactive Business Cards Want to learn how to make this cute little guy? You can follow a tutorial and even download the templates at computer arts. You will need InDesign for this one, maybe even Scribus. Be inspired by this template and adapt it to your own style. www.computerarts.co.uk American Psycho Last but not least we would like to leave you with this little clip from the movie American Psycho. Too good! American Psycho: “Business Card Scene” Ready to Kickstart Your Design Career?See all coursesFind us on the GramBack to the TopGet Started.You can enrol any day of the year whenever you are ready to start, from anywhere in the world.Enrol hereBrochures, Phone Calls & QuestionsDownload brochures, book phone calls, or ask questions anytime.Contact TGDSOther ways to get in touchAustralia 1300 655 485International +61 1300 655 485Ask Anything info@thegraphicdesignschool.comGet a quote accounts@thegraphicdesignschool.comAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 35: Professional Design Practice :: Lesson 7 :: Graphic Design Contracts | Blog | The Graphic Design School\n**URL:** /blog/professional-design-practice-lesson-7-graphic-design-contracts/\n**Template:** blog-single\n**Priority:** 6\n**Word Count:** 808\n**Last Modified:** 2025-09-29T05:21:57.804Z\n**AI Category:** blog\n**AI Quality:** 4/5\n**AI Summary:** Lesson 7 emphasizes the importance of contracts in graphic design.\n\nProfessional Design Practice :: Lesson 7 :: Graphic Design ContractsWhile it is easy to scold and reprimand, it is in fact difficult to approach a new client with a contract especially when you are just starting out professionally. Be confident in your abilities. The most important thing to keep in mind is that this is your job, and while others may see it as a hobby since it is artistic by nature it is ever important to become educated and to educate others on the business of design. Head straight to the end of this article to find a downloadable blank graphic design contract. Always, always have a contract! Honesty is the best policy First and foremost, be upfront with your client. Do not start out making promises, which you may not be able to fulfil. While your intentions may be in the right place, it is easy to want to say yes to all of your prospective client’s requests when you are put on the spot in order to seal the deal. Instead of saying yes, be equipped with the right insight into the project parameters. Know where your imagery will be coming from, will it be provided or will you be creating it? How much extra time will you need to make edits? Are you factoring in the possibility for revisions? As the same goes for quoting a client, when drafting up a contract, you will want to ask the same questions such as timeline, budget, brief, points of contact, and usage. However, as the quote provided more of an estimate of sorts, the contract should be more exact and provide a stronger representation of the actual project numbers and key calendar dates for production and delivery. The first project can be the difference in a on-time client versus a long-term partnership Make that paper worth your time. Even if you have worked with someone regularly, or are taking part in a long-term project it is important to maintain a contract system. It is just as important to continue keeping an up to date contract for the work you are doing. The main reasons this is important are not only because of the inevitable changes in the project parameters, but also in the inevitable changes that should happen in your rates over time. Your rates may need to change quarterly or yearly to keep the same profit margins or give yourself a raise! Factor in all possible outcomes. You may wish to have terms to end the contract prematurely pending certain developments within the project. This could be for reasons of ethics or other problems. Be specific in your timeline. There may be the need to terminate a contract if it becomes inactive for an extended period of time. Think of it as having an expiration date. Make your considerations for fees and deposits up front. You should become aware of what your payment structure will be and how it will affect the process. Will you be requiring a down payment of 50% to begin? Most designers choose to require non-refundable deposits for security purposes and in the event of the client terminating the project prior to completion. Most importantly you want your contract to be mutually beneficial to you and your client. Copyright Issues of attaining and transferring copyright will be addressed in more detail in a separate blog article but you should be aware of your rights as a designer. As the producer of a work, unless otherwise stated, you retain the copyright to your designs. Many companies may wish to carry the copyright of your work, but it is important to be informed before signing over all of your rights. Make sure you understand the terms and scope of usage. Do not hesitate to contact a legal professional especially if you feel your work will need to be protected. For further reading I highly suggest the book Freelance Design in Practice by Cathy Fishel, as I have found the information most relatable in todays design market. For a custom contract template download the pdf here. ** DISCLAIMER: The use of this contract is for informational purposes only. Consult a legal professional for actionable advice. ** Ready to Kickstart Your Design Career?See all coursesFind us on the GramBack to the TopGet Started.You can enrol any day of the year whenever you are ready to start, from anywhere in the world.Enrol hereBrochures, Phone Calls & QuestionsDownload brochures, book phone calls, or ask questions anytime.Contact TGDSOther ways to get in touchAustralia 1300 655 485International +61 1300 655 485Ask Anything info@thegraphicdesignschool.comGet a quote accounts@thegraphicdesignschool.comAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 36: 6 Tips to Help You Get Started with Dall-E | Blog | The Graphic Design School\n**URL:** /blog/6-tips-to-dall-e/\n**Template:** blog-single\n**Priority:** 6\n**Word Count:** 740\n**Last Modified:** 2025-09-29T05:21:58.406Z\n**AI Category:** blog\n**AI Quality:** 4/5\n**AI Summary:** Learn essential tips for effectively using Dall-E to generate images.\n\n6 Tips to Help You Get Started with Dall-E1. Keep it simple. But specific.When it comes to using prompts to generate images in Dall-E, it’s important to remember that the AI is only as good as the information it receives. As a beginner, it’s best to start with simple prompts that are easy for Dall-E to interpret. This means using clear and concise language, and avoiding complex or abstract concepts that may be difficult for the AI to understand. Simple prompts might include things like “a red apple on a white plate” or “a yellow sunflower in a green field”. These prompts are easy for Dall-E to interpret because they are specific and include concrete details like colours, objects, and settings. Starting with simple prompts also allows you to get a better understanding of how Dall-E interprets your prompts. You can see how the AI responds to different types of prompts, and get a sense of what kind of images it is capable of generating. This can help you refine your prompts over time and improve your ability to generate high-quality images with Dall-E. 2. Use descriptive languageThe more descriptive your prompts are, the better the resulting image is likely to be. Try to use as many details as possible, including colours, textures, shapes, and sizes. For example, rather than simply saying “a flower,” try specifying the colour of the flower, such as “a bright pink rose” or “a deep blue iris.” Describing the way something looks, feels, smells, or sounds can help Dall-E create more immersive and evocative images. For example, you might ask for “a fragrant bouquet of fresh lavender” or “a crackling campfire under a starry sky. Attempt 1: An image of a bear wearing a multi coloured Sombrero3. Try different combinationsExperimenting with different prompt combinations is an important part of generating better images. By combining different objects, concepts, and settings, you can create unique and unexpected images that showcase the full range of Dall-E’s capabilities. Start by brainstorming a list of objects, concepts, or settings that you might want to combine. The possibilities are endless — don’t worry about whether or not they seem realistic at first. Get creative! Attempt 2: A realistic image of a bear in the woods wearing a multi coloured Sombrero4. Use metaphors and similesMetaphors and similes are a powerful tool for generating unique and evocative images. By describing an object or concept in terms of something else, you can inspire creative and unexpected image results. When using metaphors and similes as prompts, it’s important to be specific and provide as many details as possible. This makes it easier for Dall-E to interpret your request and generate an image that meets your expectations. Attempt 3: A realistic photograph of a bear in the woods, wearing a multi coloured sombrero5. Consider the perspectiveThink about the perspective you want the image to be from. Do you want it to be a bird’s-eye view or a close-up? This can affect the composition and overall feel of the image. Think about the mood and feeling you want to convey. Do you want your image to feel intimate and personal, or grand and expansive? 6. Practice, practice practiceWhether you’re a beginner or an experienced user, following some basic guidelines can help you get the most out of this powerful AI tool. Starting with simple prompts is a great way to build a foundation and understand how Dall-E interprets your requests. Using descriptive language, experimenting with different combinations, and considering perspective are all important aspects of generating quality images with Dall-E. And finally, don’t be afraid to get creative and experiment with different types of prompts - with some practice and refinement, you can unlock the full potential of this powerful tool and create images that are truly one-of-a-kind. Tool referencesDALL-EReady to Kickstart Your Design Career?See all coursesFind us on the GramBack to the TopGet Started.You can enrol any day of the year whenever you are ready to start, from anywhere in the world.Enrol hereBrochures, Phone Calls & QuestionsDownload brochures, book phone calls, or ask questions anytime.Contact TGDSOther ways to get in touchAustralia 1300 655 485International +61 1300 655 485Ask Anything info@thegraphicdesignschool.comGet a quote accounts@thegraphicdesignschool.comAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 37: Print | Blog | The Graphic Design School\n**URL:** /blog/print/\n**Template:** blog-single\n**Priority:** 6\n**Word Count:** 688\n**Last Modified:** 2025-09-29T05:21:57.938Z\n**AI Category:** blog\n**AI Quality:** 4/5\n**AI Summary:** The blog post showcases innovative print design and notable artists in the graphic design industry.\n\nPrinteBoy Los Angeles Times Magazine spread Located in Germany eBoy is Steffen Sauerteig, Svend Smital and Kai Vermehr. They create re-usable pixel objects and take them to build complex and extensible artwork. Prestigious clients such as Adidas, Adobe, Amazon, Arena Magazine, Diesel, Kellogs, DKNY, Nike and Pepsi are proof that eBoy have caught the big boys, with their little toys. hello.eboy.com Studio Punkat Nancy Fine Art & Music Museum Hugo Roussel is based in Nancy, France, He has a wonderful collection of printed works that he produces with ‘communication’ at the forefront of his designs, the result is clean and creative works that respond perfectly to his brief. www.punkat.com Prada Summer Catalogue mmmm…Prada. Need an Italian fix? Check out Prada. Summer 09 catalogue out now and no where near as yummy as the 08 one featured here. Eccezionale! Pradar Spring/Summer 2009 Look Book Royal Mail England Best in British design stamp set Those loveable poms bring us the best in British design on a stamp… just a little something to lick and send to all your Italian mates. Subtle! www.royalmail.com Jung von Matt International Watch Co. Schaffhausen ad campaign ‘Passion for detail’ Hamburg Graphic Design Agency Jung von Matt definitely know how to break the rules. This campaign certainly does convey an eye for detail… and so cute! We love it! Check out their awesome site, their print works are a great inspiration for original thinkers. www.jvm.de Digital Template Magazine Digital Template is a French magazine (translated into English for us mono-linguals) for graphic designers, photographers and fashion enthusiasts. The Graphic Design School students will find the last few issues in their schoolyard e-library. www.digital-temple.com Malota Projects Postcard sets Mar Hernandez is based in Valencia, Spain. Mar’s original designs and illustrations will leave you wanting more. A clean artful site with a range of projects that will make you want to explore every brush tool in your palette! malota.bigcartel.com/ La Perla Autumn Winter 09-10 Catalogue Print doesn’t get any more glamorous (or sexy) than Italian lingerie brand La Perla. La Perla have been a cut above (up there with Wolford in their Helmut Newton years) the rest of the lingerie industry in terms of print and internet graphic design for years. The photography is sublime, the models gorgeous and their layouts always communicate ‘stile classico’. With prices around 150AC; for a pair of knickers… your graphic design team are worth their weight in gold! (or knickers) www.laperla.com Bitsch +Lundquist To Let Danish geniuses Bitsch + Luidquist designed this giant billboard for Oskar Jensen placed in two different locations. One on ‘Strandboulevarden’ (in Copenhagen) and the second at ‘StrF8;get’ (also in Copenhagen). This version has been photoshopped to read in English. To see the original sign in Danish visit their site bplusl.dk Leagas Delany Maglite ‘worlds smallest light’ Hamburg based Graphic Design agency Leagas Delany certainly have a funny sense of humour. Consensus around The Graphic Design School is that its not terribly responsible to promote sticking battery operated equipment up your nose. Still made us laugh though! www.leagasdelaney.de Squid Spot ** Periodic Table of Typefaces** Designed by Cam from Squid Spot The Periodic Table of Typefaces is obviously in the style of all the thousands of over-sized Periodic Table of Elements posters hanging in schools and labs around the world. This particular table lists 100 of today’s most popular, influential and notorious typefaces. Genius. Thanks Cam. To download Cam’s Periodic Table visit Squid Spot site. [Periodic Table of Typefaces](https://www.squidspot.com/Periodic_Table_of_Typefaces/Periodic_Table_of_Typefaces_la www.squidspot.com Ready to Kickstart Your Design Career?See all coursesFind us on the GramBack to the TopGet Started.You can enrol any day of the year whenever you are ready to start, from anywhere in the world.Enrol hereBrochures, Phone Calls & QuestionsDownload brochures, book phone calls, or ask questions anytime.Contact TGDSOther ways to get in touchAustralia 1300 655 485International +61 1300 655 485Ask Anything info@thegraphicdesignschool.comGet a quote accounts@thegraphicdesignschool.comAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 38: The Best of European Typography... Ooh la la! | Blog | The Graphic Design School\n**URL:** /blog/the-best-of-european-typography-ooh-la-la/\n**Template:** blog-single\n**Priority:** 6\n**Word Count:** 668\n**Last Modified:** 2025-09-29T05:21:57.773Z\n**AI Category:** blog\n**AI Quality:** 4/5\n**AI Summary:** Explore innovative European typography and design resources in this engaging blog post.\n\nThe Best of European Typography... Ooh la la!The Superscript Flag Type a type made using the movement of a flag as inspiration. Boy do we love these Frenchies. Not only do they create awesome original typography, they experiment with elements like sound interactivity, audio sequencing and motion capture to create graphics. Super cool! www.super-script.com Typeradio Radio Station for design and type Typeradio is a Micro fm broadcast, a MP3 internet radio stream and a podcast station. Since 2004 Typeradio has been visiting different design events around the world, to meet designers and to talk, some really inspiring podcasts here. www.typeradio.org The Superscript (2) Minimal Bloc we couldn’t resist featuring superscript twice, je t’aime! Minimal Bloc is a type made of two shapes; squares and 1/4 circles. Wonderfully rustic applied here to wood, check out the other applications here. www.super-script.com Robotype Gallery an off the charts cute site. Use the original interactive gallery to make your own character or scene with fonts: Univers, Bodoni, Futura and Helvetica… those crazy Spaniards… we played for hours! www.robotype.com Ainsifont Boureuse a headline font. From the commercial font site Ainsifont. With an extensive and original font library, these guys have plenty to set you back a few euros to give your designs that originality that it may (or may not) need. See the fonts in action in their ‘fonts in use’ page. www.ainsifont.com Molotro Minotype a stencil typeface designed by Italian Luciano Perondi. Check out the urban experiments done by Graphic Design students using Minotype. www.molotro.com Barney Carroll Garamond vs Garamond Don’t panic no-ones calling you a HO! Check out this educational article breaking down the physiology of Francesco Simoncini’s Garamond. Illustrating (very beautifully) the concise differences between the varieties available under the Garamond umbrella. Article originally in French for le Monde, translated into English by Barney Carroll. A must for The Graphic Design School students, re module 4. www.barneycarroll.com Julia Sysmäläinen FF MisterK OT The manuscripts of author Franz Kafka had such a profound impact on Finnish graphic designer and type designer Julia Sysmäläinen that she decided to convert his handwriting with its unusually strong calligraphic characteristics into a digital script. You can also purchase this script at fontfont. Our fav type this month at The Graphic Design School. Love your work Julia! https://www.behance.net/Gallery/FF-Mister-K Just van Rossum FF Dynamoe Min Regular we see them every day, but do we see the letters as typefaces? Dynamoe changes all that. Now you can label your world… no refills needed! You can purchase this script at fontfont. JVR has a site that sells his latest font designs, its also a visual delight. letterror.com What The Font iphone app that has nothing what-so-ever to do with European typography trends, we just couldn’t resist letting you know about our fav new toy. What The Font app let’s you identify a font purely by taking a photo of it. Its the Shazam app of the font world. Like the iphone its the sheer buzz of having everything including the kitchen sink at your fingertips. LOVE IT…and its Free! What the F#*T free? …Yep! apple.com Erik van Blokland Trixie HD dutch designer Erik takes typewriter realism to another level altogether. A new vectorisation technique was developed to push the level of detail, creating realistic effects in print and on screen. Over 17 million points in the release… but whose counting! letterror.com Ready to Kickstart Your Design Career?See all coursesFind us on the GramBack to the TopGet Started.You can enrol any day of the year whenever you are ready to start, from anywhere in the world.Enrol hereBrochures, Phone Calls & QuestionsDownload brochures, book phone calls, or ask questions anytime.Contact TGDSOther ways to get in touchAustralia 1300 655 485International +61 1300 655 485Ask Anything info@thegraphicdesignschool.comGet a quote accounts@thegraphicdesignschool.comAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 39: A State of Independents | Blog | The Graphic Design School\n**URL:** /blog/a-state-of-independents/\n**Template:** blog-single\n**Priority:** 6\n**Word Count:** 661\n**Last Modified:** 2025-09-29T05:21:58.364Z\n**AI Category:** blog\n**AI Quality:** 4/5\n**AI Summary:** The blog highlights the thriving independent magazine sector amidst declining mainstream publishing.\n\nA State of IndependentsWhile mainstream publishers continue to stare grimly at plummeting sales figures, falling advertising incomes and budget cuts, a persistent torrent of web-savvy, well designed and highly varied independent titles is thriving, with new titles cropping up every month. These independents cover every conceivable subject, from the predictable (fashion, architecture, cookery) to the more esoteric (sneaker culture anyone?) and are invariably beautifully designed. There’s no victory of style over substance here though — each small publisher seems to care deeply about his chosen field and has the expertise to back it up. Here are seven titles to appear in British design bookshops in recent years, though the magazines themselves are international. Any one would make a fine addition to any designer’s bookshelf. Enjoy… ElephantImage © Elephant MagazineAh, the excellent Elephant magazine. Elephant is a new publication which focuses on art and visual culture. The magazine is divided into five parts: meetings, research, studio visits, economies and cities. Of the many new titles currently to be found out there, Elephant —still new on issue #6— looks set to establish itself in the visual culture sector. Dapper DanImage © Dapper DanDapper Dan is a brand-new men’s magazine that is “interested in inspiration, not novelty”. It is created in Athens, Greece and published twice a year, spanning fashion, culture and philosophy through striking photography and thoughtful texts. According to their website, “Dapper Dan is for the man who doesn’t feel he should have to be like everybody else.” File MagazineImage © FileFile Magazine is a bi-annual publication featuring a broad selection of visual communication in the fields of graphic design, art, photography, fashion and moving image. Beautifully presented in a 30 x 39cm hard cover with a full-colour 96pp newsprint inner stitched inside. Recognising the potential synergy between print and moving image, each issue is accompanied by a full-screen online player, screening in full each issue’s short films, music videos and documentaries. A magazine to both watch and read. It's Nice ThatImage © It's Nice ThatIt’s Nice That is another one of those independents which looks set to stay. It showcases work from the fields of graphic design, product design and illustration, publishing exciting practitioners both on and offline, and directing that talent to produce creative projects for brands. The physical journal is published every April and October as an archive for the most interesting editorial from the last six months. For those who find relentless advertising a turn-off, each publication is entirely advertising free. Summary With all the iPad-inspired talk in the air of the death of print (a topic that refuses to die) it’s deeply heartening to find so many people so ready to launch their own titles, a fact that seems nicely to counter the prevailing prognosis for the publishing industry. That the industry has changed a great deal is not in doubt, and the dispiriting state of several first-rate established titles is a genuine concern. Perhaps though we’re witnessing not the death of an industry, but its metamorphosis into something different. As Jeremy Leslie of the excellent magCulture blog wrote in a recent Creative Review article, “It’s the tangible, physical medium of print that people turn to for self-expression.” There are no signs of the medium loosening its hold on the creative industry’s imagination. Beautiful magazines are here to stay. Ready to Kickstart Your Design Career?See all coursesFind us on the GramBack to the TopGet Started.You can enrol any day of the year whenever you are ready to start, from anywhere in the world.Enrol hereBrochures, Phone Calls & QuestionsDownload brochures, book phone calls, or ask questions anytime.Contact TGDSOther ways to get in touchAustralia 1300 655 485International +61 1300 655 485Ask Anything info@thegraphicdesignschool.comGet a quote accounts@thegraphicdesignschool.comAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 40: When times are tough, graphic designers get tactile | Blog | The Graphic Design School\n**URL:** /blog/when-times-are-tough-graphic-designers-get-tactile/\n**Template:** blog-single\n**Priority:** 6\n**Word Count:** 630\n**Last Modified:** 2025-09-29T05:21:57.665Z\n**AI Category:** blog\n**AI Quality:** 4/5\n**AI Summary:** Graphic designers innovate tactile advertising to enhance sensory engagement during tough times.\n\nWhen times are tough, graphic designers get tactileGraphic Designers are the men and women who’s ideas bridge the gap of communication between industry and man. We are therefore partly responsible for economic stimulation. The Graphic Design School has been noticing the creative ways that designers have been pushing the boundaries beyond the flat print form and ‘reaching out’ to appeal to our SENSES. Below are a few creative designs that verge on engineering. CHANEL Nº5 Chanel’s new sample card is simple yet different enough to have you smelling and admiring its sculptural form… We wish all brands would spend as much on advertising and branding as Chanel. Russian Standard Vodka Smell-o-vision it is not… its lick-o-newspaper. What a great way to kick start the ride to work on the train. Reportedly an April fools day joke… Those crazy Russians! Welch’s "A lot of people won’t lick a magazine no matter how good it tastes"says Chris Heye, Welch’s marketing chief. But a lot of people will talk about it. Released last year in People magazine. This ad may have given Welch exactly the market boost it was needing. Arcor Bubble gum Leo Burnett in Sao Paulo created this clever ad for Arcor bubble gum. Dior The controversially named makeup line Addict, has been under fire from Addiction support groups, for insensitive appellation. Well as we all know the fashion world loves a scandal, and Dior Addict is on the advertising rampage now more than ever! This simple and elegant envelope style page opens out to invite your personal consultation at the Dior counter… Sell,sell,sell. Headline Review What worn out housewife could resist the allure of a bath, a romance novel and a free lift out that tells the kids to take a hike. Say no more… target audience… HIT! Sopranos “Bada Bing!” Sopranos magazine insert used to promote the latest season. Fruits of the Loom Undies so fresh they smell like flowers? Tide Creating a tactile look and feel to a fabric softener, this 3D ad takes the cake. 3 Musketeers A pop up chocolate sample, extra tactile! Yumm. Giorgio Armani Onde perfume For the release of the Onde series of perfumes, Armani let us sample all three in a 6 page spread of the May issue of Harpers Bazaar. Oil Of Olay Clever use of specially designed light catching textured paper, help demonstrate that Oil of Olay has glamour and shine, without the price tag. Nice. Absolut Absolut is taking tactile to places where everybody dreams of going… In An Absolut World, Currency will be replaced with acts of kindness Visionaire Lastly, have you heard of Visionaire magazine? Visionaire is a multi-format album of fashion and art produced in exclusive numbered limited editions. Published three times a year, each Visionaire features a different theme. Issue number 55 is called “Suprise”, engineered by Bruce Foster it utilizes complex 3D environments with classic pop-up techniques. The Visionaire 55 is a showcase of impressive pop-ups by Sophie Calle, Nicola Formichetti with Gareth Pugh, Cai Guo-Quiang, Andreas Gursky, Steven Klein, Yayoi Kusama, Alasdair McLellan, Steven Meisel, Guido Mocafico, Solve Sundsbo and Mario Testino. Visionaire 55 Surprise Ready to Kickstart Your Design Career?See all coursesFind us on the GramBack to the TopGet Started.You can enrol any day of the year whenever you are ready to start, from anywhere in the world.Enrol hereBrochures, Phone Calls & QuestionsDownload brochures, book phone calls, or ask questions anytime.Contact TGDSOther ways to get in touchAustralia 1300 655 485International +61 1300 655 485Ask Anything info@thegraphicdesignschool.comGet a quote accounts@thegraphicdesignschool.comAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 41: European Websites | Blog | The Graphic Design School\n**URL:** /blog/european-websites/\n**Template:** blog-single\n**Priority:** 6\n**Word Count:** 630\n**Last Modified:** 2025-09-29T05:21:58.282Z\n**AI Category:** blog\n**AI Quality:** 4/5\n**AI Summary:** The blog highlights exceptional European websites showcasing creativity in graphic design.\n\nEuropean WebsitesWe stumbled upon some true creatives on our scour of the internet. Every website although not all typically Graphic Design websites have a distinct communication that we wanted to share with the graphic design student community. Please offer your suggestions for next months sites. BerghPortfolio site of Anders Bergh photographer Andes from Copenhagen, has one of the most incredible photographic portfolio sites that we have ever seen. Its no secret that The Graphic Design School tutors and staff are photography fans. Lets face it the right photograph can make an ordinary graphic design composition look great. We fell in love with Andes and his work at first sight. Not only only is his eye sharp, his aesthetic is clean, his understanding of light manipulation leaves us in awe. This is what Anders has to say about his process as a photographer/designer: For me, the creative process is a journey from an inspired idea to the creation of raw picture material to detailed refining work in post production. www.bergh.dk McbessPortfolio site of Matthieu Bessudo French Born Matthieu now residing in London, has a kick arse site, reel and imagination. www.Mcbess.com StaeheliPortfolio site of Matthias Staeheli “Life is a pixel” is the motto of this Swiss Graphic Designer, in keeping with the motto a fuzzy orange pixel guides you though the site. Matthias is a design student living in Berlin. His fun site will have you exploring and playing with his fuzzy little pixel!!! www.staeheli.de Mon MondePortfolio site of Guillaume Dupuy Specialist in full flash sites, harmony and ease of browsing experience. The beautiful melange of graphic design, animation and sound development make Frenchman Guillaumes Dupuy a multi talented Graphic Designer to be reckoned with. www.mon-monde.com Vis TekVis Tek Graphic Design Studio are based in Barcelona. Vis Tek specialize in branding, web design and advertising design. Their work reflects a harmony between hand illustration and digital creation. A delight. www.vis-tek.com ThibaudPortfolio site of Thibaud Thibaud (last name unknown) is a freelance CJ artist living in Belgium. His fully interactive site using pantone swatches as his inspiration to share his talents. www.thibaud.be Out of GorenPersonal portfolio site oF Anna Mentze German Art Director Anna’s combination of drawing, computer graphics and amazing layout designs make for a very impressive all round graphic design portfolio. www.outofgoren.de Tribal DDBDesign agency Tribal DDB with 37 world locations TDDB has made its mark. Their website contains stunning graphics, awesome navigation, and a portfolio that would take an average human 5 weeks to sift through. This award winning design agency is a must see for any graphic design student. www.tribalddb.com MagicsocketMagicsocket An Italian agency based in the creative Italian city of Torino. Magicsocket specialises in Flash technology, and boy do they do it well. Prestigious clients such as D&G, Bisazza, Fiat and Haagen Dazs. Play with their interactive car track while visiting their site… and see how they made it. We stacked on EVERY corner! www.magicsocket.com Bionic SystemsBionic Systems Studio based in Dusseldorf this talented team give us a glimpse of all aspects of graphic design in their inspiring portfolio site. From package and catalogue design to website design. www.bionic-systems.com Ready to Kickstart Your Design Career?See all coursesFind us on the GramBack to the TopGet Started.You can enrol any day of the year whenever you are ready to start, from anywhere in the world.Enrol hereBrochures, Phone Calls & QuestionsDownload brochures, book phone calls, or ask questions anytime.Contact TGDSOther ways to get in touchAustralia 1300 655 485International +61 1300 655 485Ask Anything info@thegraphicdesignschool.comGet a quote accounts@thegraphicdesignschool.comAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 42: Focus - French Graphic Design | Blog | The Graphic Design School\n**URL:** /blog/focus-graphic-design-france/\n**Template:** blog-single\n**Priority:** 6\n**Word Count:** 559\n**Last Modified:** 2025-09-29T05:21:58.202Z\n**AI Category:** blog\n**AI Quality:** 4/5\n**AI Summary:** Exploring the unique landscape of French graphic design and its cultural significance.\n\nFocus - French Graphic DesignEven in France itself, graphic design’s profile burns less brightly than the other arts, though its influence on its country’s wider visual culture is by no means insignificant; a high creative output generated by both established and emerging designers and ateliers. France seems to hold firm against the seductive Esperanto of globalised design more successfully than other nations, retaining it’s own particular elán—a good reason for us to glance over its national resumé… L’Histoire du Vingtième Siècle—“Twentieth Century History” for those who don’t speak French. BazookaThroughout the twentieth century, proponents of core themes that came to define France, like liberty and protest, used design to communicate and disseminate their messages. The Agitprop posters of Atelier Populåire are well known, though other notables among these révolutionaires were groups like Bazooka and Grapus. Bazooka were a mixed-sex collective with an alternative take on punk graphic design. Coming together in art school in Rouen in 1974, Bazooka’s members were exposed to ideas from across the graphic design / art intersection, notably Dadaism and neo-Dadaism. They learnt to print their own material and published a number of radical zines. Sexy and confrontational, they would doubtless be worth further investigation. GrapusIt is through no fault of their own that the graphic design of artists like Jean Carlu (left) and A.M. Cassandre (right) now appear clichéd—their style has been borrowed to death, their posters proliferated, reproduced and collected on a grand scale. Havas CityGrapheineProving French studios can produce clean, globalised-looking graphic design with the best of 'em, design studio Graphéine produced an impactful and fun visual identity for 2010’s Festival de Marne. Echoes of anime are apparent in the execution of the illustrations. A dilution of Gallic flair, or positive move toward a world-wide graphical aesthetic? You decide! ToffeNot much known outside of French design circles, Toffe (a nom de plume—his real name is Christoph Jacquet) is an important and original graphic designer, with a certain following in Paris, where he was born and still resides. His work “bristles with contradictions” says Rick Poyner, combining ugly default computer settings with intricate fleurons and flourishes in jarring graphical juxtapositions. M/MM/M, graphical stars in France, combine design, art and format with dazzling originality and a kind of innocent sense of experimentation. Their posters, typefaces and alphabets have had their fair share of coverage, so it’s worth demonstrating how creative the designers there can be when working on installations, models and set design. Nothing seems beyond the pale for M/M—they have even turned their hand to fragrance concoction. In an industry often at risk of taking itself too seriously, M/M remind us that design can work best when it retains a sense of wit and spontaneity. Ready to Kickstart Your Design Career?See all coursesFind us on the GramBack to the TopGet Started.You can enrol any day of the year whenever you are ready to start, from anywhere in the world.Enrol hereBrochures, Phone Calls & QuestionsDownload brochures, book phone calls, or ask questions anytime.Contact TGDSOther ways to get in touchAustralia 1300 655 485International +61 1300 655 485Ask Anything info@thegraphicdesignschool.comGet a quote accounts@thegraphicdesignschool.comAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 43: James Victore :: Don't Be A Design Zombie | Blog | The Graphic Design School\n**URL:** /blog/james-victore-dont-be-a-design-zombie/\n**Template:** blog-single\n**Priority:** 6\n**Word Count:** 553\n**Last Modified:** 2025-09-29T05:21:58.029Z\n**AI Category:** blog\n**AI Quality:** 4/5\n**AI Summary:** James Victore emphasizes hands-on design and storytelling over digital efficiency.\n\nJames Victore :: Don't Be A Design ZombieJames believes that graphic design is about experiences and stories and using your hands. That the best designs punch you in the gut – or, at the very least, stop you in your tracks. Re-posted from Jocelyn K. Glei The 99% James Victore has always been one of our favourite graphic designers, students learn about his iconic works throughout our graphic design courses. This article written by Jocelyn K. Glei for Behance has only made us love him more. Below are a few excerpts from the article that we think reigns so true in the world of design education. Please take the time to read the full article. “Racism.” Social poster. Self-authored. Silkscreen. 26" x 40" 1993. © James Victore. So you like time away from computers. Do you do all of your sketching and writing on paper? Paper, and not in the studio. I’ll go to a bar or a restaurant. When I did the book, I left the studio every morning and I went to the park and sat for an hour, hour and half. I brought an idea, and I wrote longhand in one of these big sketchbooks. Then I would come into the studio and work during the day. Afterwards, at 4 or 5 o’clock, I’d go to my bar, sit with a beer or two, and refine it. Or write on a new idea. So it became this really nice process of every day. And it became a habit. I can’t do the think-work in the studio. The studio’s for putting stuff together – for work-work. And if we’re not doing work-work, then we leave. How many great architecture ideas have been drawn on napkins? Because they’re free, they’re not thinking about work. And it’s fast, right? We’re obsessed with efficiency, and sometimes we forget how much faster drawing is. My third students [at SVA] aren’t allowed to use computers. It really frustrates them because they don’t know how to use their hands. But I say listen, I know how much time it takes to boot up a computer, and open InDesign, and you get a box, and you type a letter in it. And you make it this big. Then you make it this big. Then you make it this big. Then you make it this big. Then you move it over here. Then you make it red. Then you make it this big. And it’s like: You’re not designing! You’re organising. That’s easy. Worry about that later. And this is stuff I learned from heroes. It’s the work you do before you ever put pen to paper. That’s the important part. Ready to Kickstart Your Design Career?See all coursesFind us on the GramBack to the TopGet Started.You can enrol any day of the year whenever you are ready to start, from anywhere in the world.Enrol hereBrochures, Phone Calls & QuestionsDownload brochures, book phone calls, or ask questions anytime.Contact TGDSOther ways to get in touchAustralia 1300 655 485International +61 1300 655 485Ask Anything info@thegraphicdesignschool.comGet a quote accounts@thegraphicdesignschool.comAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 44: Visual Culture :: Brazil | Blog | The Graphic Design School\n**URL:** /blog/visual-culture-brazil/\n**Template:** blog-single\n**Priority:** 6\n**Word Count:** 545\n**Last Modified:** 2025-09-29T05:21:57.702Z\n**AI Category:** blog\n**AI Quality:** 4/5\n**AI Summary:** Exploring contemporary Brazilian visual culture through innovative design work.\n\nVisual Culture :: BrazilEnough of the geo-political preamble, This is a design blog! we hear you cry. Rest assured readers, we haven’t forgotten my duties to you, just providing the wider context to introduce some impressive contemporary work in the visual fields, from both studios and freelancers, to have recently emerged from this Latin giant. Latin Ascent Typography This simple yet complex letterform by Jackson Alves was, coincidentally, created at the same Letaria workshop that Dado Queiroz (see above) taught at. Ultra-impactful signwriting by Nomad Ink for Curitiba-based restaurant Wonka Bar. Though zany, control has been maintained over the composition. Website Design I urge you all to peruse the website of children’s clothes and accessories shop Família Ovo, designed by Pernambuco-based studio Mooz. A perfect response to a brief for a shop of Família Ovo’s kind. Graphic Design Though much of the work displayed here is of a more unexpected flavour to typical ‘European’ design, Brazilian designers are capable of delivering clean, well-ordered logotypes with the best of 'em. These are by Dado Queiroz. A road sign-based response to a brief for a documentary about Curitiba’s new BRT (Bus Rapid Transport) system by design studio Nomad Ink. These signs are titles for the documentary—if anyone can find it online let me know! Built Environment In the hands of a lesser studio it could so easily have gone garish. Staggering, yet unobtrusive, environmental design for Brazilian beauty centre Set by Mooz. Branding Another from Mooz, this time identity and website for men’s fashion website Neonico. Note the triptych of explosive effects on the last characters of the logotypes. These few images, which demonstrate bundles of imagination, are part of an extensive branding project by Rodrigo Bellão for iPhone game developer 99ft Jetpack’s first game, Box n’ Bug. Illustration Illustration with type for a T-shirt design by Rafael Nascimento. No matter how far you travel, it seems homages to Helvetica and all things Swiss are never far away. Beautiful vector illustration on the theme of gay rights for Metropole magazine by (again) Rafael Nascimento. In Sum This’ll be one of the easiest summaries I’ve ever written and not much need be said, other than keep an eye on the blue green & yellow nation. With work of this calibre across the full gamut of creative industries Brazil’s reputation as a nation of great football may soon be eclipsed by its growing reputation in the creative fields. And to that I say “Saude!” Indeed we are. Described as a logo development side project for Brazilian band Área Restrita, Murilo Grafics gets the balance between elegance and Photoshop effects just right. Ready to Kickstart Your Design Career?See all coursesFind us on the GramBack to the TopGet Started.You can enrol any day of the year whenever you are ready to start, from anywhere in the world.Enrol hereBrochures, Phone Calls & QuestionsDownload brochures, book phone calls, or ask questions anytime.Contact TGDSOther ways to get in touchAustralia 1300 655 485International +61 1300 655 485Ask Anything info@thegraphicdesignschool.comGet a quote accounts@thegraphicdesignschool.comAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 45: Focus :: Graphic Design Studio Websites | Blog | The Graphic Design School\n**URL:** /blog/focus-graphic-design-studio-websites/\n**Template:** blog-single\n**Priority:** 6\n**Word Count:** 505\n**Last Modified:** 2025-09-29T05:21:58.191Z\n**AI Category:** blog\n**AI Quality:** 4/5\n**AI Summary:** The blog highlights innovative graphic design studio websites showcasing unique features and user experiences.\n\nFocus :: Graphic Design Studio WebsitesUntrammeled by meddlesome clients making design-threatening requests and free to divert the necessary time and budgets into things, studios are able to focus their designers’ collaborative energies into producing —often— groundbreaking sites. We’ve generated video clips of each design studio website I thought really distinctive, both from the masses and each other. Happy perusing! Build Build’s newly designed website features pleasing collapsible/cascading functions operated through the Mac’s arrow keys which makes for an intuitive browsing experience. A handy index is also included as a further navigation tool. Meta Design Germany’s famous Meta Design has crafted a predictably, though pleasingly, Swiss affair for their studio website. Vertical sub-menus exist to guide the browser through the site’s architecture and rolling news headlines running along the bottom of the screen lend seriousness to things. Madethought The easing functions on the website of Madethought are difficult to beat, the rising and falling of the sub-menus an addictive joy for the peruser. These are housed at the bottom of the screen within an understated black design which showcases some great work. Effektive Scotland-based Effektive has created a gorgeous-looking website with a colour scheme of matte greys and a single dynamic blue. Sub-menus become endowed with a blue bar as the cursor hovers over them and animated files whizz past in displays of individual projects. Bunch Bunch, of London, has also got it right on the easing of its sub-menus. Four thick black slabs open to reveal an abundance of links, and while lots of quick animation is present, it never becomes overbearing or detracts from the work on show. Also worthy of note is their excellent search facility where viewers can search for a project based on year, type, media & technique and application. North For sheer confidence and originality, North warrants an entry. The designers there have elected to show a single page of logotypes they have designed, which, as I wrote elsewhere, segue randomly from grey to colour in a delicate array of cadences. Tantalizing, restrained brilliance. Frost Australia’s Frost have gone for a concept based around Apple’s coverflow fascia. Viewers are presented on the homepage with a vast collection of project icons and invited to speed through them coverflow-fashion. Once clicked on and perused, navigating your way back to the thumbnails or next project is simplicity itself with the large cursor icons at hand. Ready to Kickstart Your Design Career?See all coursesFind us on the GramBack to the TopGet Started.You can enrol any day of the year whenever you are ready to start, from anywhere in the world.Enrol hereBrochures, Phone Calls & QuestionsDownload brochures, book phone calls, or ask questions anytime.Contact TGDSOther ways to get in touchAustralia 1300 655 485International +61 1300 655 485Ask Anything info@thegraphicdesignschool.comGet a quote accounts@thegraphicdesignschool.comAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 46: How to use ChatGPT Ethically in your Graphic Design Work | Blog | The Graphic Design School\n**URL:** /blog/how-to-use-chat-gpt/\n**Template:** blog-single\n**Priority:** 6\n**Word Count:** 498\n**Last Modified:** 2025-09-29T05:21:58.141Z\n**AI Category:** blog\n**AI Quality:** 4/5\n**AI Summary:** Guide on using ChatGPT ethically in graphic design workflows.\n\nHow to use ChatGPT Ethically in your Graphic Design WorkWhat’s is ChatGPT?You will have heard of ChatGPT by now, if you haven’t used it yet, or have, you may be wondering how can I use this in my design workflow? What is it anyway? ChatGPT is a large language model trained by OpenAI, and it’s an incredible tool for generating ideas, brainstorming, and even providing design tips and tricks. Many creatives are looking at using Ai to help with their idea generation process. You may consider turning to ChatGPT for some assistance, but first, it’s important to get clear on how to use the tool both ethically and legally. First and foremost, ChatGPT should never be used to plagiarise or steal someone else’s work. We’re graphic designers (and design students) and we understand the importance of originality and respecting the work of others. ChatGPT can be a helpful tool for generating new ideas, but it should never be used to copy someone else’s work. Introducing ChatGPTHow can we use the tool responsibly?Our first suggestion is to use the tool as a source for inspiration. We touched upon this in our AI & Graphic Design Video Series. You can input a few keywords related to your project, and ChatGPT can generate new ideas and perspectives for you to consider. It’s important to remember that these ideas are not meant to be copied or replicated but rather used as inspiration to create something new and unique. Another way to use ChatGPT is to generate text for design briefs or proposals. You can input your project specifications, and ChatGPT can generate a paragraph or even an entire article on the topic. This can be incredibly helpful when you need to write a design brief or proposal. Again we show you a live example of this in our Video entitled AI & Graphic Design: Client Work. Lastly, ChatGPT can be used for design tasks such as colour selection or layout design. You can ask ChatGPT to provide you with colour palettes suggestions or suggest layouts based on your project specifications. This can be an awesome starting point for your design and totally ethical! Once again, remember that these suggestions are not meant to be copied or replicated but rather to be used as a starting point for your own original designs. Have fun! Tool referencesChatGPTReady to Kickstart Your Design Career?See all coursesFind us on the GramBack to the TopGet Started.You can enrol any day of the year whenever you are ready to start, from anywhere in the world.Enrol hereBrochures, Phone Calls & QuestionsDownload brochures, book phone calls, or ask questions anytime.Contact TGDSOther ways to get in touchAustralia 1300 655 485International +61 1300 655 485Ask Anything info@thegraphicdesignschool.comGet a quote accounts@thegraphicdesignschool.comAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 47: How to use Dall-E Ethically in your Graphic Design Work | Blog | The Graphic Design School\n**URL:** /blog/how-to-use-dall-e/\n**Template:** blog-single\n**Priority:** 6\n**Word Count:** 416\n**Last Modified:** 2025-09-29T05:21:58.119Z\n**AI Category:** blog\n**AI Quality:** 4/5\n**AI Summary:** Learn how to ethically use Dall-E in graphic design to enhance creativity.\n\nHow to use Dall-E Ethically in your Graphic Design WorkWhat is Dall-E?First things first, Dall-E is a language model developed by OpenAI that can generate images from text descriptions. Pretty cool, huh? Basically, you can write a description of what you want an image to look like, and Dall-E will create it for you. A-MAZ-ING. Can I use the images in my work?The short answer is yes, wait… there’s a but, there are some things to keep in mind. It’s extremely important to think about the ethics of using AI-generated images. Some people argue that using AI to create images takes away jobs from real life, human designers. However, others argue that AI can be a valuable tool for designers to use in conjunction with their own creativity and skills. So, how do I use Dall-E in an ethical way?One way is to use it as a tool to generate ideas and inspiration. For example, you could use Dall-E to create a rough concept of an image, and then use your own design skills to refine and improve it. Another way is to use Dall-E in combination with other design elements. For example, you could use a Dall-E image as a background for a design, and then add your own typography and other design elements on top. Overall, the key is to use Dall-E as a tool to enhance your own creativity and design skills, rather than relying on it as a replacement for human design So, there you have it. You absolutely CAN use Dall-E in your design projects, but make sure you’re using it responsibly! Remember, it’s just a tool to help you create, not a replacement for your own creativity and design skills. Check out this awesome article over on itsnicethat on how the team at &Walsh used Dall-E for the rebrand of Isodope. Tool referencesDALL-EReady to Kickstart Your Design Career?See all coursesFind us on the GramBack to the TopGet Started.You can enrol any day of the year whenever you are ready to start, from anywhere in the world.Enrol hereBrochures, Phone Calls & QuestionsDownload brochures, book phone calls, or ask questions anytime.Contact TGDSOther ways to get in touchAustralia 1300 655 485International +61 1300 655 485Ask Anything info@thegraphicdesignschool.comGet a quote accounts@thegraphicdesignschool.comAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 48: Logo Design Love | Blog | The Graphic Design School\n**URL:** /blog/logo-design-love/\n**Template:** blog-single\n**Priority:** 6\n**Word Count:** 373\n**Last Modified:** 2025-09-29T05:21:58.008Z\n**AI Category:** blog\n**AI Quality:** 4/5\n**AI Summary:** Logo Design Love offers insights into the graphic design process, emphasizing logo design education.\n\nLogo Design LoveHe offers a free to download chapter of his book, that illustrates perfectly a graphic design process that endorses the wonderful process of design, from Pencil to PDF. A recommended read and investment for all design students. Reviews I’m going to buy a handful of copies and every time I start a new identity design I will supply the client with this book as a cornerstone of education and communication on the topic. If you like the idea of having a smoother client-designer relationship, you’d be smart to do the same. Christopher W. Taylor, Amazon.com A great read for both designers and clients, as it shares valuable insights and discusses the importance of brand identity all the way down to the process from start to finish. Brian Hoff, The Design Cubicle A very useful resource for designers who want to specialize in logo design. Fabio Sasso, Abduzeedo A must-read for anyone who wants to make their living in the graphic design industry, especially those who want to specialize in the fiercely competitive logo design niche. Steve Douglas, The Logo Factory From Pencil to PDF: sub-headings Mind-mapping The fundamental necessity of the sketchpad The Tenth Commandment Pinning the map Internationally recognized No set time Dress for success Black and white before color Where Photoshop comes into play The pen is mightier than the mouse Read more comments and contributions on David Airey’s website Download the free PDF from David Aireys site by clicking on the link below To read more about the process of mind mapping in design see another super blog article HERE Ready to Kickstart Your Design Career?See all coursesFind us on the GramBack to the TopGet Started.You can enrol any day of the year whenever you are ready to start, from anywhere in the world.Enrol hereBrochures, Phone Calls & QuestionsDownload brochures, book phone calls, or ask questions anytime.Contact TGDSOther ways to get in touchAustralia 1300 655 485International +61 1300 655 485Ask Anything info@thegraphicdesignschool.comGet a quote accounts@thegraphicdesignschool.comAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 49: Logo Trends and Galleries | Blog | The Graphic Design School\n**URL:** /blog/logo-trends-and-galleries/\n**Template:** blog-single\n**Priority:** 6\n**Word Count:** 304\n**Last Modified:** 2025-09-29T05:21:57.996Z\n**AI Category:** blog\n**AI Quality:** 4/5\n**AI Summary:** The Graphic Design School explores logo trends and galleries from 2009 and invites feedback.\n\nLogo Trends and GalleriesThe Graphic Design School has reviewed and chosen the best logo trends and galleries of 2009. We would love your feedback… Do you think that 6 months into the year they still apply? Can you find any other trends that have emerged? Logo Lounge Gossamer Circulate Dandelion Recycle Sequential Mosaic Flip Flop Doily Monologue Encrust Texting Candy Stripes Vari Dot Concealed Photo Fill Logo Trends for 2009 from Logo Orange Puzzle Patterns Street Art 80’s Geometry Lesson Typographic Logos Pictograms Classic Modernism Arabesque Tactile Logos Psychedelic Pop Backgrounds Origami Logo Trends for 2009 from Abduzeedo Abduzeedo Amazing One Element Logos Logo Trends for 2009 from Graphic Design Blog Graphic Design Blog Classic Modernism Typographic Logos Psychedelic Pop Backgrounds Puzzle Patterns Arabesque Pictograms Tactile 80’s Geometry Origami Street Art Arguments Against Trends in Logos Not all designers believe that trends in logo design are such a good thing… checkout these three articles. Im Just Creative Im Just Creative David Airey David Airey Design Bay Design Bay Logo Designer Blog Logo Designer Blog Logo Faves Logo Faves Creattica Creattica Creative Pro Creative Pro Brand New Brand New/UnderConsideration Logo Pond Logo Pond Logo Bee Logo Bee Ready to Kickstart Your Design Career?See all coursesFind us on the GramBack to the TopGet Started.You can enrol any day of the year whenever you are ready to start, from anywhere in the world.Enrol hereBrochures, Phone Calls & QuestionsDownload brochures, book phone calls, or ask questions anytime.Contact TGDSOther ways to get in touchAustralia 1300 655 485International +61 1300 655 485Ask Anything info@thegraphicdesignschool.comGet a quote accounts@thegraphicdesignschool.comAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 50: 26 Logos & Their Design Evolution | Blog | The Graphic Design School\n**URL:** /blog/26-logos-their-design-evolution/\n**Template:** blog-single\n**Priority:** 6\n**Word Count:** 178\n**Last Modified:** 2025-09-29T05:21:58.440Z\n**AI Category:** blog\n**AI Quality:** 4/5\n**AI Summary:** Explore the evolution of 26 iconic logos and their relevance to modern branding.\n\n26 Logos & Their Design Evolution26 Logos & Their Design EvolutionOur top 26 logo revamps for better or worse you decide it’s hard to argue with the Art Paul’s and the Paul Rand’s of the design world. Some of the greatest logos have stood the test of time, below are the ones that obviously no longer represented the modern day image of the associated brand. AdobeAppleAT&TAudiCoca ColaThe Body ShopFedExFiatFordIBMKFCKodakMistMSNNikePlayboyPeugeotUPSStarbucksWWFAlpha RomeoPepsiYahooInternet ExplorerFirefoxMazdaReady to Kickstart Your Design Career?See all coursesFind us on the GramBack to the TopGet Started.You can enrol any day of the year whenever you are ready to start, from anywhere in the world.Enrol hereBrochures, Phone Calls & QuestionsDownload brochures, book phone calls, or ask questions anytime.Contact TGDSOther ways to get in touchAustralia 1300 655 485International +61 1300 655 485Ask Anything info@thegraphicdesignschool.comGet a quote accounts@thegraphicdesignschool.comAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 51: The Blog | The Graphic Design School\n**URL:** /blog/\n**Template:** blog-single\n**Priority:** 6\n**Word Count:** 120\n**Last Modified:** 2025-09-29T05:21:54.964Z\n**AI Category:** blog\n**AI Quality:** 4/5\n**AI Summary:** The Graphic Design School's blog offers insights and tips for graphic design students.\n\nWe love to talk about what's going on in the graphic design world. Check out some of our awesome posts on The Blog.Blog for graphic design studentsUse ChatGPT ResponsiblyThis revolutionary AI language model requires responsible use.Read the Article 6 Tips: How to use Dall-E6 essential tips for beginners and graphic designers on getting started with Dall-E.Read the Article Using Dall-E EthicallyFriend or Foe? The revolutionary AI image generator with ethical implications.Read the Article Back to the TopAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 52: Using Adobe Dimension & Photoshop To Create Striking Packaging | Dex | The Graphic Design School\n**URL:** /dex/no-29/\n**Template:** dex-single\n**Priority:** 5\n**Word Count:** 1247\n**Last Modified:** 2025-09-29T05:21:56.859Z\n**AI Category:** courses\n**AI Quality:** 4/5\n**AI Summary:** Learn to create striking packaging designs using Adobe Dimension and Photoshop.\n\nWeek 29: Using Adobe Dimension & Photoshop To Create Striking PackagingCreate a colour-stream background using an image in Photoshop, apply it to packaging in Illustrator and then create a 3D mock-up of your packaging in Adobe Dimesion. Beginner+Select an image and create a colour-stream background in Photoshop. Apply this background on packaging of your choice and then use Adobe Dimension to create a 3D realistic mockup of the packaging. Render your image as a Photoshop file. Intermediate+Select 3 images and create contrasting colour-stream backgrounds in Photoshop for all 3. Apply these backgrounds on packaging of your choice (a series of 3 packs/bottles) and then use Adobe Dimension to make a 3D realistic mockup of the packaging. Play with different camera angles and views, and render your favourites as Photoshop files. Advanced+Select 3 images and create contrasting colour-stream backgrounds in Photoshop for all 3. Apply these backgrounds on packaging of your choice (a series of 3 packs/bottles) and then use Adobe Dimension to make a 3D realistic mockup of the packaging. Play with different camera angles and views, and render your favourites as Photoshop files. Take one of the packs and apply the colour-stream Photoshop image to the background of the scene in Dimension. Change the angle of the camera so the pack lies flat and is viewed from above. Render this version too as a Photoshop file. Time Allocated+60 Minutes for Beginner: create a Photoshop background to use on a label/packaging. Apply this to your chosen object in Adobe Dimension. Preview and render your scene. 90 Minutes for intermediate: create 3 different Photoshop backgrounds to use on a label/packaging. Apply these to your chosen object in Adobe Dimension. Explore camera angles and views. Preview and render a few different views of your scene. 90 Minutes for advanced: create 3 different Photoshop backgrounds to use on a label/packaging. Apply these to your chosen object in Adobe Dimension. Explore camera angles and views. Preview and render a few different views of your scene. Add pack background image as background to your scene and change view of pack to looking from above. Preview and render. The preview and rendering stage does not need to fit into the allocated time allowed - a higher resolution image will take longer to preview and render. Design Goals+Create an animation in which your word appears as if being written ‘live’ on the spot Constraints+Use Adobe Photoshop to create your background design using the method shown, and Adobe Dimension to create your 3D photo-realistic mockup. Resources+Mystical Forest: Photo by Trần Anh Tuấn on UnsplashTide: Photo by Alexey Marchenko on UnsplashEvening in the Desert: Photo by Sergey Pesterev on UnsplashSoftware+Adobe IllustratorCurvature Tool, Warp ToolOtherAdobe DimensionUpload+SoftwareDifficultyShow AllWeek 45: Create 3D Designs with Illustrator Week 44: Social Media Template Design for Clients Week 43: How to Create a Brand Campaign with Assets Week 42: Create Beautiful Type Design Editorials for Print and Web Week 41: Create Beautiful Type Design Editorials for Print and Web Week 39: Create promotion and brand materials with your own optical art design piece in Adobe Illustrator Week 38: Create a beautiful image design by merging two images seamlessly together in Photoshop Week 37: Create your own kaleidoscope print in Photoshop Week 36: Create a live animation for handwritten text in Adobe After Effects Week 35: Create an animated pattern of your logo in Adobe After Effects Week 34: Textile Design - Part 2 Creating Print Textures Week 33: Get Started with a Basic Animation in After Effects Week 32: Textile Design - Part 1 Repeat Print Week 31: Use the width tool to create your Own Curvy Letter Week 30: Create a punchy typographic Xmas gif, then we show you how to embed in your email signature! Week 29: Using Adobe Dimension & Photoshop To Create Striking Packaging Week 28: Draw & Apply your Own One-Line Art to a Mockup Week 27: Social Media Series: Learn to shoot, style and edit an image for your social media channels Week 26: Social Media Series: Absolute Beginners Design & Present an Instagram Mockup Week 25: Create a World Cup animated GIF in Photoshop to promote your event Week 24: Create a Seamless Pattern in Photoshop and Apply it to Your Mockups - Part 2 Week 23: Create an Identity Using Engraved Effect on Images - Part 1 Week 22: Create a website prototype in Adobe Xd - Part 2 Week 21: Add contrasting light effects to a photographic image - Part 1 Week 20: Create Wonderful Waves with the Twirl Tool Week 19: Create a Dripping Text Effect in Illustrator Week 18: Create a live animation for handwritten text in Adobe After Effects Week 17: Create a Band Artwork using Photoshop Liquify Tool Week 16: The Best Illustrator Brushes Tutorial Ever Week 15: Create a Retro Style Surf Poster Week 14: Create a Corny Holiday Sweater Knit Animated GIF Week 13: Use Adobe Dimension to create a Perfect Packaging Showcase Week 12: Create Surreal Compositions in Photoshop Week 11: Create an Asian-inspired vintage style poster/postcard and ink-effect logo Week 10: Create Patterns with Photoshop, Pattern Bombing, Apply Patterns to Mockups Week 9: Layered Effect With Illustrator & Photoshop Week 8: Gold Typography in Illustrator Week 7: Stamp Tool & Clipping Mask in Photoshop Week 6: Envelope Distort in Illustrator Week 5: Paper 3D Collage Week 4: Create a Mosaic of Beautiful Polygons Week 3: Create Your Own Mockup Week 2: Head Icons Design Week 1: Hand Lettering in a Shape Learn More About DEXWho is this for?+Whether you are a beginner, intermediate or advanced level designer. There is a brief to suit you. Follow the instructions in the brief to the letter.How do I submit my work?+Once you're done upload your image to share. We may upload your image to our new Instagram page, be sure to include your Insta handle (@username) so we can credit you. If you don’t have an Instagram account, you can just type in your name. Leave your details blank if you like.What is a good size for the images?+Please make sure your image is of good resolution, it shouldn’t exceed more than 5mb or thereabouts. png, jpeg, svg all acceptable formats. By uploading your image you're giving us permission to publish it.Can I subscribe to this awesome concept?+If you would like to receive an email from us each week with the brief and video, be sure to subscribe at the top right of this page. We won’t share your information or be spammy.What if I want to go further?+If you love what we do, and think you would like to try your hand at becoming a designer. Check out our courses here.Can I contribute?+If you would like to become a regular video contributor, let us know. Even though we offer them for free, we pay contributors. Or if there is a technique that you would really like to learn, email us a visual, and any ideas you may have.Can I contact The Graphic Design School+Anything else you need or want to ask contact us at: info@thegraphicdesignschool.comCan I be a voice of TGDS?+If you want to spread the good word to your design friends feel free to share this page on social media ;)Back to the TopAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 53: Create Surreal Compositions in Photoshop | Dex | The Graphic Design School\n**URL:** /dex/no-12/\n**Template:** dex-single\n**Priority:** 5\n**Word Count:** 1213\n**Last Modified:** 2025-09-29T05:21:57.365Z\n**AI Category:** courses\n**AI Quality:** 4/5\n**AI Summary:** Learn to create surreal compositions in Photoshop using food and human/animal elements.\n\nWeek 12: Create Surreal Compositions in PhotoshopCreating a striking and unexpected Photoshop composition through the juxtaposition of a food and human/animal element. Beginner+Use the donut and one of the model images from the link below and create one visual using Photoshop layers and layer masks. Make the donut look like it is a part of the image although there is an unexpected /surreal relationship between the 2 visuals. Add a uniform colour fill background to contrast or complement the composition. Intermediate+Use 2 or 3 donuts and both a male and a female models, of your choice from Unsplash, ours are just a guide. Create two visuals using Photoshop layers and layer masks. You can use images of your choice - there needs to be a food element and a human/animal element to the composition. Make the donuts/food look like they are a part of the image although there is an unexpected/surreal relationship between the 2 visuals. Add a different colour fill background to each of the images to contrast or complement the composition. Advanced+Create a campaign of 3 visuals using a food element juxtaposed with an animal or human image. You can use the images supplied in the links or images of your choice. There needs to be an unexpected /surreal relationship between the images in the composition. Add a different colour fill background to each of the images to contrast or complement the compositions. Time Allocated+60 Minutes for Beginner: download image (or use your own), hand tint and add texture using downloaded brushes. Use image on a poster/postcard. 60-90 Minutes for intermediate: download image (or use your own), hand tint and add texture using downloaded brushes. Texturise a logo and add to the poster/postcard image. 60-240 Minutes for advanced: download image (or use your own), hand tint and add texture using downloaded brushes. Texturise a logo and add to the poster/postcard image. Create a series of posters/postcards using different images or different colour palettes. Design Goals+Create an unusual composition of 2 contrasting elements in one image. The contrast in scale, texture or unexpected placement can be used. Constraints+Use Photoshop Color Fill Layers to tint a black and white image. Use Brushes to add texture to the image. Make a vector logo look hand printed using Brushes and Masks in Photoshop. Resources+Donut Photo: Photo by Patrick Fore on UnsplashFemale Model: Photo by Autumn Goodman on UnsplashSubway Campaign: Inspiration from the Inspiration GridPaul Fuentes Design: Inspiration from Paul Fuentes Design Instagram FeedSoftware+Adobe PhotoshopLayersUpload+SoftwareDifficultyShow AllWeek 45: Create 3D Designs with Illustrator Week 44: Social Media Template Design for Clients Week 43: How to Create a Brand Campaign with Assets Week 42: Create Beautiful Type Design Editorials for Print and Web Week 41: Create Beautiful Type Design Editorials for Print and Web Week 39: Create promotion and brand materials with your own optical art design piece in Adobe Illustrator Week 38: Create a beautiful image design by merging two images seamlessly together in Photoshop Week 37: Create your own kaleidoscope print in Photoshop Week 36: Create a live animation for handwritten text in Adobe After Effects Week 35: Create an animated pattern of your logo in Adobe After Effects Week 34: Textile Design - Part 2 Creating Print Textures Week 33: Get Started with a Basic Animation in After Effects Week 32: Textile Design - Part 1 Repeat Print Week 31: Use the width tool to create your Own Curvy Letter Week 30: Create a punchy typographic Xmas gif, then we show you how to embed in your email signature! Week 29: Using Adobe Dimension & Photoshop To Create Striking Packaging Week 28: Draw & Apply your Own One-Line Art to a Mockup Week 27: Social Media Series: Learn to shoot, style and edit an image for your social media channels Week 26: Social Media Series: Absolute Beginners Design & Present an Instagram Mockup Week 25: Create a World Cup animated GIF in Photoshop to promote your event Week 24: Create a Seamless Pattern in Photoshop and Apply it to Your Mockups - Part 2 Week 23: Create an Identity Using Engraved Effect on Images - Part 1 Week 22: Create a website prototype in Adobe Xd - Part 2 Week 21: Add contrasting light effects to a photographic image - Part 1 Week 20: Create Wonderful Waves with the Twirl Tool Week 19: Create a Dripping Text Effect in Illustrator Week 18: Create a live animation for handwritten text in Adobe After Effects Week 17: Create a Band Artwork using Photoshop Liquify Tool Week 16: The Best Illustrator Brushes Tutorial Ever Week 15: Create a Retro Style Surf Poster Week 14: Create a Corny Holiday Sweater Knit Animated GIF Week 13: Use Adobe Dimension to create a Perfect Packaging Showcase Week 12: Create Surreal Compositions in Photoshop Week 11: Create an Asian-inspired vintage style poster/postcard and ink-effect logo Week 10: Create Patterns with Photoshop, Pattern Bombing, Apply Patterns to Mockups Week 9: Layered Effect With Illustrator & Photoshop Week 8: Gold Typography in Illustrator Week 7: Stamp Tool & Clipping Mask in Photoshop Week 6: Envelope Distort in Illustrator Week 5: Paper 3D Collage Week 4: Create a Mosaic of Beautiful Polygons Week 3: Create Your Own Mockup Week 2: Head Icons Design Week 1: Hand Lettering in a Shape Learn More About DEXWho is this for?+Whether you are a beginner, intermediate or advanced level designer. There is a brief to suit you. Follow the instructions in the brief to the letter.How do I submit my work?+Once you're done upload your image to share. We may upload your image to our new Instagram page, be sure to include your Insta handle (@username) so we can credit you. If you don’t have an Instagram account, you can just type in your name. Leave your details blank if you like.What is a good size for the images?+Please make sure your image is of good resolution, it shouldn’t exceed more than 5mb or thereabouts. png, jpeg, svg all acceptable formats. By uploading your image you're giving us permission to publish it.Can I subscribe to this awesome concept?+If you would like to receive an email from us each week with the brief and video, be sure to subscribe at the top right of this page. We won’t share your information or be spammy.What if I want to go further?+If you love what we do, and think you would like to try your hand at becoming a designer. Check out our courses here.Can I contribute?+If you would like to become a regular video contributor, let us know. Even though we offer them for free, we pay contributors. Or if there is a technique that you would really like to learn, email us a visual, and any ideas you may have.Can I contact The Graphic Design School+Anything else you need or want to ask contact us at: info@thegraphicdesignschool.comCan I be a voice of TGDS?+If you want to spread the good word to your design friends feel free to share this page on social media ;)Back to the TopAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 54: Add contrasting light effects to a photographic image - Part 1 | Dex | The Graphic Design School\n**URL:** /dex/no-21/\n**Template:** dex-single\n**Priority:** 5\n**Word Count:** 1203\n**Last Modified:** 2025-09-29T05:21:57.085Z\n**AI Category:** courses\n**AI Quality:** 4/5\n**AI Summary:** Learn to add contrasting light effects to images using Photoshop in this beginner to advanced guide.\n\nWeek 21: Add contrasting light effects to a photographic image - Part 1Create a colour light effect on a Photoshop image to replicate the effect achieved by photographers using colour gels on lenses during a photoshoot. Beginner+Add contrasting colour lighting (eg. red/pink and blue; orange and green; yellow and purple) to a single image using Photoshop layers and layer effects. The image should have a singular item/person as the focal point to be lit. Intermediate+Add contrasting colour lighting (eg. red/pink and blue; orange and green; yellow and purple) to a series of images using Photoshop layers and layer effects. The images should have a singular item/person as the focal point to be lit. Think how these images can be used as part of a website image library for a particular brand - they need to have the same look and feel, and colour treatment to work across a brand. Advanced+Add contrasting colour lighting (eg. red/pink and blue; orange and green; yellow and purple) to a series of images using Photoshop layers and layer effects. The image should have a singular item/person as the focal point to be lit. Now add a background colour behind the models/focal point. Think how these images can be used as part of a website image library for a particular brand - they need to have the same look and feel, and colour treatment to work across a brand. Time Allocated+30 Minutes for Beginner: Mask model in the image, and apply contrasting lighting to the model, left and right. 60 Minutes for intermediate: Mask model in the image, and apply contrasting lighting to the model, left and right. Apply this same technique to a series of images (at least 3). 75 Minutes for advanced: Mask model in the image, and apply contrasting lighting to the model, left and right. Add a different colour background to the images that have been masked. Apply this same technique to a series of images (at least 3). Design Goals+Make an image have a distinct look and feel using uniform colour lighting and direction of the colour lighting to replicate a colour gel that a photographer would use to make a shot special. Constraints+Use Photoshop layers and blending modes to create your colour lighting effect. Make sure you use 2 contrasting colours for right and left lighting respectively. Resources+Blackwork & Tattoo: Image by Jake Davies on UnsplashSoftware+Adobe XdWebsite DesignAdobe PhotoshopSmart Objects, Path ToolUpload+SoftwareDifficultyShow AllWeek 45: Create 3D Designs with Illustrator Week 44: Social Media Template Design for Clients Week 43: How to Create a Brand Campaign with Assets Week 42: Create Beautiful Type Design Editorials for Print and Web Week 41: Create Beautiful Type Design Editorials for Print and Web Week 39: Create promotion and brand materials with your own optical art design piece in Adobe Illustrator Week 38: Create a beautiful image design by merging two images seamlessly together in Photoshop Week 37: Create your own kaleidoscope print in Photoshop Week 36: Create a live animation for handwritten text in Adobe After Effects Week 35: Create an animated pattern of your logo in Adobe After Effects Week 34: Textile Design - Part 2 Creating Print Textures Week 33: Get Started with a Basic Animation in After Effects Week 32: Textile Design - Part 1 Repeat Print Week 31: Use the width tool to create your Own Curvy Letter Week 30: Create a punchy typographic Xmas gif, then we show you how to embed in your email signature! Week 29: Using Adobe Dimension & Photoshop To Create Striking Packaging Week 28: Draw & Apply your Own One-Line Art to a Mockup Week 27: Social Media Series: Learn to shoot, style and edit an image for your social media channels Week 26: Social Media Series: Absolute Beginners Design & Present an Instagram Mockup Week 25: Create a World Cup animated GIF in Photoshop to promote your event Week 24: Create a Seamless Pattern in Photoshop and Apply it to Your Mockups - Part 2 Week 23: Create an Identity Using Engraved Effect on Images - Part 1 Week 22: Create a website prototype in Adobe Xd - Part 2 Week 21: Add contrasting light effects to a photographic image - Part 1 Week 20: Create Wonderful Waves with the Twirl Tool Week 19: Create a Dripping Text Effect in Illustrator Week 18: Create a live animation for handwritten text in Adobe After Effects Week 17: Create a Band Artwork using Photoshop Liquify Tool Week 16: The Best Illustrator Brushes Tutorial Ever Week 15: Create a Retro Style Surf Poster Week 14: Create a Corny Holiday Sweater Knit Animated GIF Week 13: Use Adobe Dimension to create a Perfect Packaging Showcase Week 12: Create Surreal Compositions in Photoshop Week 11: Create an Asian-inspired vintage style poster/postcard and ink-effect logo Week 10: Create Patterns with Photoshop, Pattern Bombing, Apply Patterns to Mockups Week 9: Layered Effect With Illustrator & Photoshop Week 8: Gold Typography in Illustrator Week 7: Stamp Tool & Clipping Mask in Photoshop Week 6: Envelope Distort in Illustrator Week 5: Paper 3D Collage Week 4: Create a Mosaic of Beautiful Polygons Week 3: Create Your Own Mockup Week 2: Head Icons Design Week 1: Hand Lettering in a Shape Learn More About DEXWho is this for?+Whether you are a beginner, intermediate or advanced level designer. There is a brief to suit you. Follow the instructions in the brief to the letter.How do I submit my work?+Once you're done upload your image to share. We may upload your image to our new Instagram page, be sure to include your Insta handle (@username) so we can credit you. If you don’t have an Instagram account, you can just type in your name. Leave your details blank if you like.What is a good size for the images?+Please make sure your image is of good resolution, it shouldn’t exceed more than 5mb or thereabouts. png, jpeg, svg all acceptable formats. By uploading your image you're giving us permission to publish it.Can I subscribe to this awesome concept?+If you would like to receive an email from us each week with the brief and video, be sure to subscribe at the top right of this page. We won’t share your information or be spammy.What if I want to go further?+If you love what we do, and think you would like to try your hand at becoming a designer. Check out our courses here.Can I contribute?+If you would like to become a regular video contributor, let us know. Even though we offer them for free, we pay contributors. Or if there is a technique that you would really like to learn, email us a visual, and any ideas you may have.Can I contact The Graphic Design School+Anything else you need or want to ask contact us at: info@thegraphicdesignschool.comCan I be a voice of TGDS?+If you want to spread the good word to your design friends feel free to share this page on social media ;)Back to the TopAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 55: Create a punchy typographic Xmas gif, then we show you how to embed in your email signature! | Dex | The Graphic Design School\n**URL:** /dex/no-30/\n**Template:** dex-single\n**Priority:** 5\n**Word Count:** 1200\n**Last Modified:** 2025-09-29T05:21:56.793Z\n**AI Category:** courses\n**AI Quality:** 4/5\n**AI Summary:** Learn to create a typographic Xmas GIF and embed it in your email signature.\n\nWeek 30: Create a punchy typographic Xmas gif, then we show you how to embed in your email signature!Create 3-7 quick beautiful typographic systems (we chose a Xmas theme because it's that time of year) you can chose any theme. We show you how to host the GIF online and how to html embed in your email signature for the world to see. You can also use this GIF for any manner of designs or email content. Below this brief we give you a simple step by step guide on how to install your GIF in Gmail. Beginner+Create 3 simple typographic systems using any 2 colours. Use the typefaces you have on your system already. It is not necessary to use vector images if you find this too advanced. Intermediate+Create 5-7 simple typographic systems using colours of your choice, 3 is probably the maximum to use for the best effect. Add this to your email signature via html if you like. Advanced+Create 5-7 simple to complex typographic systems using colours of your choice, 3 is probably the maximum to use for the best effect. You may like to undertake hand lettering if you have the skills to do so. Add this to your email signature via html if you like. Time Allocated+Beginner: 2 Hours -- Create an animated GIF using 3 typographic systems. Save as an animated GIF through https://gifmaker.me. Intermediate: 2 Hours -- Create an animated GIF using 5-7 simple typographic systems. Save as an animated GIF through gifmaker.me. Upload to Google Images or via your IT Dept. Test how you go at changing your email signature html with the html code. Advanced: 4 Hours -- Create an animated GIF using 5-7 simple to hand lettered typographic systems. Save as an animated GIF through gifmaker.me. Upload to Google Images or via your IT Dept . Test how you go at changing your email signature html with the html code. Then take the challenge of adjusting your email signature in your email client preferences. You may need some help from Google for this one. Design Goals+Create an animated GIF to showcase online. Constraints+Use Adobe Illustrator, limit the palette to 3 colours. Resources+Lush Script: From Adobe Fonts (Ex. Typekit)Hansief Free Vintage: From pixelsurplus.comHaettenschweiler: From wfonts.comThe Circus Display: From pixelbudha.netFree Xmas vectors: From graphicpear.comFree online GIF Maker: https://ezgif.com/makerEmail Signature Template: From us :)Software+Adobe IllustratorLayers, Pathfinder, Pattern, Typography, Brush ToolOtherHTML Email SignatureUpload+SoftwareDifficultyShow AllWeek 45: Create 3D Designs with Illustrator Week 44: Social Media Template Design for Clients Week 43: How to Create a Brand Campaign with Assets Week 42: Create Beautiful Type Design Editorials for Print and Web Week 41: Create Beautiful Type Design Editorials for Print and Web Week 39: Create promotion and brand materials with your own optical art design piece in Adobe Illustrator Week 38: Create a beautiful image design by merging two images seamlessly together in Photoshop Week 37: Create your own kaleidoscope print in Photoshop Week 36: Create a live animation for handwritten text in Adobe After Effects Week 35: Create an animated pattern of your logo in Adobe After Effects Week 34: Textile Design - Part 2 Creating Print Textures Week 33: Get Started with a Basic Animation in After Effects Week 32: Textile Design - Part 1 Repeat Print Week 31: Use the width tool to create your Own Curvy Letter Week 30: Create a punchy typographic Xmas gif, then we show you how to embed in your email signature! Week 29: Using Adobe Dimension & Photoshop To Create Striking Packaging Week 28: Draw & Apply your Own One-Line Art to a Mockup Week 27: Social Media Series: Learn to shoot, style and edit an image for your social media channels Week 26: Social Media Series: Absolute Beginners Design & Present an Instagram Mockup Week 25: Create a World Cup animated GIF in Photoshop to promote your event Week 24: Create a Seamless Pattern in Photoshop and Apply it to Your Mockups - Part 2 Week 23: Create an Identity Using Engraved Effect on Images - Part 1 Week 22: Create a website prototype in Adobe Xd - Part 2 Week 21: Add contrasting light effects to a photographic image - Part 1 Week 20: Create Wonderful Waves with the Twirl Tool Week 19: Create a Dripping Text Effect in Illustrator Week 18: Create a live animation for handwritten text in Adobe After Effects Week 17: Create a Band Artwork using Photoshop Liquify Tool Week 16: The Best Illustrator Brushes Tutorial Ever Week 15: Create a Retro Style Surf Poster Week 14: Create a Corny Holiday Sweater Knit Animated GIF Week 13: Use Adobe Dimension to create a Perfect Packaging Showcase Week 12: Create Surreal Compositions in Photoshop Week 11: Create an Asian-inspired vintage style poster/postcard and ink-effect logo Week 10: Create Patterns with Photoshop, Pattern Bombing, Apply Patterns to Mockups Week 9: Layered Effect With Illustrator & Photoshop Week 8: Gold Typography in Illustrator Week 7: Stamp Tool & Clipping Mask in Photoshop Week 6: Envelope Distort in Illustrator Week 5: Paper 3D Collage Week 4: Create a Mosaic of Beautiful Polygons Week 3: Create Your Own Mockup Week 2: Head Icons Design Week 1: Hand Lettering in a Shape Learn More About DEXWho is this for?+Whether you are a beginner, intermediate or advanced level designer. There is a brief to suit you. Follow the instructions in the brief to the letter.How do I submit my work?+Once you're done upload your image to share. We may upload your image to our new Instagram page, be sure to include your Insta handle (@username) so we can credit you. If you don’t have an Instagram account, you can just type in your name. Leave your details blank if you like.What is a good size for the images?+Please make sure your image is of good resolution, it shouldn’t exceed more than 5mb or thereabouts. png, jpeg, svg all acceptable formats. By uploading your image you're giving us permission to publish it.Can I subscribe to this awesome concept?+If you would like to receive an email from us each week with the brief and video, be sure to subscribe at the top right of this page. We won’t share your information or be spammy.What if I want to go further?+If you love what we do, and think you would like to try your hand at becoming a designer. Check out our courses here.Can I contribute?+If you would like to become a regular video contributor, let us know. Even though we offer them for free, we pay contributors. Or if there is a technique that you would really like to learn, email us a visual, and any ideas you may have.Can I contact The Graphic Design School+Anything else you need or want to ask contact us at: info@thegraphicdesignschool.comCan I be a voice of TGDS?+If you want to spread the good word to your design friends feel free to share this page on social media ;)Back to the TopAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 56: Create an Asian-inspired vintage style poster/postcard and ink-effect logo | Dex | The Graphic Design School\n**URL:** /dex/no-11/\n**Template:** dex-single\n**Priority:** 5\n**Word Count:** 1184\n**Last Modified:** 2025-09-29T05:21:57.383Z\n**AI Category:** courses\n**AI Quality:** 4/5\n**AI Summary:** Learn to create Asian-inspired vintage posters and logos with hand-tinting techniques.\n\nWeek 11: Create an Asian-inspired vintage style poster/postcard and ink-effect logoCreate an Asian-inspired Poster or Postcard using techniques to make a modern image look vintage using hand tints and use brushes to give it texture. Add a logo to the poster/postcard and make a modern logo look hand-printed in ink. Beginner+Find a black and white image or use the one in the link supplied, and hand tint it using Color Fill Layers and Blend Modes Add new brushes (see link below for free brushes) to your Preset brushes to create texture on the image. Use the image on a poster/postcard for an event or restaurant. Intermediate+Find a black and white image or use the one in the link supplied, and hand tint it using Color Fill Layers and Blend Modes. Add new brushes (see link below for free brushes) to your Preset brushes to create texture on the image. Use the image on a poster/postcard for an event or restaurant. Add a logo and use the techniques in the tutorial to make it look like the ink has bled and give it a hand-printed quality using masks and brushes. Advanced+Create a poster/postcard as instructed under Intermediate Level, and then create a series of posters/postcards for the same venue or event using different images or colour palette. Time Allocated+60 Minutes for Beginner: download image (or use your own), hand tint and add texture using downloaded brushes. Use image on a poster/postcard. 60-90 Minutes for intermediate: download image (or use your own), hand tint and add texture using downloaded brushes. Texturise a logo and add to the poster/postcard image. 60-240 Minutes for advanced: download image (or use your own), hand tint and add texture using downloaded brushes. Texturise a logo and add to the poster/postcard image. Create a series of posters/postcards using different images or different colour palettes. Design Goals+Create an Asian-inspired vintage style poster or postcard, using brushes and hand-tinting. Make the logo look hand-printed. Constraints+Use Photoshop Color Fill Layers to tint a black and white image. Use Brushes to add texture to the image. Make a vector logo look hand printed using Brushes and Masks in Photoshop. Resources+Going Down The River: Photo by Hisu Lee on UnsplashHong Kony Hustle Font: Font Design on dafont.comTexture Brush: Brush Design by Chris SpoonerSoftware+Adobe IllustratorLayersOtherAdobe After EffectsUpload+SoftwareDifficultyShow AllWeek 45: Create 3D Designs with Illustrator Week 44: Social Media Template Design for Clients Week 43: How to Create a Brand Campaign with Assets Week 42: Create Beautiful Type Design Editorials for Print and Web Week 41: Create Beautiful Type Design Editorials for Print and Web Week 39: Create promotion and brand materials with your own optical art design piece in Adobe Illustrator Week 38: Create a beautiful image design by merging two images seamlessly together in Photoshop Week 37: Create your own kaleidoscope print in Photoshop Week 36: Create a live animation for handwritten text in Adobe After Effects Week 35: Create an animated pattern of your logo in Adobe After Effects Week 34: Textile Design - Part 2 Creating Print Textures Week 33: Get Started with a Basic Animation in After Effects Week 32: Textile Design - Part 1 Repeat Print Week 31: Use the width tool to create your Own Curvy Letter Week 30: Create a punchy typographic Xmas gif, then we show you how to embed in your email signature! Week 29: Using Adobe Dimension & Photoshop To Create Striking Packaging Week 28: Draw & Apply your Own One-Line Art to a Mockup Week 27: Social Media Series: Learn to shoot, style and edit an image for your social media channels Week 26: Social Media Series: Absolute Beginners Design & Present an Instagram Mockup Week 25: Create a World Cup animated GIF in Photoshop to promote your event Week 24: Create a Seamless Pattern in Photoshop and Apply it to Your Mockups - Part 2 Week 23: Create an Identity Using Engraved Effect on Images - Part 1 Week 22: Create a website prototype in Adobe Xd - Part 2 Week 21: Add contrasting light effects to a photographic image - Part 1 Week 20: Create Wonderful Waves with the Twirl Tool Week 19: Create a Dripping Text Effect in Illustrator Week 18: Create a live animation for handwritten text in Adobe After Effects Week 17: Create a Band Artwork using Photoshop Liquify Tool Week 16: The Best Illustrator Brushes Tutorial Ever Week 15: Create a Retro Style Surf Poster Week 14: Create a Corny Holiday Sweater Knit Animated GIF Week 13: Use Adobe Dimension to create a Perfect Packaging Showcase Week 12: Create Surreal Compositions in Photoshop Week 11: Create an Asian-inspired vintage style poster/postcard and ink-effect logo Week 10: Create Patterns with Photoshop, Pattern Bombing, Apply Patterns to Mockups Week 9: Layered Effect With Illustrator & Photoshop Week 8: Gold Typography in Illustrator Week 7: Stamp Tool & Clipping Mask in Photoshop Week 6: Envelope Distort in Illustrator Week 5: Paper 3D Collage Week 4: Create a Mosaic of Beautiful Polygons Week 3: Create Your Own Mockup Week 2: Head Icons Design Week 1: Hand Lettering in a Shape Learn More About DEXWho is this for?+Whether you are a beginner, intermediate or advanced level designer. There is a brief to suit you. Follow the instructions in the brief to the letter.How do I submit my work?+Once you're done upload your image to share. We may upload your image to our new Instagram page, be sure to include your Insta handle (@username) so we can credit you. If you don’t have an Instagram account, you can just type in your name. Leave your details blank if you like.What is a good size for the images?+Please make sure your image is of good resolution, it shouldn’t exceed more than 5mb or thereabouts. png, jpeg, svg all acceptable formats. By uploading your image you're giving us permission to publish it.Can I subscribe to this awesome concept?+If you would like to receive an email from us each week with the brief and video, be sure to subscribe at the top right of this page. We won’t share your information or be spammy.What if I want to go further?+If you love what we do, and think you would like to try your hand at becoming a designer. Check out our courses here.Can I contribute?+If you would like to become a regular video contributor, let us know. Even though we offer them for free, we pay contributors. Or if there is a technique that you would really like to learn, email us a visual, and any ideas you may have.Can I contact The Graphic Design School+Anything else you need or want to ask contact us at: info@thegraphicdesignschool.comCan I be a voice of TGDS?+If you want to spread the good word to your design friends feel free to share this page on social media ;)Back to the TopAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 57: Create a website prototype in Adobe Xd - Part 2 | Dex | The Graphic Design School\n**URL:** /dex/no-22/\n**Template:** dex-single\n**Priority:** 5\n**Word Count:** 1181\n**Last Modified:** 2025-09-29T05:21:57.053Z\n**AI Category:** courses\n**AI Quality:** 4/5\n**AI Summary:** Learn to create a website prototype in Adobe Xd with structured guidance for different skill levels.\n\nWeek 22: Create a website prototype in Adobe Xd - Part 2Create a full website design using Adobe Xd - learn how to use the assets and share a link to a prototype website that will function within a browser. Beginner+Create a simple 3 pages website in Adobe Xd. The site can use images created in DEX 21 to create a specific look and feel. Create a working prototype of the site with pages linking through the navigation menu items and buttons on the site. Intermediate+Create a simple 3-5 pages website in Adobe Xd. The site can use images created in DEX 21 to create a specific look and feel. The site needs to show a homepage slider (2-4 slides) and how that will work. Create a working prototype of the site with pages linking through the navigation menu items and buttons on the site. Advanced+Create a simple 3-5 page website in Adobe Xd. The site can use images created in DEX 21 to create a specific look and feel. The site needs to show a homepage slider (2-4 slides) and how that will work. Create a working prototype of the site with pages linking through the navigation menu items and buttons on the site. The prototype needs to include one example of how an image or button may change colour when selected. Time Allocated+120 Minutes for Beginner: Create a basic 3 page website that can be shared as a working prototype. 180 Minutes for intermediate: Create a basic 3-5 page website that can be shared as a working prototype. It must include a slider. 180 Minutes for advanced: Create a basic 3-5 page website that can be shared as a working prototype. It must include a slider and a rollover or state change for a button or image. Design Goals+Create a working website prototype in Adobe Xd. Constraints+Use Adobe Xd to create all the pages of your site. You may create and import graphics and/or logos from Illustrator. Images created in DEX 21 can be used, or you may use your own selection of photographic imagery, but work towards creating a uniform treatment of the images used for a consistency in look and feel. Resources+Adobe Xd Preview of the Website: Click here for a live previewSoftware+Adobe XdWebsite DesignAdobe PhotoshopMockupsUpload+SoftwareDifficultyShow AllWeek 45: Create 3D Designs with Illustrator Week 44: Social Media Template Design for Clients Week 43: How to Create a Brand Campaign with Assets Week 42: Create Beautiful Type Design Editorials for Print and Web Week 41: Create Beautiful Type Design Editorials for Print and Web Week 39: Create promotion and brand materials with your own optical art design piece in Adobe Illustrator Week 38: Create a beautiful image design by merging two images seamlessly together in Photoshop Week 37: Create your own kaleidoscope print in Photoshop Week 36: Create a live animation for handwritten text in Adobe After Effects Week 35: Create an animated pattern of your logo in Adobe After Effects Week 34: Textile Design - Part 2 Creating Print Textures Week 33: Get Started with a Basic Animation in After Effects Week 32: Textile Design - Part 1 Repeat Print Week 31: Use the width tool to create your Own Curvy Letter Week 30: Create a punchy typographic Xmas gif, then we show you how to embed in your email signature! Week 29: Using Adobe Dimension & Photoshop To Create Striking Packaging Week 28: Draw & Apply your Own One-Line Art to a Mockup Week 27: Social Media Series: Learn to shoot, style and edit an image for your social media channels Week 26: Social Media Series: Absolute Beginners Design & Present an Instagram Mockup Week 25: Create a World Cup animated GIF in Photoshop to promote your event Week 24: Create a Seamless Pattern in Photoshop and Apply it to Your Mockups - Part 2 Week 23: Create an Identity Using Engraved Effect on Images - Part 1 Week 22: Create a website prototype in Adobe Xd - Part 2 Week 21: Add contrasting light effects to a photographic image - Part 1 Week 20: Create Wonderful Waves with the Twirl Tool Week 19: Create a Dripping Text Effect in Illustrator Week 18: Create a live animation for handwritten text in Adobe After Effects Week 17: Create a Band Artwork using Photoshop Liquify Tool Week 16: The Best Illustrator Brushes Tutorial Ever Week 15: Create a Retro Style Surf Poster Week 14: Create a Corny Holiday Sweater Knit Animated GIF Week 13: Use Adobe Dimension to create a Perfect Packaging Showcase Week 12: Create Surreal Compositions in Photoshop Week 11: Create an Asian-inspired vintage style poster/postcard and ink-effect logo Week 10: Create Patterns with Photoshop, Pattern Bombing, Apply Patterns to Mockups Week 9: Layered Effect With Illustrator & Photoshop Week 8: Gold Typography in Illustrator Week 7: Stamp Tool & Clipping Mask in Photoshop Week 6: Envelope Distort in Illustrator Week 5: Paper 3D Collage Week 4: Create a Mosaic of Beautiful Polygons Week 3: Create Your Own Mockup Week 2: Head Icons Design Week 1: Hand Lettering in a Shape Learn More About DEXWho is this for?+Whether you are a beginner, intermediate or advanced level designer. There is a brief to suit you. Follow the instructions in the brief to the letter.How do I submit my work?+Once you're done upload your image to share. We may upload your image to our new Instagram page, be sure to include your Insta handle (@username) so we can credit you. If you don’t have an Instagram account, you can just type in your name. Leave your details blank if you like.What is a good size for the images?+Please make sure your image is of good resolution, it shouldn’t exceed more than 5mb or thereabouts. png, jpeg, svg all acceptable formats. By uploading your image you're giving us permission to publish it.Can I subscribe to this awesome concept?+If you would like to receive an email from us each week with the brief and video, be sure to subscribe at the top right of this page. We won’t share your information or be spammy.What if I want to go further?+If you love what we do, and think you would like to try your hand at becoming a designer. Check out our courses here.Can I contribute?+If you would like to become a regular video contributor, let us know. Even though we offer them for free, we pay contributors. Or if there is a technique that you would really like to learn, email us a visual, and any ideas you may have.Can I contact The Graphic Design School+Anything else you need or want to ask contact us at: info@thegraphicdesignschool.comCan I be a voice of TGDS?+If you want to spread the good word to your design friends feel free to share this page on social media ;)Back to the TopAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 58: Create a World Cup animated GIF in Photoshop to promote your event | Dex | The Graphic Design School\n**URL:** /dex/no-25/\n**Template:** dex-single\n**Priority:** 5\n**Word Count:** 1179\n**Last Modified:** 2025-09-29T05:21:56.967Z\n**AI Category:** courses\n**AI Quality:** 4/5\n**AI Summary:** Learn to create a World Cup animated GIF in Photoshop for event promotion.\n\nWeek 25: Create a World Cup animated GIF in Photoshop to promote your eventCreate a World Cup GIF in Photoshop using layers, add your branding to the image, and animate them to life! Beginner+Use one image for the background and another image for the foreground. Using 10-18 layers animate the image on top layer using the Timeline Panel, background layer can be static. Save the final animation as an animated GIF. Intermediate+Use one image, isolate an element in the foreground and place it on a new layer. Using the Clone Stamp Tool and Content Aware Fill, make sure the background layer shows no trace of the foreground element. Using 10-18 layers animate the layers using the Timeline Panel - allow the background layer and foreground layer to move in opposite directions. Save the final animation as an animated GIF. Advanced+Use one image, isolate an element in the foreground and place it on a new layer. Using the Clone Stamp Tool and Content Aware Fill, make sure the background layer shows no trace of the foreground element. Add a third layer for typography and/or logo. Using 10-18 folders/layers animate the layers using the Timeline Panel - allow the background layer and foreground layer to move in opposite directions. Save the final animation as an animated GIF. Time Allocated+30 Minutes for Beginner: Create an animated GIF using 2 images, one foreground, one background, and animate the layers by placing layers as frames in the Timeline Panel. Save as an animated GIF. 60 Minutes for intermediate: Use one image and separate a foreground element from the background. Animate the layers by moving the foreground and background in different directions, and placing these layers as frames in Timeline Panel. Save as an animated GIF. 90 Minutes for advanced: Use one image and separate a foreground element from the background. Add a typographic element or logo to another layer. Animate the layers by moving the foreground and background in different directions (type can be static), and placing these layers as frames in Timeline Panel. Save as an animated GIF. Design Goals+Create an animated GIF to showcase online. Constraints+Use Photoshop Layers and Timeline panel to create your animated GIF. Resources+Soccer Player Kicking the Ball at a Stadium: Image by anton5146 at iStockSoftware+Adobe PhotoshopDesigning GIFsUpload+SoftwareDifficultyShow AllWeek 45: Create 3D Designs with Illustrator Week 44: Social Media Template Design for Clients Week 43: How to Create a Brand Campaign with Assets Week 42: Create Beautiful Type Design Editorials for Print and Web Week 41: Create Beautiful Type Design Editorials for Print and Web Week 39: Create promotion and brand materials with your own optical art design piece in Adobe Illustrator Week 38: Create a beautiful image design by merging two images seamlessly together in Photoshop Week 37: Create your own kaleidoscope print in Photoshop Week 36: Create a live animation for handwritten text in Adobe After Effects Week 35: Create an animated pattern of your logo in Adobe After Effects Week 34: Textile Design - Part 2 Creating Print Textures Week 33: Get Started with a Basic Animation in After Effects Week 32: Textile Design - Part 1 Repeat Print Week 31: Use the width tool to create your Own Curvy Letter Week 30: Create a punchy typographic Xmas gif, then we show you how to embed in your email signature! Week 29: Using Adobe Dimension & Photoshop To Create Striking Packaging Week 28: Draw & Apply your Own One-Line Art to a Mockup Week 27: Social Media Series: Learn to shoot, style and edit an image for your social media channels Week 26: Social Media Series: Absolute Beginners Design & Present an Instagram Mockup Week 25: Create a World Cup animated GIF in Photoshop to promote your event Week 24: Create a Seamless Pattern in Photoshop and Apply it to Your Mockups - Part 2 Week 23: Create an Identity Using Engraved Effect on Images - Part 1 Week 22: Create a website prototype in Adobe Xd - Part 2 Week 21: Add contrasting light effects to a photographic image - Part 1 Week 20: Create Wonderful Waves with the Twirl Tool Week 19: Create a Dripping Text Effect in Illustrator Week 18: Create a live animation for handwritten text in Adobe After Effects Week 17: Create a Band Artwork using Photoshop Liquify Tool Week 16: The Best Illustrator Brushes Tutorial Ever Week 15: Create a Retro Style Surf Poster Week 14: Create a Corny Holiday Sweater Knit Animated GIF Week 13: Use Adobe Dimension to create a Perfect Packaging Showcase Week 12: Create Surreal Compositions in Photoshop Week 11: Create an Asian-inspired vintage style poster/postcard and ink-effect logo Week 10: Create Patterns with Photoshop, Pattern Bombing, Apply Patterns to Mockups Week 9: Layered Effect With Illustrator & Photoshop Week 8: Gold Typography in Illustrator Week 7: Stamp Tool & Clipping Mask in Photoshop Week 6: Envelope Distort in Illustrator Week 5: Paper 3D Collage Week 4: Create a Mosaic of Beautiful Polygons Week 3: Create Your Own Mockup Week 2: Head Icons Design Week 1: Hand Lettering in a Shape Learn More About DEXWho is this for?+Whether you are a beginner, intermediate or advanced level designer. There is a brief to suit you. Follow the instructions in the brief to the letter.How do I submit my work?+Once you're done upload your image to share. We may upload your image to our new Instagram page, be sure to include your Insta handle (@username) so we can credit you. If you don’t have an Instagram account, you can just type in your name. Leave your details blank if you like.What is a good size for the images?+Please make sure your image is of good resolution, it shouldn’t exceed more than 5mb or thereabouts. png, jpeg, svg all acceptable formats. By uploading your image you're giving us permission to publish it.Can I subscribe to this awesome concept?+If you would like to receive an email from us each week with the brief and video, be sure to subscribe at the top right of this page. We won’t share your information or be spammy.What if I want to go further?+If you love what we do, and think you would like to try your hand at becoming a designer. Check out our courses here.Can I contribute?+If you would like to become a regular video contributor, let us know. Even though we offer them for free, we pay contributors. Or if there is a technique that you would really like to learn, email us a visual, and any ideas you may have.Can I contact The Graphic Design School+Anything else you need or want to ask contact us at: info@thegraphicdesignschool.comCan I be a voice of TGDS?+If you want to spread the good word to your design friends feel free to share this page on social media ;)Back to the TopAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 59: Social Media Series: Absolute Beginners Design & Present an Instagram Mockup | Dex | The Graphic Design School\n**URL:** /dex/no-26/\n**Template:** dex-single\n**Priority:** 5\n**Word Count:** 1125\n**Last Modified:** 2025-09-29T05:21:56.949Z\n**AI Category:** courses\n**AI Quality:** 4/5\n**AI Summary:** Learn to design and present Instagram mockups effectively for beginners and advanced users.\n\nWeek 26: Social Media Series: Absolute Beginners Design & Present an Instagram MockupWant to showcase your work in a professional and realistic way? Mockups are easy to use and there are so many available, both free and paid. Be sure to always find a mockup that suits your final project. Can’t find the perfect mock for your design? Find an image (make sure you check the licensing) or use your own to get started with your own mock. Beginner+Complete the Instagram Grid mockup and then try putting it into the iPhone mock. Quick, simple, and effective! Intermediate+After creating the Instagram grid, try having a go at creating your own mock using a smart object. Advanced+After creating the Instagram or design element, go ahead and create a series of your own mock designs (x3). Then try putting 2-3 designs into one image Time Allocated+30 minutes for research to see how the mockup is constructed and also, to gather your imagery. 60 Minutes for Beginner and Intermediate. 80 Minutes for Advanced. Design Goals+Create an animation in which your word appears as if being written ‘live’ on the spot Constraints+Use Photoshop to create an Instagram mockup either of design work or a series of images, but make sure they tell a story. Then try putting your final Instagram feed into a mockup to make your final display more realistic. Resources+Instagram Grid Mock: Mockup by Marina DMordern Balconies: Photo by Stas Ovsky on Unsplash (Link no longer available)Haircare, Skincare, and Other Products on Shelves: Photo by Anna Sullivan on UnsplashSunrise from the Clouds: Photo by Kenrick Mills on UnsplashWoman Below Neon Sign: Photo by Allison Heine on UnsplashAirplane Wing Against a White Sky: Photo by Masaaki Komori on UnsplashFlowers Set infront of a White Wall: Photo by Sylvie Tittel on UnsplashThe Flatiron Building: Photo by the Cereal Team featured on their siteWhite Bookshelf: Photo by Carolyne Grod on bloglovin.com (Link no longer available)Software+Adobe PhotoshopMockups, Smart ObjectsOtherInstagram, App EditingUpload+SoftwareDifficultyShow AllWeek 45: Create 3D Designs with Illustrator Week 44: Social Media Template Design for Clients Week 43: How to Create a Brand Campaign with Assets Week 42: Create Beautiful Type Design Editorials for Print and Web Week 41: Create Beautiful Type Design Editorials for Print and Web Week 39: Create promotion and brand materials with your own optical art design piece in Adobe Illustrator Week 38: Create a beautiful image design by merging two images seamlessly together in Photoshop Week 37: Create your own kaleidoscope print in Photoshop Week 36: Create a live animation for handwritten text in Adobe After Effects Week 35: Create an animated pattern of your logo in Adobe After Effects Week 34: Textile Design - Part 2 Creating Print Textures Week 33: Get Started with a Basic Animation in After Effects Week 32: Textile Design - Part 1 Repeat Print Week 31: Use the width tool to create your Own Curvy Letter Week 30: Create a punchy typographic Xmas gif, then we show you how to embed in your email signature! Week 29: Using Adobe Dimension & Photoshop To Create Striking Packaging Week 28: Draw & Apply your Own One-Line Art to a Mockup Week 27: Social Media Series: Learn to shoot, style and edit an image for your social media channels Week 26: Social Media Series: Absolute Beginners Design & Present an Instagram Mockup Week 25: Create a World Cup animated GIF in Photoshop to promote your event Week 24: Create a Seamless Pattern in Photoshop and Apply it to Your Mockups - Part 2 Week 23: Create an Identity Using Engraved Effect on Images - Part 1 Week 22: Create a website prototype in Adobe Xd - Part 2 Week 21: Add contrasting light effects to a photographic image - Part 1 Week 20: Create Wonderful Waves with the Twirl Tool Week 19: Create a Dripping Text Effect in Illustrator Week 18: Create a live animation for handwritten text in Adobe After Effects Week 17: Create a Band Artwork using Photoshop Liquify Tool Week 16: The Best Illustrator Brushes Tutorial Ever Week 15: Create a Retro Style Surf Poster Week 14: Create a Corny Holiday Sweater Knit Animated GIF Week 13: Use Adobe Dimension to create a Perfect Packaging Showcase Week 12: Create Surreal Compositions in Photoshop Week 11: Create an Asian-inspired vintage style poster/postcard and ink-effect logo Week 10: Create Patterns with Photoshop, Pattern Bombing, Apply Patterns to Mockups Week 9: Layered Effect With Illustrator & Photoshop Week 8: Gold Typography in Illustrator Week 7: Stamp Tool & Clipping Mask in Photoshop Week 6: Envelope Distort in Illustrator Week 5: Paper 3D Collage Week 4: Create a Mosaic of Beautiful Polygons Week 3: Create Your Own Mockup Week 2: Head Icons Design Week 1: Hand Lettering in a Shape Learn More About DEXWho is this for?+Whether you are a beginner, intermediate or advanced level designer. There is a brief to suit you. Follow the instructions in the brief to the letter.How do I submit my work?+Once you're done upload your image to share. We may upload your image to our new Instagram page, be sure to include your Insta handle (@username) so we can credit you. If you don’t have an Instagram account, you can just type in your name. Leave your details blank if you like.What is a good size for the images?+Please make sure your image is of good resolution, it shouldn’t exceed more than 5mb or thereabouts. png, jpeg, svg all acceptable formats. By uploading your image you're giving us permission to publish it.Can I subscribe to this awesome concept?+If you would like to receive an email from us each week with the brief and video, be sure to subscribe at the top right of this page. We won’t share your information or be spammy.What if I want to go further?+If you love what we do, and think you would like to try your hand at becoming a designer. Check out our courses here.Can I contribute?+If you would like to become a regular video contributor, let us know. Even though we offer them for free, we pay contributors. Or if there is a technique that you would really like to learn, email us a visual, and any ideas you may have.Can I contact The Graphic Design School+Anything else you need or want to ask contact us at: info@thegraphicdesignschool.comCan I be a voice of TGDS?+If you want to spread the good word to your design friends feel free to share this page on social media ;)Back to the TopAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 60: Create an Identity Using Engraved Effect on Images - Part 1 | Dex | The Graphic Design School\n**URL:** /dex/no-23/\n**Template:** dex-single\n**Priority:** 5\n**Word Count:** 1118\n**Last Modified:** 2025-09-29T05:21:57.028Z\n**AI Category:** courses\n**AI Quality:** 4/5\n**AI Summary:** Learn to create engraved effect images for branding in this graphic design tutorial.\n\nWeek 23: Create an Identity Using Engraved Effect on Images - Part 1Use the images created in DEX 21 (or source other design elements) or images, and create a seamless wallpaper pattern to be used on branding elements. Beginner+With Photoshop Patterns and Actions transform one photographic image into a colour filled engraved illustration using the supplied Brushes and Patterns. Use the engraving as part of an identity design. Intermediate+With Photoshop Patterns and Actions transform two photographic images into colour filled engraved illustration using the supplied Brushes and Patterns. Then create a third image using Photoshop layers, select the shadows of the image and fill them with a solid colour. Use the engravings and solid filled image as part of an identity design. Advanced+With Photoshop Patterns and Actions transform three photographic images into colour filled engraved illustrations using the supplied Brushes and Patterns. Then create a fourth image using Photoshop Layers , select the shadows of the image and fill them with a solid colour. Use the engravings and solid filled image as part of an identity design. Time Allocated+60 Minutes for Beginner: Transform an image into an engraved illustration and use it as part of an identity design. 90 Minutes for intermediate: Transform two images into engraved illustrations and use it as part of an identity design. 120 Minutes for advanced: Create a basic 3-5 page website that can be shared as a working prototype. It must include a slider and a rollover or state change for a button or image. Design Goals+Create engraved images and use these as part of an identity design. Constraints+Use Photoshop Actions and Brushes to transform photographic images into colour filled engraved illustrations. Resources+Monstera Leaf: Image by @merakicreativeco on UnsplashLeafy Twig: Image by @cipriann on UnsplashGreen Leaf: Image shared for use thanks to pngimg.comOrange Butterfly: Image shared for use thanks to pngimg.comEngraved Photoshop Actions: Download the zipped package hereSoftware+Adobe XdWebsite DesignAdobe PhotoshopMockupsUpload+SoftwareDifficultyShow AllWeek 45: Create 3D Designs with Illustrator Week 44: Social Media Template Design for Clients Week 43: How to Create a Brand Campaign with Assets Week 42: Create Beautiful Type Design Editorials for Print and Web Week 41: Create Beautiful Type Design Editorials for Print and Web Week 39: Create promotion and brand materials with your own optical art design piece in Adobe Illustrator Week 38: Create a beautiful image design by merging two images seamlessly together in Photoshop Week 37: Create your own kaleidoscope print in Photoshop Week 36: Create a live animation for handwritten text in Adobe After Effects Week 35: Create an animated pattern of your logo in Adobe After Effects Week 34: Textile Design - Part 2 Creating Print Textures Week 33: Get Started with a Basic Animation in After Effects Week 32: Textile Design - Part 1 Repeat Print Week 31: Use the width tool to create your Own Curvy Letter Week 30: Create a punchy typographic Xmas gif, then we show you how to embed in your email signature! Week 29: Using Adobe Dimension & Photoshop To Create Striking Packaging Week 28: Draw & Apply your Own One-Line Art to a Mockup Week 27: Social Media Series: Learn to shoot, style and edit an image for your social media channels Week 26: Social Media Series: Absolute Beginners Design & Present an Instagram Mockup Week 25: Create a World Cup animated GIF in Photoshop to promote your event Week 24: Create a Seamless Pattern in Photoshop and Apply it to Your Mockups - Part 2 Week 23: Create an Identity Using Engraved Effect on Images - Part 1 Week 22: Create a website prototype in Adobe Xd - Part 2 Week 21: Add contrasting light effects to a photographic image - Part 1 Week 20: Create Wonderful Waves with the Twirl Tool Week 19: Create a Dripping Text Effect in Illustrator Week 18: Create a live animation for handwritten text in Adobe After Effects Week 17: Create a Band Artwork using Photoshop Liquify Tool Week 16: The Best Illustrator Brushes Tutorial Ever Week 15: Create a Retro Style Surf Poster Week 14: Create a Corny Holiday Sweater Knit Animated GIF Week 13: Use Adobe Dimension to create a Perfect Packaging Showcase Week 12: Create Surreal Compositions in Photoshop Week 11: Create an Asian-inspired vintage style poster/postcard and ink-effect logo Week 10: Create Patterns with Photoshop, Pattern Bombing, Apply Patterns to Mockups Week 9: Layered Effect With Illustrator & Photoshop Week 8: Gold Typography in Illustrator Week 7: Stamp Tool & Clipping Mask in Photoshop Week 6: Envelope Distort in Illustrator Week 5: Paper 3D Collage Week 4: Create a Mosaic of Beautiful Polygons Week 3: Create Your Own Mockup Week 2: Head Icons Design Week 1: Hand Lettering in a Shape Learn More About DEXWho is this for?+Whether you are a beginner, intermediate or advanced level designer. There is a brief to suit you. Follow the instructions in the brief to the letter.How do I submit my work?+Once you're done upload your image to share. We may upload your image to our new Instagram page, be sure to include your Insta handle (@username) so we can credit you. If you don’t have an Instagram account, you can just type in your name. Leave your details blank if you like.What is a good size for the images?+Please make sure your image is of good resolution, it shouldn’t exceed more than 5mb or thereabouts. png, jpeg, svg all acceptable formats. By uploading your image you're giving us permission to publish it.Can I subscribe to this awesome concept?+If you would like to receive an email from us each week with the brief and video, be sure to subscribe at the top right of this page. We won’t share your information or be spammy.What if I want to go further?+If you love what we do, and think you would like to try your hand at becoming a designer. Check out our courses here.Can I contribute?+If you would like to become a regular video contributor, let us know. Even though we offer them for free, we pay contributors. Or if there is a technique that you would really like to learn, email us a visual, and any ideas you may have.Can I contact The Graphic Design School+Anything else you need or want to ask contact us at: info@thegraphicdesignschool.comCan I be a voice of TGDS?+If you want to spread the good word to your design friends feel free to share this page on social media ;)Back to the TopAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 61: Create Patterns with Photoshop, Pattern Bombing, Apply Patterns to Mockups | Dex | The Graphic Design School\n**URL:** /dex/no-10/\n**Template:** dex-single\n**Priority:** 5\n**Word Count:** 1113\n**Last Modified:** 2025-09-29T05:21:57.411Z\n**AI Category:** courses\n**AI Quality:** 4/5\n**AI Summary:** Learn to create and apply patterns in Photoshop for various mockups.\n\nWeek 10: Create Patterns with Photoshop, Pattern Bombing, Apply Patterns to MockupsCreate and define a pattern in Photoshop and apply it to a mockup or design in Photoshop. Create at least 3 colour variants of your pattern.Beginner+Create a pattern in Photoshop and apply to a mockup of your choice. You can use the link below to download a mockup or find a mockup of your choice - it can be packaging, stationary, clothing, printed material, etc. Then create 2 other colour variants of the same pattern and apply to the same mockup. Intermediate+Create 2 or 3 different patterns, with 3-5 colour variants of each, in Photoshop and apply to a mockup of your choice. You can use the link below to download a mockup or find a mockup of your choice - it can be packaging, stationary, clothing, printed material, etc. Apply the pattern to the background. Advanced+Create 2 or 3 different patterns, with 5 colour variants of each, in Photoshop and apply to a mockup you have created. Apply the pattern to the background. Time Allocated+40 Minutes for Beginner: download mockup, create a pattern in 3-5 different colours and apply it to the mockup and background. 60-90 Minutes for intermediate: download a mockup, create 2 or 3 different patterns, each with 3-5 colour variants, and apply it to the mockup and background. 60-240 Minutes for advanced: Create a 3D mockup in Photoshop , create 2 or 3 different patterns, each with 5 colour variants, and apply it to the mockup and background. Design Goals+Create a 3D representation of pattern applied to an object, and showing colour variants of the same pattern within the same mockup.Constraints+Create a 3D representation of pattern applied to an object, and showing colour variants of the same pattern within the same mockup.Resources+Tea Packaging Mockup: Design for Tea Packaging from Graphic RiverSoftware+Adobe IllustratorBrush ToolAdobe PhotoshopMockups, Patterns, Smart ObjectsUpload+SoftwareDifficultyShow AllWeek 45: Create 3D Designs with Illustrator Week 44: Social Media Template Design for Clients Week 43: How to Create a Brand Campaign with Assets Week 42: Create Beautiful Type Design Editorials for Print and Web Week 41: Create Beautiful Type Design Editorials for Print and Web Week 39: Create promotion and brand materials with your own optical art design piece in Adobe Illustrator Week 38: Create a beautiful image design by merging two images seamlessly together in Photoshop Week 37: Create your own kaleidoscope print in Photoshop Week 36: Create a live animation for handwritten text in Adobe After Effects Week 35: Create an animated pattern of your logo in Adobe After Effects Week 34: Textile Design - Part 2 Creating Print Textures Week 33: Get Started with a Basic Animation in After Effects Week 32: Textile Design - Part 1 Repeat Print Week 31: Use the width tool to create your Own Curvy Letter Week 30: Create a punchy typographic Xmas gif, then we show you how to embed in your email signature! Week 29: Using Adobe Dimension & Photoshop To Create Striking Packaging Week 28: Draw & Apply your Own One-Line Art to a Mockup Week 27: Social Media Series: Learn to shoot, style and edit an image for your social media channels Week 26: Social Media Series: Absolute Beginners Design & Present an Instagram Mockup Week 25: Create a World Cup animated GIF in Photoshop to promote your event Week 24: Create a Seamless Pattern in Photoshop and Apply it to Your Mockups - Part 2 Week 23: Create an Identity Using Engraved Effect on Images - Part 1 Week 22: Create a website prototype in Adobe Xd - Part 2 Week 21: Add contrasting light effects to a photographic image - Part 1 Week 20: Create Wonderful Waves with the Twirl Tool Week 19: Create a Dripping Text Effect in Illustrator Week 18: Create a live animation for handwritten text in Adobe After Effects Week 17: Create a Band Artwork using Photoshop Liquify Tool Week 16: The Best Illustrator Brushes Tutorial Ever Week 15: Create a Retro Style Surf Poster Week 14: Create a Corny Holiday Sweater Knit Animated GIF Week 13: Use Adobe Dimension to create a Perfect Packaging Showcase Week 12: Create Surreal Compositions in Photoshop Week 11: Create an Asian-inspired vintage style poster/postcard and ink-effect logo Week 10: Create Patterns with Photoshop, Pattern Bombing, Apply Patterns to Mockups Week 9: Layered Effect With Illustrator & Photoshop Week 8: Gold Typography in Illustrator Week 7: Stamp Tool & Clipping Mask in Photoshop Week 6: Envelope Distort in Illustrator Week 5: Paper 3D Collage Week 4: Create a Mosaic of Beautiful Polygons Week 3: Create Your Own Mockup Week 2: Head Icons Design Week 1: Hand Lettering in a Shape Learn More About DEXWho is this for?+Whether you are a beginner, intermediate or advanced level designer. There is a brief to suit you. Follow the instructions in the brief to the letter.How do I submit my work?+Once you're done upload your image to share. We may upload your image to our new Instagram page, be sure to include your Insta handle (@username) so we can credit you. If you don’t have an Instagram account, you can just type in your name. Leave your details blank if you like.What is a good size for the images?+Please make sure your image is of good resolution, it shouldn’t exceed more than 5mb or thereabouts. png, jpeg, svg all acceptable formats. By uploading your image you're giving us permission to publish it.Can I subscribe to this awesome concept?+If you would like to receive an email from us each week with the brief and video, be sure to subscribe at the top right of this page. We won’t share your information or be spammy.What if I want to go further?+If you love what we do, and think you would like to try your hand at becoming a designer. Check out our courses here.Can I contribute?+If you would like to become a regular video contributor, let us know. Even though we offer them for free, we pay contributors. Or if there is a technique that you would really like to learn, email us a visual, and any ideas you may have.Can I contact The Graphic Design School+Anything else you need or want to ask contact us at: info@thegraphicdesignschool.comCan I be a voice of TGDS?+If you want to spread the good word to your design friends feel free to share this page on social media ;)Back to the TopAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 62: Use Adobe Dimension to create a Perfect Packaging Showcase | Dex | The Graphic Design School\n**URL:** /dex/no-13/\n**Template:** dex-single\n**Priority:** 5\n**Word Count:** 1107\n**Last Modified:** 2025-09-29T05:21:57.328Z\n**AI Category:** courses\n**AI Quality:** 4/5\n**AI Summary:** Learn to create realistic 3D packaging mockups using Adobe Dimension.\n\nWeek 13: Use Adobe Dimension to create a Perfect Packaging ShowcaseCreate a realistic 3D mockup with a scene/background using Adobe Dimension. Beginner+Use one of the scene backgrounds in Dimension, add one pack and add a label/decal to the pack. Make sure the lighting and shadows match elements in the background image. Preview and render your scene. Intermediate+Use one of the scene backgrounds in Dimension, or a solid colour background, add multiple packs and add a label/decal to the packs, showing colour and/or material variants. Make sure the lighting and shadows match elements in the background image. Preview and render your scene. Advanced+Use a solid colour background, photographic background or a pattern background, add multiple packs and add a label/decal to the packs, showing colour and/or material variants. Play with packs at contrasting angles and heights. Make sure the lighting and shadows match elements in the background image, if relevant. Preview and render your scene. Time Allocated+30 Minutes for Beginner: add a scene, object and label to your object/pack, make sure lighting is realistic. Preview and render your scene*. 60 Minutes for intermediate: add a scene, multiple objects and label to your objects/packs, make sure lighting is realistic. Preview and render your scene*. 60-90 Minutes for advanced: use a solid colour background or pattern background, add multiple packs and add a label/decal to the packs, showing colour and material variants. Make sure lighting is realistic. Preview and render your scene*. *The preview and rendering stage does not need to fit into the allocated time allowed - a higher resolution image will take longer to preview and render. Design Goals+Create an unusual composition of 2 contrasting elements in one image. The contrast in scale, texture or unexpected placement can be used. Constraints+Use Adobe Dimension to create your 3D photorealistic mockup. Software+Adobe IllustratorBrush, Trace Tool, Textile DesignAdobe PhotoshopMockupsOtherAdobe DimensionUpload+SoftwareDifficultyShow AllWeek 45: Create 3D Designs with Illustrator Week 44: Social Media Template Design for Clients Week 43: How to Create a Brand Campaign with Assets Week 42: Create Beautiful Type Design Editorials for Print and Web Week 41: Create Beautiful Type Design Editorials for Print and Web Week 39: Create promotion and brand materials with your own optical art design piece in Adobe Illustrator Week 38: Create a beautiful image design by merging two images seamlessly together in Photoshop Week 37: Create your own kaleidoscope print in Photoshop Week 36: Create a live animation for handwritten text in Adobe After Effects Week 35: Create an animated pattern of your logo in Adobe After Effects Week 34: Textile Design - Part 2 Creating Print Textures Week 33: Get Started with a Basic Animation in After Effects Week 32: Textile Design - Part 1 Repeat Print Week 31: Use the width tool to create your Own Curvy Letter Week 30: Create a punchy typographic Xmas gif, then we show you how to embed in your email signature! Week 29: Using Adobe Dimension & Photoshop To Create Striking Packaging Week 28: Draw & Apply your Own One-Line Art to a Mockup Week 27: Social Media Series: Learn to shoot, style and edit an image for your social media channels Week 26: Social Media Series: Absolute Beginners Design & Present an Instagram Mockup Week 25: Create a World Cup animated GIF in Photoshop to promote your event Week 24: Create a Seamless Pattern in Photoshop and Apply it to Your Mockups - Part 2 Week 23: Create an Identity Using Engraved Effect on Images - Part 1 Week 22: Create a website prototype in Adobe Xd - Part 2 Week 21: Add contrasting light effects to a photographic image - Part 1 Week 20: Create Wonderful Waves with the Twirl Tool Week 19: Create a Dripping Text Effect in Illustrator Week 18: Create a live animation for handwritten text in Adobe After Effects Week 17: Create a Band Artwork using Photoshop Liquify Tool Week 16: The Best Illustrator Brushes Tutorial Ever Week 15: Create a Retro Style Surf Poster Week 14: Create a Corny Holiday Sweater Knit Animated GIF Week 13: Use Adobe Dimension to create a Perfect Packaging Showcase Week 12: Create Surreal Compositions in Photoshop Week 11: Create an Asian-inspired vintage style poster/postcard and ink-effect logo Week 10: Create Patterns with Photoshop, Pattern Bombing, Apply Patterns to Mockups Week 9: Layered Effect With Illustrator & Photoshop Week 8: Gold Typography in Illustrator Week 7: Stamp Tool & Clipping Mask in Photoshop Week 6: Envelope Distort in Illustrator Week 5: Paper 3D Collage Week 4: Create a Mosaic of Beautiful Polygons Week 3: Create Your Own Mockup Week 2: Head Icons Design Week 1: Hand Lettering in a Shape Learn More About DEXWho is this for?+Whether you are a beginner, intermediate or advanced level designer. There is a brief to suit you. Follow the instructions in the brief to the letter.How do I submit my work?+Once you're done upload your image to share. We may upload your image to our new Instagram page, be sure to include your Insta handle (@username) so we can credit you. If you don’t have an Instagram account, you can just type in your name. Leave your details blank if you like.What is a good size for the images?+Please make sure your image is of good resolution, it shouldn’t exceed more than 5mb or thereabouts. png, jpeg, svg all acceptable formats. By uploading your image you're giving us permission to publish it.Can I subscribe to this awesome concept?+If you would like to receive an email from us each week with the brief and video, be sure to subscribe at the top right of this page. We won’t share your information or be spammy.What if I want to go further?+If you love what we do, and think you would like to try your hand at becoming a designer. Check out our courses here.Can I contribute?+If you would like to become a regular video contributor, let us know. Even though we offer them for free, we pay contributors. Or if there is a technique that you would really like to learn, email us a visual, and any ideas you may have.Can I contact The Graphic Design School+Anything else you need or want to ask contact us at: info@thegraphicdesignschool.comCan I be a voice of TGDS?+If you want to spread the good word to your design friends feel free to share this page on social media ;)Back to the TopAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 63: Social Media Series: Learn to shoot, style and edit an image for your social media channels | Dex | The Graphic Design School\n**URL:** /dex/no-27/\n**Template:** dex-single\n**Priority:** 5\n**Word Count:** 1103\n**Last Modified:** 2025-09-29T05:21:56.907Z\n**AI Category:** courses\n**AI Quality:** 4/5\n**AI Summary:** Learn to shoot, style, and edit images for social media using your phone.\n\nWeek 27: Social Media Series: Learn to shoot, style and edit an image for your social media channelsAs a designer it's important we harness social media as one platform to showcase our work and the work of our clients. Use your iPhone and capture a beautifully styled vignette in a pastel tone to fit into a similar branding system. Edit your image and take it all the way to your own social channel. Beginner+Using props from around your house, style and shoot an image. Try using a light coloured background. Edit this and export, saving this for your social channel. Intermediate+Style a shot using props. Try styling with a light or white background. Choosing 3 of your favourite shots, edit these and export them for your social channels. Advanced+Try styling 3 different scenes using a similar story throughout. Use a white or light coloured background. Edit each of these images and export them ready to upload onto your social channels. Time Allocated+30 minutes for research to see how the mockup is constructed and also, to gather your imagery. 60 Minutes for Beginner and Intermediate. 80 Minutes for Advanced. Design Goals+Style, edit and shoot an image for social media. Constraints+Use both the camera and an editing application that are on your phone. Don't bring it into Photoshop or Lightroom to edit. Resources+Snapseed by Google: Download Snapseed from the App Store (or search Snapseed in the Google Play Store)Find Suzaane's designs: @myfabulousdesign on InstagramCheck out Cynthia's work: @cynthialions on InstagramSee more of Nora's work: @nrahmichelle on InstagramClick to see Melanie's work: @overglowedit on InstagramFlowers Set infront of a White Wall: Photo by Sylvie Tittel on UnsplashThe Flatiron Building: Photo by the Cereal Team featured on their siteWhite Bookshelf: Photo by Carolyne Grod on bloglovin.com (Link no longer available)Software+OtherPhotography, Social Media, App Editing, Styling, InstagramUpload+SoftwareDifficultyShow AllWeek 45: Create 3D Designs with Illustrator Week 44: Social Media Template Design for Clients Week 43: How to Create a Brand Campaign with Assets Week 42: Create Beautiful Type Design Editorials for Print and Web Week 41: Create Beautiful Type Design Editorials for Print and Web Week 39: Create promotion and brand materials with your own optical art design piece in Adobe Illustrator Week 38: Create a beautiful image design by merging two images seamlessly together in Photoshop Week 37: Create your own kaleidoscope print in Photoshop Week 36: Create a live animation for handwritten text in Adobe After Effects Week 35: Create an animated pattern of your logo in Adobe After Effects Week 34: Textile Design - Part 2 Creating Print Textures Week 33: Get Started with a Basic Animation in After Effects Week 32: Textile Design - Part 1 Repeat Print Week 31: Use the width tool to create your Own Curvy Letter Week 30: Create a punchy typographic Xmas gif, then we show you how to embed in your email signature! Week 29: Using Adobe Dimension & Photoshop To Create Striking Packaging Week 28: Draw & Apply your Own One-Line Art to a Mockup Week 27: Social Media Series: Learn to shoot, style and edit an image for your social media channels Week 26: Social Media Series: Absolute Beginners Design & Present an Instagram Mockup Week 25: Create a World Cup animated GIF in Photoshop to promote your event Week 24: Create a Seamless Pattern in Photoshop and Apply it to Your Mockups - Part 2 Week 23: Create an Identity Using Engraved Effect on Images - Part 1 Week 22: Create a website prototype in Adobe Xd - Part 2 Week 21: Add contrasting light effects to a photographic image - Part 1 Week 20: Create Wonderful Waves with the Twirl Tool Week 19: Create a Dripping Text Effect in Illustrator Week 18: Create a live animation for handwritten text in Adobe After Effects Week 17: Create a Band Artwork using Photoshop Liquify Tool Week 16: The Best Illustrator Brushes Tutorial Ever Week 15: Create a Retro Style Surf Poster Week 14: Create a Corny Holiday Sweater Knit Animated GIF Week 13: Use Adobe Dimension to create a Perfect Packaging Showcase Week 12: Create Surreal Compositions in Photoshop Week 11: Create an Asian-inspired vintage style poster/postcard and ink-effect logo Week 10: Create Patterns with Photoshop, Pattern Bombing, Apply Patterns to Mockups Week 9: Layered Effect With Illustrator & Photoshop Week 8: Gold Typography in Illustrator Week 7: Stamp Tool & Clipping Mask in Photoshop Week 6: Envelope Distort in Illustrator Week 5: Paper 3D Collage Week 4: Create a Mosaic of Beautiful Polygons Week 3: Create Your Own Mockup Week 2: Head Icons Design Week 1: Hand Lettering in a Shape Learn More About DEXWho is this for?+Whether you are a beginner, intermediate or advanced level designer. There is a brief to suit you. Follow the instructions in the brief to the letter.How do I submit my work?+Once you're done upload your image to share. We may upload your image to our new Instagram page, be sure to include your Insta handle (@username) so we can credit you. If you don’t have an Instagram account, you can just type in your name. Leave your details blank if you like.What is a good size for the images?+Please make sure your image is of good resolution, it shouldn’t exceed more than 5mb or thereabouts. png, jpeg, svg all acceptable formats. By uploading your image you're giving us permission to publish it.Can I subscribe to this awesome concept?+If you would like to receive an email from us each week with the brief and video, be sure to subscribe at the top right of this page. We won’t share your information or be spammy.What if I want to go further?+If you love what we do, and think you would like to try your hand at becoming a designer. Check out our courses here.Can I contribute?+If you would like to become a regular video contributor, let us know. Even though we offer them for free, we pay contributors. Or if there is a technique that you would really like to learn, email us a visual, and any ideas you may have.Can I contact The Graphic Design School+Anything else you need or want to ask contact us at: info@thegraphicdesignschool.comCan I be a voice of TGDS?+If you want to spread the good word to your design friends feel free to share this page on social media ;)Back to the TopAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 64: How to Create a Brand Campaign with Assets | Dex | The Graphic Design School\n**URL:** /dex/no-43/\n**Template:** dex-single\n**Priority:** 5\n**Word Count:** 1093\n**Last Modified:** 2025-09-29T05:21:56.395Z\n**AI Category:** courses\n**AI Quality:** 4/5\n**AI Summary:** Learn to create a brand campaign with assets using design tools and techniques.\n\nWeek 43: How to Create a Brand Campaign with AssetsCreate your own branding campaign along with campaign assets. We show you how to create a pattern to apply to assets, create illustrations, etc. Beginner+This DEX is not for beginners, there is much assumed knowledge. Circle back around to this DEX when you are at an intermediate level. Intermediate+We designed our campaign using a bagel so maybe you can design yours using a burger or a hot dog. Choose something simple to start with and follow our instructions to create similar assets for your own brand. For your assets use PSD mockups AND stock imagery. Advanced+Design a new logo from scratch. For your assets use PSD mockups and stock imagery. If you are a The Graphic Design School Student or Graduate use your studio photoshoot skills you've learnt from the Module 6 Photography Assignment and feel free to create your own mockups using smart objects in Photoshop. Time Allocated+2 Hours for Intermediate: Design a new logo from scratch. Use a mix of free PSD mockups AND stock images. 3-6 Hours for Advanced: Design a new logo from scratch. Using PSD mockups or your photography skills, create 4x of your own unique mockups to present your final assets and showcase within your final campaign. Design Goals+Create an asset rich branding campaign. Constraints+Use Photoshop for mock-ups and Illustrator for logo and layouts. Resources+Burger Paper Liner Packaging Mockup: By INCDesign on Creative MarketBurger Box Packages Mockup: By the team at Graphic PearShop Sign Mockup: By the team at Mr MockupBagel and Lox in White Background: Photo by Girl with Red Hat on UnsplashBad Betty: Image by Anna Shvets on PexelsSoftware+Adobe IllustratorLayers, Mask Tool, Pen Tool, Patterns, Place LinkAdobe PhotoshopLayers, Mockups, Mask Tool, Select Tool, Smart ObjectsUpload+SoftwareDifficultyShow AllWeek 45: Create 3D Designs with Illustrator Week 44: Social Media Template Design for Clients Week 43: How to Create a Brand Campaign with Assets Week 42: Create Beautiful Type Design Editorials for Print and Web Week 41: Create Beautiful Type Design Editorials for Print and Web Week 39: Create promotion and brand materials with your own optical art design piece in Adobe Illustrator Week 38: Create a beautiful image design by merging two images seamlessly together in Photoshop Week 37: Create your own kaleidoscope print in Photoshop Week 36: Create a live animation for handwritten text in Adobe After Effects Week 35: Create an animated pattern of your logo in Adobe After Effects Week 34: Textile Design - Part 2 Creating Print Textures Week 33: Get Started with a Basic Animation in After Effects Week 32: Textile Design - Part 1 Repeat Print Week 31: Use the width tool to create your Own Curvy Letter Week 30: Create a punchy typographic Xmas gif, then we show you how to embed in your email signature! Week 29: Using Adobe Dimension & Photoshop To Create Striking Packaging Week 28: Draw & Apply your Own One-Line Art to a Mockup Week 27: Social Media Series: Learn to shoot, style and edit an image for your social media channels Week 26: Social Media Series: Absolute Beginners Design & Present an Instagram Mockup Week 25: Create a World Cup animated GIF in Photoshop to promote your event Week 24: Create a Seamless Pattern in Photoshop and Apply it to Your Mockups - Part 2 Week 23: Create an Identity Using Engraved Effect on Images - Part 1 Week 22: Create a website prototype in Adobe Xd - Part 2 Week 21: Add contrasting light effects to a photographic image - Part 1 Week 20: Create Wonderful Waves with the Twirl Tool Week 19: Create a Dripping Text Effect in Illustrator Week 18: Create a live animation for handwritten text in Adobe After Effects Week 17: Create a Band Artwork using Photoshop Liquify Tool Week 16: The Best Illustrator Brushes Tutorial Ever Week 15: Create a Retro Style Surf Poster Week 14: Create a Corny Holiday Sweater Knit Animated GIF Week 13: Use Adobe Dimension to create a Perfect Packaging Showcase Week 12: Create Surreal Compositions in Photoshop Week 11: Create an Asian-inspired vintage style poster/postcard and ink-effect logo Week 10: Create Patterns with Photoshop, Pattern Bombing, Apply Patterns to Mockups Week 9: Layered Effect With Illustrator & Photoshop Week 8: Gold Typography in Illustrator Week 7: Stamp Tool & Clipping Mask in Photoshop Week 6: Envelope Distort in Illustrator Week 5: Paper 3D Collage Week 4: Create a Mosaic of Beautiful Polygons Week 3: Create Your Own Mockup Week 2: Head Icons Design Week 1: Hand Lettering in a Shape Learn More About DEXWho is this for?+Whether you are a beginner, intermediate or advanced level designer. There is a brief to suit you. Follow the instructions in the brief to the letter.How do I submit my work?+Once you're done upload your image to share. We may upload your image to our new Instagram page, be sure to include your Insta handle (@username) so we can credit you. If you don’t have an Instagram account, you can just type in your name. Leave your details blank if you like.What is a good size for the images?+Please make sure your image is of good resolution, it shouldn’t exceed more than 5mb or thereabouts. png, jpeg, svg all acceptable formats. By uploading your image you're giving us permission to publish it.Can I subscribe to this awesome concept?+If you would like to receive an email from us each week with the brief and video, be sure to subscribe at the top right of this page. We won’t share your information or be spammy.What if I want to go further?+If you love what we do, and think you would like to try your hand at becoming a designer. Check out our courses here.Can I contribute?+If you would like to become a regular video contributor, let us know. Even though we offer them for free, we pay contributors. Or if there is a technique that you would really like to learn, email us a visual, and any ideas you may have.Can I contact The Graphic Design School+Anything else you need or want to ask contact us at: info@thegraphicdesignschool.comCan I be a voice of TGDS?+If you want to spread the good word to your design friends feel free to share this page on social media ;)Back to the TopAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 65: Draw & Apply your Own One-Line Art to a Mockup | Dex | The Graphic Design School\n**URL:** /dex/no-28/\n**Template:** dex-single\n**Priority:** 5\n**Word Count:** 1092\n**Last Modified:** 2025-09-29T05:21:56.890Z\n**AI Category:** courses\n**AI Quality:** 4/5\n**AI Summary:** Learn to create and apply one-line art to mockups in this engaging design tutorial.\n\nWeek 28: Draw & Apply your Own One-Line Art to a MockupDraw something in 1 continuous line and apply it to a packaging or poster mockup. Believe it or not, continuous line drawing is an art movement (we will show you more examples in the video). You can draw anything, an object, person, animal, plant, anything your heart desires. The catch is the image must be easily recognisable. Beginner+Draw your own one-line art piece! Intermediate+Now take your one-line image and use it as part of a bigger design piece; fictional or real branding, an advertisement, a pattern, etc. This tutorial uses the line as part of a cosmetics brand, but of course there’s so much else you can do. Maybe you will be doing a design for a pet food brand, or a billboard campaign for a travel agency, or use it to design a repeat pattern for you textile project… Advanced+Use mockups to show your design to the world. There’s a couple of freebies attached, these are for cosmetics so feel free to find a mockup that suit your design Time Allocated+30-45 minutes for concept and sketching. After that 30 Minutes for Beginner. 60 Minutes for Intermediate. 90 Minutes for Advanced. Design Goals+Create a figure with 1 line only! Be aware that the way you make your line look (eg. straight or bumpy, smooth or angular), is also a way to communicate the message. Constraints+Make sure you make a sketch first, before turning to the computer. Use Illustrator to vectorise your sketch. Draw your line art with the curvature tool. Use Photoshop to create a mockup. Resources+Cosmetic Bottle Packaging: by Anthony BoydCosmetics Packaging Mockup: by Anthony BoydFree Minimal Poster Mockup: by Nima RahimihaSoftware+Adobe IllustratorPen Tool, Curvature Tool, Warp ToolAdobe PhotoshopMockupsUpload+SoftwareDifficultyShow AllWeek 45: Create 3D Designs with Illustrator Week 44: Social Media Template Design for Clients Week 43: How to Create a Brand Campaign with Assets Week 42: Create Beautiful Type Design Editorials for Print and Web Week 41: Create Beautiful Type Design Editorials for Print and Web Week 39: Create promotion and brand materials with your own optical art design piece in Adobe Illustrator Week 38: Create a beautiful image design by merging two images seamlessly together in Photoshop Week 37: Create your own kaleidoscope print in Photoshop Week 36: Create a live animation for handwritten text in Adobe After Effects Week 35: Create an animated pattern of your logo in Adobe After Effects Week 34: Textile Design - Part 2 Creating Print Textures Week 33: Get Started with a Basic Animation in After Effects Week 32: Textile Design - Part 1 Repeat Print Week 31: Use the width tool to create your Own Curvy Letter Week 30: Create a punchy typographic Xmas gif, then we show you how to embed in your email signature! Week 29: Using Adobe Dimension & Photoshop To Create Striking Packaging Week 28: Draw & Apply your Own One-Line Art to a Mockup Week 27: Social Media Series: Learn to shoot, style and edit an image for your social media channels Week 26: Social Media Series: Absolute Beginners Design & Present an Instagram Mockup Week 25: Create a World Cup animated GIF in Photoshop to promote your event Week 24: Create a Seamless Pattern in Photoshop and Apply it to Your Mockups - Part 2 Week 23: Create an Identity Using Engraved Effect on Images - Part 1 Week 22: Create a website prototype in Adobe Xd - Part 2 Week 21: Add contrasting light effects to a photographic image - Part 1 Week 20: Create Wonderful Waves with the Twirl Tool Week 19: Create a Dripping Text Effect in Illustrator Week 18: Create a live animation for handwritten text in Adobe After Effects Week 17: Create a Band Artwork using Photoshop Liquify Tool Week 16: The Best Illustrator Brushes Tutorial Ever Week 15: Create a Retro Style Surf Poster Week 14: Create a Corny Holiday Sweater Knit Animated GIF Week 13: Use Adobe Dimension to create a Perfect Packaging Showcase Week 12: Create Surreal Compositions in Photoshop Week 11: Create an Asian-inspired vintage style poster/postcard and ink-effect logo Week 10: Create Patterns with Photoshop, Pattern Bombing, Apply Patterns to Mockups Week 9: Layered Effect With Illustrator & Photoshop Week 8: Gold Typography in Illustrator Week 7: Stamp Tool & Clipping Mask in Photoshop Week 6: Envelope Distort in Illustrator Week 5: Paper 3D Collage Week 4: Create a Mosaic of Beautiful Polygons Week 3: Create Your Own Mockup Week 2: Head Icons Design Week 1: Hand Lettering in a Shape Learn More About DEXWho is this for?+Whether you are a beginner, intermediate or advanced level designer. There is a brief to suit you. Follow the instructions in the brief to the letter.How do I submit my work?+Once you're done upload your image to share. We may upload your image to our new Instagram page, be sure to include your Insta handle (@username) so we can credit you. If you don’t have an Instagram account, you can just type in your name. Leave your details blank if you like.What is a good size for the images?+Please make sure your image is of good resolution, it shouldn’t exceed more than 5mb or thereabouts. png, jpeg, svg all acceptable formats. By uploading your image you're giving us permission to publish it.Can I subscribe to this awesome concept?+If you would like to receive an email from us each week with the brief and video, be sure to subscribe at the top right of this page. We won’t share your information or be spammy.What if I want to go further?+If you love what we do, and think you would like to try your hand at becoming a designer. Check out our courses here.Can I contribute?+If you would like to become a regular video contributor, let us know. Even though we offer them for free, we pay contributors. Or if there is a technique that you would really like to learn, email us a visual, and any ideas you may have.Can I contact The Graphic Design School+Anything else you need or want to ask contact us at: info@thegraphicdesignschool.comCan I be a voice of TGDS?+If you want to spread the good word to your design friends feel free to share this page on social media ;)Back to the TopAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 66: Layered Effect With Illustrator & Photoshop | Dex | The Graphic Design School\n**URL:** /dex/no-9/\n**Template:** dex-single\n**Priority:** 5\n**Word Count:** 1082\n**Last Modified:** 2025-09-29T05:21:56.183Z\n**AI Category:** courses\n**AI Quality:** 4/5\n**AI Summary:** Learn to create layered effects using Illustrator and Photoshop for graphic design.\n\nWeek 9: Layered Effect With Illustrator & PhotoshopCreate a layered effect and sense of depth using a Photoshop element that overlaps and goes behind the same Illustrator typographic element. Beginner+Using a single vector word or logo in Illustrator, combine it with one photographic image. Deep-etch the image in Photoshop and use layers and masks in Illustrator to show part of the photographic image overlapping one or more of the letters.Intermediate+Using a vector word or logo in Illustrator, combine it with a more than one photographic image. Deep-etch the images in Photoshop and use layers and masks in Illustrator to show part of the photographic imagery overlapping the letters. Add drop shadows to imagery on top of type.Advanced+Using a vector word or logo in Illustrator, combine it with a more than one photographic image. Use layers in Illustrator to show part of the photographic images overlapping the letters. Add drop shadows to imagery on top of type. Create a textured background in Illustrator as part of the design.Time Allocated+40 Minutes for Beginner - source and deep-etch imagery, create typographic element, and combine these in Layers in Illustrator. 60-90 Minutes for intermediate - source and deep-etch imagery, create typographic element, and combine these in Layers in Illustrator. Add drop-shadows to imagery on top of type. 60-120 Minutes for advanced":" source and deep-etch imagery, create typographic element, and combine these in Layers in Illustrator. Add drop-shadows to imagery on top of type. Add a textured background.Design Goals+Create a layered effect in Illustrator by combining vector typography and bitmap imagery.Constraints+Use Illustrator for vector work and Photoshop for image deep-etching. Final artwork to be in Illustrator using layers to show depth.Software+Adobe IllustratorTrace ToolAdobe PhotoshopMockups, Mask ToolUpload+SoftwareDifficultyShow AllWeek 45: Create 3D Designs with Illustrator Week 44: Social Media Template Design for Clients Week 43: How to Create a Brand Campaign with Assets Week 42: Create Beautiful Type Design Editorials for Print and Web Week 41: Create Beautiful Type Design Editorials for Print and Web Week 39: Create promotion and brand materials with your own optical art design piece in Adobe Illustrator Week 38: Create a beautiful image design by merging two images seamlessly together in Photoshop Week 37: Create your own kaleidoscope print in Photoshop Week 36: Create a live animation for handwritten text in Adobe After Effects Week 35: Create an animated pattern of your logo in Adobe After Effects Week 34: Textile Design - Part 2 Creating Print Textures Week 33: Get Started with a Basic Animation in After Effects Week 32: Textile Design - Part 1 Repeat Print Week 31: Use the width tool to create your Own Curvy Letter Week 30: Create a punchy typographic Xmas gif, then we show you how to embed in your email signature! Week 29: Using Adobe Dimension & Photoshop To Create Striking Packaging Week 28: Draw & Apply your Own One-Line Art to a Mockup Week 27: Social Media Series: Learn to shoot, style and edit an image for your social media channels Week 26: Social Media Series: Absolute Beginners Design & Present an Instagram Mockup Week 25: Create a World Cup animated GIF in Photoshop to promote your event Week 24: Create a Seamless Pattern in Photoshop and Apply it to Your Mockups - Part 2 Week 23: Create an Identity Using Engraved Effect on Images - Part 1 Week 22: Create a website prototype in Adobe Xd - Part 2 Week 21: Add contrasting light effects to a photographic image - Part 1 Week 20: Create Wonderful Waves with the Twirl Tool Week 19: Create a Dripping Text Effect in Illustrator Week 18: Create a live animation for handwritten text in Adobe After Effects Week 17: Create a Band Artwork using Photoshop Liquify Tool Week 16: The Best Illustrator Brushes Tutorial Ever Week 15: Create a Retro Style Surf Poster Week 14: Create a Corny Holiday Sweater Knit Animated GIF Week 13: Use Adobe Dimension to create a Perfect Packaging Showcase Week 12: Create Surreal Compositions in Photoshop Week 11: Create an Asian-inspired vintage style poster/postcard and ink-effect logo Week 10: Create Patterns with Photoshop, Pattern Bombing, Apply Patterns to Mockups Week 9: Layered Effect With Illustrator & Photoshop Week 8: Gold Typography in Illustrator Week 7: Stamp Tool & Clipping Mask in Photoshop Week 6: Envelope Distort in Illustrator Week 5: Paper 3D Collage Week 4: Create a Mosaic of Beautiful Polygons Week 3: Create Your Own Mockup Week 2: Head Icons Design Week 1: Hand Lettering in a Shape Learn More About DEXWho is this for?+Whether you are a beginner, intermediate or advanced level designer. There is a brief to suit you. Follow the instructions in the brief to the letter.How do I submit my work?+Once you're done upload your image to share. We may upload your image to our new Instagram page, be sure to include your Insta handle (@username) so we can credit you. If you don’t have an Instagram account, you can just type in your name. Leave your details blank if you like.What is a good size for the images?+Please make sure your image is of good resolution, it shouldn’t exceed more than 5mb or thereabouts. png, jpeg, svg all acceptable formats. By uploading your image you're giving us permission to publish it.Can I subscribe to this awesome concept?+If you would like to receive an email from us each week with the brief and video, be sure to subscribe at the top right of this page. We won’t share your information or be spammy.What if I want to go further?+If you love what we do, and think you would like to try your hand at becoming a designer. Check out our courses here.Can I contribute?+If you would like to become a regular video contributor, let us know. Even though we offer them for free, we pay contributors. Or if there is a technique that you would really like to learn, email us a visual, and any ideas you may have.Can I contact The Graphic Design School+Anything else you need or want to ask contact us at: info@thegraphicdesignschool.comCan I be a voice of TGDS?+If you want to spread the good word to your design friends feel free to share this page on social media ;)Back to the TopAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 67: Create a Retro Style Surf Poster | Dex | The Graphic Design School\n**URL:** /dex/no-15/\n**Template:** dex-single\n**Priority:** 5\n**Word Count:** 1080\n**Last Modified:** 2025-09-29T05:21:57.278Z\n**AI Category:** courses\n**AI Quality:** 4/5\n**AI Summary:** Learn to create a retro surf poster using Illustrator and Photoshop in this design course.\n\nWeek 15: Create a Retro Style Surf PosterCreate a retro style illustrated surf poster or postcard, with faded colour palette and texture. Beginner+Create a surf poster in Illustrator, sourcing images to trace for the background and surfer. Create custom brushes to illustrate water and sky details. Use layers for different areas of the image. Intermediate+Create a surf poster in Illustrator, sourcing images to trace for the background and surfer. Create custom brushes to illustrate water and sky details. Use layers for different areas of the image. Open poster in Photoshop and add grain/grunge texture. Advanced+Create a series of surf posters/postcards in Illustrator, sourcing images to trace for the backgrounds and surfers. Create custom brushes to illustrate water and sky details. Use layers for different areas of the images. Open posters/postcards in Photoshop and add grain/grunge texture. Time Allocated+60 Minutes for Beginner: Create a scene, trace image and illustrate with Illustrator pen tool, layers and brushes. 75 Minutes for intermediate: Create a scene, trace image and illustrate with Illustrator pen tool, layers and brushes. Use Photoshop to add texture. 90-360 Minutes for advanced: Create scene, trace images to create a series of 3 posters/postcards and illustrate with Illustrator pen tool, layers and brushes. Use Photoshop or illustrator to add texture. Design Goals+Create a retro style illustrated surf poster or postcard, with faded colour palette and texture. Constraints+Create the scene and trace images in Illustrator and then use Illustrator custom brushes to illustrate details. Use Photoshop effects to add a grain. Resources+Surf Image: Photo by Mike Morgan on InstagramColour Palette: Palette from colourlovers.comPhotoshop Brushes: Freebie by Chris SpoonerCarnivalee Freakshow Typeface: Typeface from dafont.comLeague Gothic Typeface: Typeface from dafont.comSoftware+Adobe IllustratorLayersOtherAdobe After EffectsUpload+SoftwareDifficultyShow AllWeek 45: Create 3D Designs with Illustrator Week 44: Social Media Template Design for Clients Week 43: How to Create a Brand Campaign with Assets Week 42: Create Beautiful Type Design Editorials for Print and Web Week 41: Create Beautiful Type Design Editorials for Print and Web Week 39: Create promotion and brand materials with your own optical art design piece in Adobe Illustrator Week 38: Create a beautiful image design by merging two images seamlessly together in Photoshop Week 37: Create your own kaleidoscope print in Photoshop Week 36: Create a live animation for handwritten text in Adobe After Effects Week 35: Create an animated pattern of your logo in Adobe After Effects Week 34: Textile Design - Part 2 Creating Print Textures Week 33: Get Started with a Basic Animation in After Effects Week 32: Textile Design - Part 1 Repeat Print Week 31: Use the width tool to create your Own Curvy Letter Week 30: Create a punchy typographic Xmas gif, then we show you how to embed in your email signature! Week 29: Using Adobe Dimension & Photoshop To Create Striking Packaging Week 28: Draw & Apply your Own One-Line Art to a Mockup Week 27: Social Media Series: Learn to shoot, style and edit an image for your social media channels Week 26: Social Media Series: Absolute Beginners Design & Present an Instagram Mockup Week 25: Create a World Cup animated GIF in Photoshop to promote your event Week 24: Create a Seamless Pattern in Photoshop and Apply it to Your Mockups - Part 2 Week 23: Create an Identity Using Engraved Effect on Images - Part 1 Week 22: Create a website prototype in Adobe Xd - Part 2 Week 21: Add contrasting light effects to a photographic image - Part 1 Week 20: Create Wonderful Waves with the Twirl Tool Week 19: Create a Dripping Text Effect in Illustrator Week 18: Create a live animation for handwritten text in Adobe After Effects Week 17: Create a Band Artwork using Photoshop Liquify Tool Week 16: The Best Illustrator Brushes Tutorial Ever Week 15: Create a Retro Style Surf Poster Week 14: Create a Corny Holiday Sweater Knit Animated GIF Week 13: Use Adobe Dimension to create a Perfect Packaging Showcase Week 12: Create Surreal Compositions in Photoshop Week 11: Create an Asian-inspired vintage style poster/postcard and ink-effect logo Week 10: Create Patterns with Photoshop, Pattern Bombing, Apply Patterns to Mockups Week 9: Layered Effect With Illustrator & Photoshop Week 8: Gold Typography in Illustrator Week 7: Stamp Tool & Clipping Mask in Photoshop Week 6: Envelope Distort in Illustrator Week 5: Paper 3D Collage Week 4: Create a Mosaic of Beautiful Polygons Week 3: Create Your Own Mockup Week 2: Head Icons Design Week 1: Hand Lettering in a Shape Learn More About DEXWho is this for?+Whether you are a beginner, intermediate or advanced level designer. There is a brief to suit you. Follow the instructions in the brief to the letter.How do I submit my work?+Once you're done upload your image to share. We may upload your image to our new Instagram page, be sure to include your Insta handle (@username) so we can credit you. If you don’t have an Instagram account, you can just type in your name. Leave your details blank if you like.What is a good size for the images?+Please make sure your image is of good resolution, it shouldn’t exceed more than 5mb or thereabouts. png, jpeg, svg all acceptable formats. By uploading your image you're giving us permission to publish it.Can I subscribe to this awesome concept?+If you would like to receive an email from us each week with the brief and video, be sure to subscribe at the top right of this page. We won’t share your information or be spammy.What if I want to go further?+If you love what we do, and think you would like to try your hand at becoming a designer. Check out our courses here.Can I contribute?+If you would like to become a regular video contributor, let us know. Even though we offer them for free, we pay contributors. Or if there is a technique that you would really like to learn, email us a visual, and any ideas you may have.Can I contact The Graphic Design School+Anything else you need or want to ask contact us at: info@thegraphicdesignschool.comCan I be a voice of TGDS?+If you want to spread the good word to your design friends feel free to share this page on social media ;)Back to the TopAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 68: Create a Band Artwork using Photoshop Liquify Tool | Dex | The Graphic Design School\n**URL:** /dex/no-17/\n**Template:** dex-single\n**Priority:** 5\n**Word Count:** 1052\n**Last Modified:** 2025-09-29T05:21:57.223Z\n**AI Category:** courses\n**AI Quality:** 4/5\n**AI Summary:** Learn to create band artwork using the Photoshop Liquify tool in this comprehensive tutorial.\n\nWeek 17: Create a Band Artwork using Photoshop Liquify ToolCreate a liquified image for a music band to be applied to a vinyl record sleeve mockup and Spotify application. Beginner+Source an image (or use the one in the link provided) and create a liquified image in Photoshop. Add text, save artwork to Adobe Library and apply it to a vinyl mockup. Intermediate+Source an image and create a liquified image in Photoshop. Add text, save artwork to Adobe Library and apply it to a vinyl mockup and to 3 different devices showing a music app. Advanced+Source 2 or 3 images and create a liquified images from each in Photoshop. Add text, save artworks to Adobe Library and apply them to a series of 2 or 3 vinyl mockups (could be a series of albums from the same artist/band), and to 3 different devices showing a music app. Time Allocated+Allow 1 hour for a beginner, 1 and a half for intermediate, and approximately 2 and a half for an advanced designer. Design Goals+Create an animation in which your word appears as if being written ‘live’ on the spot Constraints+Use Photoshop and the filter Liquify to distort an image to be used on band artwork. Use Adobe Library to save artwork and apply to different platforms and mockups. Resources+Vinyl Mockup: Cover Record Mockup from PixedenFree Spotify & Apple Music Mockup: Templates by Peter Broomfield on BehancePink Flower: Photo by Lacie Slezak on UnsplashSoftware+Adobe IllustratorBrush, Trace Tool, Textile DesignAdobe PhotoshopMockups, Liquify Tool, Smart ObjectsOtherAdobe LibraryUpload+SoftwareDifficultyShow AllWeek 45: Create 3D Designs with Illustrator Week 44: Social Media Template Design for Clients Week 43: How to Create a Brand Campaign with Assets Week 42: Create Beautiful Type Design Editorials for Print and Web Week 41: Create Beautiful Type Design Editorials for Print and Web Week 39: Create promotion and brand materials with your own optical art design piece in Adobe Illustrator Week 38: Create a beautiful image design by merging two images seamlessly together in Photoshop Week 37: Create your own kaleidoscope print in Photoshop Week 36: Create a live animation for handwritten text in Adobe After Effects Week 35: Create an animated pattern of your logo in Adobe After Effects Week 34: Textile Design - Part 2 Creating Print Textures Week 33: Get Started with a Basic Animation in After Effects Week 32: Textile Design - Part 1 Repeat Print Week 31: Use the width tool to create your Own Curvy Letter Week 30: Create a punchy typographic Xmas gif, then we show you how to embed in your email signature! Week 29: Using Adobe Dimension & Photoshop To Create Striking Packaging Week 28: Draw & Apply your Own One-Line Art to a Mockup Week 27: Social Media Series: Learn to shoot, style and edit an image for your social media channels Week 26: Social Media Series: Absolute Beginners Design & Present an Instagram Mockup Week 25: Create a World Cup animated GIF in Photoshop to promote your event Week 24: Create a Seamless Pattern in Photoshop and Apply it to Your Mockups - Part 2 Week 23: Create an Identity Using Engraved Effect on Images - Part 1 Week 22: Create a website prototype in Adobe Xd - Part 2 Week 21: Add contrasting light effects to a photographic image - Part 1 Week 20: Create Wonderful Waves with the Twirl Tool Week 19: Create a Dripping Text Effect in Illustrator Week 18: Create a live animation for handwritten text in Adobe After Effects Week 17: Create a Band Artwork using Photoshop Liquify Tool Week 16: The Best Illustrator Brushes Tutorial Ever Week 15: Create a Retro Style Surf Poster Week 14: Create a Corny Holiday Sweater Knit Animated GIF Week 13: Use Adobe Dimension to create a Perfect Packaging Showcase Week 12: Create Surreal Compositions in Photoshop Week 11: Create an Asian-inspired vintage style poster/postcard and ink-effect logo Week 10: Create Patterns with Photoshop, Pattern Bombing, Apply Patterns to Mockups Week 9: Layered Effect With Illustrator & Photoshop Week 8: Gold Typography in Illustrator Week 7: Stamp Tool & Clipping Mask in Photoshop Week 6: Envelope Distort in Illustrator Week 5: Paper 3D Collage Week 4: Create a Mosaic of Beautiful Polygons Week 3: Create Your Own Mockup Week 2: Head Icons Design Week 1: Hand Lettering in a Shape Learn More About DEXWho is this for?+Whether you are a beginner, intermediate or advanced level designer. There is a brief to suit you. Follow the instructions in the brief to the letter.How do I submit my work?+Once you're done upload your image to share. We may upload your image to our new Instagram page, be sure to include your Insta handle (@username) so we can credit you. If you don’t have an Instagram account, you can just type in your name. Leave your details blank if you like.What is a good size for the images?+Please make sure your image is of good resolution, it shouldn’t exceed more than 5mb or thereabouts. png, jpeg, svg all acceptable formats. By uploading your image you're giving us permission to publish it.Can I subscribe to this awesome concept?+If you would like to receive an email from us each week with the brief and video, be sure to subscribe at the top right of this page. We won’t share your information or be spammy.What if I want to go further?+If you love what we do, and think you would like to try your hand at becoming a designer. Check out our courses here.Can I contribute?+If you would like to become a regular video contributor, let us know. Even though we offer them for free, we pay contributors. Or if there is a technique that you would really like to learn, email us a visual, and any ideas you may have.Can I contact The Graphic Design School+Anything else you need or want to ask contact us at: info@thegraphicdesignschool.comCan I be a voice of TGDS?+If you want to spread the good word to your design friends feel free to share this page on social media ;)Back to the TopAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 69: Raluca Stefania-Persa's Design Portfolio | Students | The Graphic Design School\n**URL:** /students/raluca-stefania-persa/\n**Template:** student-single\n**Priority:** 5\n**Word Count:** 1043\n**Last Modified:** 2025-09-29T05:21:55.101Z\n**AI Category:** portfolio\n**AI Quality:** 4/5\n**AI Summary:** Raluca Stefania-Persa is a multi-disciplinary artist transitioning from Fine Arts to UI/UX design.\n\nTGDS Graduate RalucaIntroducing Raluca. Talented Artist and multi-disciplinary creative with a BA in Fine Arts. Raluca decided to join TGDS and delve into the world of graphic design as part of an overall journey to working within UI/UX design. Scroll down to read the interview Hey Raluca! Tell us a bit about you. I’m 29 years old, from Romania (Eastern Europe). I have a BA in Fine Arts (with a major in painting), however my work experience is in various fields in the corporate sector with a focus mainly on customer support & HR. I do love everything that is related to arts/the visual domain. My main passion and life-long love is actually drawing & painting. Also, I took up the design course at a time when I had some health issues & back then your course gave me meaningful purpose, which helped with my recovery (especially mentally).ur course gave me meaningful purpose, which helped with my recovery (especially mentally). Raluca Stefania-Persa - Personal Identity Design What or who inspired you to be a designer? It wasn’t more who inspired me, but what. Since 2016 I have been wanting to try UI/UX design. However, UI design also contains visual design. Back in 2017 I thought to myself if I wanted to try UI design, perhaps it would suit me to also know more about graphic design (history, concepts, etc) as UI design does use the same principles as graphic design. With this in mind, I decided that I’d better start with graphic design to gain some basics & then move on to UI. So that’s what I did by taking up your course. What are you up to in the design world at the moment? At the moment I am not pursuing to land a role as a graphic designer. I started a UX course in January 2022 & I am currently working on that. The knowledge gained from your course is on-hold so to speak, as the main goal for me would be a role in UI/UX. However, once I get to the UI part, I am sure the knowledge gained from this course will help to some extent. In a nutshell, I am in the middle of a career shift, leaning towards UI/UX design. Koi Fish - Digital Illustration What is your favourite part of the design process? The favourite part for me is when I get to do the sketches for the design concepts & bringing them to life in Illustrator, Photoshop Etc. The creative side is mainly my favourite part. Evolution and Its Process - Layout Design You were really into all sorts of design disciplines at TGDS, branding, campaigning and even packaging. Have you a fav? I must admit I do have a few favourites and I didn’t expect these to be my favourites simply because they are quite complex but here they are, packaging design for sure (I like how you have to fit everything into place, from concept, logo, colour, layout, typography, execution etc) Illustration design/icon design, layout design & a bit of branding design. Icons - Visual Design System Icons - Visual Design System Tell us anything you would like to about your featured works. All the works are done with great care & attention to detail. For the layout magazine design, I composed the body text about evolution & Charles Darwin as I couldn’t find anything else online that would suit my subject. For the packaging design, I spent around 3-4 months in total to complete it & I designed everything from scratch (the logo, I purchased a few type licenses, did extensive online research and documented about packaging labels/boxes). Virtual Ballet - Campaign & Layout Design What did you love most about studying design? I guess what I liked the most was simply discovering so many things. Discovering that graphic design is mainly an umbrella term, because it contains so many disciplines & each of the design disciplines is very different. Although all of these disciplines use the same graphic design concepts/ideas/principles, for each design discipline they apply differently. And what I also liked was that it challenged me. If I hadn’t taken up your course, I wouldn’t have known that I have talent in the area of graphic design as well. Whats your dream design job? Don’t hold back! My dream job would be one where you get enough time to thoroughly work through each of the design steps when starting a new project (as usually there is a lot of pressure to finish the end product quickly). As well as one where the line between subjectivity & objectivity would not be blurred by the personal feelings of clients. My dream job would also allow me to try & express myself creatively more & experiment. La Sportiva - Visual Identity Design What would you say to someone about to embark on their own journey in design? I would say if you want, or if you had been planning on learning design for a while but you haven’t had the chance up until now, do it! A word for embarking on the design journey - design is not like coding or other technical disciplines. It is subjective in certain aspects & has many unknowns. This is what gives it its beauty & its curse so to speak. However, if you like discovering new things & your mind is geared towards working in a more creative way, then go for it as you’ll get great satisfaction simply from discovering & creating! Aglea Cosmetics - Visual Identity & Packaging Design Aglea Cosmetics - Visual Identity & Packaging Design Aglea Cosmetics - Visual Identity & Packaging Design PrevBack to the TopNext Ready to get Started?You can enrol any day of the year. As we are online and training is self paced, there is no pressure. Enrol when you are ready to start, from anywhere in the world.Click the link below to check out our flexible payment plans!Course Costs & Payment PlansAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be. PrevBack to the TopNext The Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 70: Create an animated pattern of your logo in Adobe After Effects | Dex | The Graphic Design School\n**URL:** /dex/no-35/\n**Template:** dex-single\n**Priority:** 5\n**Word Count:** 1036\n**Last Modified:** 2025-09-29T05:21:56.635Z\n**AI Category:** courses\n**AI Quality:** 4/5\n**AI Summary:** Learn to create an animated logo pattern using Adobe After Effects.\n\nWeek 35: Create an animated pattern of your logo in Adobe After EffectsYay, you just finished a new logo or a great new icon and you want to show it to the world! Let’s give it some extra love and create an animated pattern with it. This tutorial will focus on animation in AE, so use a logo (or an icon) you already designed. If you do not have a suitable logo or icon… Maybe you can first create a logo for an imaginary project or just try to animate a shape or line. Beginner+Focus on creating an animated pattern. Intermediate+Create an animation that consists out of an animated pattern and one or more other effects. Advanced+Ready to take it a step further? Play around in AE and see what else you can do with the pattern. For example, create several layers and play with the effects of the animation. Or maybe you can try and first create a source for the pattern (so that would be a separate composition) with more than 1 element… Time Allocated+Allow 1 and a half hours for a beginner designer, 2 hours for intermediate and up to 3 hours for advanced design work. Design Goals+Create an animated pattern in AE. Constraints+Use Adobe Illustrator for preparing your logo file, then use After Effects to create the animation. Keep the animation short, max 15 seconds. Software+Adobe IllustratorLayers, Trace ToolOtherAdobe After EffectsUpload+SoftwareDifficultyShow AllWeek 45: Create 3D Designs with Illustrator Week 44: Social Media Template Design for Clients Week 43: How to Create a Brand Campaign with Assets Week 42: Create Beautiful Type Design Editorials for Print and Web Week 41: Create Beautiful Type Design Editorials for Print and Web Week 39: Create promotion and brand materials with your own optical art design piece in Adobe Illustrator Week 38: Create a beautiful image design by merging two images seamlessly together in Photoshop Week 37: Create your own kaleidoscope print in Photoshop Week 36: Create a live animation for handwritten text in Adobe After Effects Week 35: Create an animated pattern of your logo in Adobe After Effects Week 34: Textile Design - Part 2 Creating Print Textures Week 33: Get Started with a Basic Animation in After Effects Week 32: Textile Design - Part 1 Repeat Print Week 31: Use the width tool to create your Own Curvy Letter Week 30: Create a punchy typographic Xmas gif, then we show you how to embed in your email signature! Week 29: Using Adobe Dimension & Photoshop To Create Striking Packaging Week 28: Draw & Apply your Own One-Line Art to a Mockup Week 27: Social Media Series: Learn to shoot, style and edit an image for your social media channels Week 26: Social Media Series: Absolute Beginners Design & Present an Instagram Mockup Week 25: Create a World Cup animated GIF in Photoshop to promote your event Week 24: Create a Seamless Pattern in Photoshop and Apply it to Your Mockups - Part 2 Week 23: Create an Identity Using Engraved Effect on Images - Part 1 Week 22: Create a website prototype in Adobe Xd - Part 2 Week 21: Add contrasting light effects to a photographic image - Part 1 Week 20: Create Wonderful Waves with the Twirl Tool Week 19: Create a Dripping Text Effect in Illustrator Week 18: Create a live animation for handwritten text in Adobe After Effects Week 17: Create a Band Artwork using Photoshop Liquify Tool Week 16: The Best Illustrator Brushes Tutorial Ever Week 15: Create a Retro Style Surf Poster Week 14: Create a Corny Holiday Sweater Knit Animated GIF Week 13: Use Adobe Dimension to create a Perfect Packaging Showcase Week 12: Create Surreal Compositions in Photoshop Week 11: Create an Asian-inspired vintage style poster/postcard and ink-effect logo Week 10: Create Patterns with Photoshop, Pattern Bombing, Apply Patterns to Mockups Week 9: Layered Effect With Illustrator & Photoshop Week 8: Gold Typography in Illustrator Week 7: Stamp Tool & Clipping Mask in Photoshop Week 6: Envelope Distort in Illustrator Week 5: Paper 3D Collage Week 4: Create a Mosaic of Beautiful Polygons Week 3: Create Your Own Mockup Week 2: Head Icons Design Week 1: Hand Lettering in a Shape Learn More About DEXWho is this for?+Whether you are a beginner, intermediate or advanced level designer. There is a brief to suit you. Follow the instructions in the brief to the letter.How do I submit my work?+Once you're done upload your image to share. We may upload your image to our new Instagram page, be sure to include your Insta handle (@username) so we can credit you. If you don’t have an Instagram account, you can just type in your name. Leave your details blank if you like.What is a good size for the images?+Please make sure your image is of good resolution, it shouldn’t exceed more than 5mb or thereabouts. png, jpeg, svg all acceptable formats. By uploading your image you're giving us permission to publish it.Can I subscribe to this awesome concept?+If you would like to receive an email from us each week with the brief and video, be sure to subscribe at the top right of this page. We won’t share your information or be spammy.What if I want to go further?+If you love what we do, and think you would like to try your hand at becoming a designer. Check out our courses here.Can I contribute?+If you would like to become a regular video contributor, let us know. Even though we offer them for free, we pay contributors. Or if there is a technique that you would really like to learn, email us a visual, and any ideas you may have.Can I contact The Graphic Design School+Anything else you need or want to ask contact us at: info@thegraphicdesignschool.comCan I be a voice of TGDS?+If you want to spread the good word to your design friends feel free to share this page on social media ;)Back to the TopAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 71: Create a Corny Holiday Sweater Knit Animated GIF | Dex | The Graphic Design School\n**URL:** /dex/no-14/\n**Template:** dex-single\n**Priority:** 5\n**Word Count:** 1026\n**Last Modified:** 2025-09-29T05:21:57.307Z\n**AI Category:** courses\n**AI Quality:** 4/5\n**AI Summary:** Learn to create a knitted holiday sweater GIF using Illustrator and Photoshop.\n\nWeek 14: Create a Corny Holiday Sweater Knit Animated GIFCreate a knitted typographic message in Illustrator and animate in Photoshop. Beginner+Create a knitted background and Christmas message in Illustrator. Save as a static JPG. Intermediate+Create a knitted background and 2 Christmas messages on 2 artboards in Illustrator. Export and animate in Photoshop to create an animated GIF. Advanced+Animate one word, but use your own handwriting. Really dive in and get it 100% perfect. Where needed ‘slice’ your word in the required pieces (use Ai to create a separate layer for each part and name them clearly) to get all the lines perfectly animated GIF. Time Allocated+120 Minutes for Beginner: Create a knitted stitch, create a pattern and message in the stitch in Illustrator. 180 Minutes for intermediate: Create a knitted stitch, create a pattern and 2 messages in the stitch in Illustrator. Export and animate in Photoshop. 180 Minutes for advanced: Create a knitted stitch, create a pattern and 2/3 messages in the stitch in Illustrator. Explore colour versions of your design Export and animate in Photoshop. Design Goals+Create a knitted Christmas message as one static image or as an animated GIF. Constraints+Use Illustrator to create the knitted background and message, and Photoshop to animate the JPGs created in Illustrator. Resources+Stitch Patterns: Download the Illustrator file hereSoftware+Adobe IllustratorPatterns, Trace Tool, Textile DesignAdobe PhotoshopMockups, Designing GIFsUpload+SoftwareDifficultyShow AllWeek 45: Create 3D Designs with Illustrator Week 44: Social Media Template Design for Clients Week 43: How to Create a Brand Campaign with Assets Week 42: Create Beautiful Type Design Editorials for Print and Web Week 41: Create Beautiful Type Design Editorials for Print and Web Week 39: Create promotion and brand materials with your own optical art design piece in Adobe Illustrator Week 38: Create a beautiful image design by merging two images seamlessly together in Photoshop Week 37: Create your own kaleidoscope print in Photoshop Week 36: Create a live animation for handwritten text in Adobe After Effects Week 35: Create an animated pattern of your logo in Adobe After Effects Week 34: Textile Design - Part 2 Creating Print Textures Week 33: Get Started with a Basic Animation in After Effects Week 32: Textile Design - Part 1 Repeat Print Week 31: Use the width tool to create your Own Curvy Letter Week 30: Create a punchy typographic Xmas gif, then we show you how to embed in your email signature! Week 29: Using Adobe Dimension & Photoshop To Create Striking Packaging Week 28: Draw & Apply your Own One-Line Art to a Mockup Week 27: Social Media Series: Learn to shoot, style and edit an image for your social media channels Week 26: Social Media Series: Absolute Beginners Design & Present an Instagram Mockup Week 25: Create a World Cup animated GIF in Photoshop to promote your event Week 24: Create a Seamless Pattern in Photoshop and Apply it to Your Mockups - Part 2 Week 23: Create an Identity Using Engraved Effect on Images - Part 1 Week 22: Create a website prototype in Adobe Xd - Part 2 Week 21: Add contrasting light effects to a photographic image - Part 1 Week 20: Create Wonderful Waves with the Twirl Tool Week 19: Create a Dripping Text Effect in Illustrator Week 18: Create a live animation for handwritten text in Adobe After Effects Week 17: Create a Band Artwork using Photoshop Liquify Tool Week 16: The Best Illustrator Brushes Tutorial Ever Week 15: Create a Retro Style Surf Poster Week 14: Create a Corny Holiday Sweater Knit Animated GIF Week 13: Use Adobe Dimension to create a Perfect Packaging Showcase Week 12: Create Surreal Compositions in Photoshop Week 11: Create an Asian-inspired vintage style poster/postcard and ink-effect logo Week 10: Create Patterns with Photoshop, Pattern Bombing, Apply Patterns to Mockups Week 9: Layered Effect With Illustrator & Photoshop Week 8: Gold Typography in Illustrator Week 7: Stamp Tool & Clipping Mask in Photoshop Week 6: Envelope Distort in Illustrator Week 5: Paper 3D Collage Week 4: Create a Mosaic of Beautiful Polygons Week 3: Create Your Own Mockup Week 2: Head Icons Design Week 1: Hand Lettering in a Shape Learn More About DEXWho is this for?+Whether you are a beginner, intermediate or advanced level designer. There is a brief to suit you. Follow the instructions in the brief to the letter.How do I submit my work?+Once you're done upload your image to share. We may upload your image to our new Instagram page, be sure to include your Insta handle (@username) so we can credit you. If you don’t have an Instagram account, you can just type in your name. Leave your details blank if you like.What is a good size for the images?+Please make sure your image is of good resolution, it shouldn’t exceed more than 5mb or thereabouts. png, jpeg, svg all acceptable formats. By uploading your image you're giving us permission to publish it.Can I subscribe to this awesome concept?+If you would like to receive an email from us each week with the brief and video, be sure to subscribe at the top right of this page. We won’t share your information or be spammy.What if I want to go further?+If you love what we do, and think you would like to try your hand at becoming a designer. Check out our courses here.Can I contribute?+If you would like to become a regular video contributor, let us know. Even though we offer them for free, we pay contributors. Or if there is a technique that you would really like to learn, email us a visual, and any ideas you may have.Can I contact The Graphic Design School+Anything else you need or want to ask contact us at: info@thegraphicdesignschool.comCan I be a voice of TGDS?+If you want to spread the good word to your design friends feel free to share this page on social media ;)Back to the TopAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 72: Create a beautiful image design by merging two images seamlessly together in Photoshop | Dex | The Graphic Design School\n**URL:** /dex/no-38/\n**Template:** dex-single\n**Priority:** 5\n**Word Count:** 1012\n**Last Modified:** 2025-09-29T05:21:56.549Z\n**AI Category:** courses\n**AI Quality:** 4/5\n**AI Summary:** Learn to merge two images seamlessly in Photoshop for creative designs.\n\nWeek 38: Create a beautiful image design by merging two images seamlessly together in PhotoshopUsing the layers panel in Photoshop and two separate photographs, manipulate the edges together into one creative design. Beginner+Use the quick selection tool or pen tool to trace around a figure or shape in an image and remove it from it’s background. Intermediate+First define your edges using the mask technique. Then take another image that you can layer on top of it and create an interesting shape that blends into the first image and cut it away from its background. Advanced+Merge the two images together to create a collage image that you can use as a unique poster backdrop. Time Allocated+Allow up to an hour for concept design and research of images. After that allow another hour for beginner designers, 90 minutes for intermediate and up to 4 hours to complete the advanced challenge. Design Goals+Create a beautiful and unique collage. Constraints+Using photoshop and the quick selection or pen tool, trace a figure in an image and then use select & mask to define the edges you will cut to remove the figure from it's background. Resources+Impromptu Photoshoot with Model: Photo by Carlos Vaz on UnsplashPosey Power!: By Annie Spratt on UnsplashSoftware+Adobe PhotoshopLayers, Mask Tool, Select ToolUpload+SoftwareDifficultyShow AllWeek 45: Create 3D Designs with Illustrator Week 44: Social Media Template Design for Clients Week 43: How to Create a Brand Campaign with Assets Week 42: Create Beautiful Type Design Editorials for Print and Web Week 41: Create Beautiful Type Design Editorials for Print and Web Week 39: Create promotion and brand materials with your own optical art design piece in Adobe Illustrator Week 38: Create a beautiful image design by merging two images seamlessly together in Photoshop Week 37: Create your own kaleidoscope print in Photoshop Week 36: Create a live animation for handwritten text in Adobe After Effects Week 35: Create an animated pattern of your logo in Adobe After Effects Week 34: Textile Design - Part 2 Creating Print Textures Week 33: Get Started with a Basic Animation in After Effects Week 32: Textile Design - Part 1 Repeat Print Week 31: Use the width tool to create your Own Curvy Letter Week 30: Create a punchy typographic Xmas gif, then we show you how to embed in your email signature! Week 29: Using Adobe Dimension & Photoshop To Create Striking Packaging Week 28: Draw & Apply your Own One-Line Art to a Mockup Week 27: Social Media Series: Learn to shoot, style and edit an image for your social media channels Week 26: Social Media Series: Absolute Beginners Design & Present an Instagram Mockup Week 25: Create a World Cup animated GIF in Photoshop to promote your event Week 24: Create a Seamless Pattern in Photoshop and Apply it to Your Mockups - Part 2 Week 23: Create an Identity Using Engraved Effect on Images - Part 1 Week 22: Create a website prototype in Adobe Xd - Part 2 Week 21: Add contrasting light effects to a photographic image - Part 1 Week 20: Create Wonderful Waves with the Twirl Tool Week 19: Create a Dripping Text Effect in Illustrator Week 18: Create a live animation for handwritten text in Adobe After Effects Week 17: Create a Band Artwork using Photoshop Liquify Tool Week 16: The Best Illustrator Brushes Tutorial Ever Week 15: Create a Retro Style Surf Poster Week 14: Create a Corny Holiday Sweater Knit Animated GIF Week 13: Use Adobe Dimension to create a Perfect Packaging Showcase Week 12: Create Surreal Compositions in Photoshop Week 11: Create an Asian-inspired vintage style poster/postcard and ink-effect logo Week 10: Create Patterns with Photoshop, Pattern Bombing, Apply Patterns to Mockups Week 9: Layered Effect With Illustrator & Photoshop Week 8: Gold Typography in Illustrator Week 7: Stamp Tool & Clipping Mask in Photoshop Week 6: Envelope Distort in Illustrator Week 5: Paper 3D Collage Week 4: Create a Mosaic of Beautiful Polygons Week 3: Create Your Own Mockup Week 2: Head Icons Design Week 1: Hand Lettering in a Shape Learn More About DEXWho is this for?+Whether you are a beginner, intermediate or advanced level designer. There is a brief to suit you. Follow the instructions in the brief to the letter.How do I submit my work?+Once you're done upload your image to share. We may upload your image to our new Instagram page, be sure to include your Insta handle (@username) so we can credit you. If you don’t have an Instagram account, you can just type in your name. Leave your details blank if you like.What is a good size for the images?+Please make sure your image is of good resolution, it shouldn’t exceed more than 5mb or thereabouts. png, jpeg, svg all acceptable formats. By uploading your image you're giving us permission to publish it.Can I subscribe to this awesome concept?+If you would like to receive an email from us each week with the brief and video, be sure to subscribe at the top right of this page. We won’t share your information or be spammy.What if I want to go further?+If you love what we do, and think you would like to try your hand at becoming a designer. Check out our courses here.Can I contribute?+If you would like to become a regular video contributor, let us know. Even though we offer them for free, we pay contributors. Or if there is a technique that you would really like to learn, email us a visual, and any ideas you may have.Can I contact The Graphic Design School+Anything else you need or want to ask contact us at: info@thegraphicdesignschool.comCan I be a voice of TGDS?+If you want to spread the good word to your design friends feel free to share this page on social media ;)Back to the TopAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 73: Create a live animation for handwritten text in Adobe After Effects | Dex | The Graphic Design School\n**URL:** /dex/no-18/\n**Template:** dex-single\n**Priority:** 5\n**Word Count:** 1010\n**Last Modified:** 2025-09-29T05:21:57.194Z\n**AI Category:** courses\n**AI Quality:** 4/5\n**AI Summary:** Learn to create live animations for handwritten text in Adobe After Effects and Illustrator.\n\nWeek 18: Create a live animation for handwritten text in Adobe After EffectsCreate 3D artwork using Illustrator Blends. Beginner+Create line work for a simple logo and use Illustrator Blend tool to create a blend to apply to the line work. Add a gradient background to the artwork. Intermediate+Create a message in script and use Illustrator Blend tool to create a blend to apply to the line work. Add a gradient background to the artwork. Advanced+Create a series of script typographic artworks and use Illustrator Blend tool to create a blend to apply to the type. Add a gradient background to the artworks. Time Allocated+30 Minutes for Beginner: Draw line work, create your blend and apply the blend to the line work, add a background gradient. 45 Minutes for intermediate: Draw line work or script, create your blend and apply the blend to the line work, add a background gradient. 60 Minutes for advanced: Draw line work or script for a series of artworks, create your blend and apply the blend to the typography or line work, add background gradients. Design Goals+Create a 3D effect for a logo or for a typographic script. Constraints+Use Illustrator to create your blends and apply these to simple line work. Software+Adobe IllustratorBlend Tool, GradientsUpload+SoftwareDifficultyShow AllWeek 45: Create 3D Designs with Illustrator Week 44: Social Media Template Design for Clients Week 43: How to Create a Brand Campaign with Assets Week 42: Create Beautiful Type Design Editorials for Print and Web Week 41: Create Beautiful Type Design Editorials for Print and Web Week 39: Create promotion and brand materials with your own optical art design piece in Adobe Illustrator Week 38: Create a beautiful image design by merging two images seamlessly together in Photoshop Week 37: Create your own kaleidoscope print in Photoshop Week 36: Create a live animation for handwritten text in Adobe After Effects Week 35: Create an animated pattern of your logo in Adobe After Effects Week 34: Textile Design - Part 2 Creating Print Textures Week 33: Get Started with a Basic Animation in After Effects Week 32: Textile Design - Part 1 Repeat Print Week 31: Use the width tool to create your Own Curvy Letter Week 30: Create a punchy typographic Xmas gif, then we show you how to embed in your email signature! Week 29: Using Adobe Dimension & Photoshop To Create Striking Packaging Week 28: Draw & Apply your Own One-Line Art to a Mockup Week 27: Social Media Series: Learn to shoot, style and edit an image for your social media channels Week 26: Social Media Series: Absolute Beginners Design & Present an Instagram Mockup Week 25: Create a World Cup animated GIF in Photoshop to promote your event Week 24: Create a Seamless Pattern in Photoshop and Apply it to Your Mockups - Part 2 Week 23: Create an Identity Using Engraved Effect on Images - Part 1 Week 22: Create a website prototype in Adobe Xd - Part 2 Week 21: Add contrasting light effects to a photographic image - Part 1 Week 20: Create Wonderful Waves with the Twirl Tool Week 19: Create a Dripping Text Effect in Illustrator Week 18: Create a live animation for handwritten text in Adobe After Effects Week 17: Create a Band Artwork using Photoshop Liquify Tool Week 16: The Best Illustrator Brushes Tutorial Ever Week 15: Create a Retro Style Surf Poster Week 14: Create a Corny Holiday Sweater Knit Animated GIF Week 13: Use Adobe Dimension to create a Perfect Packaging Showcase Week 12: Create Surreal Compositions in Photoshop Week 11: Create an Asian-inspired vintage style poster/postcard and ink-effect logo Week 10: Create Patterns with Photoshop, Pattern Bombing, Apply Patterns to Mockups Week 9: Layered Effect With Illustrator & Photoshop Week 8: Gold Typography in Illustrator Week 7: Stamp Tool & Clipping Mask in Photoshop Week 6: Envelope Distort in Illustrator Week 5: Paper 3D Collage Week 4: Create a Mosaic of Beautiful Polygons Week 3: Create Your Own Mockup Week 2: Head Icons Design Week 1: Hand Lettering in a Shape Learn More About DEXWho is this for?+Whether you are a beginner, intermediate or advanced level designer. There is a brief to suit you. Follow the instructions in the brief to the letter.How do I submit my work?+Once you're done upload your image to share. We may upload your image to our new Instagram page, be sure to include your Insta handle (@username) so we can credit you. If you don’t have an Instagram account, you can just type in your name. Leave your details blank if you like.What is a good size for the images?+Please make sure your image is of good resolution, it shouldn’t exceed more than 5mb or thereabouts. png, jpeg, svg all acceptable formats. By uploading your image you're giving us permission to publish it.Can I subscribe to this awesome concept?+If you would like to receive an email from us each week with the brief and video, be sure to subscribe at the top right of this page. We won’t share your information or be spammy.What if I want to go further?+If you love what we do, and think you would like to try your hand at becoming a designer. Check out our courses here.Can I contribute?+If you would like to become a regular video contributor, let us know. Even though we offer them for free, we pay contributors. Or if there is a technique that you would really like to learn, email us a visual, and any ideas you may have.Can I contact The Graphic Design School+Anything else you need or want to ask contact us at: info@thegraphicdesignschool.comCan I be a voice of TGDS?+If you want to spread the good word to your design friends feel free to share this page on social media ;)Back to the TopAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 74: The Best Illustrator Brushes Tutorial Ever | Dex | The Graphic Design School\n**URL:** /dex/no-16/\n**Template:** dex-single\n**Priority:** 5\n**Word Count:** 1008\n**Last Modified:** 2025-09-29T05:21:57.247Z\n**AI Category:** courses\n**AI Quality:** 4/5\n**AI Summary:** Learn to create custom brushes in Illustrator for various design projects.\n\nWeek 16: The Best Illustrator Brushes Tutorial EverUse Illustrator to create your own brushes, we will look at both the art brushes and the scatter brushes. Experiment with the various options. Beginner+Create your own brush and use it in a design, for example, a package design, a logo, a brochure. Intermediate+Create several brushes, experiment and try to develop a range of brushes to be used in a design project. Advanced+Create take your design a step further and bring it to live in Adobe Dimension. Time Allocated+45 Minutes for Beginner: create your own brush and use it in a design (e.g. a pack design, a logo, in a brochure, etc). 60-75 Minutes for intermediate: create several brushes, experiment and try to develop a range of brushes to be used in a design project. 60-105 Minutes for advanced: take your design a step further and bring it to live in Adobe Dimension. Design Goals+Design your own unique brush and start using it in a design (can be anything, an actual project or design something for this specific dex). Constraints+Use Ai and create your own brushes, we will look at both the art brushes and the scatter brushes. Experiment with the various options. Software+Adobe IllustratorBrushes, Shape Tool, Warp ToolOtherAdobe DimensionUpload+SoftwareDifficultyShow AllWeek 45: Create 3D Designs with Illustrator Week 44: Social Media Template Design for Clients Week 43: How to Create a Brand Campaign with Assets Week 42: Create Beautiful Type Design Editorials for Print and Web Week 41: Create Beautiful Type Design Editorials for Print and Web Week 39: Create promotion and brand materials with your own optical art design piece in Adobe Illustrator Week 38: Create a beautiful image design by merging two images seamlessly together in Photoshop Week 37: Create your own kaleidoscope print in Photoshop Week 36: Create a live animation for handwritten text in Adobe After Effects Week 35: Create an animated pattern of your logo in Adobe After Effects Week 34: Textile Design - Part 2 Creating Print Textures Week 33: Get Started with a Basic Animation in After Effects Week 32: Textile Design - Part 1 Repeat Print Week 31: Use the width tool to create your Own Curvy Letter Week 30: Create a punchy typographic Xmas gif, then we show you how to embed in your email signature! Week 29: Using Adobe Dimension & Photoshop To Create Striking Packaging Week 28: Draw & Apply your Own One-Line Art to a Mockup Week 27: Social Media Series: Learn to shoot, style and edit an image for your social media channels Week 26: Social Media Series: Absolute Beginners Design & Present an Instagram Mockup Week 25: Create a World Cup animated GIF in Photoshop to promote your event Week 24: Create a Seamless Pattern in Photoshop and Apply it to Your Mockups - Part 2 Week 23: Create an Identity Using Engraved Effect on Images - Part 1 Week 22: Create a website prototype in Adobe Xd - Part 2 Week 21: Add contrasting light effects to a photographic image - Part 1 Week 20: Create Wonderful Waves with the Twirl Tool Week 19: Create a Dripping Text Effect in Illustrator Week 18: Create a live animation for handwritten text in Adobe After Effects Week 17: Create a Band Artwork using Photoshop Liquify Tool Week 16: The Best Illustrator Brushes Tutorial Ever Week 15: Create a Retro Style Surf Poster Week 14: Create a Corny Holiday Sweater Knit Animated GIF Week 13: Use Adobe Dimension to create a Perfect Packaging Showcase Week 12: Create Surreal Compositions in Photoshop Week 11: Create an Asian-inspired vintage style poster/postcard and ink-effect logo Week 10: Create Patterns with Photoshop, Pattern Bombing, Apply Patterns to Mockups Week 9: Layered Effect With Illustrator & Photoshop Week 8: Gold Typography in Illustrator Week 7: Stamp Tool & Clipping Mask in Photoshop Week 6: Envelope Distort in Illustrator Week 5: Paper 3D Collage Week 4: Create a Mosaic of Beautiful Polygons Week 3: Create Your Own Mockup Week 2: Head Icons Design Week 1: Hand Lettering in a Shape Learn More About DEXWho is this for?+Whether you are a beginner, intermediate or advanced level designer. There is a brief to suit you. Follow the instructions in the brief to the letter.How do I submit my work?+Once you're done upload your image to share. We may upload your image to our new Instagram page, be sure to include your Insta handle (@username) so we can credit you. If you don’t have an Instagram account, you can just type in your name. Leave your details blank if you like.What is a good size for the images?+Please make sure your image is of good resolution, it shouldn’t exceed more than 5mb or thereabouts. png, jpeg, svg all acceptable formats. By uploading your image you're giving us permission to publish it.Can I subscribe to this awesome concept?+If you would like to receive an email from us each week with the brief and video, be sure to subscribe at the top right of this page. We won’t share your information or be spammy.What if I want to go further?+If you love what we do, and think you would like to try your hand at becoming a designer. Check out our courses here.Can I contribute?+If you would like to become a regular video contributor, let us know. Even though we offer them for free, we pay contributors. Or if there is a technique that you would really like to learn, email us a visual, and any ideas you may have.Can I contact The Graphic Design School+Anything else you need or want to ask contact us at: info@thegraphicdesignschool.comCan I be a voice of TGDS?+If you want to spread the good word to your design friends feel free to share this page on social media ;)Back to the TopAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 75: Stamp Tool & Clipping Mask in Photoshop | Dex | The Graphic Design School\n**URL:** /dex/no-7/\n**Template:** dex-single\n**Priority:** 5\n**Word Count:** 996\n**Last Modified:** 2025-09-29T05:21:56.235Z\n**AI Category:** courses\n**AI Quality:** 4/5\n**AI Summary:** Learn to create unique mockups in Photoshop using the Stamp Tool and Clipping Mask.\n\nWeek 7: Stamp Tool & Clipping Mask in PhotoshopDesign your own unique mockup from scratch in Photoshop, with the stamp tool and clipping mask. Beginner+You found this great photo online to show your design, but it already has a logo on it. This DEX will show you can often still use that photo and create it into a great visual to show your design. Pick a logo (already designed by you or design something new specifically for this DEX!) and try to find a great photo to show your design to the world.Intermediate+Go a step further and try finding a photo in which you can place several designs, eg. repeat your logo a few times or maybe adding other brand elements as well.Advanced+Also, apply other PS tools in order to create a perfect mockup and let us know how you did it!Time Allocated+60-90 minutes deciding on the design and finding the right photo and 1 hour execution.Design Goals+Take your design into the real world with a self-created mockup.Constraints+Use Photoshop. Create your own mockup from scratch, use the stamp tool to clean up the photo from other design elements.Software+Adobe PhotoshopStamp Tool, Mockups, Mask Tool, Clipping MaskUpload+SoftwareDifficultyShow AllWeek 45: Create 3D Designs with Illustrator Week 44: Social Media Template Design for Clients Week 43: How to Create a Brand Campaign with Assets Week 42: Create Beautiful Type Design Editorials for Print and Web Week 41: Create Beautiful Type Design Editorials for Print and Web Week 39: Create promotion and brand materials with your own optical art design piece in Adobe Illustrator Week 38: Create a beautiful image design by merging two images seamlessly together in Photoshop Week 37: Create your own kaleidoscope print in Photoshop Week 36: Create a live animation for handwritten text in Adobe After Effects Week 35: Create an animated pattern of your logo in Adobe After Effects Week 34: Textile Design - Part 2 Creating Print Textures Week 33: Get Started with a Basic Animation in After Effects Week 32: Textile Design - Part 1 Repeat Print Week 31: Use the width tool to create your Own Curvy Letter Week 30: Create a punchy typographic Xmas gif, then we show you how to embed in your email signature! Week 29: Using Adobe Dimension & Photoshop To Create Striking Packaging Week 28: Draw & Apply your Own One-Line Art to a Mockup Week 27: Social Media Series: Learn to shoot, style and edit an image for your social media channels Week 26: Social Media Series: Absolute Beginners Design & Present an Instagram Mockup Week 25: Create a World Cup animated GIF in Photoshop to promote your event Week 24: Create a Seamless Pattern in Photoshop and Apply it to Your Mockups - Part 2 Week 23: Create an Identity Using Engraved Effect on Images - Part 1 Week 22: Create a website prototype in Adobe Xd - Part 2 Week 21: Add contrasting light effects to a photographic image - Part 1 Week 20: Create Wonderful Waves with the Twirl Tool Week 19: Create a Dripping Text Effect in Illustrator Week 18: Create a live animation for handwritten text in Adobe After Effects Week 17: Create a Band Artwork using Photoshop Liquify Tool Week 16: The Best Illustrator Brushes Tutorial Ever Week 15: Create a Retro Style Surf Poster Week 14: Create a Corny Holiday Sweater Knit Animated GIF Week 13: Use Adobe Dimension to create a Perfect Packaging Showcase Week 12: Create Surreal Compositions in Photoshop Week 11: Create an Asian-inspired vintage style poster/postcard and ink-effect logo Week 10: Create Patterns with Photoshop, Pattern Bombing, Apply Patterns to Mockups Week 9: Layered Effect With Illustrator & Photoshop Week 8: Gold Typography in Illustrator Week 7: Stamp Tool & Clipping Mask in Photoshop Week 6: Envelope Distort in Illustrator Week 5: Paper 3D Collage Week 4: Create a Mosaic of Beautiful Polygons Week 3: Create Your Own Mockup Week 2: Head Icons Design Week 1: Hand Lettering in a Shape Learn More About DEXWho is this for?+Whether you are a beginner, intermediate or advanced level designer. There is a brief to suit you. Follow the instructions in the brief to the letter.How do I submit my work?+Once you're done upload your image to share. We may upload your image to our new Instagram page, be sure to include your Insta handle (@username) so we can credit you. If you don’t have an Instagram account, you can just type in your name. Leave your details blank if you like.What is a good size for the images?+Please make sure your image is of good resolution, it shouldn’t exceed more than 5mb or thereabouts. png, jpeg, svg all acceptable formats. By uploading your image you're giving us permission to publish it.Can I subscribe to this awesome concept?+If you would like to receive an email from us each week with the brief and video, be sure to subscribe at the top right of this page. We won’t share your information or be spammy.What if I want to go further?+If you love what we do, and think you would like to try your hand at becoming a designer. Check out our courses here.Can I contribute?+If you would like to become a regular video contributor, let us know. Even though we offer them for free, we pay contributors. Or if there is a technique that you would really like to learn, email us a visual, and any ideas you may have.Can I contact The Graphic Design School+Anything else you need or want to ask contact us at: info@thegraphicdesignschool.comCan I be a voice of TGDS?+If you want to spread the good word to your design friends feel free to share this page on social media ;)Back to the TopAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 76: Create a Seamless Pattern in Photoshop and Apply it to Your Mockups - Part 2 | Dex | The Graphic Design School\n**URL:** /dex/no-24/\n**Template:** dex-single\n**Priority:** 5\n**Word Count:** 996\n**Last Modified:** 2025-09-29T05:21:56.995Z\n**AI Category:** courses\n**AI Quality:** 4/5\n**AI Summary:** Learn to create and apply seamless patterns in Photoshop for mockups.\n\nWeek 24: Create a Seamless Pattern in Photoshop and Apply it to Your Mockups - Part 2Transform photographic images into engraved illustrations to use as part of an identity design. These images will also be used in DEX Week 26 as part of an identity system and pattern. Beginner+Create a seamless pattern in Photoshop using an image and apply this pattern to a mockup. Intermediate+Create a seamless pattern in Photoshop using 3 separate images and apply this pattern to 2 different mockups. Advanced+Create a seamless pattern in Photoshop using 4 separate images and apply this pattern to 3 different mockups. Time Allocated+30 Minutes for Beginner: Create a pattern using 2 images and apply to one mockup. 60 Minutes for intermediate: Create a pattern using 3 images and apply to two mockups. 90 Minutes for advanced: Create a pattern using 4 images and apply to three mockups. Design Goals+Create and apply a seamless pattern to a mack-up in Photoshop. Constraints+Use Photoshop to create and then define your pattern. Resources+Copper Foil Bottle Packaging Mockup: Mockup by Anthony BoydShopping Bag PSD MockUp: Mockup by the GraphicBurger teamWall Art PSD MockUp: Mockup by the GraphicBurger teamSoftware+Adobe PhotoshopMockups, Smart ObjectsUpload+SoftwareDifficultyShow AllWeek 45: Create 3D Designs with Illustrator Week 44: Social Media Template Design for Clients Week 43: How to Create a Brand Campaign with Assets Week 42: Create Beautiful Type Design Editorials for Print and Web Week 41: Create Beautiful Type Design Editorials for Print and Web Week 39: Create promotion and brand materials with your own optical art design piece in Adobe Illustrator Week 38: Create a beautiful image design by merging two images seamlessly together in Photoshop Week 37: Create your own kaleidoscope print in Photoshop Week 36: Create a live animation for handwritten text in Adobe After Effects Week 35: Create an animated pattern of your logo in Adobe After Effects Week 34: Textile Design - Part 2 Creating Print Textures Week 33: Get Started with a Basic Animation in After Effects Week 32: Textile Design - Part 1 Repeat Print Week 31: Use the width tool to create your Own Curvy Letter Week 30: Create a punchy typographic Xmas gif, then we show you how to embed in your email signature! Week 29: Using Adobe Dimension & Photoshop To Create Striking Packaging Week 28: Draw & Apply your Own One-Line Art to a Mockup Week 27: Social Media Series: Learn to shoot, style and edit an image for your social media channels Week 26: Social Media Series: Absolute Beginners Design & Present an Instagram Mockup Week 25: Create a World Cup animated GIF in Photoshop to promote your event Week 24: Create a Seamless Pattern in Photoshop and Apply it to Your Mockups - Part 2 Week 23: Create an Identity Using Engraved Effect on Images - Part 1 Week 22: Create a website prototype in Adobe Xd - Part 2 Week 21: Add contrasting light effects to a photographic image - Part 1 Week 20: Create Wonderful Waves with the Twirl Tool Week 19: Create a Dripping Text Effect in Illustrator Week 18: Create a live animation for handwritten text in Adobe After Effects Week 17: Create a Band Artwork using Photoshop Liquify Tool Week 16: The Best Illustrator Brushes Tutorial Ever Week 15: Create a Retro Style Surf Poster Week 14: Create a Corny Holiday Sweater Knit Animated GIF Week 13: Use Adobe Dimension to create a Perfect Packaging Showcase Week 12: Create Surreal Compositions in Photoshop Week 11: Create an Asian-inspired vintage style poster/postcard and ink-effect logo Week 10: Create Patterns with Photoshop, Pattern Bombing, Apply Patterns to Mockups Week 9: Layered Effect With Illustrator & Photoshop Week 8: Gold Typography in Illustrator Week 7: Stamp Tool & Clipping Mask in Photoshop Week 6: Envelope Distort in Illustrator Week 5: Paper 3D Collage Week 4: Create a Mosaic of Beautiful Polygons Week 3: Create Your Own Mockup Week 2: Head Icons Design Week 1: Hand Lettering in a Shape Learn More About DEXWho is this for?+Whether you are a beginner, intermediate or advanced level designer. There is a brief to suit you. Follow the instructions in the brief to the letter.How do I submit my work?+Once you're done upload your image to share. We may upload your image to our new Instagram page, be sure to include your Insta handle (@username) so we can credit you. If you don’t have an Instagram account, you can just type in your name. Leave your details blank if you like.What is a good size for the images?+Please make sure your image is of good resolution, it shouldn’t exceed more than 5mb or thereabouts. png, jpeg, svg all acceptable formats. By uploading your image you're giving us permission to publish it.Can I subscribe to this awesome concept?+If you would like to receive an email from us each week with the brief and video, be sure to subscribe at the top right of this page. We won’t share your information or be spammy.What if I want to go further?+If you love what we do, and think you would like to try your hand at becoming a designer. Check out our courses here.Can I contribute?+If you would like to become a regular video contributor, let us know. Even though we offer them for free, we pay contributors. Or if there is a technique that you would really like to learn, email us a visual, and any ideas you may have.Can I contact The Graphic Design School+Anything else you need or want to ask contact us at: info@thegraphicdesignschool.comCan I be a voice of TGDS?+If you want to spread the good word to your design friends feel free to share this page on social media ;)Back to the TopAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 77: Create a live animation for handwritten text in Adobe After Effects | Dex | The Graphic Design School\n**URL:** /dex/no-36/\n**Template:** dex-single\n**Priority:** 5\n**Word Count:** 985\n**Last Modified:** 2025-09-29T05:21:56.600Z\n**AI Category:** courses\n**AI Quality:** 4/5\n**AI Summary:** Learn to create a live animation of handwritten text in Adobe After Effects.\n\nWeek 36: Create a live animation for handwritten text in Adobe After EffectsMake a short animation in AE that looks as if you are writing a word (of your choice) on the spot. It's even better if you can use your very own handwriting! Beginner+Animate one word, but use your own handwriting and then animate it as if you are writing it on the spot. Intermediate+Create an animation that consists out of an animated pattern and one or more other effects. Advanced+Animate one word, but use your own handwriting. Really dive in and get it 100% perfect. Where needed ‘slice’ your word in the required pieces (use Ai to create a separate layer for each part and name them clearly) to get all the lines perfectly animated. Time Allocated+Allow 1 hour for a beginner, 1 and a half for intermediate, and approximately 2 and a half for an advanced designer. Design Goals+Create an animation in which your word appears as if being written ‘live’ on the spot. Constraints+Use Adobe Illustrator and After Effects. Keep the animation short, max 10 seconds. Software+Adobe IllustratorLayersOtherAdobe After EffectsUpload+SoftwareDifficultyShow AllWeek 45: Create 3D Designs with Illustrator Week 44: Social Media Template Design for Clients Week 43: How to Create a Brand Campaign with Assets Week 42: Create Beautiful Type Design Editorials for Print and Web Week 41: Create Beautiful Type Design Editorials for Print and Web Week 39: Create promotion and brand materials with your own optical art design piece in Adobe Illustrator Week 38: Create a beautiful image design by merging two images seamlessly together in Photoshop Week 37: Create your own kaleidoscope print in Photoshop Week 36: Create a live animation for handwritten text in Adobe After Effects Week 35: Create an animated pattern of your logo in Adobe After Effects Week 34: Textile Design - Part 2 Creating Print Textures Week 33: Get Started with a Basic Animation in After Effects Week 32: Textile Design - Part 1 Repeat Print Week 31: Use the width tool to create your Own Curvy Letter Week 30: Create a punchy typographic Xmas gif, then we show you how to embed in your email signature! Week 29: Using Adobe Dimension & Photoshop To Create Striking Packaging Week 28: Draw & Apply your Own One-Line Art to a Mockup Week 27: Social Media Series: Learn to shoot, style and edit an image for your social media channels Week 26: Social Media Series: Absolute Beginners Design & Present an Instagram Mockup Week 25: Create a World Cup animated GIF in Photoshop to promote your event Week 24: Create a Seamless Pattern in Photoshop and Apply it to Your Mockups - Part 2 Week 23: Create an Identity Using Engraved Effect on Images - Part 1 Week 22: Create a website prototype in Adobe Xd - Part 2 Week 21: Add contrasting light effects to a photographic image - Part 1 Week 20: Create Wonderful Waves with the Twirl Tool Week 19: Create a Dripping Text Effect in Illustrator Week 18: Create a live animation for handwritten text in Adobe After Effects Week 17: Create a Band Artwork using Photoshop Liquify Tool Week 16: The Best Illustrator Brushes Tutorial Ever Week 15: Create a Retro Style Surf Poster Week 14: Create a Corny Holiday Sweater Knit Animated GIF Week 13: Use Adobe Dimension to create a Perfect Packaging Showcase Week 12: Create Surreal Compositions in Photoshop Week 11: Create an Asian-inspired vintage style poster/postcard and ink-effect logo Week 10: Create Patterns with Photoshop, Pattern Bombing, Apply Patterns to Mockups Week 9: Layered Effect With Illustrator & Photoshop Week 8: Gold Typography in Illustrator Week 7: Stamp Tool & Clipping Mask in Photoshop Week 6: Envelope Distort in Illustrator Week 5: Paper 3D Collage Week 4: Create a Mosaic of Beautiful Polygons Week 3: Create Your Own Mockup Week 2: Head Icons Design Week 1: Hand Lettering in a Shape Learn More About DEXWho is this for?+Whether you are a beginner, intermediate or advanced level designer. There is a brief to suit you. Follow the instructions in the brief to the letter.How do I submit my work?+Once you're done upload your image to share. We may upload your image to our new Instagram page, be sure to include your Insta handle (@username) so we can credit you. If you don’t have an Instagram account, you can just type in your name. Leave your details blank if you like.What is a good size for the images?+Please make sure your image is of good resolution, it shouldn’t exceed more than 5mb or thereabouts. png, jpeg, svg all acceptable formats. By uploading your image you're giving us permission to publish it.Can I subscribe to this awesome concept?+If you would like to receive an email from us each week with the brief and video, be sure to subscribe at the top right of this page. We won’t share your information or be spammy.What if I want to go further?+If you love what we do, and think you would like to try your hand at becoming a designer. Check out our courses here.Can I contribute?+If you would like to become a regular video contributor, let us know. Even though we offer them for free, we pay contributors. Or if there is a technique that you would really like to learn, email us a visual, and any ideas you may have.Can I contact The Graphic Design School+Anything else you need or want to ask contact us at: info@thegraphicdesignschool.comCan I be a voice of TGDS?+If you want to spread the good word to your design friends feel free to share this page on social media ;)Back to the TopAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 78: Social Media Template Design for Clients | Dex | The Graphic Design School\n**URL:** /dex/no-44/\n**Template:** dex-single\n**Priority:** 5\n**Word Count:** 975\n**Last Modified:** 2025-09-29T05:21:56.360Z\n**AI Category:** courses\n**AI Quality:** 4/5\n**AI Summary:** Learn to design editable social media templates for clients using Canva.\n\nWeek 44: Social Media Template Design for ClientsCreate a range of editable social media template designs for a client in Canva. Beginner+Sign up for a FREE Canva account. Familiarise yourself with the application. Create a social media template using Canva’s FREE design assets. Intermediate+Sign up for a FREE Canva account and using a client of your choosing, create 3 editable social media templates for a single social media platform. Once complete. Re-size the templates for another social platform. Advanced+Sign up for a FREE Canva account and using a client of your choosing, create a suite of editable social media templates for 2 social media platforms. Once complete, use a range of PSD mock ups to present your designs and demonstrate the context in how they should be used by the client. Time Allocated+2 Hours for Beginners: / 3 Hours for Intermediate: / 4 Hours for Advanced: / Design Goals+Demonstrate your graphic design skills using an alternative platform. Constraints+Use Canva for everything. Resources+Mr Mockup: Mr MockupUnsplash: UnsplashColour Palettes: Adobe ColoursCanva: Design PlatformSoftware+Adobe IllustratorDesign System, TemplatesUpload+SoftwareDifficultyShow AllWeek 45: Create 3D Designs with Illustrator Week 44: Social Media Template Design for Clients Week 43: How to Create a Brand Campaign with Assets Week 42: Create Beautiful Type Design Editorials for Print and Web Week 41: Create Beautiful Type Design Editorials for Print and Web Week 39: Create promotion and brand materials with your own optical art design piece in Adobe Illustrator Week 38: Create a beautiful image design by merging two images seamlessly together in Photoshop Week 37: Create your own kaleidoscope print in Photoshop Week 36: Create a live animation for handwritten text in Adobe After Effects Week 35: Create an animated pattern of your logo in Adobe After Effects Week 34: Textile Design - Part 2 Creating Print Textures Week 33: Get Started with a Basic Animation in After Effects Week 32: Textile Design - Part 1 Repeat Print Week 31: Use the width tool to create your Own Curvy Letter Week 30: Create a punchy typographic Xmas gif, then we show you how to embed in your email signature! Week 29: Using Adobe Dimension & Photoshop To Create Striking Packaging Week 28: Draw & Apply your Own One-Line Art to a Mockup Week 27: Social Media Series: Learn to shoot, style and edit an image for your social media channels Week 26: Social Media Series: Absolute Beginners Design & Present an Instagram Mockup Week 25: Create a World Cup animated GIF in Photoshop to promote your event Week 24: Create a Seamless Pattern in Photoshop and Apply it to Your Mockups - Part 2 Week 23: Create an Identity Using Engraved Effect on Images - Part 1 Week 22: Create a website prototype in Adobe Xd - Part 2 Week 21: Add contrasting light effects to a photographic image - Part 1 Week 20: Create Wonderful Waves with the Twirl Tool Week 19: Create a Dripping Text Effect in Illustrator Week 18: Create a live animation for handwritten text in Adobe After Effects Week 17: Create a Band Artwork using Photoshop Liquify Tool Week 16: The Best Illustrator Brushes Tutorial Ever Week 15: Create a Retro Style Surf Poster Week 14: Create a Corny Holiday Sweater Knit Animated GIF Week 13: Use Adobe Dimension to create a Perfect Packaging Showcase Week 12: Create Surreal Compositions in Photoshop Week 11: Create an Asian-inspired vintage style poster/postcard and ink-effect logo Week 10: Create Patterns with Photoshop, Pattern Bombing, Apply Patterns to Mockups Week 9: Layered Effect With Illustrator & Photoshop Week 8: Gold Typography in Illustrator Week 7: Stamp Tool & Clipping Mask in Photoshop Week 6: Envelope Distort in Illustrator Week 5: Paper 3D Collage Week 4: Create a Mosaic of Beautiful Polygons Week 3: Create Your Own Mockup Week 2: Head Icons Design Week 1: Hand Lettering in a Shape Learn More About DEXWho is this for?+Whether you are a beginner, intermediate or advanced level designer. There is a brief to suit you. Follow the instructions in the brief to the letter.How do I submit my work?+Once you're done upload your image to share. We may upload your image to our new Instagram page, be sure to include your Insta handle (@username) so we can credit you. If you don’t have an Instagram account, you can just type in your name. Leave your details blank if you like.What is a good size for the images?+Please make sure your image is of good resolution, it shouldn’t exceed more than 5mb or thereabouts. png, jpeg, svg all acceptable formats. By uploading your image you're giving us permission to publish it.Can I subscribe to this awesome concept?+If you would like to receive an email from us each week with the brief and video, be sure to subscribe at the top right of this page. We won’t share your information or be spammy.What if I want to go further?+If you love what we do, and think you would like to try your hand at becoming a designer. Check out our courses here.Can I contribute?+If you would like to become a regular video contributor, let us know. Even though we offer them for free, we pay contributors. Or if there is a technique that you would really like to learn, email us a visual, and any ideas you may have.Can I contact The Graphic Design School+Anything else you need or want to ask contact us at: info@thegraphicdesignschool.comCan I be a voice of TGDS?+If you want to spread the good word to your design friends feel free to share this page on social media ;)Back to the TopAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 79: Get Started with a Basic Animation in After Effects | Dex | The Graphic Design School\n**URL:** /dex/no-33/\n**Template:** dex-single\n**Priority:** 5\n**Word Count:** 971\n**Last Modified:** 2025-09-29T05:21:56.706Z\n**AI Category:** courses\n**AI Quality:** 4/5\n**AI Summary:** Learn to create basic text animations in After Effects with structured challenges.\n\nWeek 33: Get Started with a Basic Animation in After EffectsCreate a short animation in which you animate text. Of course you can make up your own plan for the text. Beginner+Animate one piece of text. Animate the text with one or a few basic transform options such as opacity, scale or position. Intermediate+Create an animation that consists out of several steps; like different bits of text with different sorts of animation. Advanced+Explore AE, take it a step further and see what else you can do... Surprise us! You can for example add a photo as a background, add other effects, or add some shapes and animate them. Time Allocated+Allow 60 minutes for a beginner designer, 90 minutes for intermediate and 150 minutes for the advanced challenges. Design Goals+Animate a short text message in After Effects. Constraints+Use After Effects. Keep the animation short (max: 10 seconds) and animate text. Resources+IvyMode: By Jan Maack on Adobe FontsAntique Olive: By URW++ on Adobe FontsWinky Face: Icon from The Noun ProjectSoftware+OtherAdobe After EffectsUpload+SoftwareDifficultyShow AllWeek 45: Create 3D Designs with Illustrator Week 44: Social Media Template Design for Clients Week 43: How to Create a Brand Campaign with Assets Week 42: Create Beautiful Type Design Editorials for Print and Web Week 41: Create Beautiful Type Design Editorials for Print and Web Week 39: Create promotion and brand materials with your own optical art design piece in Adobe Illustrator Week 38: Create a beautiful image design by merging two images seamlessly together in Photoshop Week 37: Create your own kaleidoscope print in Photoshop Week 36: Create a live animation for handwritten text in Adobe After Effects Week 35: Create an animated pattern of your logo in Adobe After Effects Week 34: Textile Design - Part 2 Creating Print Textures Week 33: Get Started with a Basic Animation in After Effects Week 32: Textile Design - Part 1 Repeat Print Week 31: Use the width tool to create your Own Curvy Letter Week 30: Create a punchy typographic Xmas gif, then we show you how to embed in your email signature! Week 29: Using Adobe Dimension & Photoshop To Create Striking Packaging Week 28: Draw & Apply your Own One-Line Art to a Mockup Week 27: Social Media Series: Learn to shoot, style and edit an image for your social media channels Week 26: Social Media Series: Absolute Beginners Design & Present an Instagram Mockup Week 25: Create a World Cup animated GIF in Photoshop to promote your event Week 24: Create a Seamless Pattern in Photoshop and Apply it to Your Mockups - Part 2 Week 23: Create an Identity Using Engraved Effect on Images - Part 1 Week 22: Create a website prototype in Adobe Xd - Part 2 Week 21: Add contrasting light effects to a photographic image - Part 1 Week 20: Create Wonderful Waves with the Twirl Tool Week 19: Create a Dripping Text Effect in Illustrator Week 18: Create a live animation for handwritten text in Adobe After Effects Week 17: Create a Band Artwork using Photoshop Liquify Tool Week 16: The Best Illustrator Brushes Tutorial Ever Week 15: Create a Retro Style Surf Poster Week 14: Create a Corny Holiday Sweater Knit Animated GIF Week 13: Use Adobe Dimension to create a Perfect Packaging Showcase Week 12: Create Surreal Compositions in Photoshop Week 11: Create an Asian-inspired vintage style poster/postcard and ink-effect logo Week 10: Create Patterns with Photoshop, Pattern Bombing, Apply Patterns to Mockups Week 9: Layered Effect With Illustrator & Photoshop Week 8: Gold Typography in Illustrator Week 7: Stamp Tool & Clipping Mask in Photoshop Week 6: Envelope Distort in Illustrator Week 5: Paper 3D Collage Week 4: Create a Mosaic of Beautiful Polygons Week 3: Create Your Own Mockup Week 2: Head Icons Design Week 1: Hand Lettering in a Shape Learn More About DEXWho is this for?+Whether you are a beginner, intermediate or advanced level designer. There is a brief to suit you. Follow the instructions in the brief to the letter.How do I submit my work?+Once you're done upload your image to share. We may upload your image to our new Instagram page, be sure to include your Insta handle (@username) so we can credit you. If you don’t have an Instagram account, you can just type in your name. Leave your details blank if you like.What is a good size for the images?+Please make sure your image is of good resolution, it shouldn’t exceed more than 5mb or thereabouts. png, jpeg, svg all acceptable formats. By uploading your image you're giving us permission to publish it.Can I subscribe to this awesome concept?+If you would like to receive an email from us each week with the brief and video, be sure to subscribe at the top right of this page. We won’t share your information or be spammy.What if I want to go further?+If you love what we do, and think you would like to try your hand at becoming a designer. Check out our courses here.Can I contribute?+If you would like to become a regular video contributor, let us know. Even though we offer them for free, we pay contributors. Or if there is a technique that you would really like to learn, email us a visual, and any ideas you may have.Can I contact The Graphic Design School+Anything else you need or want to ask contact us at: info@thegraphicdesignschool.comCan I be a voice of TGDS?+If you want to spread the good word to your design friends feel free to share this page on social media ;)Back to the TopAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 80: Create Beautiful Type Design Editorials for Print and Web | Dex | The Graphic Design School\n**URL:** /dex/no-42/\n**Template:** dex-single\n**Priority:** 5\n**Word Count:** 968\n**Last Modified:** 2025-09-29T05:21:56.433Z\n**AI Category:** courses\n**AI Quality:** 4/5\n**AI Summary:** Learn to create stunning type design editorials for print and web in this comprehensive design course.\n\nWeek 42: Create Beautiful Type Design Editorials for Print and WebUse one or two words to create your slogan. Multiplying and create 4 layers. Choose a background, it can be static. Save your final work into a PDF or PNG file for higher resolution. No need to create a GIF or mockup.Beginner+Use one or two words to create your slogan. Do this 2-4 times using different slogans. Multiplying and create 4 layers on each. Create a GIF, no need to create a mockup.Intermediate+Do the full project as in the video.Advanced+Add texture to the background of your design.Time Allocated+30-120mins depending on your level of proficiency.Design Goals+Create an animated GIF with type layered effect text.Constraints+You must layer your type and use a create an artboard size, eg web banner sizes. You must use Swatches the way we have taught you, or by creating Adobe Assets if you know how.Resources+Typeface Junegall: Adobe FontFree iPad Mockup: Available on PixedenSoftware+Adobe IllustratorTransform Effect, Shape Tool, Layers, Smart ObjectsAdobe PhotoshopSwatch Panel, Mockups, Designing GIFsUpload+SoftwareDifficultyShow AllWeek 45: Create 3D Designs with Illustrator Week 44: Social Media Template Design for Clients Week 43: How to Create a Brand Campaign with Assets Week 42: Create Beautiful Type Design Editorials for Print and Web Week 41: Create Beautiful Type Design Editorials for Print and Web Week 39: Create promotion and brand materials with your own optical art design piece in Adobe Illustrator Week 38: Create a beautiful image design by merging two images seamlessly together in Photoshop Week 37: Create your own kaleidoscope print in Photoshop Week 36: Create a live animation for handwritten text in Adobe After Effects Week 35: Create an animated pattern of your logo in Adobe After Effects Week 34: Textile Design - Part 2 Creating Print Textures Week 33: Get Started with a Basic Animation in After Effects Week 32: Textile Design - Part 1 Repeat Print Week 31: Use the width tool to create your Own Curvy Letter Week 30: Create a punchy typographic Xmas gif, then we show you how to embed in your email signature! Week 29: Using Adobe Dimension & Photoshop To Create Striking Packaging Week 28: Draw & Apply your Own One-Line Art to a Mockup Week 27: Social Media Series: Learn to shoot, style and edit an image for your social media channels Week 26: Social Media Series: Absolute Beginners Design & Present an Instagram Mockup Week 25: Create a World Cup animated GIF in Photoshop to promote your event Week 24: Create a Seamless Pattern in Photoshop and Apply it to Your Mockups - Part 2 Week 23: Create an Identity Using Engraved Effect on Images - Part 1 Week 22: Create a website prototype in Adobe Xd - Part 2 Week 21: Add contrasting light effects to a photographic image - Part 1 Week 20: Create Wonderful Waves with the Twirl Tool Week 19: Create a Dripping Text Effect in Illustrator Week 18: Create a live animation for handwritten text in Adobe After Effects Week 17: Create a Band Artwork using Photoshop Liquify Tool Week 16: The Best Illustrator Brushes Tutorial Ever Week 15: Create a Retro Style Surf Poster Week 14: Create a Corny Holiday Sweater Knit Animated GIF Week 13: Use Adobe Dimension to create a Perfect Packaging Showcase Week 12: Create Surreal Compositions in Photoshop Week 11: Create an Asian-inspired vintage style poster/postcard and ink-effect logo Week 10: Create Patterns with Photoshop, Pattern Bombing, Apply Patterns to Mockups Week 9: Layered Effect With Illustrator & Photoshop Week 8: Gold Typography in Illustrator Week 7: Stamp Tool & Clipping Mask in Photoshop Week 6: Envelope Distort in Illustrator Week 5: Paper 3D Collage Week 4: Create a Mosaic of Beautiful Polygons Week 3: Create Your Own Mockup Week 2: Head Icons Design Week 1: Hand Lettering in a Shape Learn More About DEXWho is this for?+Whether you are a beginner, intermediate or advanced level designer. There is a brief to suit you. Follow the instructions in the brief to the letter.How do I submit my work?+Once you're done upload your image to share. We may upload your image to our new Instagram page, be sure to include your Insta handle (@username) so we can credit you. If you don’t have an Instagram account, you can just type in your name. Leave your details blank if you like.What is a good size for the images?+Please make sure your image is of good resolution, it shouldn’t exceed more than 5mb or thereabouts. png, jpeg, svg all acceptable formats. By uploading your image you're giving us permission to publish it.Can I subscribe to this awesome concept?+If you would like to receive an email from us each week with the brief and video, be sure to subscribe at the top right of this page. We won’t share your information or be spammy.What if I want to go further?+If you love what we do, and think you would like to try your hand at becoming a designer. Check out our courses here.Can I contribute?+If you would like to become a regular video contributor, let us know. Even though we offer them for free, we pay contributors. Or if there is a technique that you would really like to learn, email us a visual, and any ideas you may have.Can I contact The Graphic Design School+Anything else you need or want to ask contact us at: info@thegraphicdesignschool.comCan I be a voice of TGDS?+If you want to spread the good word to your design friends feel free to share this page on social media ;)Back to the TopAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 81: Create Your Own Mockup | Dex | The Graphic Design School\n**URL:** /dex/no-3/\n**Template:** dex-single\n**Priority:** 5\n**Word Count:** 957\n**Last Modified:** 2025-09-29T05:21:56.825Z\n**AI Category:** courses\n**AI Quality:** 4/5\n**AI Summary:** Learn to create a mockup of your design using Photoshop in Week 3 of the Dex course.\n\nWeek 3: Create Your Own MockupPick one of your designs that you are very proud of/love and create a mockup to present your design 'to the world'. There's many mockups available online (free and paid), try to find one that matches your work and really gives it the credit it deserves. Beginner+Pick a 'basic' mockup with just 1 or 2 layers that you need to adjust, to get yourself familiar with it.Intermediate+Pick a more complex mockup with 3+ layers you need to adjust.Advanced+Challenge yourself. Can you create your own mockup?Time Allocated+1/2 hour research (and get familiar with the offer of mockups), 1 hour execution for beginner and intermediate, more for advanced.Design Goals+Bring your work to life and make it look like reality.Constraints+Use Photoshop and create a mockup for work you designed yourself. Adjust your design where needed to match the mockup and make it look correct and as real as possible.Software+Adobe IllustratorTrace ToolAdobe PhotoshopMockups, Smart ObjectsUpload+SoftwareDifficultyShow AllWeek 45: Create 3D Designs with Illustrator Week 44: Social Media Template Design for Clients Week 43: How to Create a Brand Campaign with Assets Week 42: Create Beautiful Type Design Editorials for Print and Web Week 41: Create Beautiful Type Design Editorials for Print and Web Week 39: Create promotion and brand materials with your own optical art design piece in Adobe Illustrator Week 38: Create a beautiful image design by merging two images seamlessly together in Photoshop Week 37: Create your own kaleidoscope print in Photoshop Week 36: Create a live animation for handwritten text in Adobe After Effects Week 35: Create an animated pattern of your logo in Adobe After Effects Week 34: Textile Design - Part 2 Creating Print Textures Week 33: Get Started with a Basic Animation in After Effects Week 32: Textile Design - Part 1 Repeat Print Week 31: Use the width tool to create your Own Curvy Letter Week 30: Create a punchy typographic Xmas gif, then we show you how to embed in your email signature! Week 29: Using Adobe Dimension & Photoshop To Create Striking Packaging Week 28: Draw & Apply your Own One-Line Art to a Mockup Week 27: Social Media Series: Learn to shoot, style and edit an image for your social media channels Week 26: Social Media Series: Absolute Beginners Design & Present an Instagram Mockup Week 25: Create a World Cup animated GIF in Photoshop to promote your event Week 24: Create a Seamless Pattern in Photoshop and Apply it to Your Mockups - Part 2 Week 23: Create an Identity Using Engraved Effect on Images - Part 1 Week 22: Create a website prototype in Adobe Xd - Part 2 Week 21: Add contrasting light effects to a photographic image - Part 1 Week 20: Create Wonderful Waves with the Twirl Tool Week 19: Create a Dripping Text Effect in Illustrator Week 18: Create a live animation for handwritten text in Adobe After Effects Week 17: Create a Band Artwork using Photoshop Liquify Tool Week 16: The Best Illustrator Brushes Tutorial Ever Week 15: Create a Retro Style Surf Poster Week 14: Create a Corny Holiday Sweater Knit Animated GIF Week 13: Use Adobe Dimension to create a Perfect Packaging Showcase Week 12: Create Surreal Compositions in Photoshop Week 11: Create an Asian-inspired vintage style poster/postcard and ink-effect logo Week 10: Create Patterns with Photoshop, Pattern Bombing, Apply Patterns to Mockups Week 9: Layered Effect With Illustrator & Photoshop Week 8: Gold Typography in Illustrator Week 7: Stamp Tool & Clipping Mask in Photoshop Week 6: Envelope Distort in Illustrator Week 5: Paper 3D Collage Week 4: Create a Mosaic of Beautiful Polygons Week 3: Create Your Own Mockup Week 2: Head Icons Design Week 1: Hand Lettering in a Shape Learn More About DEXWho is this for?+Whether you are a beginner, intermediate or advanced level designer. There is a brief to suit you. Follow the instructions in the brief to the letter.How do I submit my work?+Once you're done upload your image to share. We may upload your image to our new Instagram page, be sure to include your Insta handle (@username) so we can credit you. If you don’t have an Instagram account, you can just type in your name. Leave your details blank if you like.What is a good size for the images?+Please make sure your image is of good resolution, it shouldn’t exceed more than 5mb or thereabouts. png, jpeg, svg all acceptable formats. By uploading your image you're giving us permission to publish it.Can I subscribe to this awesome concept?+If you would like to receive an email from us each week with the brief and video, be sure to subscribe at the top right of this page. We won’t share your information or be spammy.What if I want to go further?+If you love what we do, and think you would like to try your hand at becoming a designer. Check out our courses here.Can I contribute?+If you would like to become a regular video contributor, let us know. Even though we offer them for free, we pay contributors. Or if there is a technique that you would really like to learn, email us a visual, and any ideas you may have.Can I contact The Graphic Design School+Anything else you need or want to ask contact us at: info@thegraphicdesignschool.comCan I be a voice of TGDS?+If you want to spread the good word to your design friends feel free to share this page on social media ;)Back to the TopAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 82: Create Wonderful Waves with the Twirl Tool | Dex | The Graphic Design School\n**URL:** /dex/no-20/\n**Template:** dex-single\n**Priority:** 5\n**Word Count:** 956\n**Last Modified:** 2025-09-29T05:21:57.113Z\n**AI Category:** courses\n**AI Quality:** 4/5\n**AI Summary:** Learn to create wave-like typography using the Twirl Tool in Adobe Illustrator.\n\nWeek 20: Create Wonderful Waves with the Twirl ToolCreate a look that resembles a wave in type and choose a word or sentence/message that fits (or, also fun… totally contrasts) this look. In the example, the word ‘endless’ is used; as ocean waves just keep coming… endlessly. But feel free to choose a different word or message. Beginner+Create a word that has this wavy look. Experiment with the twirl tool until you have the effect you are after. Intermediate+Also use photo’s (create a clipping mask) that fit really well as a fill for your letters. Advanced+Bring your design to life in a mockup! Time Allocated+30-40 Minutes for Beginner. 40-50 Minutes for intermediate. 75 Minutes for advanced. Design Goals+Create a typographic effect using the Twirl Tool. Constraints+Use Adobe Illustrator to create your design and Photoshop for the mockup. Resources+Ocean: Image by @kryszpin on UnsplashSun, Sky and Sea: Image by @minkmingle on UnsplashSoftware+Adobe PhotoshopPatterns, TypographyAdobe IllustratorClipping MaskUpload+SoftwareDifficultyShow AllWeek 45: Create 3D Designs with Illustrator Week 44: Social Media Template Design for Clients Week 43: How to Create a Brand Campaign with Assets Week 42: Create Beautiful Type Design Editorials for Print and Web Week 41: Create Beautiful Type Design Editorials for Print and Web Week 39: Create promotion and brand materials with your own optical art design piece in Adobe Illustrator Week 38: Create a beautiful image design by merging two images seamlessly together in Photoshop Week 37: Create your own kaleidoscope print in Photoshop Week 36: Create a live animation for handwritten text in Adobe After Effects Week 35: Create an animated pattern of your logo in Adobe After Effects Week 34: Textile Design - Part 2 Creating Print Textures Week 33: Get Started with a Basic Animation in After Effects Week 32: Textile Design - Part 1 Repeat Print Week 31: Use the width tool to create your Own Curvy Letter Week 30: Create a punchy typographic Xmas gif, then we show you how to embed in your email signature! Week 29: Using Adobe Dimension & Photoshop To Create Striking Packaging Week 28: Draw & Apply your Own One-Line Art to a Mockup Week 27: Social Media Series: Learn to shoot, style and edit an image for your social media channels Week 26: Social Media Series: Absolute Beginners Design & Present an Instagram Mockup Week 25: Create a World Cup animated GIF in Photoshop to promote your event Week 24: Create a Seamless Pattern in Photoshop and Apply it to Your Mockups - Part 2 Week 23: Create an Identity Using Engraved Effect on Images - Part 1 Week 22: Create a website prototype in Adobe Xd - Part 2 Week 21: Add contrasting light effects to a photographic image - Part 1 Week 20: Create Wonderful Waves with the Twirl Tool Week 19: Create a Dripping Text Effect in Illustrator Week 18: Create a live animation for handwritten text in Adobe After Effects Week 17: Create a Band Artwork using Photoshop Liquify Tool Week 16: The Best Illustrator Brushes Tutorial Ever Week 15: Create a Retro Style Surf Poster Week 14: Create a Corny Holiday Sweater Knit Animated GIF Week 13: Use Adobe Dimension to create a Perfect Packaging Showcase Week 12: Create Surreal Compositions in Photoshop Week 11: Create an Asian-inspired vintage style poster/postcard and ink-effect logo Week 10: Create Patterns with Photoshop, Pattern Bombing, Apply Patterns to Mockups Week 9: Layered Effect With Illustrator & Photoshop Week 8: Gold Typography in Illustrator Week 7: Stamp Tool & Clipping Mask in Photoshop Week 6: Envelope Distort in Illustrator Week 5: Paper 3D Collage Week 4: Create a Mosaic of Beautiful Polygons Week 3: Create Your Own Mockup Week 2: Head Icons Design Week 1: Hand Lettering in a Shape Learn More About DEXWho is this for?+Whether you are a beginner, intermediate or advanced level designer. There is a brief to suit you. Follow the instructions in the brief to the letter.How do I submit my work?+Once you're done upload your image to share. We may upload your image to our new Instagram page, be sure to include your Insta handle (@username) so we can credit you. If you don’t have an Instagram account, you can just type in your name. Leave your details blank if you like.What is a good size for the images?+Please make sure your image is of good resolution, it shouldn’t exceed more than 5mb or thereabouts. png, jpeg, svg all acceptable formats. By uploading your image you're giving us permission to publish it.Can I subscribe to this awesome concept?+If you would like to receive an email from us each week with the brief and video, be sure to subscribe at the top right of this page. We won’t share your information or be spammy.What if I want to go further?+If you love what we do, and think you would like to try your hand at becoming a designer. Check out our courses here.Can I contribute?+If you would like to become a regular video contributor, let us know. Even though we offer them for free, we pay contributors. Or if there is a technique that you would really like to learn, email us a visual, and any ideas you may have.Can I contact The Graphic Design School+Anything else you need or want to ask contact us at: info@thegraphicdesignschool.comCan I be a voice of TGDS?+If you want to spread the good word to your design friends feel free to share this page on social media ;)Back to the TopAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 83: Create 3D Designs with Illustrator | Dex | The Graphic Design School\n**URL:** /dex/no-45/\n**Template:** dex-single\n**Priority:** 5\n**Word Count:** 952\n**Last Modified:** 2025-09-29T05:21:56.332Z\n**AI Category:** courses\n**AI Quality:** 4/5\n**AI Summary:** Learn to create 3D designs in Adobe Illustrator with guided projects for various skill levels.\n\nWeek 45: Create 3D Designs with IllustratorUse Adobe Illustrator's 3D & Materials effect to bring designs to life. Beginner+This DEX is not for beginners, there is much assumed knowledge. Circle back around to this DEX when you are at an intermediate level. Intermediate+If you are good at Adobe, but new to these tools follow along and design a bacon and egg bagel, yumm! Advanced+We designed our 3D using a bacon and egg bagel, follow ours or maybe you can design yours using a burger or a hot dog. Choose something simple to start with and follow our instructions to create similar assets for your own brand. Time Allocated+2-3hours depending on your proficiency and design Design Goals+Create a 3D animation from scratch using Illustrator 3D and Materials panel. Constraints+Try to use a material from the Materials panel. Give more depth to your illustration by layering and using the effects individually. Software+Adobe Illustrator3DUpload+SoftwareDifficultyShow AllWeek 45: Create 3D Designs with Illustrator Week 44: Social Media Template Design for Clients Week 43: How to Create a Brand Campaign with Assets Week 42: Create Beautiful Type Design Editorials for Print and Web Week 41: Create Beautiful Type Design Editorials for Print and Web Week 39: Create promotion and brand materials with your own optical art design piece in Adobe Illustrator Week 38: Create a beautiful image design by merging two images seamlessly together in Photoshop Week 37: Create your own kaleidoscope print in Photoshop Week 36: Create a live animation for handwritten text in Adobe After Effects Week 35: Create an animated pattern of your logo in Adobe After Effects Week 34: Textile Design - Part 2 Creating Print Textures Week 33: Get Started with a Basic Animation in After Effects Week 32: Textile Design - Part 1 Repeat Print Week 31: Use the width tool to create your Own Curvy Letter Week 30: Create a punchy typographic Xmas gif, then we show you how to embed in your email signature! Week 29: Using Adobe Dimension & Photoshop To Create Striking Packaging Week 28: Draw & Apply your Own One-Line Art to a Mockup Week 27: Social Media Series: Learn to shoot, style and edit an image for your social media channels Week 26: Social Media Series: Absolute Beginners Design & Present an Instagram Mockup Week 25: Create a World Cup animated GIF in Photoshop to promote your event Week 24: Create a Seamless Pattern in Photoshop and Apply it to Your Mockups - Part 2 Week 23: Create an Identity Using Engraved Effect on Images - Part 1 Week 22: Create a website prototype in Adobe Xd - Part 2 Week 21: Add contrasting light effects to a photographic image - Part 1 Week 20: Create Wonderful Waves with the Twirl Tool Week 19: Create a Dripping Text Effect in Illustrator Week 18: Create a live animation for handwritten text in Adobe After Effects Week 17: Create a Band Artwork using Photoshop Liquify Tool Week 16: The Best Illustrator Brushes Tutorial Ever Week 15: Create a Retro Style Surf Poster Week 14: Create a Corny Holiday Sweater Knit Animated GIF Week 13: Use Adobe Dimension to create a Perfect Packaging Showcase Week 12: Create Surreal Compositions in Photoshop Week 11: Create an Asian-inspired vintage style poster/postcard and ink-effect logo Week 10: Create Patterns with Photoshop, Pattern Bombing, Apply Patterns to Mockups Week 9: Layered Effect With Illustrator & Photoshop Week 8: Gold Typography in Illustrator Week 7: Stamp Tool & Clipping Mask in Photoshop Week 6: Envelope Distort in Illustrator Week 5: Paper 3D Collage Week 4: Create a Mosaic of Beautiful Polygons Week 3: Create Your Own Mockup Week 2: Head Icons Design Week 1: Hand Lettering in a Shape Learn More About DEXWho is this for?+Whether you are a beginner, intermediate or advanced level designer. There is a brief to suit you. Follow the instructions in the brief to the letter.How do I submit my work?+Once you're done upload your image to share. We may upload your image to our new Instagram page, be sure to include your Insta handle (@username) so we can credit you. If you don’t have an Instagram account, you can just type in your name. Leave your details blank if you like.What is a good size for the images?+Please make sure your image is of good resolution, it shouldn’t exceed more than 5mb or thereabouts. png, jpeg, svg all acceptable formats. By uploading your image you're giving us permission to publish it.Can I subscribe to this awesome concept?+If you would like to receive an email from us each week with the brief and video, be sure to subscribe at the top right of this page. We won’t share your information or be spammy.What if I want to go further?+If you love what we do, and think you would like to try your hand at becoming a designer. Check out our courses here.Can I contribute?+If you would like to become a regular video contributor, let us know. Even though we offer them for free, we pay contributors. Or if there is a technique that you would really like to learn, email us a visual, and any ideas you may have.Can I contact The Graphic Design School+Anything else you need or want to ask contact us at: info@thegraphicdesignschool.comCan I be a voice of TGDS?+If you want to spread the good word to your design friends feel free to share this page on social media ;)Back to the TopAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 84: Textile Design - Part 2 Creating Print Textures | Dex | The Graphic Design School\n**URL:** /dex/no-34/\n**Template:** dex-single\n**Priority:** 5\n**Word Count:** 951\n**Last Modified:** 2025-09-29T05:21:56.675Z\n**AI Category:** courses\n**AI Quality:** 4/5\n**AI Summary:** Learn to create layered textile print textures using Illustrator and Photoshop.\n\nWeek 34: Textile Design - Part 2 Creating Print TexturesDraw two designs in illustrator that are a pattern of objects and can be layered. Beginner+Draw your objects in Illustrator using the brush tool and play with different brush strokes. Create two separate designs on different artboards. Intermediate+Now take your two patterns from Illustrator and place them in Photoshop to create layers. Advanced+Use an image of texture and create the texture just over the patterns you have created. Do this separately to each pattern to create depth. Time Allocated+Allow 30-45 minutes for concept and sketching. After that we recommend 60 minutes for a beginner designer, 15 minutes for intermediate and 30 minutes for advanced. Design Goals+Create a textile print with two patterns. Constraints+Make sure you make a sketch first, before turning to the computer. Resources+Fabric Stack and Roll Mockup Set: By creatsy2 on creativemarket.comSoftware+Adobe IllustratorBrush Tool, Trace Tool, Textile DesignAdobe PhotoshopMockupsOtherSketchingUpload+SoftwareDifficultyShow AllWeek 45: Create 3D Designs with Illustrator Week 44: Social Media Template Design for Clients Week 43: How to Create a Brand Campaign with Assets Week 42: Create Beautiful Type Design Editorials for Print and Web Week 41: Create Beautiful Type Design Editorials for Print and Web Week 39: Create promotion and brand materials with your own optical art design piece in Adobe Illustrator Week 38: Create a beautiful image design by merging two images seamlessly together in Photoshop Week 37: Create your own kaleidoscope print in Photoshop Week 36: Create a live animation for handwritten text in Adobe After Effects Week 35: Create an animated pattern of your logo in Adobe After Effects Week 34: Textile Design - Part 2 Creating Print Textures Week 33: Get Started with a Basic Animation in After Effects Week 32: Textile Design - Part 1 Repeat Print Week 31: Use the width tool to create your Own Curvy Letter Week 30: Create a punchy typographic Xmas gif, then we show you how to embed in your email signature! Week 29: Using Adobe Dimension & Photoshop To Create Striking Packaging Week 28: Draw & Apply your Own One-Line Art to a Mockup Week 27: Social Media Series: Learn to shoot, style and edit an image for your social media channels Week 26: Social Media Series: Absolute Beginners Design & Present an Instagram Mockup Week 25: Create a World Cup animated GIF in Photoshop to promote your event Week 24: Create a Seamless Pattern in Photoshop and Apply it to Your Mockups - Part 2 Week 23: Create an Identity Using Engraved Effect on Images - Part 1 Week 22: Create a website prototype in Adobe Xd - Part 2 Week 21: Add contrasting light effects to a photographic image - Part 1 Week 20: Create Wonderful Waves with the Twirl Tool Week 19: Create a Dripping Text Effect in Illustrator Week 18: Create a live animation for handwritten text in Adobe After Effects Week 17: Create a Band Artwork using Photoshop Liquify Tool Week 16: The Best Illustrator Brushes Tutorial Ever Week 15: Create a Retro Style Surf Poster Week 14: Create a Corny Holiday Sweater Knit Animated GIF Week 13: Use Adobe Dimension to create a Perfect Packaging Showcase Week 12: Create Surreal Compositions in Photoshop Week 11: Create an Asian-inspired vintage style poster/postcard and ink-effect logo Week 10: Create Patterns with Photoshop, Pattern Bombing, Apply Patterns to Mockups Week 9: Layered Effect With Illustrator & Photoshop Week 8: Gold Typography in Illustrator Week 7: Stamp Tool & Clipping Mask in Photoshop Week 6: Envelope Distort in Illustrator Week 5: Paper 3D Collage Week 4: Create a Mosaic of Beautiful Polygons Week 3: Create Your Own Mockup Week 2: Head Icons Design Week 1: Hand Lettering in a Shape Learn More About DEXWho is this for?+Whether you are a beginner, intermediate or advanced level designer. There is a brief to suit you. Follow the instructions in the brief to the letter.How do I submit my work?+Once you're done upload your image to share. We may upload your image to our new Instagram page, be sure to include your Insta handle (@username) so we can credit you. If you don’t have an Instagram account, you can just type in your name. Leave your details blank if you like.What is a good size for the images?+Please make sure your image is of good resolution, it shouldn’t exceed more than 5mb or thereabouts. png, jpeg, svg all acceptable formats. By uploading your image you're giving us permission to publish it.Can I subscribe to this awesome concept?+If you would like to receive an email from us each week with the brief and video, be sure to subscribe at the top right of this page. We won’t share your information or be spammy.What if I want to go further?+If you love what we do, and think you would like to try your hand at becoming a designer. Check out our courses here.Can I contribute?+If you would like to become a regular video contributor, let us know. Even though we offer them for free, we pay contributors. Or if there is a technique that you would really like to learn, email us a visual, and any ideas you may have.Can I contact The Graphic Design School+Anything else you need or want to ask contact us at: info@thegraphicdesignschool.comCan I be a voice of TGDS?+If you want to spread the good word to your design friends feel free to share this page on social media ;)Back to the TopAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 85: Create promotion and brand materials with your own optical art design piece in Adobe Illustrator | Dex | The Graphic Design School\n**URL:** /dex/no-39/\n**Template:** dex-single\n**Priority:** 5\n**Word Count:** 949\n**Last Modified:** 2025-09-29T05:21:56.525Z\n**AI Category:** courses\n**AI Quality:** 4/5\n**AI Summary:** Learn to create promotional materials using optical art in Adobe Illustrator.\n\nWeek 39: Create promotion and brand materials with your own optical art design piece in Adobe IllustratorCreate a piece of op-artsy (optical art) in Illustrator. Then put that piece to work and use it to create an amazing line of promotion materials for an event or campaign of your choice. Beginner+Develop a design and use that piece to create a poster for your campaign. Intermediate+Create an animation that consists out of an animated pattern and one or more other effects. Advanced+Mock it up! Bring your work to life, show the world what your designs will look like in reality! Time Allocated+Allow 1 hour for a beginner designer, 1 and a half for intermediate and up to two and a half hours for advanced design work. Design Goals+Create an op-artsy kind of art piece and use it to promote an event. Constraints+Use Adobe Illustrator. Software+Adobe IllustratorBlend ToolOtherAdobe After EffectsUpload+SoftwareDifficultyShow AllWeek 45: Create 3D Designs with Illustrator Week 44: Social Media Template Design for Clients Week 43: How to Create a Brand Campaign with Assets Week 42: Create Beautiful Type Design Editorials for Print and Web Week 41: Create Beautiful Type Design Editorials for Print and Web Week 39: Create promotion and brand materials with your own optical art design piece in Adobe Illustrator Week 38: Create a beautiful image design by merging two images seamlessly together in Photoshop Week 37: Create your own kaleidoscope print in Photoshop Week 36: Create a live animation for handwritten text in Adobe After Effects Week 35: Create an animated pattern of your logo in Adobe After Effects Week 34: Textile Design - Part 2 Creating Print Textures Week 33: Get Started with a Basic Animation in After Effects Week 32: Textile Design - Part 1 Repeat Print Week 31: Use the width tool to create your Own Curvy Letter Week 30: Create a punchy typographic Xmas gif, then we show you how to embed in your email signature! Week 29: Using Adobe Dimension & Photoshop To Create Striking Packaging Week 28: Draw & Apply your Own One-Line Art to a Mockup Week 27: Social Media Series: Learn to shoot, style and edit an image for your social media channels Week 26: Social Media Series: Absolute Beginners Design & Present an Instagram Mockup Week 25: Create a World Cup animated GIF in Photoshop to promote your event Week 24: Create a Seamless Pattern in Photoshop and Apply it to Your Mockups - Part 2 Week 23: Create an Identity Using Engraved Effect on Images - Part 1 Week 22: Create a website prototype in Adobe Xd - Part 2 Week 21: Add contrasting light effects to a photographic image - Part 1 Week 20: Create Wonderful Waves with the Twirl Tool Week 19: Create a Dripping Text Effect in Illustrator Week 18: Create a live animation for handwritten text in Adobe After Effects Week 17: Create a Band Artwork using Photoshop Liquify Tool Week 16: The Best Illustrator Brushes Tutorial Ever Week 15: Create a Retro Style Surf Poster Week 14: Create a Corny Holiday Sweater Knit Animated GIF Week 13: Use Adobe Dimension to create a Perfect Packaging Showcase Week 12: Create Surreal Compositions in Photoshop Week 11: Create an Asian-inspired vintage style poster/postcard and ink-effect logo Week 10: Create Patterns with Photoshop, Pattern Bombing, Apply Patterns to Mockups Week 9: Layered Effect With Illustrator & Photoshop Week 8: Gold Typography in Illustrator Week 7: Stamp Tool & Clipping Mask in Photoshop Week 6: Envelope Distort in Illustrator Week 5: Paper 3D Collage Week 4: Create a Mosaic of Beautiful Polygons Week 3: Create Your Own Mockup Week 2: Head Icons Design Week 1: Hand Lettering in a Shape Learn More About DEXWho is this for?+Whether you are a beginner, intermediate or advanced level designer. There is a brief to suit you. Follow the instructions in the brief to the letter.How do I submit my work?+Once you're done upload your image to share. We may upload your image to our new Instagram page, be sure to include your Insta handle (@username) so we can credit you. If you don’t have an Instagram account, you can just type in your name. Leave your details blank if you like.What is a good size for the images?+Please make sure your image is of good resolution, it shouldn’t exceed more than 5mb or thereabouts. png, jpeg, svg all acceptable formats. By uploading your image you're giving us permission to publish it.Can I subscribe to this awesome concept?+If you would like to receive an email from us each week with the brief and video, be sure to subscribe at the top right of this page. We won’t share your information or be spammy.What if I want to go further?+If you love what we do, and think you would like to try your hand at becoming a designer. Check out our courses here.Can I contribute?+If you would like to become a regular video contributor, let us know. Even though we offer them for free, we pay contributors. Or if there is a technique that you would really like to learn, email us a visual, and any ideas you may have.Can I contact The Graphic Design School+Anything else you need or want to ask contact us at: info@thegraphicdesignschool.comCan I be a voice of TGDS?+If you want to spread the good word to your design friends feel free to share this page on social media ;)Back to the TopAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 86: Create your own kaleidoscope print in Photoshop | Dex | The Graphic Design School\n**URL:** /dex/no-37/\n**Template:** dex-single\n**Priority:** 5\n**Word Count:** 949\n**Last Modified:** 2025-09-29T05:21:56.572Z\n**AI Category:** courses\n**AI Quality:** 4/5\n**AI Summary:** Learn to create a vibrant kaleidoscope print in Photoshop with layered techniques.\n\nWeek 37: Create your own kaleidoscope print in PhotoshopUsing the layers panel in Photoshop to create your own kaleidoscopic print! Beginner+Play around with layers in photoshop to create a kaleidoscope print. Intermediate+Experiment different design techniques in photoshop to manipulate you kaleidoscope print. Advanced+Implement your awesome new print design into a mockup template, Box Mockup Vol.2 by Seaswap is a paid template we use, however if you're looking for free mockups Graphic Pear has some great ones, it takes a bit to sift through them but there are some lovely templates. Time Allocated+Allow 1 hour for a beginner, 1 and a half for intermediate, and approximately 2 and a half for an advanced designer. Design Goals+Create a lively and colourful kaleidoscopic print Constraints+Choose photographs that you will manipulate in photoshop. Then use Photoshop again in order to create your mockup. Resources+Box Mockup vol.2 (paid): By creatsy2 on creativemarket.comSoftware+Adobe PhotoshopLayersUpload+SoftwareDifficultyShow AllWeek 45: Create 3D Designs with Illustrator Week 44: Social Media Template Design for Clients Week 43: How to Create a Brand Campaign with Assets Week 42: Create Beautiful Type Design Editorials for Print and Web Week 41: Create Beautiful Type Design Editorials for Print and Web Week 39: Create promotion and brand materials with your own optical art design piece in Adobe Illustrator Week 38: Create a beautiful image design by merging two images seamlessly together in Photoshop Week 37: Create your own kaleidoscope print in Photoshop Week 36: Create a live animation for handwritten text in Adobe After Effects Week 35: Create an animated pattern of your logo in Adobe After Effects Week 34: Textile Design - Part 2 Creating Print Textures Week 33: Get Started with a Basic Animation in After Effects Week 32: Textile Design - Part 1 Repeat Print Week 31: Use the width tool to create your Own Curvy Letter Week 30: Create a punchy typographic Xmas gif, then we show you how to embed in your email signature! Week 29: Using Adobe Dimension & Photoshop To Create Striking Packaging Week 28: Draw & Apply your Own One-Line Art to a Mockup Week 27: Social Media Series: Learn to shoot, style and edit an image for your social media channels Week 26: Social Media Series: Absolute Beginners Design & Present an Instagram Mockup Week 25: Create a World Cup animated GIF in Photoshop to promote your event Week 24: Create a Seamless Pattern in Photoshop and Apply it to Your Mockups - Part 2 Week 23: Create an Identity Using Engraved Effect on Images - Part 1 Week 22: Create a website prototype in Adobe Xd - Part 2 Week 21: Add contrasting light effects to a photographic image - Part 1 Week 20: Create Wonderful Waves with the Twirl Tool Week 19: Create a Dripping Text Effect in Illustrator Week 18: Create a live animation for handwritten text in Adobe After Effects Week 17: Create a Band Artwork using Photoshop Liquify Tool Week 16: The Best Illustrator Brushes Tutorial Ever Week 15: Create a Retro Style Surf Poster Week 14: Create a Corny Holiday Sweater Knit Animated GIF Week 13: Use Adobe Dimension to create a Perfect Packaging Showcase Week 12: Create Surreal Compositions in Photoshop Week 11: Create an Asian-inspired vintage style poster/postcard and ink-effect logo Week 10: Create Patterns with Photoshop, Pattern Bombing, Apply Patterns to Mockups Week 9: Layered Effect With Illustrator & Photoshop Week 8: Gold Typography in Illustrator Week 7: Stamp Tool & Clipping Mask in Photoshop Week 6: Envelope Distort in Illustrator Week 5: Paper 3D Collage Week 4: Create a Mosaic of Beautiful Polygons Week 3: Create Your Own Mockup Week 2: Head Icons Design Week 1: Hand Lettering in a Shape Learn More About DEXWho is this for?+Whether you are a beginner, intermediate or advanced level designer. There is a brief to suit you. Follow the instructions in the brief to the letter.How do I submit my work?+Once you're done upload your image to share. We may upload your image to our new Instagram page, be sure to include your Insta handle (@username) so we can credit you. If you don’t have an Instagram account, you can just type in your name. Leave your details blank if you like.What is a good size for the images?+Please make sure your image is of good resolution, it shouldn’t exceed more than 5mb or thereabouts. png, jpeg, svg all acceptable formats. By uploading your image you're giving us permission to publish it.Can I subscribe to this awesome concept?+If you would like to receive an email from us each week with the brief and video, be sure to subscribe at the top right of this page. We won’t share your information or be spammy.What if I want to go further?+If you love what we do, and think you would like to try your hand at becoming a designer. Check out our courses here.Can I contribute?+If you would like to become a regular video contributor, let us know. Even though we offer them for free, we pay contributors. Or if there is a technique that you would really like to learn, email us a visual, and any ideas you may have.Can I contact The Graphic Design School+Anything else you need or want to ask contact us at: info@thegraphicdesignschool.comCan I be a voice of TGDS?+If you want to spread the good word to your design friends feel free to share this page on social media ;)Back to the TopAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 87: Gold Typography in Illustrator | Dex | The Graphic Design School\n**URL:** /dex/no-8/\n**Template:** dex-single\n**Priority:** 5\n**Word Count:** 945\n**Last Modified:** 2025-09-29T05:21:56.208Z\n**AI Category:** courses\n**AI Quality:** 4/5\n**AI Summary:** Learn to create gold typography effects in Illustrator with various techniques.\n\nWeek 8: Gold Typography in IllustratorCreate a gold foil or glitter finish to type or a logo on a textured background. Beginner+Use typography that would work well in gold (like “shine” or “sparkle”) and add a gold foil or glitter finish using one of the 3 methods shown.Intermediate+Create a logo or use an existing logo and create a gold finish to the logo. Set it as a business card front on a textured background.Advanced+Use your logo and create a business card with gold type, and make it look 3D. Try all 3 methods for different effects.Time Allocated+60-90 minutes deciding on the design and finding the right photo and 1 hour execution.Design Goals+Create a believable gold foil or glitter finish in Illustrator.Constraints+Use Illustrator, final logo or type needs to show one of the 3 methods of creating gold foil or glitter.Software+Adobe IllustratorGradients, Trace Tool, TypographyUpload+SoftwareDifficultyShow AllWeek 45: Create 3D Designs with Illustrator Week 44: Social Media Template Design for Clients Week 43: How to Create a Brand Campaign with Assets Week 42: Create Beautiful Type Design Editorials for Print and Web Week 41: Create Beautiful Type Design Editorials for Print and Web Week 39: Create promotion and brand materials with your own optical art design piece in Adobe Illustrator Week 38: Create a beautiful image design by merging two images seamlessly together in Photoshop Week 37: Create your own kaleidoscope print in Photoshop Week 36: Create a live animation for handwritten text in Adobe After Effects Week 35: Create an animated pattern of your logo in Adobe After Effects Week 34: Textile Design - Part 2 Creating Print Textures Week 33: Get Started with a Basic Animation in After Effects Week 32: Textile Design - Part 1 Repeat Print Week 31: Use the width tool to create your Own Curvy Letter Week 30: Create a punchy typographic Xmas gif, then we show you how to embed in your email signature! Week 29: Using Adobe Dimension & Photoshop To Create Striking Packaging Week 28: Draw & Apply your Own One-Line Art to a Mockup Week 27: Social Media Series: Learn to shoot, style and edit an image for your social media channels Week 26: Social Media Series: Absolute Beginners Design & Present an Instagram Mockup Week 25: Create a World Cup animated GIF in Photoshop to promote your event Week 24: Create a Seamless Pattern in Photoshop and Apply it to Your Mockups - Part 2 Week 23: Create an Identity Using Engraved Effect on Images - Part 1 Week 22: Create a website prototype in Adobe Xd - Part 2 Week 21: Add contrasting light effects to a photographic image - Part 1 Week 20: Create Wonderful Waves with the Twirl Tool Week 19: Create a Dripping Text Effect in Illustrator Week 18: Create a live animation for handwritten text in Adobe After Effects Week 17: Create a Band Artwork using Photoshop Liquify Tool Week 16: The Best Illustrator Brushes Tutorial Ever Week 15: Create a Retro Style Surf Poster Week 14: Create a Corny Holiday Sweater Knit Animated GIF Week 13: Use Adobe Dimension to create a Perfect Packaging Showcase Week 12: Create Surreal Compositions in Photoshop Week 11: Create an Asian-inspired vintage style poster/postcard and ink-effect logo Week 10: Create Patterns with Photoshop, Pattern Bombing, Apply Patterns to Mockups Week 9: Layered Effect With Illustrator & Photoshop Week 8: Gold Typography in Illustrator Week 7: Stamp Tool & Clipping Mask in Photoshop Week 6: Envelope Distort in Illustrator Week 5: Paper 3D Collage Week 4: Create a Mosaic of Beautiful Polygons Week 3: Create Your Own Mockup Week 2: Head Icons Design Week 1: Hand Lettering in a Shape Learn More About DEXWho is this for?+Whether you are a beginner, intermediate or advanced level designer. There is a brief to suit you. Follow the instructions in the brief to the letter.How do I submit my work?+Once you're done upload your image to share. We may upload your image to our new Instagram page, be sure to include your Insta handle (@username) so we can credit you. If you don’t have an Instagram account, you can just type in your name. Leave your details blank if you like.What is a good size for the images?+Please make sure your image is of good resolution, it shouldn’t exceed more than 5mb or thereabouts. png, jpeg, svg all acceptable formats. By uploading your image you're giving us permission to publish it.Can I subscribe to this awesome concept?+If you would like to receive an email from us each week with the brief and video, be sure to subscribe at the top right of this page. We won’t share your information or be spammy.What if I want to go further?+If you love what we do, and think you would like to try your hand at becoming a designer. Check out our courses here.Can I contribute?+If you would like to become a regular video contributor, let us know. Even though we offer them for free, we pay contributors. Or if there is a technique that you would really like to learn, email us a visual, and any ideas you may have.Can I contact The Graphic Design School+Anything else you need or want to ask contact us at: info@thegraphicdesignschool.comCan I be a voice of TGDS?+If you want to spread the good word to your design friends feel free to share this page on social media ;)Back to the TopAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 88: Use the width tool to create your Own Curvy Letter | Dex | The Graphic Design School\n**URL:** /dex/no-31/\n**Template:** dex-single\n**Priority:** 5\n**Word Count:** 944\n**Last Modified:** 2025-09-29T05:21:56.763Z\n**AI Category:** courses\n**AI Quality:** 4/5\n**AI Summary:** Learn to create curvy letters using the width tool in Adobe Illustrator.\n\nWeek 31: Use the width tool to create your Own Curvy LetterWe are going to use and get familiar with the width tool while creating your own curvy letter with flowing smooth add-ons. Beginner+Draw one letter. Intermediate+Spice it up. Give the letter a colour fill or gradient, and place it on top of a background that makes your letter stand out. Advanced+Not just one letter… continue and create a whole word! Time Allocated+20 minutes for sketching. After that, allow 30 minutes for Beginner, 45 minutes for Intermediate and 90 minutes for Advanced. Design Goals+Create smooth flowing curves. Constraints+Use Adobe Illustrator and After Effects. Keep the animation short, max 10 seconds. Resources+Mystical Forest: Photo by Trần Anh Tuấn on UnsplashTide: Photo by Alexey Marchenko on UnsplashEvening in the Desert: Photo by Sergey Pesterev on UnsplashSoftware+Adobe IllustratorWidth Tool, Curvature Tool, Smooth Tool, Shape Builder ToolUpload+SoftwareDifficultyShow AllWeek 45: Create 3D Designs with Illustrator Week 44: Social Media Template Design for Clients Week 43: How to Create a Brand Campaign with Assets Week 42: Create Beautiful Type Design Editorials for Print and Web Week 41: Create Beautiful Type Design Editorials for Print and Web Week 39: Create promotion and brand materials with your own optical art design piece in Adobe Illustrator Week 38: Create a beautiful image design by merging two images seamlessly together in Photoshop Week 37: Create your own kaleidoscope print in Photoshop Week 36: Create a live animation for handwritten text in Adobe After Effects Week 35: Create an animated pattern of your logo in Adobe After Effects Week 34: Textile Design - Part 2 Creating Print Textures Week 33: Get Started with a Basic Animation in After Effects Week 32: Textile Design - Part 1 Repeat Print Week 31: Use the width tool to create your Own Curvy Letter Week 30: Create a punchy typographic Xmas gif, then we show you how to embed in your email signature! Week 29: Using Adobe Dimension & Photoshop To Create Striking Packaging Week 28: Draw & Apply your Own One-Line Art to a Mockup Week 27: Social Media Series: Learn to shoot, style and edit an image for your social media channels Week 26: Social Media Series: Absolute Beginners Design & Present an Instagram Mockup Week 25: Create a World Cup animated GIF in Photoshop to promote your event Week 24: Create a Seamless Pattern in Photoshop and Apply it to Your Mockups - Part 2 Week 23: Create an Identity Using Engraved Effect on Images - Part 1 Week 22: Create a website prototype in Adobe Xd - Part 2 Week 21: Add contrasting light effects to a photographic image - Part 1 Week 20: Create Wonderful Waves with the Twirl Tool Week 19: Create a Dripping Text Effect in Illustrator Week 18: Create a live animation for handwritten text in Adobe After Effects Week 17: Create a Band Artwork using Photoshop Liquify Tool Week 16: The Best Illustrator Brushes Tutorial Ever Week 15: Create a Retro Style Surf Poster Week 14: Create a Corny Holiday Sweater Knit Animated GIF Week 13: Use Adobe Dimension to create a Perfect Packaging Showcase Week 12: Create Surreal Compositions in Photoshop Week 11: Create an Asian-inspired vintage style poster/postcard and ink-effect logo Week 10: Create Patterns with Photoshop, Pattern Bombing, Apply Patterns to Mockups Week 9: Layered Effect With Illustrator & Photoshop Week 8: Gold Typography in Illustrator Week 7: Stamp Tool & Clipping Mask in Photoshop Week 6: Envelope Distort in Illustrator Week 5: Paper 3D Collage Week 4: Create a Mosaic of Beautiful Polygons Week 3: Create Your Own Mockup Week 2: Head Icons Design Week 1: Hand Lettering in a Shape Learn More About DEXWho is this for?+Whether you are a beginner, intermediate or advanced level designer. There is a brief to suit you. Follow the instructions in the brief to the letter.How do I submit my work?+Once you're done upload your image to share. We may upload your image to our new Instagram page, be sure to include your Insta handle (@username) so we can credit you. If you don’t have an Instagram account, you can just type in your name. Leave your details blank if you like.What is a good size for the images?+Please make sure your image is of good resolution, it shouldn’t exceed more than 5mb or thereabouts. png, jpeg, svg all acceptable formats. By uploading your image you're giving us permission to publish it.Can I subscribe to this awesome concept?+If you would like to receive an email from us each week with the brief and video, be sure to subscribe at the top right of this page. We won’t share your information or be spammy.What if I want to go further?+If you love what we do, and think you would like to try your hand at becoming a designer. Check out our courses here.Can I contribute?+If you would like to become a regular video contributor, let us know. Even though we offer them for free, we pay contributors. Or if there is a technique that you would really like to learn, email us a visual, and any ideas you may have.Can I contact The Graphic Design School+Anything else you need or want to ask contact us at: info@thegraphicdesignschool.comCan I be a voice of TGDS?+If you want to spread the good word to your design friends feel free to share this page on social media ;)Back to the TopAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 89: Textile Design - Part 1 Repeat Print | Dex | The Graphic Design School\n**URL:** /dex/no-32/\n**Template:** dex-single\n**Priority:** 5\n**Word Count:** 938\n**Last Modified:** 2025-09-29T05:21:56.734Z\n**AI Category:** courses\n**AI Quality:** 4/5\n**AI Summary:** Learn to create repeat patterns in Illustrator for textile design.\n\nWeek 32: Textile Design - Part 1 Repeat PrintCreate a repeat pattern in Illustrator using swatches Beginner+Creating your own design and adding it to your swatch panel. Intermediate+Resizing your design from the swatches panel. Advanced+Creating a 3D render of your print on a pair of leggings. Time Allocated+30 minutes for research. After that, allow 30 minutes for drawing with blob brush, 60 minutes for creating a repeat pattern and another 30 placing your design on a 3D Mock-Up using an already purchased render. Design Goals+Create a repeat pattern to use on a 3D Mock-Up. Constraints+Create your simple design first, try using the Blob brush. Resources+Summer Daisys: Photo by Colter Olmstead on UnsplashField of Flowers: Photo by Mitch Lensink on UnsplashLeggings Mockup: By WebAndCat on creativemarket.comSoftware+Adobe IllustratorBlob Brush, Patterns, Textile DesignAdobe PhotoshopClipping Mask, Swatch Panel, Place Link, MockupsUpload+SoftwareDifficultyShow AllWeek 45: Create 3D Designs with Illustrator Week 44: Social Media Template Design for Clients Week 43: How to Create a Brand Campaign with Assets Week 42: Create Beautiful Type Design Editorials for Print and Web Week 41: Create Beautiful Type Design Editorials for Print and Web Week 39: Create promotion and brand materials with your own optical art design piece in Adobe Illustrator Week 38: Create a beautiful image design by merging two images seamlessly together in Photoshop Week 37: Create your own kaleidoscope print in Photoshop Week 36: Create a live animation for handwritten text in Adobe After Effects Week 35: Create an animated pattern of your logo in Adobe After Effects Week 34: Textile Design - Part 2 Creating Print Textures Week 33: Get Started with a Basic Animation in After Effects Week 32: Textile Design - Part 1 Repeat Print Week 31: Use the width tool to create your Own Curvy Letter Week 30: Create a punchy typographic Xmas gif, then we show you how to embed in your email signature! Week 29: Using Adobe Dimension & Photoshop To Create Striking Packaging Week 28: Draw & Apply your Own One-Line Art to a Mockup Week 27: Social Media Series: Learn to shoot, style and edit an image for your social media channels Week 26: Social Media Series: Absolute Beginners Design & Present an Instagram Mockup Week 25: Create a World Cup animated GIF in Photoshop to promote your event Week 24: Create a Seamless Pattern in Photoshop and Apply it to Your Mockups - Part 2 Week 23: Create an Identity Using Engraved Effect on Images - Part 1 Week 22: Create a website prototype in Adobe Xd - Part 2 Week 21: Add contrasting light effects to a photographic image - Part 1 Week 20: Create Wonderful Waves with the Twirl Tool Week 19: Create a Dripping Text Effect in Illustrator Week 18: Create a live animation for handwritten text in Adobe After Effects Week 17: Create a Band Artwork using Photoshop Liquify Tool Week 16: The Best Illustrator Brushes Tutorial Ever Week 15: Create a Retro Style Surf Poster Week 14: Create a Corny Holiday Sweater Knit Animated GIF Week 13: Use Adobe Dimension to create a Perfect Packaging Showcase Week 12: Create Surreal Compositions in Photoshop Week 11: Create an Asian-inspired vintage style poster/postcard and ink-effect logo Week 10: Create Patterns with Photoshop, Pattern Bombing, Apply Patterns to Mockups Week 9: Layered Effect With Illustrator & Photoshop Week 8: Gold Typography in Illustrator Week 7: Stamp Tool & Clipping Mask in Photoshop Week 6: Envelope Distort in Illustrator Week 5: Paper 3D Collage Week 4: Create a Mosaic of Beautiful Polygons Week 3: Create Your Own Mockup Week 2: Head Icons Design Week 1: Hand Lettering in a Shape Learn More About DEXWho is this for?+Whether you are a beginner, intermediate or advanced level designer. There is a brief to suit you. Follow the instructions in the brief to the letter.How do I submit my work?+Once you're done upload your image to share. We may upload your image to our new Instagram page, be sure to include your Insta handle (@username) so we can credit you. If you don’t have an Instagram account, you can just type in your name. Leave your details blank if you like.What is a good size for the images?+Please make sure your image is of good resolution, it shouldn’t exceed more than 5mb or thereabouts. png, jpeg, svg all acceptable formats. By uploading your image you're giving us permission to publish it.Can I subscribe to this awesome concept?+If you would like to receive an email from us each week with the brief and video, be sure to subscribe at the top right of this page. We won’t share your information or be spammy.What if I want to go further?+If you love what we do, and think you would like to try your hand at becoming a designer. Check out our courses here.Can I contribute?+If you would like to become a regular video contributor, let us know. Even though we offer them for free, we pay contributors. Or if there is a technique that you would really like to learn, email us a visual, and any ideas you may have.Can I contact The Graphic Design School+Anything else you need or want to ask contact us at: info@thegraphicdesignschool.comCan I be a voice of TGDS?+If you want to spread the good word to your design friends feel free to share this page on social media ;)Back to the TopAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 90: Create Beautiful Type Design Editorials for Print and Web | Dex | The Graphic Design School\n**URL:** /dex/no-41/\n**Template:** dex-single\n**Priority:** 5\n**Word Count:** 934\n**Last Modified:** 2025-09-29T05:21:56.458Z\n**AI Category:** courses\n**AI Quality:** 4/5\n**AI Summary:** Learn to create stunning type design editorials for print and web in a structured weekly challenge.\n\nWeek 41: Create Beautiful Type Design Editorials for Print and WebCreate an Instagram post turning text into texture and applying that to your design.Beginner+Fill a shape with placeholder text.Intermediate+Create a design with a one large letter and make a shape surrounding that letter with body text.Advanced+Add texture to the background of your design.Time Allocated+Allow 30-45 minutes for concept and sketching. After that, allow another 30 minutes for beginner designers, an hour for intermediate and up to 90 minutes total for the advanced challenge.Design Goals+Create a design that you can post on instagram.Constraints+Make a sketch first, before getting started with your computer. Use InDesign to vectorise your letter. Use the Pen, Shapes and Text Tool to create your shape.Resources+White Smoke: PngTree.comiPhone with Mobile UI Kit Mockup: Template available at Ui DownloadStilson: Type NetworkSoftware+Adobe InDesignSketchingOtherInstagramUpload+SoftwareDifficultyShow AllWeek 45: Create 3D Designs with Illustrator Week 44: Social Media Template Design for Clients Week 43: How to Create a Brand Campaign with Assets Week 42: Create Beautiful Type Design Editorials for Print and Web Week 41: Create Beautiful Type Design Editorials for Print and Web Week 39: Create promotion and brand materials with your own optical art design piece in Adobe Illustrator Week 38: Create a beautiful image design by merging two images seamlessly together in Photoshop Week 37: Create your own kaleidoscope print in Photoshop Week 36: Create a live animation for handwritten text in Adobe After Effects Week 35: Create an animated pattern of your logo in Adobe After Effects Week 34: Textile Design - Part 2 Creating Print Textures Week 33: Get Started with a Basic Animation in After Effects Week 32: Textile Design - Part 1 Repeat Print Week 31: Use the width tool to create your Own Curvy Letter Week 30: Create a punchy typographic Xmas gif, then we show you how to embed in your email signature! Week 29: Using Adobe Dimension & Photoshop To Create Striking Packaging Week 28: Draw & Apply your Own One-Line Art to a Mockup Week 27: Social Media Series: Learn to shoot, style and edit an image for your social media channels Week 26: Social Media Series: Absolute Beginners Design & Present an Instagram Mockup Week 25: Create a World Cup animated GIF in Photoshop to promote your event Week 24: Create a Seamless Pattern in Photoshop and Apply it to Your Mockups - Part 2 Week 23: Create an Identity Using Engraved Effect on Images - Part 1 Week 22: Create a website prototype in Adobe Xd - Part 2 Week 21: Add contrasting light effects to a photographic image - Part 1 Week 20: Create Wonderful Waves with the Twirl Tool Week 19: Create a Dripping Text Effect in Illustrator Week 18: Create a live animation for handwritten text in Adobe After Effects Week 17: Create a Band Artwork using Photoshop Liquify Tool Week 16: The Best Illustrator Brushes Tutorial Ever Week 15: Create a Retro Style Surf Poster Week 14: Create a Corny Holiday Sweater Knit Animated GIF Week 13: Use Adobe Dimension to create a Perfect Packaging Showcase Week 12: Create Surreal Compositions in Photoshop Week 11: Create an Asian-inspired vintage style poster/postcard and ink-effect logo Week 10: Create Patterns with Photoshop, Pattern Bombing, Apply Patterns to Mockups Week 9: Layered Effect With Illustrator & Photoshop Week 8: Gold Typography in Illustrator Week 7: Stamp Tool & Clipping Mask in Photoshop Week 6: Envelope Distort in Illustrator Week 5: Paper 3D Collage Week 4: Create a Mosaic of Beautiful Polygons Week 3: Create Your Own Mockup Week 2: Head Icons Design Week 1: Hand Lettering in a Shape Learn More About DEXWho is this for?+Whether you are a beginner, intermediate or advanced level designer. There is a brief to suit you. Follow the instructions in the brief to the letter.How do I submit my work?+Once you're done upload your image to share. We may upload your image to our new Instagram page, be sure to include your Insta handle (@username) so we can credit you. If you don’t have an Instagram account, you can just type in your name. Leave your details blank if you like.What is a good size for the images?+Please make sure your image is of good resolution, it shouldn’t exceed more than 5mb or thereabouts. png, jpeg, svg all acceptable formats. By uploading your image you're giving us permission to publish it.Can I subscribe to this awesome concept?+If you would like to receive an email from us each week with the brief and video, be sure to subscribe at the top right of this page. We won’t share your information or be spammy.What if I want to go further?+If you love what we do, and think you would like to try your hand at becoming a designer. Check out our courses here.Can I contribute?+If you would like to become a regular video contributor, let us know. Even though we offer them for free, we pay contributors. Or if there is a technique that you would really like to learn, email us a visual, and any ideas you may have.Can I contact The Graphic Design School+Anything else you need or want to ask contact us at: info@thegraphicdesignschool.comCan I be a voice of TGDS?+If you want to spread the good word to your design friends feel free to share this page on social media ;)Back to the TopAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 91: Pia Karolina Rawlins's Design Portfolio | Students | The Graphic Design School\n**URL:** /students/pia-karolina-rawlins/\n**Template:** student-single\n**Priority:** 5\n**Word Count:** 925\n**Last Modified:** 2025-09-29T05:21:55.123Z\n**AI Category:** portfolio\n**AI Quality:** 4/5\n**AI Summary:** Pia Karolina Rawlins is an aspiring designer from Finland with a focus on branding and a passion for creative design.\n\nTGDS Graduate PiaAn aspiring designer from Finland, Pia loves ice cream, her favourite fruit is a satsuma, and she makes a mean risotto. With a background in creative marketing & communication, Pia’s interest in design naturally developed, leading her to start her own company - Raw Design. Scroll down to read the interview Hey Pia! Tell us a bit about you. My background is in creative marketing and communication but a few years back I began a new career working with change management and service design at a global IT company. At the time it felt like a big change, but I’ve come to realise it was a natural step forward for me; opening intriguing doors into the world of CX, UX and UI, to name a few. Pia Rawlins - Personal Identity Design What or who inspired you to be a designer? The first time I opened Photoshop I was 14 – I had just bought my first digital camera and I was experimenting with layer styles and effects. I found YouTube and design tutorials and it seemed to snowball from there. Design in general really inspires me, because it can accomplish so much. It’s something that a lot of people take for granted, but when good design is missing it is probably the first thing you notice. What are you up to in the design world at the moment? I’m moving forward at a slow but steady pace. I’ve spent far too much time in the past feeling guilty about not “doing enough”, so right now I am learning to do things in my own time and actively attempting to not stress about it – been there, done that. I have a few ongoing client projects and in addition I am building up to officially launch my business and website on a larger scale. My goal is to find the perfect balance between work, creative projects and everything else in life. You were really into all sorts of design disciplines at TGDS, branding, campaigning and even packaging. Have you a fav? Branding, definitely branding. Layouts are a close second, because of all of the small details and how it brings everything together. Branding is like the ingredients in a recipe, or the building blocks of a house – layout design is the final, finished recipe brought to life. Tell us anything you would like to about your featured works. I am really proud of the shapes and colours of my personal brand, and also the shapes and colours of Ilona’s brand – I feel that I really managed to capture the essence of Ilona’s personality in her final design. I am also very pleased with the message and playfulness I built in the corporate identity for JCI Aurajoki, and the vibrant, urban jungle feeling of the Java Love identity. Ilona Hasanen - Package Design What is your favourite part of the design process? Brainstorming and concept creation, definitely. It forms the basis for every future choice in the process: what am I trying to communicate, what is the message and how can my design choices reflect that? I keep thinking of Paul Rand and his leaflet carefully explaining his design choices behind the IBM logo. That’s what I’m striving for; making carefully though-out designs with choices that each have solid reasoning behind them – it’s not enough that something just “looks nice”, if you want the design to have any impact, it needs meaning. Whats your dream design job? Don’t hold back! Creating an identity with a client that shared the same passions and interest with me. Taking something musty and outdated and breathing new life into it and helping the business advance to a new era. Something that had a positive impact on the world, which brought people joy. And maybe being able to create complex artwork for e.g., book covers and packaging. “Never stop learning. Never. Having a curious, open mind for the rest of your life is one of the best gifts you can give yourself.”Java Love - Corporate Identity Design What did you love most about studying design? The moment of realization when you understood how all those repetitive, seemingly tiny exercises from the very first modules, all built understanding and the baseline for everything that was to come later. I think of those exercises often. Juicy Lightning - Package Design What would you say to someone about to embark on their own journey in design? Just start. Don’t worry too much about where you will end up, just focus on starting. That’s the first step. Making one sketch, jotting down one idea… once you get started, you’ll ultimately snowball right into a state a flow. Keep on making variations, trying new things, not holding back – then stop, take a breather and look at what you’ve done, think about it, evaluate it. You’ll end up solving tricky problems with ease and build your confidence! JCI Aurajoki - Branding Design PrevBack to the TopNext Ready to get Started?You can enrol any day of the year. As we are online and training is self paced, there is no pressure. Enrol when you are ready to start, from anywhere in the world.Click the link below to check out our flexible payment plans!Course Costs & Payment PlansAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be. PrevBack to the TopNext The Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 92: Paper 3D Collage | Dex | The Graphic Design School\n**URL:** /dex/no-5/\n**Template:** dex-single\n**Priority:** 5\n**Word Count:** 925\n**Last Modified:** 2025-09-29T05:21:56.300Z\n**AI Category:** courses\n**AI Quality:** 4/5\n**AI Summary:** Learn to create a 3D paper collage poster using Adobe Illustrator in this design week.\n\nWeek 5: Paper 3D CollageDevelop a poster or past card, with a visual that looks like a 3D cut and paste paper collage. Beginner+Limit yourself to a few shapes to create a visual for your poster or card.Intermediate+Add text to it that that matches your communication goal and design.Advanced+Turn it into an advertisement that pulls your target in. create a mockup to show your design.Time Allocated+1/2 hour research, 2 hours execution for beginner and intermediate, more for advancedDesign Goals+Create a visual that looks as if the paper is popping out of the poster.Constraints+Work in Illustrator, you can't use Photoshop. Limit yourself to 1 main colour (eg. for me that is white but you can pick any colour) for the majority of the visual.Software+Adobe IllustratorGradientsUpload+SoftwareDifficultyShow AllWeek 45: Create 3D Designs with Illustrator Week 44: Social Media Template Design for Clients Week 43: How to Create a Brand Campaign with Assets Week 42: Create Beautiful Type Design Editorials for Print and Web Week 41: Create Beautiful Type Design Editorials for Print and Web Week 39: Create promotion and brand materials with your own optical art design piece in Adobe Illustrator Week 38: Create a beautiful image design by merging two images seamlessly together in Photoshop Week 37: Create your own kaleidoscope print in Photoshop Week 36: Create a live animation for handwritten text in Adobe After Effects Week 35: Create an animated pattern of your logo in Adobe After Effects Week 34: Textile Design - Part 2 Creating Print Textures Week 33: Get Started with a Basic Animation in After Effects Week 32: Textile Design - Part 1 Repeat Print Week 31: Use the width tool to create your Own Curvy Letter Week 30: Create a punchy typographic Xmas gif, then we show you how to embed in your email signature! Week 29: Using Adobe Dimension & Photoshop To Create Striking Packaging Week 28: Draw & Apply your Own One-Line Art to a Mockup Week 27: Social Media Series: Learn to shoot, style and edit an image for your social media channels Week 26: Social Media Series: Absolute Beginners Design & Present an Instagram Mockup Week 25: Create a World Cup animated GIF in Photoshop to promote your event Week 24: Create a Seamless Pattern in Photoshop and Apply it to Your Mockups - Part 2 Week 23: Create an Identity Using Engraved Effect on Images - Part 1 Week 22: Create a website prototype in Adobe Xd - Part 2 Week 21: Add contrasting light effects to a photographic image - Part 1 Week 20: Create Wonderful Waves with the Twirl Tool Week 19: Create a Dripping Text Effect in Illustrator Week 18: Create a live animation for handwritten text in Adobe After Effects Week 17: Create a Band Artwork using Photoshop Liquify Tool Week 16: The Best Illustrator Brushes Tutorial Ever Week 15: Create a Retro Style Surf Poster Week 14: Create a Corny Holiday Sweater Knit Animated GIF Week 13: Use Adobe Dimension to create a Perfect Packaging Showcase Week 12: Create Surreal Compositions in Photoshop Week 11: Create an Asian-inspired vintage style poster/postcard and ink-effect logo Week 10: Create Patterns with Photoshop, Pattern Bombing, Apply Patterns to Mockups Week 9: Layered Effect With Illustrator & Photoshop Week 8: Gold Typography in Illustrator Week 7: Stamp Tool & Clipping Mask in Photoshop Week 6: Envelope Distort in Illustrator Week 5: Paper 3D Collage Week 4: Create a Mosaic of Beautiful Polygons Week 3: Create Your Own Mockup Week 2: Head Icons Design Week 1: Hand Lettering in a Shape Learn More About DEXWho is this for?+Whether you are a beginner, intermediate or advanced level designer. There is a brief to suit you. Follow the instructions in the brief to the letter.How do I submit my work?+Once you're done upload your image to share. We may upload your image to our new Instagram page, be sure to include your Insta handle (@username) so we can credit you. If you don’t have an Instagram account, you can just type in your name. Leave your details blank if you like.What is a good size for the images?+Please make sure your image is of good resolution, it shouldn’t exceed more than 5mb or thereabouts. png, jpeg, svg all acceptable formats. By uploading your image you're giving us permission to publish it.Can I subscribe to this awesome concept?+If you would like to receive an email from us each week with the brief and video, be sure to subscribe at the top right of this page. We won’t share your information or be spammy.What if I want to go further?+If you love what we do, and think you would like to try your hand at becoming a designer. Check out our courses here.Can I contribute?+If you would like to become a regular video contributor, let us know. Even though we offer them for free, we pay contributors. Or if there is a technique that you would really like to learn, email us a visual, and any ideas you may have.Can I contact The Graphic Design School+Anything else you need or want to ask contact us at: info@thegraphicdesignschool.comCan I be a voice of TGDS?+If you want to spread the good word to your design friends feel free to share this page on social media ;)Back to the TopAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 93: Create a Dripping Text Effect in Illustrator | Dex | The Graphic Design School\n**URL:** /dex/no-19/\n**Template:** dex-single\n**Priority:** 5\n**Word Count:** 912\n**Last Modified:** 2025-09-29T05:21:57.168Z\n**AI Category:** courses\n**AI Quality:** 4/5\n**AI Summary:** Learn to create a realistic dripping text effect in Adobe Illustrator.\n\nWeek 19: Create a Dripping Text Effect in IllustratorDesign a look that resembles something that is dripping or melting. Beginner+Create 1 letter that looks like it is dripping or melting. Intermediate+Create a word that looks like it is dripping or melting. Add light reflection with the brush tool. Advanced+Create a shape out of words that looks like it is dripping or melting. Add light reflections with the brush tool and add a shadow in the back. Time Allocated+45 Minutes for Beginner. 60 Minutes for intermediate. 90 Minutes for advanced. Design Goals+Create a realistic dripping effect with type. Constraints+Use Illustrator to create your dripping effect. Software+Adobe IllustratorWarp Tool, Shape Tool, Gradients, BrushesUpload+SoftwareDifficultyShow AllWeek 45: Create 3D Designs with Illustrator Week 44: Social Media Template Design for Clients Week 43: How to Create a Brand Campaign with Assets Week 42: Create Beautiful Type Design Editorials for Print and Web Week 41: Create Beautiful Type Design Editorials for Print and Web Week 39: Create promotion and brand materials with your own optical art design piece in Adobe Illustrator Week 38: Create a beautiful image design by merging two images seamlessly together in Photoshop Week 37: Create your own kaleidoscope print in Photoshop Week 36: Create a live animation for handwritten text in Adobe After Effects Week 35: Create an animated pattern of your logo in Adobe After Effects Week 34: Textile Design - Part 2 Creating Print Textures Week 33: Get Started with a Basic Animation in After Effects Week 32: Textile Design - Part 1 Repeat Print Week 31: Use the width tool to create your Own Curvy Letter Week 30: Create a punchy typographic Xmas gif, then we show you how to embed in your email signature! Week 29: Using Adobe Dimension & Photoshop To Create Striking Packaging Week 28: Draw & Apply your Own One-Line Art to a Mockup Week 27: Social Media Series: Learn to shoot, style and edit an image for your social media channels Week 26: Social Media Series: Absolute Beginners Design & Present an Instagram Mockup Week 25: Create a World Cup animated GIF in Photoshop to promote your event Week 24: Create a Seamless Pattern in Photoshop and Apply it to Your Mockups - Part 2 Week 23: Create an Identity Using Engraved Effect on Images - Part 1 Week 22: Create a website prototype in Adobe Xd - Part 2 Week 21: Add contrasting light effects to a photographic image - Part 1 Week 20: Create Wonderful Waves with the Twirl Tool Week 19: Create a Dripping Text Effect in Illustrator Week 18: Create a live animation for handwritten text in Adobe After Effects Week 17: Create a Band Artwork using Photoshop Liquify Tool Week 16: The Best Illustrator Brushes Tutorial Ever Week 15: Create a Retro Style Surf Poster Week 14: Create a Corny Holiday Sweater Knit Animated GIF Week 13: Use Adobe Dimension to create a Perfect Packaging Showcase Week 12: Create Surreal Compositions in Photoshop Week 11: Create an Asian-inspired vintage style poster/postcard and ink-effect logo Week 10: Create Patterns with Photoshop, Pattern Bombing, Apply Patterns to Mockups Week 9: Layered Effect With Illustrator & Photoshop Week 8: Gold Typography in Illustrator Week 7: Stamp Tool & Clipping Mask in Photoshop Week 6: Envelope Distort in Illustrator Week 5: Paper 3D Collage Week 4: Create a Mosaic of Beautiful Polygons Week 3: Create Your Own Mockup Week 2: Head Icons Design Week 1: Hand Lettering in a Shape Learn More About DEXWho is this for?+Whether you are a beginner, intermediate or advanced level designer. There is a brief to suit you. Follow the instructions in the brief to the letter.How do I submit my work?+Once you're done upload your image to share. We may upload your image to our new Instagram page, be sure to include your Insta handle (@username) so we can credit you. If you don’t have an Instagram account, you can just type in your name. Leave your details blank if you like.What is a good size for the images?+Please make sure your image is of good resolution, it shouldn’t exceed more than 5mb or thereabouts. png, jpeg, svg all acceptable formats. By uploading your image you're giving us permission to publish it.Can I subscribe to this awesome concept?+If you would like to receive an email from us each week with the brief and video, be sure to subscribe at the top right of this page. We won’t share your information or be spammy.What if I want to go further?+If you love what we do, and think you would like to try your hand at becoming a designer. Check out our courses here.Can I contribute?+If you would like to become a regular video contributor, let us know. Even though we offer them for free, we pay contributors. Or if there is a technique that you would really like to learn, email us a visual, and any ideas you may have.Can I contact The Graphic Design School+Anything else you need or want to ask contact us at: info@thegraphicdesignschool.comCan I be a voice of TGDS?+If you want to spread the good word to your design friends feel free to share this page on social media ;)Back to the TopAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 94: Create a Mosaic of Beautiful Polygons | Dex | The Graphic Design School\n**URL:** /dex/no-4/\n**Template:** dex-single\n**Priority:** 5\n**Word Count:** 904\n**Last Modified:** 2025-09-29T05:21:56.505Z\n**AI Category:** courses\n**AI Quality:** 4/5\n**AI Summary:** Learn to create a polygonal vector mosaic of food using Adobe Illustrator.\n\nWeek 4: Create a Mosaic of Beautiful PolygonsTake a photo of your fave food for break or lunch. Then import it into Ai and turn it into a polygonal vector image. Beginner+Choose one food item to start with.Intermediate+Choose 2 or more food items, and add a background.Advanced+Design several food items, also create a reflection.Time Allocated+1/2 hour research, 2 hours execution for beginner and intermediate, more for advancedDesign Goals+Create a polygonal vector mosaic, still easily recognisable as your favourite food.Constraints+Use the Pen tool to draw the polygons. Pick the colours from the original image and adjust to create colour harmony.Software+Adobe IllustratorPolygons ToolOtherAdobe After EffectsUpload+SoftwareDifficultyShow AllWeek 45: Create 3D Designs with Illustrator Week 44: Social Media Template Design for Clients Week 43: How to Create a Brand Campaign with Assets Week 42: Create Beautiful Type Design Editorials for Print and Web Week 41: Create Beautiful Type Design Editorials for Print and Web Week 39: Create promotion and brand materials with your own optical art design piece in Adobe Illustrator Week 38: Create a beautiful image design by merging two images seamlessly together in Photoshop Week 37: Create your own kaleidoscope print in Photoshop Week 36: Create a live animation for handwritten text in Adobe After Effects Week 35: Create an animated pattern of your logo in Adobe After Effects Week 34: Textile Design - Part 2 Creating Print Textures Week 33: Get Started with a Basic Animation in After Effects Week 32: Textile Design - Part 1 Repeat Print Week 31: Use the width tool to create your Own Curvy Letter Week 30: Create a punchy typographic Xmas gif, then we show you how to embed in your email signature! Week 29: Using Adobe Dimension & Photoshop To Create Striking Packaging Week 28: Draw & Apply your Own One-Line Art to a Mockup Week 27: Social Media Series: Learn to shoot, style and edit an image for your social media channels Week 26: Social Media Series: Absolute Beginners Design & Present an Instagram Mockup Week 25: Create a World Cup animated GIF in Photoshop to promote your event Week 24: Create a Seamless Pattern in Photoshop and Apply it to Your Mockups - Part 2 Week 23: Create an Identity Using Engraved Effect on Images - Part 1 Week 22: Create a website prototype in Adobe Xd - Part 2 Week 21: Add contrasting light effects to a photographic image - Part 1 Week 20: Create Wonderful Waves with the Twirl Tool Week 19: Create a Dripping Text Effect in Illustrator Week 18: Create a live animation for handwritten text in Adobe After Effects Week 17: Create a Band Artwork using Photoshop Liquify Tool Week 16: The Best Illustrator Brushes Tutorial Ever Week 15: Create a Retro Style Surf Poster Week 14: Create a Corny Holiday Sweater Knit Animated GIF Week 13: Use Adobe Dimension to create a Perfect Packaging Showcase Week 12: Create Surreal Compositions in Photoshop Week 11: Create an Asian-inspired vintage style poster/postcard and ink-effect logo Week 10: Create Patterns with Photoshop, Pattern Bombing, Apply Patterns to Mockups Week 9: Layered Effect With Illustrator & Photoshop Week 8: Gold Typography in Illustrator Week 7: Stamp Tool & Clipping Mask in Photoshop Week 6: Envelope Distort in Illustrator Week 5: Paper 3D Collage Week 4: Create a Mosaic of Beautiful Polygons Week 3: Create Your Own Mockup Week 2: Head Icons Design Week 1: Hand Lettering in a Shape Learn More About DEXWho is this for?+Whether you are a beginner, intermediate or advanced level designer. There is a brief to suit you. Follow the instructions in the brief to the letter.How do I submit my work?+Once you're done upload your image to share. We may upload your image to our new Instagram page, be sure to include your Insta handle (@username) so we can credit you. If you don’t have an Instagram account, you can just type in your name. Leave your details blank if you like.What is a good size for the images?+Please make sure your image is of good resolution, it shouldn’t exceed more than 5mb or thereabouts. png, jpeg, svg all acceptable formats. By uploading your image you're giving us permission to publish it.Can I subscribe to this awesome concept?+If you would like to receive an email from us each week with the brief and video, be sure to subscribe at the top right of this page. We won’t share your information or be spammy.What if I want to go further?+If you love what we do, and think you would like to try your hand at becoming a designer. Check out our courses here.Can I contribute?+If you would like to become a regular video contributor, let us know. Even though we offer them for free, we pay contributors. Or if there is a technique that you would really like to learn, email us a visual, and any ideas you may have.Can I contact The Graphic Design School+Anything else you need or want to ask contact us at: info@thegraphicdesignschool.comCan I be a voice of TGDS?+If you want to spread the good word to your design friends feel free to share this page on social media ;)Back to the TopAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 95: Nevin Maylis Erk's Design Portfolio | Students | The Graphic Design School\n**URL:** /students/nevin-maylis-erk/\n**Template:** student-single\n**Priority:** 5\n**Word Count:** 896\n**Last Modified:** 2025-09-29T05:21:55.198Z\n**AI Category:** portfolio\n**AI Quality:** 4/5\n**AI Summary:** Nevin Maylis Erk is a multicultural graphic designer blending art and design to create impactful visual identities.\n\nTGDS Graduate NevinNevin is a visual artist with a passion for developing strong visual identities rooted in cultural significance. Refusing to conform and define herself as one or the other, Nevin has managed to successfully establish herself as both artist and designer. Scroll down to read the interview Hey Nevin! Tell us a bit about you. Hello! I’m Nevin a French and Turkish graphic design creative with a background in visual arts. My creative approach stems from my curiosity and open-mindedness acquired through my upbringing and multicultural experiences in France, Turkey, Indonesia, Hong Kong, Shanghai, Singapore, Senegal, India and Jordan. My adaptability and keen understanding of diverse cultures through language, art and communication inspires my designs making them applicable across a wide-range of cultures. Nevin Maylis Erk - Personal Identity Design What or who inspired you to be a designer? The timeless debate around Art vs Design! As a visual artist, one of my art supervisors had criticized my art as being “too design”, asking if I had a graphic design background. The insistence on a distinction between art and design provoked me to take on graphic design and to differentiate myself by honing my duality as an artist and graphic designer. WWF Oceans - Visual Identity Design What are you up to in the design world at the moment? With time in my hands and endless scope around the world, I have been networking and seeking for my own clients. I successfully managed to collaborate with start-up businesses and charities from my connections with India. Not only have I been building my portfolio and skill set, but I’ve also been working on establishing my freelance services to assist others in realizing their brand visions while giving back to the community. Nevin Maylis Erk - Personal Identity Design What is your favourite part of the design process? Being able to develop an idea from conception to a full functioning business tool. The entire design process is very inspiring and satisfying as every project becomes an opportunity to try exciting new ideas and learn new skills. But the most rewarding is getting to work with others who are passionate about an idea and utilising my artistry to bring their vision to life. Java Love - Visual Identity & Packaging Design You were really into all sorts of design disciplines at TGDS, branding, campaigning and even packaging. Have you a fav? Branding and package design! I love the challenge and creative thinking that goes into developing a strong brand identity. It requires you to think innovatively and find unique solutions. The beauty of package design is applying the brand identity in a visually appealing manner and offering something unique to draw in customers. It enables me to use my artistic skills and cultural knowledge to hold their interest. Boba Tea - Visual Identity & Packaging Design Boba Tea - Visual Identity & Packaging Design Tell us anything you would like to about your featured works. My featured works are in one way or another linked to my perception of the world and cultural appreciation. I think it is always important to consider the cultural background of the client or target audience in order to create and communicate something that is understood and appreciated. Take my Java Love package design for instance, the Kenyan caffeinated energy drink range was drawn from my knowledge of African wax and Bogolan textile designs to create a visually appealing package design rooted with cultural significance. Ragnarok - Campaign & Layout Design What did you love most about studying design? Being able to channel my creativity as an artist, apply my knowledge and understanding of the world around me, while sharing my skills and expertise with others, and becoming part of a global community. Whats your dream design job? Don’t hold back! I wouldn’t say I have one dream job in particular, but I would love to have a career that includes a lot of different design mediums. Something that includes photography, social media, layout design and branding; I don’t know if a job like this exists but that would be so much fun. What would you say to someone about to embark on their own journey in design? Graphic design is a way of life! You will look at everything in the world differently taking inspiration from your observations and experiences. You will have the opportunities to practice your craft, learn about the industry and watch as the fruits of your labour make a difference in the world. But like anything in life, it won’t go without a few struggles like overcoming creators block, being critical of your work and having to make revisions time and again. Setting your own schedule and managing your own clients isn’t always easy, but it can be liberating! PrevBack to the TopNext Ready to get Started?You can enrol any day of the year. As we are online and training is self paced, there is no pressure. Enrol when you are ready to start, from anywhere in the world.Click the link below to check out our flexible payment plans!Course Costs & Payment PlansAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be. PrevBack to the TopNext The Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 96: Envelope Distort in Illustrator | Dex | The Graphic Design School\n**URL:** /dex/no-6/\n**Template:** dex-single\n**Priority:** 5\n**Word Count:** 892\n**Last Modified:** 2025-09-29T05:21:56.283Z\n**AI Category:** courses\n**AI Quality:** 4/5\n**AI Summary:** Learn to use the Envelope Distort effect in Illustrator for creative design projects.\n\nWeek 6: Envelope Distort in IllustratorDesign a word or logo in Ai, using the 'envelope distort' effect. Beginner+Choose any word. Combine it with a shape that matches the word.Intermediate+Design a logo for a brand. Use one shape and one font.Advanced+Design a logo for a brand. Combine various shapes and/or fonts.Time Allocated+1/2 hour research, 1 hour and a half execution for beginner and intermediate, more for advanced.Design Goals+Create a polygonal vector mosaic, still easily recognisable as your favourite food.Constraints+Work in Illustrator. Colour use is limited to black and white only.Software+Adobe IllustratorEnvelope DistortUpload+SoftwareDifficultyShow AllWeek 45: Create 3D Designs with Illustrator Week 44: Social Media Template Design for Clients Week 43: How to Create a Brand Campaign with Assets Week 42: Create Beautiful Type Design Editorials for Print and Web Week 41: Create Beautiful Type Design Editorials for Print and Web Week 39: Create promotion and brand materials with your own optical art design piece in Adobe Illustrator Week 38: Create a beautiful image design by merging two images seamlessly together in Photoshop Week 37: Create your own kaleidoscope print in Photoshop Week 36: Create a live animation for handwritten text in Adobe After Effects Week 35: Create an animated pattern of your logo in Adobe After Effects Week 34: Textile Design - Part 2 Creating Print Textures Week 33: Get Started with a Basic Animation in After Effects Week 32: Textile Design - Part 1 Repeat Print Week 31: Use the width tool to create your Own Curvy Letter Week 30: Create a punchy typographic Xmas gif, then we show you how to embed in your email signature! Week 29: Using Adobe Dimension & Photoshop To Create Striking Packaging Week 28: Draw & Apply your Own One-Line Art to a Mockup Week 27: Social Media Series: Learn to shoot, style and edit an image for your social media channels Week 26: Social Media Series: Absolute Beginners Design & Present an Instagram Mockup Week 25: Create a World Cup animated GIF in Photoshop to promote your event Week 24: Create a Seamless Pattern in Photoshop and Apply it to Your Mockups - Part 2 Week 23: Create an Identity Using Engraved Effect on Images - Part 1 Week 22: Create a website prototype in Adobe Xd - Part 2 Week 21: Add contrasting light effects to a photographic image - Part 1 Week 20: Create Wonderful Waves with the Twirl Tool Week 19: Create a Dripping Text Effect in Illustrator Week 18: Create a live animation for handwritten text in Adobe After Effects Week 17: Create a Band Artwork using Photoshop Liquify Tool Week 16: The Best Illustrator Brushes Tutorial Ever Week 15: Create a Retro Style Surf Poster Week 14: Create a Corny Holiday Sweater Knit Animated GIF Week 13: Use Adobe Dimension to create a Perfect Packaging Showcase Week 12: Create Surreal Compositions in Photoshop Week 11: Create an Asian-inspired vintage style poster/postcard and ink-effect logo Week 10: Create Patterns with Photoshop, Pattern Bombing, Apply Patterns to Mockups Week 9: Layered Effect With Illustrator & Photoshop Week 8: Gold Typography in Illustrator Week 7: Stamp Tool & Clipping Mask in Photoshop Week 6: Envelope Distort in Illustrator Week 5: Paper 3D Collage Week 4: Create a Mosaic of Beautiful Polygons Week 3: Create Your Own Mockup Week 2: Head Icons Design Week 1: Hand Lettering in a Shape Learn More About DEXWho is this for?+Whether you are a beginner, intermediate or advanced level designer. There is a brief to suit you. Follow the instructions in the brief to the letter.How do I submit my work?+Once you're done upload your image to share. We may upload your image to our new Instagram page, be sure to include your Insta handle (@username) so we can credit you. If you don’t have an Instagram account, you can just type in your name. Leave your details blank if you like.What is a good size for the images?+Please make sure your image is of good resolution, it shouldn’t exceed more than 5mb or thereabouts. png, jpeg, svg all acceptable formats. By uploading your image you're giving us permission to publish it.Can I subscribe to this awesome concept?+If you would like to receive an email from us each week with the brief and video, be sure to subscribe at the top right of this page. We won’t share your information or be spammy.What if I want to go further?+If you love what we do, and think you would like to try your hand at becoming a designer. Check out our courses here.Can I contribute?+If you would like to become a regular video contributor, let us know. Even though we offer them for free, we pay contributors. Or if there is a technique that you would really like to learn, email us a visual, and any ideas you may have.Can I contact The Graphic Design School+Anything else you need or want to ask contact us at: info@thegraphicdesignschool.comCan I be a voice of TGDS?+If you want to spread the good word to your design friends feel free to share this page on social media ;)Back to the TopAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 97: Hand Lettering in a Shape | Dex | The Graphic Design School\n**URL:** /dex/no-1/\n**Template:** dex-single\n**Priority:** 5\n**Word Count:** 883\n**Last Modified:** 2025-09-29T05:21:57.442Z\n**AI Category:** courses\n**AI Quality:** 4/5\n**AI Summary:** Learn hand lettering by creating designs shaped like animals or objects in Adobe Illustrator.\n\nWeek 1: Hand Lettering in a ShapeType becomes an image in this DEX. Draw an animal or object (we did a furry bunny for Easter) and find a nice quote that fits the shape. Beginner+Focus on the shape and letter.Intermediate+Add texture and background.Advanced+Add texture and a background to create a mockup of your final piece.Time Allocated+1/2 hour research, 1 hour sketching, 2 hour Adobe executionDesign Goals+Shape, proportions, legibilityConstraints+Start with pencil and (tracing) paper, before taking to Adobe IllustratorSoftware+Adobe IllustratorHand lettering, Trace ToolUpload+SoftwareDifficultyShow AllWeek 45: Create 3D Designs with Illustrator Week 44: Social Media Template Design for Clients Week 43: How to Create a Brand Campaign with Assets Week 42: Create Beautiful Type Design Editorials for Print and Web Week 41: Create Beautiful Type Design Editorials for Print and Web Week 39: Create promotion and brand materials with your own optical art design piece in Adobe Illustrator Week 38: Create a beautiful image design by merging two images seamlessly together in Photoshop Week 37: Create your own kaleidoscope print in Photoshop Week 36: Create a live animation for handwritten text in Adobe After Effects Week 35: Create an animated pattern of your logo in Adobe After Effects Week 34: Textile Design - Part 2 Creating Print Textures Week 33: Get Started with a Basic Animation in After Effects Week 32: Textile Design - Part 1 Repeat Print Week 31: Use the width tool to create your Own Curvy Letter Week 30: Create a punchy typographic Xmas gif, then we show you how to embed in your email signature! Week 29: Using Adobe Dimension & Photoshop To Create Striking Packaging Week 28: Draw & Apply your Own One-Line Art to a Mockup Week 27: Social Media Series: Learn to shoot, style and edit an image for your social media channels Week 26: Social Media Series: Absolute Beginners Design & Present an Instagram Mockup Week 25: Create a World Cup animated GIF in Photoshop to promote your event Week 24: Create a Seamless Pattern in Photoshop and Apply it to Your Mockups - Part 2 Week 23: Create an Identity Using Engraved Effect on Images - Part 1 Week 22: Create a website prototype in Adobe Xd - Part 2 Week 21: Add contrasting light effects to a photographic image - Part 1 Week 20: Create Wonderful Waves with the Twirl Tool Week 19: Create a Dripping Text Effect in Illustrator Week 18: Create a live animation for handwritten text in Adobe After Effects Week 17: Create a Band Artwork using Photoshop Liquify Tool Week 16: The Best Illustrator Brushes Tutorial Ever Week 15: Create a Retro Style Surf Poster Week 14: Create a Corny Holiday Sweater Knit Animated GIF Week 13: Use Adobe Dimension to create a Perfect Packaging Showcase Week 12: Create Surreal Compositions in Photoshop Week 11: Create an Asian-inspired vintage style poster/postcard and ink-effect logo Week 10: Create Patterns with Photoshop, Pattern Bombing, Apply Patterns to Mockups Week 9: Layered Effect With Illustrator & Photoshop Week 8: Gold Typography in Illustrator Week 7: Stamp Tool & Clipping Mask in Photoshop Week 6: Envelope Distort in Illustrator Week 5: Paper 3D Collage Week 4: Create a Mosaic of Beautiful Polygons Week 3: Create Your Own Mockup Week 2: Head Icons Design Week 1: Hand Lettering in a Shape Learn More About DEXWho is this for?+Whether you are a beginner, intermediate or advanced level designer. There is a brief to suit you. Follow the instructions in the brief to the letter.How do I submit my work?+Once you're done upload your image to share. We may upload your image to our new Instagram page, be sure to include your Insta handle (@username) so we can credit you. If you don’t have an Instagram account, you can just type in your name. Leave your details blank if you like.What is a good size for the images?+Please make sure your image is of good resolution, it shouldn’t exceed more than 5mb or thereabouts. png, jpeg, svg all acceptable formats. By uploading your image you're giving us permission to publish it.Can I subscribe to this awesome concept?+If you would like to receive an email from us each week with the brief and video, be sure to subscribe at the top right of this page. We won’t share your information or be spammy.What if I want to go further?+If you love what we do, and think you would like to try your hand at becoming a designer. Check out our courses here.Can I contribute?+If you would like to become a regular video contributor, let us know. Even though we offer them for free, we pay contributors. Or if there is a technique that you would really like to learn, email us a visual, and any ideas you may have.Can I contact The Graphic Design School+Anything else you need or want to ask contact us at: info@thegraphicdesignschool.comCan I be a voice of TGDS?+If you want to spread the good word to your design friends feel free to share this page on social media ;)Back to the TopAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 98: Laura Cassidy's Design Portfolio | Students | The Graphic Design School\n**URL:** /students/laura-cassidy/\n**Template:** student-single\n**Priority:** 5\n**Word Count:** 878\n**Last Modified:** 2025-09-29T05:21:55.296Z\n**AI Category:** portfolio\n**AI Quality:** 4/5\n**AI Summary:** Laura Cassidy showcases her design journey and collaborative work in her portfolio.\n\nTGDS Graduate LauraThe thing I loved most about studying design was the continuous shift in perspective on the world around me. Simple day to day events such as grabbing a coffee or going to the supermarket are all the sudden exciting and inspirational. Scroll down to read the interview Hey Laura. Tell us a bit about you. Hello! I’m Laura a Sydney based creative drawing inspiration from vintage design and natures simplistic beauty. I am a firm believer in white space and clean, intelligent design. “Make it simple but significant.” Laura - Personal Identity Design What or who inspired you to be a designer? So many things inspired me take up design. I have a close relationship with my dad who is extremely successful in film & media. This was a big contributor to my sparked interest in photography. From there, I found myself taking photos of obscure patterns and shapes, leading into a more passionate interest in all aspects of design around me. From a young age I flirted with the idea of a career in the creative field but could never decide which one. In the end, Graphic Design was the only path that satisfied all aspects of my creative passions. Mood - Packaging Design What are you up to in the design world at the moment? With so much time on my hands whilst the world is on pause, I have been connecting and collaborating with small, mainly woman owned business’ in my local area. This has been extremely rewarding. Not only have I been building my portfolio and skill set, but I’ve also been able to assist others with their brand visions and strategies. Woman inspiring woman is a magical thing. Mood - Packaging Design What is your favourite part of the design process? Application - without a doubt. It is such an exhilarating experience to see your design materialised for the first time. I like to work closely with my clients, meaning they are privy to many stages of the design process. There is a sense of collaborative excitement shared throughout the experience but there is no better feeling than witnessing the awe and emotion they display when they see their vision in come to life. Watsons Bay - Visual Identity Design You were really into all sorts of design disciplines at TGDS, branding, campaigning and even packaging. Have you a fav? Campaigning was an empowering experience. Not only did I expand my knowledge on a topic take very seriously, but I was also able pass my knowledge onto others in a way that was captivating and effortless. With such important information on display, it was crucial that the words “spoke for themselves” (pun intended) I remember reading a sentence in the course theory stating, “This study is designed to teach you to fall in love with type.” As I designed my Endometriosis campaign, that sentence played over and over in my mind. It’s true, I had fallen in-love with type. Ballpark Music - Magazine Layout Design Tell us anything you would like to about your featured works. None of my featured works look even remotely like what I had initially imagined. With continuous refinement and growth, design is much more calculated than I once thought but that only makes final product that much more rewarding. Thirsty Boi - Layout & Photography What did you love most about studying design? The thing I loved most about studying design was continuous the shift in perspective on the world around me. Simple day to day events such as grabbing a coffee or going to the supermarket are all the sudden exciting and inspirational. What’s your dream design job? Don’t hold back! Inspired by the journey of Jon Contino, my dream job is to freelance. I dream that one day people will seek my service because they are drawn to my style and trust my artistry. #ENDometriosis Stigma - Campaign Design What would you say to someone about to embark on their own journey in design? No two days will be the same. A design you are in-love with at 7pm on Monday, you may detest at 8am on Tuesday. Use the two perspectives collaboratively. Remind yourself what you loved about the design and use the aspects that you dislike to evolve and refine your work. NEVER bin your ideas, no matter how much you may dislike it at the time. You never know what might inspire you in the future. The Glowing Tan - Logo & Illustration Design “I dream that one day people will seek my service because they are drawn to my style and trust my artistry.”Mollie Larkin Florist - Logo & Illustration Design PrevBack to the TopNext Ready to get Started?You can enrol any day of the year. As we are online and training is self paced, there is no pressure. Enrol when you are ready to start, from anywhere in the world.Click the link below to check out our flexible payment plans!Course Costs & Payment PlansAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be. PrevBack to the TopNext The Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 99: Fer Martinez Hubard's Design Portfolio | Students | The Graphic Design School\n**URL:** /students/fernanda-martinez-hubard/\n**Template:** student-single\n**Priority:** 5\n**Word Count:** 866\n**Last Modified:** 2025-09-29T05:21:55.459Z\n**AI Category:** portfolio\n**AI Quality:** 4/5\n**AI Summary:** Fer Martinez Hubard is a freelance graphic designer and entrepreneur based in Puerto Escondido, Mexico.\n\nTGDS Graduate FerMeet Fer, a Freelance Graphic Designer. Living that dream design life by Puerto Escondido beach. Fer designs for local brands as well as her own clothing company. Fer captivated our hearts at TGDS with her imagination & playful nature. Scroll down to read the interview Hey Fer! Tell us a bit about you. Hey guys! I’m Fer, a freelance graphic designer from Mexico. I also have my own clothing company and I do everything by myself, so that takes up a lot of my time. I currently live in a beautiful cabin next to the beach in Puerto Escondido, I’m happier than ever! Fernanda Martinez - Personal Identity Design What or who inspired you to be a designer? To be honest I’ve always been a creative, but pursuing design didn’t come up until I was around 19, I was planning on studying photography actually, then when I started with my brand and all, I realised how helpful it would be to purse something like design for my work. So I did - and I’m soooo grateful for that decision, it really shaped me in the best way it could’ve. Proyecto Botanico, Brighter Days - T-shirt Designs & Photography What are you up to in the design world at the moment? As I mentioned earlier, I’m constantly working with my brand Brighter Days Apparel if you wanna check it out, lol. I currently have some collaborations with Brighter Days, so I’m working not only on designs for myself, but also on creating designs for others. Brighter Days - Logo & Campaign Design What is your favourite part of the design process? I have to say seeing the final product, it’s crazy once you become a designer and understand everything that goes into something that can be seen as so simple. I look at every design product with a different pair of eyes now, thanks to The Graphic Design School! Its super satisfying and gives me a feeling of self-fulfilment to see the culmination of all my work. Casa Verde - Logo & Campaign Design You were really into all sorts of design disciplines at TGDS, branding, campaigning and even packaging. Have you a fav? Branding for sure, that helped me out sooo much with my brand. Having put the work into a real project made it even more real and important to me. Casa Verde - Logo & Campaign Design Tell us anything you would like to about your featured works. I try to keep everything with a laid back vibe, I think you can sort of see who I am, what I love, and what lifestyle I strive for in my designs. Also, know that everything I create comes from the bottom of my heart with lots a love <3 Proyecto Botanico - Logo & Campaign Design What did you love most about studying design? How it made me see the world through a new pair of eyes, Its wonderful and mind blowing being able to understand things in a new way, to acquire a new perspective, that was definitely the best part for me! Whats your dream design job? Don’t hold back! I adore my brand, its like my baby, so I plan to keep on working on that and constantly grow and evolve in that specific area. Also, I’ve always dreamed about working with a magazine. My perfect job would be to have my own section, say for example: “surfing around the world” and to just travel around the world and stay there for about a month or so, write an article about each place I visit in regards to the theme I chose, editing the layout and everything, including my own pictures and all, that would be sooo cool! Back to Basics - Magazine Layout “I dream that one day people will seek my service because they are drawn to my style and trust my artistry.”San Cosme - Logo Adaptation for Apparel Design What would you say to someone about to embark on their own journey in design? Not to be afraid to fail. I remember at first I used to be scared of the final result, didn’t even know where to start. Throughout the course I understood that the process of creating is just as important as the finished project and failing and correcting is a vital piece in the final artwork. So yeah, just do whatever you feel like doing. Sometimes I even start drawing without knowing what the hell I’m doing and eventually it starts taking shape. Practice and trust yourself :) San Cosme - Logo & T-shirt Design PrevBack to the TopNext Ready to get Started?You can enrol any day of the year. As we are online and training is self paced, there is no pressure. Enrol when you are ready to start, from anywhere in the world.Click the link below to check out our flexible payment plans!Course Costs & Payment PlansAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be. PrevBack to the TopNext The Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 100: Head Icons Design | Dex | The Graphic Design School\n**URL:** /dex/no-2/\n**Template:** dex-single\n**Priority:** 5\n**Word Count:** 866\n**Last Modified:** 2025-09-29T05:21:57.142Z\n**AI Category:** courses\n**AI Quality:** 4/5\n**AI Summary:** Learn to design flat head icons with a 3D effect using Adobe Illustrator.\n\nWeek 2: Head Icons DesignDesign a flat icon in Ai with a long shadow and a paper cut-out look.Beginner+Design 1 icon.Intermediate+Create a series of 3 icons.Advanced+Create a series of 5 icons.Time Allocated+1 hour sketching, 2 hour execution.Design Goals+Flat Design with 3D Effect.Constraints+Use Illustrator. The colour palette contains max 5 colours. The icon should show a head (animals or persons, that's up to you).Software+Adobe IllustratorBlend ToolOtherSketchingUpload+SoftwareDifficultyShow AllWeek 45: Create 3D Designs with Illustrator Week 44: Social Media Template Design for Clients Week 43: How to Create a Brand Campaign with Assets Week 42: Create Beautiful Type Design Editorials for Print and Web Week 41: Create Beautiful Type Design Editorials for Print and Web Week 39: Create promotion and brand materials with your own optical art design piece in Adobe Illustrator Week 38: Create a beautiful image design by merging two images seamlessly together in Photoshop Week 37: Create your own kaleidoscope print in Photoshop Week 36: Create a live animation for handwritten text in Adobe After Effects Week 35: Create an animated pattern of your logo in Adobe After Effects Week 34: Textile Design - Part 2 Creating Print Textures Week 33: Get Started with a Basic Animation in After Effects Week 32: Textile Design - Part 1 Repeat Print Week 31: Use the width tool to create your Own Curvy Letter Week 30: Create a punchy typographic Xmas gif, then we show you how to embed in your email signature! Week 29: Using Adobe Dimension & Photoshop To Create Striking Packaging Week 28: Draw & Apply your Own One-Line Art to a Mockup Week 27: Social Media Series: Learn to shoot, style and edit an image for your social media channels Week 26: Social Media Series: Absolute Beginners Design & Present an Instagram Mockup Week 25: Create a World Cup animated GIF in Photoshop to promote your event Week 24: Create a Seamless Pattern in Photoshop and Apply it to Your Mockups - Part 2 Week 23: Create an Identity Using Engraved Effect on Images - Part 1 Week 22: Create a website prototype in Adobe Xd - Part 2 Week 21: Add contrasting light effects to a photographic image - Part 1 Week 20: Create Wonderful Waves with the Twirl Tool Week 19: Create a Dripping Text Effect in Illustrator Week 18: Create a live animation for handwritten text in Adobe After Effects Week 17: Create a Band Artwork using Photoshop Liquify Tool Week 16: The Best Illustrator Brushes Tutorial Ever Week 15: Create a Retro Style Surf Poster Week 14: Create a Corny Holiday Sweater Knit Animated GIF Week 13: Use Adobe Dimension to create a Perfect Packaging Showcase Week 12: Create Surreal Compositions in Photoshop Week 11: Create an Asian-inspired vintage style poster/postcard and ink-effect logo Week 10: Create Patterns with Photoshop, Pattern Bombing, Apply Patterns to Mockups Week 9: Layered Effect With Illustrator & Photoshop Week 8: Gold Typography in Illustrator Week 7: Stamp Tool & Clipping Mask in Photoshop Week 6: Envelope Distort in Illustrator Week 5: Paper 3D Collage Week 4: Create a Mosaic of Beautiful Polygons Week 3: Create Your Own Mockup Week 2: Head Icons Design Week 1: Hand Lettering in a Shape Learn More About DEXWho is this for?+Whether you are a beginner, intermediate or advanced level designer. There is a brief to suit you. Follow the instructions in the brief to the letter.How do I submit my work?+Once you're done upload your image to share. We may upload your image to our new Instagram page, be sure to include your Insta handle (@username) so we can credit you. If you don’t have an Instagram account, you can just type in your name. Leave your details blank if you like.What is a good size for the images?+Please make sure your image is of good resolution, it shouldn’t exceed more than 5mb or thereabouts. png, jpeg, svg all acceptable formats. By uploading your image you're giving us permission to publish it.Can I subscribe to this awesome concept?+If you would like to receive an email from us each week with the brief and video, be sure to subscribe at the top right of this page. We won’t share your information or be spammy.What if I want to go further?+If you love what we do, and think you would like to try your hand at becoming a designer. Check out our courses here.Can I contribute?+If you would like to become a regular video contributor, let us know. Even though we offer them for free, we pay contributors. Or if there is a technique that you would really like to learn, email us a visual, and any ideas you may have.Can I contact The Graphic Design School+Anything else you need or want to ask contact us at: info@thegraphicdesignschool.comCan I be a voice of TGDS?+If you want to spread the good word to your design friends feel free to share this page on social media ;)Back to the TopAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 101: Create your own neon flex Christmas lights sign or design your own for your wall! | Dex | The Graphic Design School\n**URL:** /dex/no-40/\n**Template:** dex-single\n**Priority:** 5\n**Word Count:** 862\n**Last Modified:** 2025-09-29T05:21:56.473Z\n**AI Category:** courses\n**AI Quality:** 4/5\n**AI Summary:** Learn to create custom neon flex Christmas lights signs with design tips and tools.\n\nWeek 40: Create your own neon flex Christmas lights sign or design your own for your wall!Below is an equipment list of all the things we used in order to make our sign. We also used Illustrator a bit (couldnt help ourselves). We would love to see yours, please feel free to share in our upload bar above. Beginner+Intermediate+Advanced+Time Allocated+Design Goals+Constraints+Upload+SoftwareDifficultyShow AllWeek 45: Create 3D Designs with Illustrator Week 44: Social Media Template Design for Clients Week 43: How to Create a Brand Campaign with Assets Week 42: Create Beautiful Type Design Editorials for Print and Web Week 41: Create Beautiful Type Design Editorials for Print and Web Week 39: Create promotion and brand materials with your own optical art design piece in Adobe Illustrator Week 38: Create a beautiful image design by merging two images seamlessly together in Photoshop Week 37: Create your own kaleidoscope print in Photoshop Week 36: Create a live animation for handwritten text in Adobe After Effects Week 35: Create an animated pattern of your logo in Adobe After Effects Week 34: Textile Design - Part 2 Creating Print Textures Week 33: Get Started with a Basic Animation in After Effects Week 32: Textile Design - Part 1 Repeat Print Week 31: Use the width tool to create your Own Curvy Letter Week 30: Create a punchy typographic Xmas gif, then we show you how to embed in your email signature! Week 29: Using Adobe Dimension & Photoshop To Create Striking Packaging Week 28: Draw & Apply your Own One-Line Art to a Mockup Week 27: Social Media Series: Learn to shoot, style and edit an image for your social media channels Week 26: Social Media Series: Absolute Beginners Design & Present an Instagram Mockup Week 25: Create a World Cup animated GIF in Photoshop to promote your event Week 24: Create a Seamless Pattern in Photoshop and Apply it to Your Mockups - Part 2 Week 23: Create an Identity Using Engraved Effect on Images - Part 1 Week 22: Create a website prototype in Adobe Xd - Part 2 Week 21: Add contrasting light effects to a photographic image - Part 1 Week 20: Create Wonderful Waves with the Twirl Tool Week 19: Create a Dripping Text Effect in Illustrator Week 18: Create a live animation for handwritten text in Adobe After Effects Week 17: Create a Band Artwork using Photoshop Liquify Tool Week 16: The Best Illustrator Brushes Tutorial Ever Week 15: Create a Retro Style Surf Poster Week 14: Create a Corny Holiday Sweater Knit Animated GIF Week 13: Use Adobe Dimension to create a Perfect Packaging Showcase Week 12: Create Surreal Compositions in Photoshop Week 11: Create an Asian-inspired vintage style poster/postcard and ink-effect logo Week 10: Create Patterns with Photoshop, Pattern Bombing, Apply Patterns to Mockups Week 9: Layered Effect With Illustrator & Photoshop Week 8: Gold Typography in Illustrator Week 7: Stamp Tool & Clipping Mask in Photoshop Week 6: Envelope Distort in Illustrator Week 5: Paper 3D Collage Week 4: Create a Mosaic of Beautiful Polygons Week 3: Create Your Own Mockup Week 2: Head Icons Design Week 1: Hand Lettering in a Shape Learn More About DEXWho is this for?+Whether you are a beginner, intermediate or advanced level designer. There is a brief to suit you. Follow the instructions in the brief to the letter.How do I submit my work?+Once you're done upload your image to share. We may upload your image to our new Instagram page, be sure to include your Insta handle (@username) so we can credit you. If you don’t have an Instagram account, you can just type in your name. Leave your details blank if you like.What is a good size for the images?+Please make sure your image is of good resolution, it shouldn’t exceed more than 5mb or thereabouts. png, jpeg, svg all acceptable formats. By uploading your image you're giving us permission to publish it.Can I subscribe to this awesome concept?+If you would like to receive an email from us each week with the brief and video, be sure to subscribe at the top right of this page. We won’t share your information or be spammy.What if I want to go further?+If you love what we do, and think you would like to try your hand at becoming a designer. Check out our courses here.Can I contribute?+If you would like to become a regular video contributor, let us know. Even though we offer them for free, we pay contributors. Or if there is a technique that you would really like to learn, email us a visual, and any ideas you may have.Can I contact The Graphic Design School+Anything else you need or want to ask contact us at: info@thegraphicdesignschool.comCan I be a voice of TGDS?+If you want to spread the good word to your design friends feel free to share this page on social media ;)Back to the TopAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 102: Holly Fawkner's Design Portfolio | Students | The Graphic Design School\n**URL:** /students/holly-fawkner/\n**Template:** student-single\n**Priority:** 5\n**Word Count:** 844\n**Last Modified:** 2025-09-29T05:21:55.388Z\n**AI Category:** portfolio\n**AI Quality:** 4/5\n**AI Summary:** Holly Fawkner is a multi-disciplined artist and recent design graduate showcasing her portfolio and insights.\n\nTGDS Graduate HollyMeet Holly our favourite lover of all things pink! Holly is a multi-disciplined artist who has been painting and illustrating for 6 years. Her stunning graphic design work combines beautifully the love of her two artistic talents. Scroll down to read the interview Hey Holly! Tell us a bit about you. I’m Holly and I just finished my Certificate IV in Design with The Graphic Design School! Currently living in Melbourne, working part-time in retail, the rest of the time I’m painting, illustrating, learning new ways to use the Adobe Suite or just watching silly tv shows, going to bars and gigs or planning new places to travel. Booth’s - Identity and Package Design You were really into all sorts of design disciplines at TGDS, branding, campaigning and even packaging. Have you a fav? My favourite was packaging, I really love the challenge of trying to bring all of the design elements to a 3D object. There is something really cool about being able to pick up your design and see it from all angles, but It also gives you the opportunity to think about how we could be making packaging more sustainable. Laur - Identity and Album Design What are you up to in the design world at the moment? I’m expanding my folio a little before I start sending it out into the world and continuing to do video tutorials on all the adobe programs, which I love! I’m also spending a lot of time on trying to get my illustrations and acrylic paintings out into the world as well. “F**k” An auto-biography - Book Cover Design What is your favourite part of the design process? I really love the feeling when you’ve settled on a final design and can get into Illustrator, or whichever program you’re using and really refine it and see it all come together. You can probably tell by now I love using design software! Fluid Magazine - Corporate Identity Design What or who inspired you to be a designer? I’ve always loved creating things and trying my hand at a heap of different creative mediums. I thought Graphic Design would be a cool way to incorporate all these side hobbies into an eventual career. Holly Fawkner - Personal Identity Design Tell us anything you would like to about your featured works. From my work you can probably see I love pink and playing with soft shapes and movement. I’ve been painting and illustrating under the name Arizona Tuesday for about 6 years now and my design work emulates the organic forms, and colour palettes of my artwork. It wasn’t until later in the course, especially in the personal branding, that I realised I could be trying to combine these two artistic ventures. Save the John Curtin - Campaign Design What did you love most about studying design? Obviously learning how to use a lot of the design programs. It really helps you get what’s in your head out into reality when you know what you’re doing technically, but also how many “Ah-Ha!” moments you get. The more you learn, the more confident you get with the design process and your own choices, and that feeling you get when you suddenly realise the exact creative direction your project is going to take is excellent. Whats your dream design job? Don’t hold back! I’d love to be designing books covers, Album covers, sustainable packaging, wine labels and to be doing it all freelance. I’d love the freedom to work whenever and wherever I wanted and to be able to personally build connections with my clients. Wes Anderson - Icon Design “Design, I realised is a lot about confidence in your ability. The confidence to pick a final design or the confidence to completely change direction when you know something isn’t working. The more projects you complete, the more feedback you receive and the more research you do, the more that confidence grows.”Hotel Valentine - Corporate Identity Design What would you say to someone about to embark on their own journey in design? It can feel pretty frustrating and daunting at the start when you don’t quite trust yourself yet. But just keep at it, keep learning, listen to feedback, research incredible designers, and back yourself! It’s crazy how many projects I didn’t think we’re going to work out that I ended up getting A+’s for and have now even ended up here! Yvonne Shafir - Magazine Layout Design PrevBack to the TopNext Ready to get Started?You can enrol any day of the year. As we are online and training is self paced, there is no pressure. Enrol when you are ready to start, from anywhere in the world.Click the link below to check out our flexible payment plans!Course Costs & Payment PlansAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be. PrevBack to the TopNext The Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 103: Weekly Design Exercises | The Graphic Design School\n**URL:** /dex/\n**Template:** dex-single\n**Priority:** 5\n**Word Count:** 822\n**Last Modified:** 2025-09-29T05:21:54.840Z\n**AI Category:** courses\n**AI Quality:** 4/5\n**AI Summary:** Weekly Design Exercises enhance Adobe skills for free at The Graphic Design School.\n\nWhat is DEX? Our Weekly Design Exercises improve your Adobe skills and design power. They are completely free! Naked, nude, nada!SoftwareDifficultyShow AllWeek 45: Create 3D Designs with Illustrator Week 44: Social Media Template Design for Clients Week 43: How to Create a Brand Campaign with Assets Week 42: Create Beautiful Type Design Editorials for Print and Web Week 41: Create Beautiful Type Design Editorials for Print and Web Week 39: Create promotion and brand materials with your own optical art design piece in Adobe Illustrator Week 38: Create a beautiful image design by merging two images seamlessly together in Photoshop Week 37: Create your own kaleidoscope print in Photoshop Week 36: Create a live animation for handwritten text in Adobe After Effects Week 35: Create an animated pattern of your logo in Adobe After Effects Week 34: Textile Design - Part 2 Creating Print Textures Week 33: Get Started with a Basic Animation in After Effects Week 32: Textile Design - Part 1 Repeat Print Week 31: Use the width tool to create your Own Curvy Letter Week 30: Create a punchy typographic Xmas gif, then we show you how to embed in your email signature! Week 29: Using Adobe Dimension & Photoshop To Create Striking Packaging Week 28: Draw & Apply your Own One-Line Art to a Mockup Week 27: Social Media Series: Learn to shoot, style and edit an image for your social media channels Week 26: Social Media Series: Absolute Beginners Design & Present an Instagram Mockup Week 25: Create a World Cup animated GIF in Photoshop to promote your event Week 24: Create a Seamless Pattern in Photoshop and Apply it to Your Mockups - Part 2 Week 23: Create an Identity Using Engraved Effect on Images - Part 1 Week 22: Create a website prototype in Adobe Xd - Part 2 Week 21: Add contrasting light effects to a photographic image - Part 1 Week 20: Create Wonderful Waves with the Twirl Tool Week 19: Create a Dripping Text Effect in Illustrator Week 18: Create a live animation for handwritten text in Adobe After Effects Week 17: Create a Band Artwork using Photoshop Liquify Tool Week 16: The Best Illustrator Brushes Tutorial Ever Week 15: Create a Retro Style Surf Poster Week 14: Create a Corny Holiday Sweater Knit Animated GIF Week 13: Use Adobe Dimension to create a Perfect Packaging Showcase Week 12: Create Surreal Compositions in Photoshop Week 11: Create an Asian-inspired vintage style poster/postcard and ink-effect logo Week 10: Create Patterns with Photoshop, Pattern Bombing, Apply Patterns to Mockups Week 9: Layered Effect With Illustrator & Photoshop Week 8: Gold Typography in Illustrator Week 7: Stamp Tool & Clipping Mask in Photoshop Week 6: Envelope Distort in Illustrator Week 5: Paper 3D Collage Week 4: Create a Mosaic of Beautiful Polygons Week 3: Create Your Own Mockup Week 2: Head Icons Design Week 1: Hand Lettering in a Shape Learn More About DEXWho is this for?+Whether you are a beginner, intermediate or advanced level designer. There is a brief to suit you. Follow the instructions in the brief to the letter.How do I submit my work?+Once you're done upload your image to share. We may upload your image to our new Instagram page, be sure to include your Insta handle (@username) so we can credit you. If you don’t have an Instagram account, you can just type in your name. Leave your details blank if you like.What is a good size for the images?+Please make sure your image is of good resolution, it shouldn’t exceed more than 5mb or thereabouts. png, jpeg, svg all acceptable formats. By uploading your image you're giving us permission to publish it.Can I subscribe to this awesome concept?+If you would like to receive an email from us each week with the brief and video, be sure to subscribe at the top right of this page. We won’t share your information or be spammy.What if I want to go further?+If you love what we do, and think you would like to try your hand at becoming a designer. Check out our courses here.Can I contribute?+If you would like to become a regular video contributor, let us know. Even though we offer them for free, we pay contributors. Or if there is a technique that you would really like to learn, email us a visual, and any ideas you may have.Can I contact The Graphic Design School+Anything else you need or want to ask contact us at: info@thegraphicdesignschool.comCan I be a voice of TGDS?+If you want to spread the good word to your design friends feel free to share this page on social media ;)Back to the TopAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 104: Emmanuelle Bachelier's Design Portfolio | Students | The Graphic Design School\n**URL:** /students/emmanuelle-bachelier/\n**Template:** student-single\n**Priority:** 5\n**Word Count:** 821\n**Last Modified:** 2025-09-29T05:21:55.500Z\n**AI Category:** portfolio\n**AI Quality:** 4/5\n**AI Summary:** Emmanuelle Bachelier is a freelance brand designer passionate about creating impactful identities.\n\nTGDS Graduate EmmanuelleMeet TGDS Grad and freelance brand designer Emmanuelle. After a year of intensive study in graphic design, Emmanuelle is living her dream of running her own design business. Scroll down to read the interview Hey Emmanuelle. Tell us a bit about you. Hey, here is me, graphic designer with a French accent. After 4 years studying civil engineering and one year living in Australia, I decided to listen the strong voice inside of me and I jumped into graphic design. I am now a full time freelance brand designer and in love with my job. Emmanuelle Bachelier - Personal Identity Design What or who inspired you to be a designer? Since my childhood, I’ve always been creative. I love drawing, collecting notebooks, pens and trying all the manual activities possible. But I also had the passion for mathematics so I followed a scientific course that lead me to civil engineering studies. After 4 years and some travels abroad alone, I decided to dive into what makes me truly happy, a creative career. Until I quit my University, I didn’t know nothing about graphic design, and after some research, I finally discovered graphic design was the field I wanted to work in. Java Love - Logo & Brand Identity Design Ana Moon - Logo & Brand Identity Design What are you up to in the design world at the moment? I am very proud to say I am now a full time freelance graphic designer! Only 1 year after diving into graphic design, I launched my own business. I am now working for passionate entrepreneurs that have a positive impact on our society. I help them be amazing thanks to having a true brand identity. Clara - Logo & Brand Identity Design What is your favourite part of the design process? I definitely love the sketching part, it’s the most creative. It’s the part where I can be in my bubble alone, and just follow what I want to do. I can try everything without judgement and just let all my creativity flow. BMA Carpenter - Logo & Brand Identity Design You were really into all sorts of design disciplines at TGDS, branding, campaigning and even packaging. Have you a fav? Yes! I really developed a passion for brand and logo design. I really love the idea to build something from scratch that can help the client to feel more confident and that can help them develop and grow. Gabbies Creations - Logo & Brand Identity Design Tell us anything you would like to about your featured works. I am really happy about all the projects, even though some made me a bit crazy! But finally with patience and good tips from my tutor, I can only be proud of these projects that helped me to build my portfolio and find my first clients. The project I enjoyed designing the most is definitely the packaging design where I got the freedom to create and design something according to my own brief. I created something I would have never thought I was able of, creating illustrations and designing a range of wines. Summer Wine - Packaging Design What did you love most about studying design? I really loved discovering, and learning something that was really new to me and that I was eager to learn for years. I love being able to express my creativity but still being lead by a brief that helps to put borders. I also loved to discover the works of others as an inspiration. Moorea Magazine - Layout Design What’s your dream design job? Don’t hold back! Well, looks like I’m already in it! To go further, I would love to work for companies that can have an impact on our world and society in order to improve it. Working for companies that share the same values of ethics for both humans and animals, love and respect. I also would love to work on type design and why not, create my own typography one day! The Artisan House - Campaign Design What would you say to someone about to embark on their own journey in design? To trust in themselves and practise, practise, practise. Also, don’t be shy and show their work to experienced designers to get constructive feedback and improve. The Artisan House - Campaign Design PrevBack to the TopNext Ready to get Started?You can enrol any day of the year. As we are online and training is self paced, there is no pressure. Enrol when you are ready to start, from anywhere in the world.Click the link below to check out our flexible payment plans!Course Costs & Payment PlansAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be. PrevBack to the TopNext The Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 105: Armanda Capaite's Design Portfolio | Students | The Graphic Design School\n**URL:** /students/armanda-capaite/\n**Template:** student-single\n**Priority:** 5\n**Word Count:** 815\n**Last Modified:** 2025-09-29T05:21:55.792Z\n**AI Category:** portfolio\n**AI Quality:** 4/5\n**AI Summary:** Armanda Capaite combines psychology and art in her graphic design career, thriving in online education.\n\nTGDS Graduate ArmandaArmanda says she really loved the course! She had wanted to do a Graphic Design course for a long time but couldn’t take time off to physically attend classes, so the online option was perfect for her to do some incredible work. Scroll down to read the interview Hey Armanda! Tell us a bit about you. As long as I can remember I was fascinated by people, their feelings and behaviour. So it doesn’t come as a surprise that I have a bachelor degree in psychology and about 6 years of experience working and volunteering with teenagers. However, along with the passion for human beings I was always in love with art in various forms. Therefore, I decided to join all that and started putting my insights about people together with design. And here I am now, a creative at an advertising agency and a freelance graphic designer. Misija Plaukai - Corporate Identity & Packaging Design What or who inspired you to be a designer? Whilst living and working for others and their psychological well being, I started to miss something that would be only about me. This is when painting and illustration came in. It is my safe zone, my own little world. There I can only think about me and what is important to me without analysing and trying to understand others. So, I guess you can tell that my journey into graphic design started as a date with myself. Quarnatine - Illustration Series What are you up to in the design world at the moment? I have a couple of graphic design clients at the moment. I am creating visual identities for a Zero Waste company and a local Coffee brand. JAVA LOVE - Logo & Packaging Design What is your favourite part of the design process? I love to do the visual research and analyse what other designers do but the most favourite part of this job is playing with forms, and experimenting with graphic elements. I always find the most interesting solutions exactly in this phase. Usually, the final result differs from the one that I imagined and tried to achieve. This surprise element in this job is very exciting. Dancing Snakes - Corporate Identity Design You were really into all sorts of design disciplines at TGDS, branding, campaigning and even packaging.Have you a fav? I really love to create logos as I love conceptual thinking. It is amazing what an important messages a small symbol can carry. I also really love to illustrate, so packaging is my passion as well. VAIDA - Corporate Identity Design Tell us anything you would like to about your featured works. Funny. I am not really happy with my designs. There are always things I notice that I can improve. The question is, how to know when to stop? Haha. Anyway, I think that a lot of my personality fits into my designs - a minimalistic, creative approach to life with small little messages hidden. Seaside - Illustration Series What did you love most about studying design? I love that you have to observe the world constantly and stay curious at all times. It is super cool to realise that everything is an inspiration and everything around us is design. So the possibilities are endless. OAK MOOD - Corporate Identity Design What’s your dream design job? Don’t hold back! First of all, I want to create a portfolio website that I would be proud of. Then, I would love to help small brands (with passionate people behind them) to create their face, their identity, they spirit. I would be extremely happy having an opportunity to work somewhere abroad, somewhere where there is sun all year round and a beach! :) Another thing that I would like to achieve, is being featured as an illustrator in significant editorial pieces in magazines, books, newspapers or blogs. Local and worldwide. One day I hope to have a minimal clothing line with the designs I created! What would you say to someone about to embark on their own journey in design? Don’t worry about not having clients and projects. Just look around. Everything has a design. That means, that there is the whole world waiting to be designed. There won’t ever be too many graphic designers! :) PrevBack to the TopNext Ready to get Started?You can enrol any day of the year. As we are online and training is self paced, there is no pressure. Enrol when you are ready to start, from anywhere in the world.Click the link below to check out our flexible payment plans!Course Costs & Payment PlansAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be. PrevBack to the TopNext The Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 106: Caro Goh's Design Portfolio | Students | The Graphic Design School\n**URL:** /students/caro-goh/\n**Template:** student-single\n**Priority:** 5\n**Word Count:** 796\n**Last Modified:** 2025-09-29T05:21:55.700Z\n**AI Category:** portfolio\n**AI Quality:** 4/5\n**AI Summary:** Caro Goh is a passionate designer and TGDS graduate running her own design studio.\n\nTGDS Graduate CaroMeet Caro! Nature enthusiast, lover of the Ocean and recent graduate at TGDS. Caro is currently running her own design studio and encourages other fellow designers to listen to their passions and follow their calling! Scroll down to read the interview Hey Caro! Tell us a bit about you. I love the ocean, I love nature! One of my biggest dreams is to free-dive with humpback whales! And I live in different places, this lifestyle allows me to keep expanding my mind and heart and it certainly supports my creativity. Carissi - Visual Identity Design What or who inspired you to be a designer? I’ve always been drawn to artistic expression and design but never really had the courage to fully embrace it. A few years ago a friend asked me to illustrate her logo and that didn’t go well but it definitely planted a seed in my heart. I was in Christchurch (New Zealand) and during that time I was very inspired from the city, there was something about the street art, the building blocks, the graphics and especially the ruined part of the city (from the earthquake). That definitely sparked something inside me too. Then I read my first design book ‘Design for the Real World’ by Victor Papanek and I decided that’s it - Im going for it. CASITEA - Packaging Design CASITEA - Packaging Design What are you up to in the design world at the moment? I am building my personal design studio online, and working with some clients for their branding. I’m also making time and space for learning and self-exploration with design, art and printmaking. What is your favourite part of the design process? I love the research part, I love the creating and finalising part too. I find that I really enjoy creative challenges, it’s like solving a puzzle except that you create something! And in general I feel so alive when I’m in it, I get into some kind of flow state. HOLAOLA - Visual Identity Design HOLAOLA - Logo Refinement You were really into all sorts of design disciplines at TGDS, branding, campaigning and even packaging. Have you a fav? At the moment, I love the challenges branding gives me. Branding comes with many design areas to explore and you get to put them all together. I also love campaign and packaging design, it somehow connects to my childhood love of origami and my ocean heart. Both campaign and especially packaging design are more dimensional in a sense, and I love that kind of stuff - being able to touch, feel and ‘shape-shift’ inside your mind and with your hands. Casa Verde - Logo & Campaign Design Tell us anything you would like to about your featured works. I really enjoyed working on ‘Plastic and You’ campaign, it came from the time when I was living by the ocean in Bali. I was swimming with plastic everyday. I thought of creating something beautiful from it, but it has to reflect the truth and shine a light to our human problem. We talk about our plastic problem all the time, but why can’t we do something so easy and small for it, right? “Plastic” - Campaign Design What did you love most about studying design? I love that its so practical, and you’re always pushing your limits and discovering new horizons with your creativity!! I think creative challenges make me feel alive and fulfilled, and for me it’s a huge blessing to live feeling alive. “Whenever you feel stuck in life or in creativity, always believe in the infinite possibilities you hold in your hands. Most importantly, believe in yourself!”“Plastic” - Merchandise Design Whats your dream design job? Don’t hold back! To work with change-makers around the world on branding, packaging solutions and awareness campaigns! That would be very exciting for me! I’m also excited to work with a diverse group of talented people from different professions and backgrounds! Yunnan - Magazine Layout Design What would you say to someone about to embark on their own journey in design? Do it! If you’re here reading this, there must be something in you that calls you here. PrevBack to the TopNext Ready to get Started?You can enrol any day of the year. As we are online and training is self paced, there is no pressure. Enrol when you are ready to start, from anywhere in the world.Click the link below to check out our flexible payment plans!Course Costs & Payment PlansAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be. PrevBack to the TopNext The Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 107: Ashley Van Den Heuvel's Design Portfolio | Students | The Graphic Design School\n**URL:** /students/ashley-van-den-heuvel/\n**Template:** student-single\n**Priority:** 5\n**Word Count:** 787\n**Last Modified:** 2025-09-29T05:21:55.776Z\n**AI Category:** portfolio\n**AI Quality:** 4/5\n**AI Summary:** Ashley Van Den Heuvel showcases her design journey and portfolio as a recent graduate.\n\nTGDS Graduate AshleyWith an eye for design and a love for all things energetic, Ashley hit the Queensland design scene with a bang after graduating. Scroll down to read the interview Hey Ashley! Tell us a bit about you. Well, where do I begin! I’m 24 years old; I’m a New Zealander having been living in sunny Queensland for five years now. A few of my favourite things include, first and foremost, my wonderful little Cavoodle Ted, surfing up a storm, banana smoothies, a good cheesy romance novel, snowboarding (when I get the chance to escape Queensland!), Star Wars, baking, mountain biking, board games (who doesn’t love a good game of UNO), and of course, all things design! Ashley Ahh - Ashley’s Personal Identity Design What or who inspired you to be a designer? When I was younger I use to spend a lot of my time collecting magazines. I would spend hours going through each one, cutting out everything that caught my eye, whether it was an article, an image or an illustration. I would then take all of my cutouts and glue them into an old art book, practically recreating the magazine but the way I wanted it! Carefully considering the placement of each cut out, and watching the layout all come other, I really enjoyed it! Java Love - Corporate Identity Design What are you up to in the design world at the moment? When I was getting towards the end of the course, I decided to leave my job at the time to focus on smashing out the last few modules, and that’s exactly what I did! Now that I am all finished, I am on the hunt for a job! In addition to this I am doing a few bits and pieces of freelance work on the side as well as completing a work experience course with a well-known Brisbane based Graphic Designer. Java Love - Packaging What is your favourite part of the design process? My favourite part of the design process would have to be when you have completed a design; you’ve taken a break, gotten some fresh air and you have returned to have a final look. In that moment I believe you can really feel whether or not you have achieved your objective. And when you have, the sense of accomplishment that you feel is very rewarding! Snowboarding is not Dead - Feature Article Design You were really into all sorts of design disciplines at TGDS, branding, campaigning and even packaging. Have you a fav? I really enjoyed them all, but if I have to pick a favourite, it would be a tie between the photography, the magazine layout and the campaign. It is definitely the layout aspect of each concept that I enjoyed producing. VAIDA - Corporate Identity Design Tell us anything you would like to about your featured works. I am SO happy with my corporate identity and my portfolio as a whole! When designing something for myself personally, I always struggle. I am a perfectionist and I overthink things, always finding new ways to try and better a design. I find that I have so many ideas floating around in my head; it’s often hard to put them down on paper. I really wanted my corporate identity to be a reflection of me and I think I really nailed it. To then incorporate that into my portfolio and see it all come together was so rewarding! What did you love most about studying design? The thing I loved most about studying design was everything that I learnt along the way, and watching it all come together. Piecing together my final portfolio was a wonderful experience. It was rewarding to know that all of the hard work had really paid off. What’s your dream design job? Don’t hold back! My dream job would 100% be in Publication design as a Magazine Art Director, particularly for a fashion and lifestyle magazine or perhaps a multi-platform publication. Other than that, I have discovered that I really enjoy branding and logo design. So who knows where the future will lead! PrevBack to the TopNext Ready to get Started?You can enrol any day of the year. As we are online and training is self paced, there is no pressure. Enrol when you are ready to start, from anywhere in the world.Click the link below to check out our flexible payment plans!Course Costs & Payment PlansAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be. PrevBack to the TopNext The Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 108: Daniel Hurst's Design Portfolio | Students | The Graphic Design School\n**URL:** /students/daniel-hurst/\n**Template:** student-single\n**Priority:** 5\n**Word Count:** 773\n**Last Modified:** 2025-09-29T05:21:55.573Z\n**AI Category:** portfolio\n**AI Quality:** 4/5\n**AI Summary:** Daniel Hurst is a passionate graphic designer and TGDS graduate with diverse creative interests.\n\nTGDS Graduate DanielMeet TGDS grad Daniel a multi-disciplinary creative and self-proclaimed adrenaline junkie! Daniel realised his creative abilities and talents from a young age and encourages other avid designers to tap in and share their passions. Scroll down to read the interview Hey Daniel! Tell us a bit about you. Well I’m 19, I have always had a passion for design and creativity, I was lucky enough to start working as a Graphic Designer straight out of school. I love all things outdoors, kayaking, scuba diving, skateboarding, and doing photography. When I am inside, I enjoy painting, making art and listening to Marvin’s Trouble Man album on repeat. YAK N YETI - Logo, Packaging & Campaign Design What or who inspired you to be a designer? Ever since I was young I’ve always been “the art kid”, I would draw every day and as I got older it eventually led to visual designs on the computer. I guess since then I just haven’t stopped being creative and inherently found myself in the creative industry. YAK N YETI - Logo, Packaging & Campaign Design What are you up to in the design world at the moment? I work as a full-time graphic designer and large format printer, which I really enjoy. I’m also always doing fun little design and photography jobs for friends. I also keep up my art and painting in my spare time and always have something I’m working on. Bluesfest - Re-Branding Concept Design “I’m probably an adrenaline junkie but I try to deny it.”What is your favourite part of the design process? My favourite thing about design is the development from an idea in your head to communicating it visually. When someone has all these creative ideas and is able to show the world their imagination, is awesome. Sketching in particular, is my favourite process because it can quickly communicate your ideas and is a great way of realising a designs potential. Skateboarder Magazine - Layout Design You were really into all sorts of design disciplines at TGDS, branding, campaigning and even packaging. Have you a fav? Branding is probably my favorite category because it incorporates various different design mediums and skills. I really enjoy creating a consistent theme throughout elements like packaging, photography, web design & social media. Apollo Art Magazine - Layout Design Tell us anything you would like to about your featured works. Something interesting about my designs is that for a lot of them I took inspiration from things I made as a kid. Kids have such a wild imagination, and I think that when you grow up you can lose some of that creativity. So, when I was brainstorming ideas for designs, I looked back at drawings I did as a little kid and it sparked some ideas. Java Love - Logo & Illustration Design What did you love most about studying design? I am someone who has always had a good eye for design, but I found studying it in depth really cemented my ideas and refined my techniques. It helped me understand why a design looks good and taught me how to apply those principles in my own designs. “Yours to Be Worn” - Advertising Design Whats your dream design job? Don’t hold back! I wouldn’t say I have one dream job in particular, but I would love to have a career that includes a lot of different design mediums. Something that includes photography, social media, layout design and branding; I don’t know if a job like this exists but that would be so much fun. “Yours to Be Worn” - Advertising Design “City of Sky” - Oil On Canvas What would you say to someone about to embark on their own journey in design? I think that if you feel like you have ideas and things you want to create than this is the perfect thing for you. Visual design is all about communicating your creativity and sharing it to others, if that is what you are passionate about then go for it! PrevBack to the TopNext Ready to get Started?You can enrol any day of the year. As we are online and training is self paced, there is no pressure. Enrol when you are ready to start, from anywhere in the world.Click the link below to check out our flexible payment plans!Course Costs & Payment PlansAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be. PrevBack to the TopNext The Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 109: Jacqui Hunt's Design Portfolio | Students | The Graphic Design School\n**URL:** /students/jacqui-hunt/\n**Template:** student-single\n**Priority:** 5\n**Word Count:** 770\n**Last Modified:** 2025-09-29T05:21:55.364Z\n**AI Category:** portfolio\n**AI Quality:** 4/5\n**AI Summary:** Jacqui Hunt is a freelance designer inspired by natural beauty and fashion, creating vibrant designs for various clients.\n\nTGDS Graduate JacquiJacqui is all about that moment when the design starts to come together. Once she gets on a roll, that’s when the design magic starts happening. Scroll down to read the interview Belly Balance - Logo Design Hey Jacqui. Tell us a bit about you. I’m a Mum of 3 kids, I grew up in Noosa, Qld and moved to Melbourne 18 years ago to be with my now husband, marrying 10 years ago. I’m always active, love yoga, Pilates and walking, taking in the fresh air. I love love love the beach (I still ask my husband if he appreciates me living away from Noosa and in the city for him). I love my friends and having girls lunches. I love date nights with my husband and I loooovvveeee more than anything in the world cuddling my 3 babies! Belly Balance - Logo Design Belly Balance - Packaging Design Process What or who inspired you to be a designer? I regularly feel inspired by design around me, natural beauty, colours, fashion, art, home style and stylish marketing. Parkridge Noosa - Layout Design Parkridge Noosa - Layout Design What are you up to in the design world at the moment? I am freelancing. I have a variety of clients, connections still to the fashion world creating textile prints for young designers and working with the designers drawing up their fashion range line sheet. I have worked on branding and marketing collateral for a PR company. I also get a bit of work through my husband and brother who both work in property working on signage and brochures. I also get word-of-mouth jobs to work on logos and branding, which I really love. What is your favourite part of the design process? When the design starts to come together. Once I get on a roll, I get very excited. I may start a little overwhelmed with a blank page but once the ideas start flowing, I just don’t want to stop. I also love laying out the final design for the client and the presentation process. Hunt Property - Book Cover Design Tell us anything you would like to about your featured works. I really enjoyed the packaging project which I came up with for the concept of Belly Balance probiotic drink. To take the idea from just a name right through to a 3D image was amazing. I’d never done a 3D image wrap before, it made a huge impact to the presentation. You were really into all sorts of design disciplines at TGDS, branding, campaigning and even packaging. Have you a fav? Hmmm. I really love so many elements of design, as long as I’m designing I’m happy. Branding is very exciting because it’s the beginning of the whole process and so important to the client. It is also nerve racking too though because at this initial stage I don’t really know the client’s style, there’s a risk I could be on the completely wrong path. As I learnt learnt through TGDS the brief is key! Yoga 213 - Layout Design Yoga 213 - Layout Design What did you love most about studying design? Learning the process of design and how to structure my creative path. Sarah + Thomas - Wedding Invitation Design “Branding is very exciting! It is also nerve racking too though because at this initial stage I don’t really know the client’s style, there’s a risk I could be on the completely wrong path. As I learnt through TGDS the brief is key!”Pattern - Illustration Design Whats your dream design job? Don’t hold back! Textile design! Forecasting and designing the fashion trends in print design. Pogo Kids - Brand Identity Design What would you say to someone about to embark on their own journey in design? Get started! You’ll love it. The Graphic Design School is brilliant. They work through all processes of design and work towards a really rewarding portfolio. The teachers are so helpful and encouraging, and can help through the whole process. PrevBack to the TopNext Ready to get Started?You can enrol any day of the year. As we are online and training is self paced, there is no pressure. Enrol when you are ready to start, from anywhere in the world.Click the link below to check out our flexible payment plans!Course Costs & Payment PlansAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be. PrevBack to the TopNext The Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 110: Caio Fernandes's Design Portfolio | Students | The Graphic Design School\n**URL:** /students/caio-fernandes/\n**Template:** student-single\n**Priority:** 5\n**Word Count:** 770\n**Last Modified:** 2025-09-29T05:21:55.713Z\n**AI Category:** portfolio\n**AI Quality:** 4/5\n**AI Summary:** Caio Fernandes is a web designer from Ottawa, specializing in layout and branding.\n\nTGDS Graduate CaioThe Graphic Design School graduate Caio is a web designer based out of Ottawa, Canada. Caio loves layout design, exploring colour and claims Futura as being the typeface choice of the moment. Scroll down to read the interview Hey Caio! Tell us a bit about you. I hail from beautiful Ottawa, Canada’s capital. My favourite colour right now is blue as you can see on my website (cvxf.design). Favourite typeface right now: Futura (I like space movies and space stuff and Futura makes me think of 2001: A Space Odyssey, my favourite movie). Favourite foods are pizza and ramen. Personal Identity - Corporate Identity Design What or who inspired you to be a designer? I started my career working with maps, then moved on to web design. In those fields I gained an appreciation for typography, colour, and layout. Graphic design was the next natural step and the culmination of that journey. It was also the realization that design is everywhere and I wanted to be part of making it. Canadian Railways - Corporate Identity Design What are you up to in the design world at the moment? I’ve been working to expand my portfolio and website. So I’ve been busy designing, trying things out to hone the skills I’ve learned. I’ve also built a blog that’s a little about design but also about my other interests. I’m also doing website work for the Ottawa Arts Council. Maps - Logo & Campaign Design What is your favourite part of the design process? I’m a fan of exploring colour, so choosing the colour palette for a project based on the research I do for the project and its needs, is a fun part of the process. Maelk - Packaging Design You were really into all sorts of design disciplines at TGDS, branding, campaigning and even packaging.Have you a fav? I like them all, but branding is probably the best part for me. Humanitarian Coalition - Website & UI Design Tell us anything you would like to about your featured works. For the packaging design exercise, from the start I had the concept of using colour as the main element to differentiate among the different milk products. For the branding exercise (Canadian Railways), after doing research on existing rail companies, I wanted to create something distinct from those, which I think was achieved. I got feedback from a couple of designers about that product, as part of the last module of the TGDS program. It was interesting and helpful to hear their perspective and it made me make small changes. What did you love most about studying design? I love that from the basic concepts that you learn, a) you have a set of tools and skills and b) you can really explore a wide range of possibilities. Sometimes the simplest of changes make a whole lot of difference. What’s your dream design job? Don’t hold back! It’d probably be working for a magazine that covers city life, places or travel like Monocle or Canadian Geographic. Or perhaps working at one of the art galleries/centres we have here in Ottawa. Pandemic & the City - Photography & Layout Design Japan - Map & Layout Design What would you say to someone about to embark on their own journey in design? The main thing would be to go for it! Seeing the work of amazing designers out there is intimidating and it might discourage some. But they were also at the same place you are now. I’m a better designer now than I was two years ago and in 10 years time, I’ll be better still. Learn the skills and start trying things out. Sketch and sketch some more. Explore the different areas of design and see what you like and what you are good at. Notice things you always seem to include in your design. They may become your thing, part of your style. Also, make the time to design things you want to design and share it with the world. PrevBack to the TopNext Ready to get Started?You can enrol any day of the year. As we are online and training is self paced, there is no pressure. Enrol when you are ready to start, from anywhere in the world.Click the link below to check out our flexible payment plans!Course Costs & Payment PlansAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be. PrevBack to the TopNext The Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 111: Cherise Vecchio's Design Portfolio | Students | The Graphic Design School\n**URL:** /students/cherise-vecchio/\n**Template:** student-single\n**Priority:** 5\n**Word Count:** 760\n**Last Modified:** 2025-09-29T05:21:55.657Z\n**AI Category:** portfolio\n**AI Quality:** 4/5\n**AI Summary:** Cherise Vecchio is a Gold Coast-based designer and artist, running Joelle Studio.\n\nTGDS Graduate CheriseA Gold Coast based abstract artist, graphic designer & web designer/developer! Cherise now runs her own design company Joelle Studio, while enjoying beach days, chai tea, travelling and a good margi! Scroll down to read the interview Hey Cherise! Tell us a bit about you. I am a Gold Coast-based, abstract artist, graphic designer and web designer/developer! After studying Mass Communications, I began my career working as a copywriter, which left me working heavily on websites uploading and creating content. It fuelled my love of design, which is what made me decide to study! Later, I decided to start Joelle Studio because I was tired of seeing the same clinical websites online; I wanted to bring a creative and magazine-like feel to the digital world. My work in social media and influencer relations, as well as teaching, gives me a holistic outlook on design and a point of difference. These are a few of my favourite things… Vinyasa yoga + Pilates Painting in full colour on canvas Beach days and being in nature Chai tea Travelling - as often as I can A good margi Dancing (fun fact: I was a ballet dancer from when I was 3 until I was 18 years old!) Cherise Vecchio - Personal Identity Design What are you up to in the design world at the moment? Running a design agency and creating work as a visual artist! What is your favourite part of the design process? Starting! I love the beginning of the design process where you get to brainstorm and be creative. I also love bringing together the presentation of my work to clients. This is a super visual way to show them all the love and attention to detail that has been put into creating the designs. You were really into all sorts of design disciplines at TGDS, branding, campaigning and even packaging. Have you a fav? Branding for sure!! I love creating meaning behind brands, and knowing it will be a representation of their brand forever, is such an incredible responsibility that I am so proud to be a part of. Natalie Nutritionist - Corporate Identity Design What did you love most about studying design? I loved learning about the history of design, this was an incredible way to begin the course. I also loved learning about colour theory, it’s so amazing how different colours when next to each other can look so different. This was an incredible module! Tell us anything you would like to about your featured works. I think my featured works really showcase my design style - a mix of the soft feminine, with a bold edge. What or who inspired you to be a designer? I have always loved all things design, I initially wanted to be in the world of fashion and signed up to study it, but at the last minute I changed my mind and went into Mass Communications because I thought it was a better “career choice”. The funny thing is, now my career has gone pretty much full circle and I am back in the design world, aside from what I “thought” would be the best pathway & what society told me! I have always loved art and creating, and when I realised that there was a job that could combine my two loves, I knew it was for me! Rizen - Package Design Tanouk - Corporate Campaign Cherise - Personal Identitity “Design is such a fun world to be part of and I feel that this program really allowed me to sink my teeth into the different aspects of design.”What would you say to someone about to embark on their own journey in design? Don’t put too much pressure on finding your “design style”. Just create as much as you can and eventually, you will find a style that really resonates and represents you as a designer. Let it come naturally and with time! The Change - Layout Design PrevBack to the TopNext Ready to get Started?You can enrol any day of the year. As we are online and training is self paced, there is no pressure. Enrol when you are ready to start, from anywhere in the world.Click the link below to check out our flexible payment plans!Course Costs & Payment PlansAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be. PrevBack to the TopNext The Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 112: Lizzy van Huenestein's Design Portfolio | Students | The Graphic Design School\n**URL:** /students/lizzy-van-huenestein/\n**Template:** student-single\n**Priority:** 5\n**Word Count:** 756\n**Last Modified:** 2025-09-29T05:21:55.268Z\n**AI Category:** portfolio\n**AI Quality:** 4/5\n**AI Summary:** Lizzy van Huenestein is a New Zealand-based brand designer with a passion for graphic design.\n\nTGDS Graduate LizzyMeet Lizzy, a Brand Designer based in New Zealand. After travelling to Bali, Indonesia and observing an array of inspiring brand design, Lizzy immediately fell in love and decided to follow her own dreams of becoming a graphic designer. Scroll down to read the interview Hey Lizzy! Tell us a bit about you. I am married to the funniest and sweetest man alive and together we have a gorgeous little girl who definitely has her dads sense of humour. We met in Bali, we got married in Australia, lived together in Papua and now we’re settling in New Zealand to start another adventure. I love spending time with my family and love to go out with friends. As long as it’s adventurous. Lizzy O’Reilly - Personal Identity Tell us anything you would like to about your featured works. Although I found my own brand identity the most challenging, I am really happy with the result. I wanted to keep it straightforward yet playful. I feel that my brand represents me well as a designer and person. Radical Rose - Visual Identity Design What are you up to in the design world at the moment? I have just started to apply for exciting graphic design roles in the area we will be moving to soon. In the meantime, I am working on a small project with a friend who is also a graphic designer, which I will be using to add to my portfolio. Radical Rose - Visual Identity Design What is your favourite part of the design process? I love being inspired by beautiful work on Behance and Instagram. Hundreds of ideas run through my head and it makes me very excited to start, but my favourite part is when I feel that I have created what I had envisioned - and it all comes together well. Java Love - Corporate Identity Design Java Love - Corporate Identity Design You were really into all sorts of design disciplines at TGDS, branding, campaigning and even packaging. Have you a fav? Branding is definitely my favourite! I love thinking of the strategy behind the brand. I find the better the strategy and the more I know about the brand, the better the design. OJI - Corporate Identity Design OJI - Corporate Identity Design What or who inspired you to be a designer? After I finished my study, I worked several years in the commercial field. But when I travelled to Bali, Indonesia and saw all the inspiring brand design that the island is full of, I absolutely fell in love with design. I decided to follow my dream and become a graphic designer myself. Groovy Noodles - Visual Identity Design “The better the strategy and the more I know about the brand - the better the design.”What did you love most about studying design? I love how much there is to learn about design and there is so much information available online. Graphic Design is always evolving which keeps it interesting. JOY Agency - Corporate Identity Design Whats your dream design job? Don’t hold back! Running my own design studio would be the ultimate dream. I’ve always loved the idea of running my own business, I think it’s so much more rewarding and the possibilities are endless. What would you say to someone about to embark on their own journey in design? Believe you can do it. If you’re willing to work hard and are prepared to make mistakes and learn, you can do it! There’s so much stunning design work online which can be intimidating, but mostly very inspiring, use it as an example. MUMA Kombucha - Visual Identity & Packaging Design “After many years of talking to clients about the brands that I was representing and their own unique stories while working in the commercial field, I can now say that design is by far my favourite method of communication.”Cookie Time Cookies - Campaign Design PrevBack to the TopNext Ready to get Started?You can enrol any day of the year. As we are online and training is self paced, there is no pressure. Enrol when you are ready to start, from anywhere in the world.Click the link below to check out our flexible payment plans!Course Costs & Payment PlansAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be. PrevBack to the TopNext The Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 113: Becks Harrop's Design Portfolio | Students | The Graphic Design School\n**URL:** /students/becks-harrop/\n**Template:** student-single\n**Priority:** 5\n**Word Count:** 751\n**Last Modified:** 2025-09-29T05:21:55.757Z\n**AI Category:** portfolio\n**AI Quality:** 4/5\n**AI Summary:** Becks Harrop is a freelance designer from New Zealand, specializing in branding and interior design.\n\nTGDS Graduate BecksI’m a freelance designer based in Christchurch, New Zealand. Currently enjoying working with local hospitality clients on a mix of interior and branding work. I’m a multi-passionate creative who loves to collaborate with people who enjoy what they do! Scroll down to read the interview Hey Becks. Tell us a bit about you. I’m a freelance designer from NZ living abroad in Jakarta, Indonesia soaking up the big city chaos and escaping to travel whenever possible! I’m a multi-passionate creative who loves to collaborate with people who enjoy what they do! Baxter’s Bar - Corporate Identity Design What or who inspired you to be a designer? I always remember thinking at high school why would you study science or math when you can do painting and design. One thing led to the next and Art School is where I fostered my inner designer. I was always inspired by my creative peers and talented tutors that surrounded me for those 4 crazy years. Baxter’s Bar - Visual Identity Design Baxter’s Bar - Illustration Design What are you up to in the design world at the moment? Freelancing with a range of interior and branding projects in New Zealand. Since living in Indonesia textile design has been of interest so have developed a range of fabric designs for cushions that are soon to be in a couple of retail stores. Cokelat Lab - Visual Identity Design Cokelat Lab - Packaging Design What is your favourite part of the design process? Early concept phase for sure! I love the awkward tension of not knowing and then fostering a strategic idea to suit the brief. Then obviously all the happy vibes that arrive when you start compiling the presentation for the client. Maker Space - Brand Identity Design Maker Space - Brand Identity Design You were really into all sorts of design disciplines at TGDS, branding, campaigning and even packaging. Have you a fav? I really connected with branding and environmental design. It’s the conceptual work that goes into branding that I really enjoy. As for environmental design – I come from a spatial design background so it’s always been the lack of boundaries that a space has that appeals – every project seems to keep you creatively challenged by the endless opportunities that design can have within a space. Humble - Corporate Identity Design Tell us anything you would like to about your featured works. The Maker Space campaign project started as just an idea for the module and now I can’t stop thinking how much I want to start up my own maker space in New Zealand some day. Humble - Corporate Identity Design What did you love most about studying design? Gaining an appreciation for it. I never realised how much effort goes in to designing a good poster! Learning how to not over design something and being able to critique your own work. Mr Murdoch’s - Brand Identity Design What’s your dream design job? Don’t hold back! Ooooo a branding consultant for high end hospitality and commercial developments. Collaborating with developers / architects / clients / artists etc. I love the idea of creating the brand concept and then having the freedom to design extra bespoke touch points ie; textiles and artwork for the space. Magazine Layout Design What would you say to someone about to embark on their own journey in design? It’s challenging but in the friendliest way possible. Creative study gives you a new confidence that I believe you never regret. Java Love - Packaging Design I really connected with branding and environmental design. It’s the conceptual work that goes into branding that I really enjoy.Central Collective - Corporate Identity Design What would you say to someone about to embark on their own journey in design? It’s challenging but in the friendliest way possible. Creative study gives you a new confidence that I believe you never regret. PrevBack to the TopNext Ready to get Started?You can enrol any day of the year. As we are online and training is self paced, there is no pressure. Enrol when you are ready to start, from anywhere in the world.Click the link below to check out our flexible payment plans!Course Costs & Payment PlansAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be. PrevBack to the TopNext The Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 114: Anastasia Butrym's Design Portfolio | Students | The Graphic Design School\n**URL:** /students/anastasia-butrym/\n**Template:** student-single\n**Priority:** 5\n**Word Count:** 746\n**Last Modified:** 2025-09-29T05:21:55.832Z\n**AI Category:** portfolio\n**AI Quality:** 4/5\n**AI Summary:** Anastasia Butrym, a TGDS graduate, shares her journey from marketing to graphic design.\n\nTGDS Graduate AnastasiaMeet The Graphic Design School graduate Anastasia. After leaving a job in marketing and advertising, she is now living out her dream after finding work as a designer at a well - known graphic design studio in Russia. Scroll down to read the interview Hey Anastasia! Tell us a bit about you. I graduated in mathematics, have been working in marketing and advertising, was a director of the British design school and was holding senior position in a bank for the last two years, where I finally decided to become a designer. Java Love - Corporate Identity & Packaging Design What or who inspired you to be a designer? Recently I was working with one design studio and what inspired me was how they were set apart by their core values as well as their very unique take on the design industry. The studio was making a real difference in business landscape and in people’s lives, and I’ve realised that I want to be a part of that. Java Love - Logo Design What are you up to in the design world at the moment? I’ve just joined that design studio I was inspired by. Very excited! W.O.W. - Corporate Identity & Campaign Design What is your favourite part of the design process? The most interesting is to find, how we call it, “a design-key” for the brief, which is either a visual metaphor, a motion, even just a unique gradient which is later transformed into different design applications in variable touchpoints. Personal Identity - Corporate Identity Design You were really into all sorts of design disciplines at TGDS, branding, campaigning and even packaging.Have you a fav? I like them all, but branding is probably the best part for me. XXX Recipe, Singapore Airlines (Concept) - Packaging & Communication Design Tell us anything you would like to about your featured works. I like my organic honey “MEERA” logo – seems I’ve managed to find that design-key in a wooden spoon shape, reflected in EE and in branded pattern. The colour pallete that really reflects me is in “CACTUS PLANET” – Cacti & cool stuff online shop. The most analysis was given to an “XXX RECIPE” sauce packages, as I really had to study a lot about the national font history as well as the folk style for the particular country and time period. What did you love most about studying design? What clients want is neither what they say nor what designers think. What they want is what we and they work together to clarify. So, design is a team game, which means huge responsibility for a designer not to let his or her team down. I found my “ikigai” in that. Studying design for me combines the joy from the design process itself and a sense of purpose, a feeling that my life is valuable, that I have an impact. Sun Fun - Brand Identity, Layout & Packaging Design OAK MOOD - Corporate Identity Design Design is hard but also very satisfying and can bring a lot of good into the world.Tamer - Branding & Packaging Design What’s your dream design job? Don’t hold back! I’ve got it already - I’m a creative partner in the best design studio in Russia. We are considering overseas expansion. We even have a big Australian client – the project I’m responsible for at the moment. What would you say to someone about to embark on their own journey in design? A designer can be a very fulfilling career path for artistic individuals and those who are naturally creative. But be ready to constantly strengthen your portfolio, to learn a lot to understand business and marketing, to be versatile, to stay current with the industry, both in visual trends and technology. Design is hard but also very satisfying and can bring a lot of good into the world. PrevBack to the TopNext Ready to get Started?You can enrol any day of the year. As we are online and training is self paced, there is no pressure. Enrol when you are ready to start, from anywhere in the world.Click the link below to check out our flexible payment plans!Course Costs & Payment PlansAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be. PrevBack to the TopNext The Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 115: Monique Patience's Design Portfolio | Students | The Graphic Design School\n**URL:** /students/monique-patience/\n**Template:** student-single\n**Priority:** 5\n**Word Count:** 734\n**Last Modified:** 2025-09-29T05:21:55.210Z\n**AI Category:** portfolio\n**AI Quality:** 4/5\n**AI Summary:** Monique Patience showcases her graphic design journey and passion for beauty branding.\n\nTGDS Graduate MoniqueAfter 5 years of working in the Beauty and Fashion industries and a 9 month adventure in London, Monique is back in Sydney and working in her dream role as a graphic designer. Scroll down to read the interview Hey Monique! Tell us a bit about you. Now I’m back home, engaged and have just finished my course with TGDS. I’m loud, creative and enjoy spending time with family and friends drinking, eating and travelling. I still love everything to do with the beauty industry and spend way too much money on my skin. Grown Alchemist - Campaign Design What or who inspired you to be a designer? I think I was driven to pursue design after fixing too many bad power point presentations and my drive to further my skills in the design field. Also working for the beauty industry, you are surrounded by beautiful branding, packaging and imagery, so I also think that had a great impact on inspiring me every day. #SELFLOVEMOVEMENT - Campaign Design What are you up to in the design world at the moment? My role gives me the opportunity to work across a variety of different design activities. From InDesign templates to social media strategy. It’s challenging at times; however, I have a super supportive (always patient) team behind me. Institute Magazine - Layout Design What is your favourite part of the design process? I have always loved the research process. Sometimes I spend way too much time researching, but that is how I work best. I always seem to create the best ideas after spending hours researching, compiling inspiration and understanding the voice of the brand. Sweaty Betty - Social Media Design You were really into all sorts of design disciplines at TGDS, branding, campaigning and even packaging. Have you a fav? I enjoyed so many of the disciplines I learnt at TGDS because I always made the subject matter something I was passionate about – beauty. My favourite’s were layout design, package design and branding. Naran Lingerie - Visual Identity Design Tell us anything you would like to about your featured works. My Personal Identity project is me in a nutshell, inspired by traits of my personality – playful, girly, edgy, modern and romantic. I also wanted to incorporate elements of my favourite movie – ‘Romeo & Juliet’ by Baz Lurhmann. The styling of the movie is described as ‘90’s youthful rebellion, with a mix of Gothic Romance’ – I started with my mood board and everything flowed from there. The Layout Systems Project for fictional ‘Institute Magazine’ was super fun. When I was in London I was inspired by the street style and individuality of teens; there was something bold and carefree in the way they dressed. They aren’t afraid to push boundaries and there was something really refreshing about this. This is where the basis of my design stemmed from. Skinstitut - Packaging Design What did you love most about studying design? So many things! But the most rewarding is seeing how far you have come from the beginning. I also loved seeing projects come to fruition after hours of work! Super rewarding. Java Love - Brand Identity Design Java Love - Brand Identity Design Stay curious, be receptive to feedback and have fun!Facial Renu - Identity Design Whats your dream design job? Don’t hold back! I would say for now I am working in it! But if I had to pick a dream role it would be art direction for a cool magazine or working in the graphic design team at a beauty brand like Glossier! NiM - Brand Identity Design What would you say to someone about to embark on their own journey in design? Stay curious, be receptive to feedback and have fun! Monique Patience - Personal Identity Design PrevBack to the TopNext Ready to get Started?You can enrol any day of the year. As we are online and training is self paced, there is no pressure. Enrol when you are ready to start, from anywhere in the world.Click the link below to check out our flexible payment plans!Course Costs & Payment PlansAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be. PrevBack to the TopNext The Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 116: Tamryn Van Der Merwe's Design Portfolio | Students | The Graphic Design School\n**URL:** /students/tamryn-van-der-merwe/\n**Template:** student-single\n**Priority:** 5\n**Word Count:** 720\n**Last Modified:** 2025-09-29T05:21:55.090Z\n**AI Category:** portfolio\n**AI Quality:** 4/5\n**AI Summary:** Tamryn Van Der Merwe showcases her design journey and aspirations in her portfolio.\n\nTGDS Graduate TamrynTamryn took her years of experience in the fashion industry into the digital sphere when she started studying with us. We love the amazing and incredible work she put together. Scroll down to read the interview Hey Tamryn! Tell us a bit about you. After studying fashion design, then working within the fashion industry as a designer for several years to follow, I decided to finally pursue a lifelong dream of seeing the world outside of South Africa. I dove headfirst into the yachting industry. Travelling and working on super yachts all around the world has allowed me the time to discover where my passion truly lies. To confirm that I am in fact, on the right path as a creative. I hope to one day write and illustrate a children’s book and essentially, draw for a living. Milk’d Nuts - Brand Identity Design What or who inspired you to be a designer? I have been a creative for as long as I can remember that feeling has always been inside me. I could never settle in an environment where I wasn’t challenged in a creative way. There isn’t something I could point out, or some great, big moment when I made this decision – its just who I am. Milk’d Nuts - Package Design What are you up to in the design world at the moment? Quietly working on my personal brand and Illustrating when I have time between my other work. In the yacht world, shifts are 12hrs a day, 7 days a week – so its definitely a challenge to stay connected to design. But there will be a time soon, when I can commit fully to being a designer/illustrator again. JAVA LOVE - Logo & Packaging Design What is your favourite part of the design process? To see an idea, that has literally come from nothing, evolve into something you can see and touch. The things the creative brain can cook up are really quite incredible. Tamryn - Personal Identity Design You were really into all sorts of design disciplines at TGDS, branding, campaigning and even packaging.Have you a fav? I really enjoyed branding – creating new brand identities was definitely a firm fav. Particularly my own. Tamryn - Personal Identity Design Tell us anything you would like to about your featured works. I like to push the boundaries a bit. I’ve never enjoyed the idea of being ordinary. In an industry that is over saturated with incredible talent and ideas, it’s so important to remain authentic – this is what I try to stay close to. Family Portraits: Deck of Cards - Illustration What did you love most about studying design? I feel like I’ve come home to my true design self. A creative homecoming, so to say. I always thought that as a designer, a good one anyway, you just have that unique style and voice from the get go. But its taken a lot of time and hours of work to discover who I am as a designer and what I actually want to communicate through my work. Whats your dream design job? Don’t hold back! I want to be paid to draw (illustrate), all day. It sounds simple, but that’s really all it is. It actually blows my mind that I have been paid to do something, that I would do for free in my spare time. How divine. What would you say to someone about to embark on their own journey in design? You have nothing to lose, and everything to gain. Even if you don’t use this as a career path, you’ve just opened yourself up to something so beautiful inside yourself. Creativity can’t be taught – only discovered. PrevBack to the TopNext Ready to get Started?You can enrol any day of the year. As we are online and training is self paced, there is no pressure. Enrol when you are ready to start, from anywhere in the world.Click the link below to check out our flexible payment plans!Course Costs & Payment PlansAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be. PrevBack to the TopNext The Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 117: Gregory Baugh's Design Portfolio | Students | The Graphic Design School\n**URL:** /students/gregory-baugh/\n**Template:** student-single\n**Priority:** 5\n**Word Count:** 716\n**Last Modified:** 2025-09-29T05:21:55.408Z\n**AI Category:** portfolio\n**AI Quality:** 4/5\n**AI Summary:** Gregory Baugh, a TGDS graduate, shares his design journey and inspirations in his portfolio.\n\nTGDS Graduate GregoryWe’re getting to know The Graphic Design School graduate Gregory! Hailing all the way from the UK, this Melbourne based master design did some amazing work while studying with us! Scroll down to read the interview Adelaide Metro - Logo Design Hey Gregory! Tell us a bit about you. Originally from the UK, I now live in Melbourne, Australia with my wonderful husband, Michael. I’ve always had a passion and interest in graphic design so after relocating to Melbourne it seemed like the ideal time to follow my passion and retrain in a new career. Java Love - Corporate Identity & Packaging Design What or who inspired you to be a designer? Growing up my interest in design was first piqued by flags! I loved their symbolism and how they communicated the essence of a country through colour and design. During my teen years I became fascinated with graphic design through video games and record sleeves, primarily the work of Peter Saville and The Designers Republic. Margaret Calvert is my favourite designer of all time and has been a big inspiration on my work. Her designs are found all across the UK, on roadsigns, the motorways and in the ‘Transport’ and ‘Rail Alphabet’ typefaces. It wasn’t until many years later that I realised she designed these icons of British transport infrastructure. Rattan & Oaks - Corporate Identity & Packaging Design What are you up to in the design world at the moment? I’m currently continuing my studies in web development. My goal is to become a full stack web developer and graphic designer. I love the possibilities of combining design and coding in creating exciting websites and applications. LGBTQIA+ - Allyship & Visibility Campaign Design What is your favourite part of the design process? My favourite part of the design process is definitely coming up with initial ideas and brainstorming. Inspiration comes from diverse places so I love researching and ideation. It can really take you to interesting places in coming up with ideas and concepts. LGBTQIA+ - Paper Zine Design You were really into all sorts of design disciplines at TGDS, branding, campaigning and even packaging.Have you a fav? Branding was my favourite discipline during my studies at TGDS. I really enjoyed logo design and considering it’s use across a range of formats and sizes. Thinking about how all the design elements work together to create a cohesive message and package was super enjoyable. Tell us anything you would like to about your featured works. My redesign of the Adelaide Metro brand is my favourite piece of work I completed at TGDS. I would love to be part of a design team working on a large scale brief which encompasses multiple touch points and environmental design. In this project I had written my dream brief and really geeked out researching design standards for transport providers across the globe. COVID 19 - Icon Series Design What did you love most about studying design? I loved learning the history and theory of design. Graphic design plays such a huge role in all our lives so it was really interesting learning about it’s lineage. The ways design is used has changed dramatically but the theory and concepts are still so relevant today. Learning the tools of the trade (AKA Adobe CC), was also incredible. There’s so much to master in them but gaining a strong understanding and grasp of them was great. What’s your dream design job? Don’t hold back! My dream design job is to be a digital designer at ‘& Walsh’ in New York! Jessica Walsh is a hero and icon so working with and learning from her would be an ultimate dream come true. PrevBack to the TopNext Ready to get Started?You can enrol any day of the year. As we are online and training is self paced, there is no pressure. Enrol when you are ready to start, from anywhere in the world.Click the link below to check out our flexible payment plans!Course Costs & Payment PlansAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be. PrevBack to the TopNext The Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 118: Claire Wheeler's Design Portfolio | Students | The Graphic Design School\n**URL:** /students/claire-wheeler/\n**Template:** student-single\n**Priority:** 5\n**Word Count:** 693\n**Last Modified:** 2025-09-29T05:21:55.592Z\n**AI Category:** portfolio\n**AI Quality:** 4/5\n**AI Summary:** Claire Wheeler is a Melbourne-based designer passionate about various design disciplines.\n\nTGDS Graduate ClaireMelbourne based designer and visual artist Claire is doing amazing work in the design sphere. Scroll down to read the interview Hey Claire. Tell us a bit about you. I’m Claire, a massive fan of design and now looking forward to doing what I love for real. Once I drag myself away from the computer and in no particular order, I foster rescue dogs, drink a lot of coffee, love music and comedy and if I didn’t have to work, I’d swim all day at Sydney’s beautiful beaches. Leon & Harper - Packaging Design What or who inspired you to be a designer? I knew I wanted to be a designer when I started buying magazines for the layouts and not the articles! But I came to study it late (in my 40s). It was seeing uninspiring design (mostly mine!) that made me go back to school! Firebrand - Visual Identity Design Firebrand - Branding Identity Design What are you up to in the design world at the moment? I’ve been working as an education and training designer for ever and ever and get to do graphic design as part of my job. But I want to get experience working in different types of design, so I’m planning on volunteering in my spare time. Claire Wheeler - Personal Identity Design What is your favourite part of the design process? Feedback! I do love the research side of things when I’m trying to generate ideas but I find it rewarding to take on board feedback. I always learn something. Festival in the Park - Campaign Design You were really into all sorts of design disciplines at TGDS, branding, campaigning and even packaging. Have you a fav? Information design is so much fun! There’s something really rewarding about finding ways to communicate a lot of information effectively, to help inform and educate people. I’m wowed by people who work in editorial design and love the conceptual illustrations and infographics they create to illustrate news articles. Illustrations - Personal Project Tell us anything you would like to about your featured works. My work shows my love of typography, illustration and colour. Before studying, I didn’t know whether I’d be capable as I’ve never done this sort of thing before but it’s about trusting your abilities and persisting. BreastScreen Victoria - Illustration Design What did you love most about studying design? To me, the course was not about getting a qualification but having the opportunity to learn from others. I got the most value from being mentored by the tutors, whose feedback I really respected. I listened, absorbed and then pushed myself to do the best work I could. Whats your dream design job? Don’t hold back! I’m good at helping others learn and one of my skills is being able to explain things clearly, so I’d love to be able to work in educating the next generation of graphic designers, writing and developing courses, teaching or tutoring. Kin Women - Campaign Design Before studying, I didn’t know whether I’d be capable as I’ve never done this sort of thing before but it’s about trusting your abilities and persisting.Kin Women - Campaign Design What would you say to someone about to embark on their own journey in design? To me, the course was not about getting a qualification but having the opportunity to learn from others. I got the most value from being mentored by the tutors, whose feedback I really respected. I listened, absorbed and then pushed myself to do the best work I could. PrevBack to the TopNext Ready to get Started?You can enrol any day of the year. As we are online and training is self paced, there is no pressure. Enrol when you are ready to start, from anywhere in the world.Click the link below to check out our flexible payment plans!Course Costs & Payment PlansAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be. PrevBack to the TopNext The Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 119: Gabor Mikus's Design Portfolio | Students | The Graphic Design School\n**URL:** /students/gabor-mikus/\n**Template:** student-single\n**Priority:** 5\n**Word Count:** 682\n**Last Modified:** 2025-09-29T05:21:55.422Z\n**AI Category:** portfolio\n**AI Quality:** 4/5\n**AI Summary:** Gabor Mikus is a creative designer exploring his passion for graphic design and art.\n\nTGDS Graduate GaborArtist, musician and professional designer Gabor Mikus is creating amazing, new work every single day! Scroll down to read the interview Hey Gabor. Tell us a bit about you. Well, I am still finding myself…but I know I really appreciate art, especially music and a beautiful piece of graphic design work. I love being a creative person and having new ideas every day but it’s hard for me to follow through with them amidst figuring life out. I have a profession that I studied in school and a job, but neither of them have anything to do with design, so I am trying to make a change. Gabor Mikus - Personal Identity Design What or who inspired you to be a designer? I never considered pursuing a creative career. I didn’t even know graphic design existed until my early 20s. I just loved drawing as a kid. Then in my teenage years I was introduced to Photoshop, I think I saw it in an IT magazine. They had written tutorials in it and I was fascinated by them, something clicked. After that, the drawings/paintings/effects slowly evolved. It made sense; I could make some money by doing something I enjoy. nama - Packaging Design nama - Menu Design What are you up to in the design world at the moment? I have a couple commissions here and there, mostly from friends or colleagues. I’m trying to find courage to put myself out there. Auto Tune - Layout Design What is your favourite part of the design process? I really like doing the research, I learn so much from each project. However, my favorite part would be the exploration and then finding THE ONE! Finding or choosing the one is also the most difficult task, but with certain projects I get into a “trance” while exploring and I just can’t stop, the outside world stops existing and it’s just me creating stuff. extremadture - Campaign Design extremadture - Logo Design Process You were really into all sorts of design disciplines at TGDS, branding, campaigning and even packaging. Have you a fav? I feel like there are so many paths a graphic designer can take, and I haven’t yet explored all of them well enough to decide. I couldn’t say what my favorite is but so far, I enjoy branding the most. Green Passion - Packaging Design Tell us anything you would like to about your featured works. The branding of NAMA was my first real, paying graphic job. The owner is my friend, so they still reach out to me when they need something done. I am most proud of the EXA logo and my personal identity. I remember reaching the final versions thinking, oh this is the one, nailed it. What did you love most about studying design? It opened up a whole new world to me that I never knew of. I believe in the very first module, you warned us that we will see the world differently and will notice that graphic design is everywhere. Well… true! Whats your dream design job? Don’t hold back! I thought a lot about this. As I said before, there are so many fields and I always have a periodical favorite ‘til I discover something even more interesting. Perhaps, if I look deep down, it is something that combines my two passions: music and design. So, album covers and merchandise? Maybe working on artsy music videos, but that’s really a dream at the moment. PrevBack to the TopNext Ready to get Started?You can enrol any day of the year. As we are online and training is self paced, there is no pressure. Enrol when you are ready to start, from anywhere in the world.Click the link below to check out our flexible payment plans!Course Costs & Payment PlansAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be. PrevBack to the TopNext The Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 120: Angel Nicholson's Design Portfolio | Students | The Graphic Design School\n**URL:** /students/angel-nicholson/\n**Template:** student-single\n**Priority:** 5\n**Word Count:** 678\n**Last Modified:** 2025-09-29T05:21:55.819Z\n**AI Category:** portfolio\n**AI Quality:** 4/5\n**AI Summary:** Angel Nicholson is a graphic designer specializing in unique branding and design solutions.\n\nTGDS Graduate AngelGet to know The Graphic Design School graduate Angel. She’s an amazing graphic designer working on the foothills of the Great Smokey Mountains. Scroll down to read the interview Hey Angel! Tell us a bit about you. I’m a graphic designer from the US, a wife, a mom of 3 amazing kiddos, and a lover of nature, Indian food, and books. My studio is in the foothills of the Great Smokeys, where I’m surrounded by nature every day. Java Love - Packaging Design Java Love - Packaging Design What or who inspired you to be a designer? I have always wanted to be a designer. From a young age, I saw color everywhere, so I guess the world I saw instilled in me a love of art. As a kid, I played with Letrasets and carbon paper. In high school, I tried my hand at calligraphy. Then as design went digital, I explored CorelDraw and Adobe Pagemaker. So later, I wanted to find a profession I was passionate about, graphic design became the obvious choice. ZON Realty - Corporate Identity Design What are you up to in the design world at the moment? I currently run my design studio at angelnicholson.com, specializing in branding and graphic design for luxury real estate, home services, and tech companies. What is your favourite part of the design process? I love the challenge of working through the design process to craft a completely unique design. With every piece I create, I strive for it to be different from anything else out there. I enjoy pulling elements apart and putting them together in different and exciting ways. Get Outdoors - Campaign Design You were really into all sorts of design disciplines at TGDS, branding, campaigning and even packaging.Have you a fav? Branding is definitely my favourite. But illustration, editorial, and packaging design would all be close seconds. Dragonfly - Brand Identity, Digital Assets & Social Media Tell us anything you would like to about your featured works. I liked how the type played with the energy of the scene and enhanced each feature. I also liked the Hero’s Journey layout project, where the traditional story archetype meets tech. I found the graphics to match my vision for this piece, and I felt it came together beautifully. With Java Love, I enjoyed working out the color combinations to make something beautiful. I also embedded my website address in the QR code in the Java Love packaging, so anyone who found it could also find my site. Our World - Branding Design What did you love most about studying design? I loved the feeling of exhilaration when I brought to life what was, up until then, locked in my creative brain. I knew I loved design and the creative industry, but the Graphic Design School gave me a framework and a logical process for bringing those designs to life in a cohesive way. The Hero’s Journey - Publication Design What’s your dream design job? Don’t hold back! I would love to work as a consultant/art director for luxury real estate and interior design companies. I want to take the classic elements of design, to create pieces that are novel and exciting. What would you say to someone about to embark on his or her own journey in design? You can do this! The sooner you start, the sooner you’ll be amazing. Stop overthinking it, and just get started. Angel’s Identity - Personal Identity Design PrevBack to the TopNext Ready to get Started?You can enrol any day of the year. As we are online and training is self paced, there is no pressure. Enrol when you are ready to start, from anywhere in the world.Click the link below to check out our flexible payment plans!Course Costs & Payment PlansAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be. PrevBack to the TopNext The Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 121: Cheneeta Boothe's Design Portfolio | Students | The Graphic Design School\n**URL:** /students/cheneeta-boothe/\n**Template:** student-single\n**Priority:** 5\n**Word Count:** 656\n**Last Modified:** 2025-09-29T05:21:55.668Z\n**AI Category:** portfolio\n**AI Quality:** 4/5\n**AI Summary:** Cheneeta Boothe is a Perth-based graphic designer and TGDS graduate thriving in her dream job.\n\nTGDS Graduate CheneetaPerth based designer and visual artist Cheneeta weaved magic through her work while studying with The Graphic Design School. Now she’s living her dream working as a full time graphic designer Scroll down to read the interview Hey Cheneeta. Tell us a bit about you. I am a graphic designer and marketing assistant originally from the UK and currently residing in Perth, WA. Before I began the Certificate IV with TGDS I worked in fashion retail across a number of roles including management and visual merchandising. Pequeño Bar - Business Card Design What are you up to in the designworld at the moment? Well I am super proud to say, that I recently managed to secure a real – life - job as a full time graphic designer for a beauty brand based here in Perth. I really wasn’t expecting to enter the workforce so soon but I left the course VERY determined. I spent a lot of time refining my work using the feedback from the tutors, created my own design briefs and really focused on tailoring my portfolio. I made the decision to only include the types of work that I wanted to attract in the industry. I genuinely feel like I manifested my “dream” job. CULT Basics - Visual Identity Design You were into all sorts of design disciplines branding, campaigning and even packaging, have you a fav? Visual identity, branding and packaging design are all clear winners you only have to take a look at my portfolio to see a pattern. I genuinely feel like I manifested my “dream” job. 3SIXTY° Cosmetics - Merchandise Design Tell us anything you like about your featured works. My personal identity system from Module 10 was a fun but challenging project. I wanted to poke fun at networking because I am horrible at it. I thought, how cool would it be if your business cards doubled up as an icebreaker? I also loved my 3SIXTY° cosmetics packaging design project. I’d love to extend it into a full campaign as the brands messaging is very relevant against today’s climate. Harper Harmony - Marketing Materials What did you like about studying design? There’s a real sense of community within the industry, and even though I chose to study online I’ve always felt supported. There’s inspiration everywhere (and not just online!) I love how graphic design challenges me to push the boundaries mentally and creatively. DRIP Jewellery - Marketing Materials What’s your dream design job? Don’t hold back I’d love to start a collaborative studio and one day help other young women who may be struggling with trying to get their foot in the creative door. I’d like to encourage them to keep pushing towards their dreams of having a creative career – and show them that you don’t have to go down the traditional path of years and years of study to get there. What would you say to someone about to embark on their own journey in design? Do it. The opportunities that are open to you after you’ve completed your studies are endless. I would say TRY and avoid comparisons it’s an easy trap to fall in to, take mental breaks (this is so important), be open to feedback but at the same time - always stay true to you and your own unique style. PrevBack to the TopNext Ready to get Started?You can enrol any day of the year. As we are online and training is self paced, there is no pressure. Enrol when you are ready to start, from anywhere in the world.Click the link below to check out our flexible payment plans!Course Costs & Payment PlansAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be. PrevBack to the TopNext The Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 122: Erin Sangster's Design Portfolio | Students | The Graphic Design School\n**URL:** /students/erin-sangster/\n**Template:** student-single\n**Priority:** 5\n**Word Count:** 646\n**Last Modified:** 2025-09-29T05:21:55.470Z\n**AI Category:** portfolio\n**AI Quality:** 4/5\n**AI Summary:** Erin Sangster showcases her design portfolio, highlighting her creative journey and diverse skills.\n\nTGDS Graduate ErinWhen Erin isn’t busy in her role as a sales and marketing administrator (and talented photographer on the sidelines) she is working on developing dreamy identities for creative clients. Scroll down to read the interview Personal Identity - Corporate Identity Design Hey Erin! Tell us a bit about you. I am a young and sociable person with a creative and bubbly personality, living in the beautiful Yarra Valley. I love all things design! Now a graphic designer, I also work as a Sales and Marketing Administrator and a Photographer in my spare time. Frankie’s - Corporate Identity & Packaging Design What or who inspired you to be a designer? I have always loved being creative. Photography, decorating and design have been passions of mine from a young age. As a kid I used to carry my camera around everywhere with me, was always redecorating different areas and had the job for designing all the posters/flyers for school events. This became something that I always wanted to pursue through my life. Rattan & Oaks - Corporate Identity & Packaging Design What are you up to in the design world at the moment? I currently work full time as a Sales and Marketing Administrator which means I get to manage the Graphic Design, Socials and different Marketing Material for two sister companies. All the fun stuff! Java Love - Logo & Packaging Design What is your favourite part of the design process? My favourite part is the start of the process, where you get to research, create mood boards, draw out all your ideas and then finally find something that you love! Violet + Moss - Layout Design Drunk Elephant (Concept) - Photography & Campaign Design You were really into all sorts of design disciplines at TGDS, branding, campaigning and even packaging.Have you a fav? My favourite sections were hands down the branding identities and packaging modules – as you can see through my portfolio! Trent Rolf - Campaign Design Tell us anything you would like to about your featured works. I love my personal identity I did for Inke Studio – I would love to open up a graphic design / photography studio one day! I also loved designing the identity for Intwine, a really fun company to design for… this is the kind of work I hope to do one day. Intwine - Corporate Identity Design What did you love most about studying design? I love how design allows you to express yourself and do something that I love. Design challenges you but at the same time is a lot of fun and can take you places you never thought of. What’s your dream design job? Don’t hold back! I would love to own my own creative design agency where I could freelance work with fun companies where I could combine my love for graphic design, interior decorating and photography all in one. What would you say to someone about to embark on their own journey in design? Just have fun. Do what you love and then you will never work a day, a quote that I love! Try to work with topics you enjoy and stay true to yourself and then you will get the motivation to keep going… even when it seems impossible! PrevBack to the TopNext Ready to get Started?You can enrol any day of the year. As we are online and training is self paced, there is no pressure. Enrol when you are ready to start, from anywhere in the world.Click the link below to check out our flexible payment plans!Course Costs & Payment PlansAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be. PrevBack to the TopNext The Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 123: Tania Loutfi's Design Portfolio | Students | The Graphic Design School\n**URL:** /students/tania-loutfi/\n**Template:** student-single\n**Priority:** 5\n**Word Count:** 642\n**Last Modified:** 2025-09-29T05:21:55.049Z\n**AI Category:** portfolio\n**AI Quality:** 4/5\n**AI Summary:** Tania Loutfi showcases her vibrant design work and insights as a Graphic and Fashion Designer in Montreal.\n\nTGDS Graduate TaniaCheck out some of the amazing work from The Graphic Design School graduate Tania. She’s a Graphic and Fashion Designer absolutely killing it in the Montreal scene. Scroll down to read the interview Hey Tania. Tell us a bit about you. I am a Graphic and Fashion Designer based in Montreal. I have a very bubbly personality and I love combining my two passions in one to create fun content! I also am known for my unique laugh ☺ Fatty Bars - Packaging Design What or who inspired you to be a designer? It originally started at a young age, when my father influenced me to become a fashion designer. There was something about menswear that interested me. I always had an eye for the arts. Whether it was painting or photography, I knew I had to explore that path. I then went to school and found my love for Adobe CC, I already had knowledge of the programs before which was easier for me to navigate. After graduating, I worked for a bit and then registered for the graphic design courses at TGDS. Reniew - Campaign Design What are you up to in the design world at the moment? I am currently working on some small projects that may hopefully lead to something big! I have been sewing more and creating more in general. I am sticking to one project at a time to stay focused. Reniew - Poster Design What is your favourite part of the design process? It has to be the developing process of the logo. This is where I take the time to draw, make mood boards that inspire me and let it all happen! Tania Identity - Personal Identity Design You were really into all sorts of design disciplines at TGDS, branding, campaigning and even packaging. Have you a fav? I have to say that packaging design wins my heart. At the age of 15 I started to work as a photographer for a grocery store. I used to take the pictures, and prepare them for the flyers (where Photoshop was my best friend.) At that time, some companies had packaging and logos that were not strong and lacking in taste. Therefore, I told myself that if I would have the chance to work in the field, I would put in 100%. Tell us anything you would like to about your featured works. My personal branding. I decided to show my bubbly side with the pops of colors and I ended up loving it! COMPLEX - Corporate Layout Design What did you love most about studying design? Everything about it! The school made me feel good and I always had support which made me want to finish and graduate. I felt energized and ready to kill it! Two Cups to Go - Logo, Packaging & Branding What’s your dream design job? Don’t hold back! To be my own boss. I want to have my own company one day. I think this day will come soon… Two Cups to Go - Logo, Packaging & Branding What would you say to someone about to embark on their own journey in design? Just do it, as Nike would say. Never look back and stay focused on your goals. PrevBack to the TopNext Ready to get Started?You can enrol any day of the year. As we are online and training is self paced, there is no pressure. Enrol when you are ready to start, from anywhere in the world.Click the link below to check out our flexible payment plans!Course Costs & Payment PlansAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be. PrevBack to the TopNext The Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 124: Pamela Cook's Design Portfolio | Students | The Graphic Design School\n**URL:** /students/pamela-cook/\n**Template:** student-single\n**Priority:** 5\n**Word Count:** 631\n**Last Modified:** 2025-09-29T05:21:55.170Z\n**AI Category:** portfolio\n**AI Quality:** 4/5\n**AI Summary:** Pamela Cook is a creative designer from Melbourne, focusing on branding and graphic design through her studio.\n\nTGDS Graduate PamelaIntroducing Pamela! A daydreamer who’s had a passion for all things creative since a young age. Pamela spends her time developing her own personal brand, Pamela June Studio, while sipping coffee and giving cuddles to her puppy. Scroll down to read the interview Hey Pamela! Tell us a bit about you. Hello! I’m a daydreamer, coffee lover and doggy mum based in Melbourne, Australia. You will usually find me at my desk sipping coffee and working on my gazillion projects while building my personal brand. Pamela Cook - Personal Identity Design What or who inspired you to be a designer? I’ve always been creative since childhood and knew I wanted to become either an artist or a photographer when I grew up and graphic design has always been something I’ve had an interest in. What are you up to in the design world at the moment? I am working on adding a range of graphic design services to my personal brand Pamela June Studio. What is your favourite part of the design process? The research process, I love seeing what is out there currently and is a great way to get inspired to spark those creative ideas. Lingering Gardens Luxury Candles - Package Design You were really into all sorts of design disciplines at TGDS, branding, campaigning and even packaging. Have you a fav? Oh goodness, I liked a lot of the disciplines, but if I had to choose definitely brand identity and logo design. What did you love most about studying design? All of it! I learned a lot of things I would not have been able to learn on my own, especially when it came to learning software systems such as Adobe Illustrator and InDesign. However, brainstorming and doing sketches gave me the discipline to start there first before heading to the computer. Tell us anything you would like to about your featured works. I really love the outcome of my ‘Nu Bunni’ animal logo. It’s playful and elegant at the same time. It wouldn’t be until I started designing my ‘Lingering Gardens’ packaging where I added some bright and bold colours that would also be reflected in my ‘Bee The Cure’ campaign to give my designs a nice contemporary feel. Bee the Cure - Campaign Design Whats your dream design job? Don’t hold back! I would love to become a freelance graphic designer working with passionate start-up small businesses by helping craft a brand identity that is unique, reflects their values and creates a connection with their targeted audience. I want to be able to create timeless designs by weaving the past into the present giving a nostalgic and romantic feel. Nu Bunni - Corporate Identity Design “Always stay curious. Learn something new everyday and don’t be afraid to start doing something you never thought you could!”The Soul of Surfing - Layout Design What would you say to someone about to embark on their own journey in design? Stop hesitating and get right in on it. Once you get stuck into the hands on assignments and receive valuable feedback from the tutors you will gain the confidence and knowledge you need when it comes to graphic design. PrevBack to the TopNext Ready to get Started?You can enrol any day of the year. As we are online and training is self paced, there is no pressure. Enrol when you are ready to start, from anywhere in the world.Click the link below to check out our flexible payment plans!Course Costs & Payment PlansAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be. PrevBack to the TopNext The Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 125: Amy Ferreira's Design Portfolio | Students | The Graphic Design School\n**URL:** /students/amy-ferreira/\n**Template:** student-single\n**Priority:** 5\n**Word Count:** 624\n**Last Modified:** 2025-09-29T05:21:55.854Z\n**AI Category:** portfolio\n**AI Quality:** 4/5\n**AI Summary:** Amy Ferreira is a Sydney-based graphic designer with a passion for travel and design.\n\nTGDS Graduate AmySydney based graphic designer Amy is passionate about travel, dogs, reading and design! Scroll down to read the interview Hey Amy. Tell us a bit about you. Hi, I’m Amy. I’m 23 years old and live in Sydney, Australia. Some of my passions and pastimes include travelling to new and exciting places, hanging out with my Golden Retriever Zoe, playing netball, drinking lemon and honey tea, reading a good book or magazine, doing Pilates, and designing. Aroma Candles - Packaging Design What or who inspired you to be a designer? I originally studied marketing when I finished high school and wanted an extra skill to go with it. Little did I know I would be finding a new passion of mine. Ideas Hub - Book Cover Design What are you up to in the design world at the moment? I am currently applying for new jobs that are within the design world. I’m hoping to find a role where I can use the skills I have leant from my marketing and design courses. Mousse & Co - Corporate Identity Design Mousse & Co - Corporate Identity Design What is your favourite part of the design process? I love seeing a design idea/sketch come to life when I start creating it on the computer. Your Next Step - Layout Design You were really into all sorts of design disciplines at TGDS, branding, campaigning and even packaging. Have you a fav? I love layout design, particularly creating magazine layouts. I also really like branding. It was a very exciting process to create the design brief for a client and then come up with a logo and brand identity to represent that company. Tell us anything you would like to about your featured works. I really like the work I created for my module 10 assessment, when we had to create a campaign design project. I created a company called ‘Your Next Step’ and the concept behind my campaign was to inspire people to travel and journal about their thoughts and feelings while experiencing different places and cultures. I created a magazine, journal covers and postcards. This assessment featured two of my passions, layout design and travel. For my corporate identity project in module 10 I created a company called Mousse & Co., a premium chocolate company. I wanted to create a logo that was simple but unique to represent the brand. The Aroma Candles logo and packaging design was created in module 12. I again wanted to create a simple and minimal logo for the company as well as very clean and crisp packaging design for the products. What did you love most about studying design? I loved learning about different elements of graphic design, particularly colour, branding and layout design. I also like that each module throughout the course was really different and interesting. I loved developing my skills during the course and being able to see my work evolve and get better. What’s your dream design job? Don’t hold back! I love creating magazine layouts so a dream job would be to work as an art director for a lifestyle/travel or fashion magazine. PrevBack to the TopNext Ready to get Started?You can enrol any day of the year. As we are online and training is self paced, there is no pressure. Enrol when you are ready to start, from anywhere in the world.Click the link below to check out our flexible payment plans!Course Costs & Payment PlansAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be. PrevBack to the TopNext The Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 126: Phimong's Design Portfolio | Students | The Graphic Design School\n**URL:** /students/phimong/\n**Template:** student-single\n**Priority:** 5\n**Word Count:** 617\n**Last Modified:** 2025-09-29T05:21:55.145Z\n**AI Category:** portfolio\n**AI Quality:** 4/5\n**AI Summary:** Phimong's portfolio showcases her passion for graphic design and branding after graduating from TGDS.\n\nTGDS Graduate PhimongWith a passion for art & design driving her, Phimong has studied both Interior Design & Graphic Design. Now that she’s graduated, Phimong is looking to start a career filled with branding, advertising and packaging design! Scroll down to read the interview Hey Phimong! Tell us a bit about you. Hi, you can call me Gib. I’m from Bangkok, Thailand. I’ve been in Australia for nearly 4 years now. I’ve completed a Cert IV in kitchen and bathroom design before studying with TGDS. I didn’t see myself as an interior designer, that’s why I joined the school. I’ve passion for art and design and I really love to see my works in mock ups. It feels awesome to see my work exist in real life. Gib Phimong - Personal Identity Design What or who inspired you to be a designer? Myself! As I mentioned, I have a passion for art and design. I used to study more traditional art, like drawing and painting. I became interested in graphic design field because it allowed me to still express my creativity. Now that I’ve finished with my studies, I want to continue with it as my career. The Maki House - Brand Identity Design and Campaign What are you up to in the design world at the moment? I completed my last module last week and now I feel a bit lost. I have no idea how to step out into to the design world. What is your favourite part of the design process? I like doing mock ups. I like to see my work progress from mock ups to full product design. It feels realistic. Mali - Brand Identity Design and Campaign You were really into all sorts of design disciplines at TGDS, branding, campaigning and even packaging. Have you a fav? My favourites are branding and packaging. What did you love most about studying design? I love the freedom of thinking, there are no rules in the design world. You can express what’s in your head into your work. Doner Summer - Brand Identity Design and Campaign Tell us anything you would like to about your featured works. I like doing online briefs in my free time. Most of the works I have completed come from these online briefs. I think it’s good way to learn and practise before stepping out into the design world. It helps you to build your portfolio this way. Whats your dream design job? Don’t hold back! I like branding, packaging and advertising. If I have a chance to try all aspects in this field I wouldn’t hold myself back! Humankynd - Corporate Identity Design Coco Melt - Corporate Identity Design “Keep on practising, you won’t be a professional in a day.”What would you say to someone about to embark on their own journey in design? I would tell them to follow their dream! If you really have a passion for it, go for it! Do not let someone put you off from your dreams. Design is beautiful and you will see your life in a different aspect. Magazine Layout Design PrevBack to the TopNext Ready to get Started?You can enrol any day of the year. As we are online and training is self paced, there is no pressure. Enrol when you are ready to start, from anywhere in the world.Click the link below to check out our flexible payment plans!Course Costs & Payment PlansAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be. PrevBack to the TopNext The Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 127: Aimee Li's Design Portfolio | Students | The Graphic Design School\n**URL:** /students/aimee-li/\n**Template:** student-single\n**Priority:** 5\n**Word Count:** 602\n**Last Modified:** 2025-09-29T05:21:55.902Z\n**AI Category:** portfolio\n**AI Quality:** 4/5\n**AI Summary:** Aimee Li, a graphic designer from Melbourne, shares her journey and passion for design.\n\nTGDS Graduate AimeeMeet graphic designer Aimee. Lover of weird food combo’s and packaging design, Aimee joined TGDS and discovered a love for design, so much so she is continuing on her journey having accepted a place at university. Scroll down to read the interview Hey Aimee! Tell us a bit about you. I’m 24 years old from Melbourne. I love exploring weird food combos (dumplings with tomato sauce anyone!?), tracking my online orders and, as I’ve learnt through this Graphic Design course, zooming in to 64000% on Illustrator to perfectly align two lines. Aimee Li - Personal Identity Design What or who inspired you to be a designer? I always enjoyed art and design subjects in school but went on to study nursing in university. After almost 4 years of working in healthcare, I wanted to learn a new skillset and was brought back to design. I find design really fulfilling because it bridges my creative side and passion to work in a field that can create a positive impact. What are you up to in the design world at the moment? I enjoyed the Certificate IV in Design course so much that I decided to continue pursuing higher education design studies into uni and recently got an offer for my first preference which is super exciting! Hakata Gensuke - Visual Identity Design What is your favourite part of the design process? Mockup applications! Also receiving critique and feedback – I know making changes can be annoying at the best of times but it really helped me improve and develop my skills and become a better designer. Hakata Gensuke - Visual Identity Design You were really into all sorts of design disciplines at TGDS, branding, campaigning and even packaging. Have you a fav? As someone who kept a plastic bubble tea cup for a month because of how cute the lid design was, branding and packaging are my top two contenders. Tell us anything you would like to about your featured works. If you look closely at my ‘de-caffeinated’ Java Love packaging, one of the elephants has their eyes closed. Java Love - Visual Identity & Packaging Design What did you love most about studying design? Studying design has made me much more appreciative of the visual aspects around me. Nothing is ever placed there for no reason, every element works together in communicating a specific goal and I love how this is all achieved with a system of points and lines. Whats your dream design job? Don’t hold back! One that makes me think, “I can’t believe I get paid to do this!” Java Love - Visual Identity & Packaging Design “I find design really fulfilling because it bridges my creative side and passion to work in a field that can create a positive impact.”MYLK - Magazine Layout Design What would you say to someone about to embark on their own journey in design? You have nothing to lose and everything to gain. The time is now! Colgate - Campaign Design Concept PrevBack to the TopNext Ready to get Started?You can enrol any day of the year. As we are online and training is self paced, there is no pressure. Enrol when you are ready to start, from anywhere in the world.Click the link below to check out our flexible payment plans!Course Costs & Payment PlansAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be. PrevBack to the TopNext The Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 128: Logan Shellborn's Design Portfolio | Students | The Graphic Design School\n**URL:** /students/logan-shellborn/\n**Template:** student-single\n**Priority:** 5\n**Word Count:** 601\n**Last Modified:** 2025-09-29T05:21:55.239Z\n**AI Category:** portfolio\n**AI Quality:** 4/5\n**AI Summary:** Logan Shellborn showcases her diverse design skills and creative inspirations in her portfolio.\n\nTGDS Graduate LoganCanadian designer Logan Shellborn spends her days painting, memorising Pi, contemplating the mysteries of the universe and of course doing amazing design work! Scroll down to read the interview Hey Logan! Tell us a bit about you. I live in a small town in the Canadian Rockies. I like using both sides of my brain. Some days I’m lying on the ground painting, other days I’m busy memorising digits of Pi or contemplating the curiosities of the universe. Occasionally, I’m doing them all at once. Lux Tea - Logo & Packaging Design What or who inspired you to be a designer? My Dad. As a designer himself, he taught me to be curious and to think a bit beyond what is expected. What are you up to in the design world at the moment? I work as a graphic designer for a communications company in Canada. We’re a small crew, but we like to think big. Nude Vodka Soda - Corporate Identity Design What is your favourite part of the design process? The moment everything finally clicks into place, when all of your research and ideas come to the fore in a final product. It’s like placing the last piece of the puzzle. This surprise element in this job is very exciting. Magnus Carlsen - Feature Article Design You were really into all sorts of design disciplines at TGDS, branding, campaigning and even packaging. Have you a fav? I enjoy branding. I have a hard time only making a logo without thinking of the greater possibilities of the brand. Triple Peak - Corporate Identity Design Tell us anything you would like to about your featured works. For an ad layout, I photographed an existing product from a favourite beverage company of mine. For a magazine layout, I chose an article about Magnus Carlsen, the world’s greatest chess player. He’s different from what you might expect a chess grandmaster to be like. He’s football-mad, mobbed by girls, and easily bored. I echoed his contradictory personality in my layout by means of black and white images with large interruptions of bright green paint strokes. For packaging design, I invented a tea company I wish existed. I researched what the competitor products were doing and made a design that would stand out on the shelf. What did you love most about studying design? I loved going back to basics. Learning about design principles and thinking is so important, especially before jumping on the computer. What’s your dream design job? Don’t hold back! I want to both enjoy and be challenged by the projects I’m working on. I also want to work with a team that isn’t afraid to ask questions and challenge the way things are done. Check - Corporate Identity Design What would you say to someone about to embark on their own journey in design? Stay curious. There’s so much inspiration and beauty around for those who look. Don’t just think outside the box, jump outside the box and run around! PrevBack to the TopNext Ready to get Started?You can enrol any day of the year. As we are online and training is self paced, there is no pressure. Enrol when you are ready to start, from anywhere in the world.Click the link below to check out our flexible payment plans!Course Costs & Payment PlansAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be. PrevBack to the TopNext The Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 129: Zoe Morton's Design Portfolio | Students | The Graphic Design School\n**URL:** /students/zoe-morton/\n**Template:** student-single\n**Priority:** 5\n**Word Count:** 597\n**Last Modified:** 2025-09-29T05:21:55.026Z\n**AI Category:** portfolio\n**AI Quality:** 4/5\n**AI Summary:** Zoe Morton, a TGDS graduate, shares her design journey and flexible lifestyle as a new mum and entrepreneur.\n\nTGDS Graduate ZoeMeet Zoe! A new mum who loves her flexible lifestyle designing, surfing and growing her own veggies! Growing up in a family of creators, Zoe was destined for the design world. She now creates graphics for her very own company, and designs bespoke pieces of jewellery! Scroll down to read the interview Hey Zoe! Tell us a bit about you. Hey, I am a designer, new mum to daughter Myla, and own a jewellery company - ZM Jewellery! I live on the coast of Cornwall (UK) semi off grid. Myself and my partner love the ocean and both surf, he helps run an online surf training business which is back on the Gold Coast! So we enjoy a flexible lifestyle of being mum and dad and working on things we love along with gardening and growing our own food! Sunsea Design - Personal Identity Design Tell us how you found studying online with us. The support is awesome and the layout of the whole course is just so good. I wish I hadn’t spent 3 years at uni and had just done this course!! Drift Magazine - Layout Design What or who inspired you to be a designer? I have always loved drawing and designing my brother is also an awesome designer, along with my mum dad and grandad being great makers from book binding to carving to painting. What is your favourite part of the design process? I love the ideas and drawing out designs! Good & Tasty - Campaign & Package Design What did you love most about studying design? I loved re connecting with graphics although I have kind of been practicing it for years (I studied it when I was younger) its been really cool to focus more just on graphics again. You were really into all sorts of design disciplines at TGDS, branding, campaigning and even packaging. Have you a fav? Um, not really. I love the sunscreen logo I created! I love doing branding – I find it really exciting. “I loved TGDS, I studied graphic design in the UK at university and I won’t go naming names but I did a 3 year course and I learnt SO MUCH more at TGDS in 5 months it is mad!”Sunday - Package Design Whats your dream design job? Don’t hold back! I think I am already doing it really, freelance and working for small companies creating cool things. Nowhere - Identity Design ZM Jewellery - Identity Design What are you up to in the design world at the moment? I am always kept busy with ZM Jewellery designing bespoke pieces and generally doing graphics for the company, but I have also been doing some freelance graphics work for a guest house on the coast in Portugal, a production company based in LA along with other bits and pieces! What would you say to someone about to embark on their own journey in design? Go for it don’t hold back be confident! PrevBack to the TopNext Ready to get Started?You can enrol any day of the year. As we are online and training is self paced, there is no pressure. Enrol when you are ready to start, from anywhere in the world.Click the link below to check out our flexible payment plans!Course Costs & Payment PlansAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be. PrevBack to the TopNext The Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 130: Elie Francis's Design Portfolio | Students | The Graphic Design School\n**URL:** /students/elie-francis/\n**Template:** student-single\n**Priority:** 5\n**Word Count:** 597\n**Last Modified:** 2025-09-29T05:21:55.524Z\n**AI Category:** portfolio\n**AI Quality:** 4/5\n**AI Summary:** Elie Francis showcases his design portfolio highlighting his work in digital learning and packaging design.\n\nTGDS Graduate ElieThe Graphic Design School graduate and master digital learning and visual designer. Check out some of his fantastic work he put together while studying with us! Scroll down to read the interview Olinda - Corporate Identity Design Hey Elie! Tell us a bit about you. I’m a Digital Learning Designer and Visual Designer based in Melbourne. I love to create learning programs and campaigns for online audiences. I also have a strong passion for packaging design – did someone say Japanese packaging design aesthetics?! CeCe Frankie - Visual Identity Design What or who inspired you to be a designer? My graphic design teacher in high school. He was a great designer himself and opened my eyes up to so many other great designers and design styles. Java Love - Packaging Design What are you up to in the design world at the moment? I’m a Digital Learning Designer for online learning programs. Visual communication and design are integral to my role. In simple terms: I take a lot of ‘wordy / techy’ information, strip it down to its simplest elements and add a lot of visual design/communication to it. What is your favourite part of the design process? Discovering new things during research always gives me energy and joy, however I would have to say creating things is by far my favorite part! Time always seems to speed by when I’m creating things. Java Love - Campaign Design You were really into all sorts of design disciplines at TGDS, branding, campaigning and even packaging. Have you a fav? I LOVE PACKAGING! Not just the visual design side, but also extending that into physical product package design. Campaigning is also a strong favourite because it allows me to explore so many potential applications for a brand or product – that’s always a lot of fun to work through. Java Love - UI Design Tell us anything you would like to about your featured works. I’m most proud of the Java Coffee campaign. It’s deliberately not a typical coffee campaign and plays to a cheekier aspect of ‘love’ for its youthful demographic – coupled with some gorgeous/quirky photography. What did you love most about studying design? The biggest thing this course taught me was that the first few ideas or iterations of a design are never the best. As I progressed through the course I started to love the process of refining work, because I could see my design improving with every iteration – and some of my best ideas came later in the design process. Mood Indigo - Feature Article Design What’s your dream design job? Don’t hold back! Packaging Designer for high end Japanese or European products. OMG! What would you say to someone about to embark on their own journey in design? To the gifted many: you will learn there’s more to design than natural ability. To those who doubt their abilities: wait until you finish creating your design portfolio – you will surprise yourself! PrevBack to the TopNext Ready to get Started?You can enrol any day of the year. As we are online and training is self paced, there is no pressure. Enrol when you are ready to start, from anywhere in the world.Click the link below to check out our flexible payment plans!Course Costs & Payment PlansAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be. PrevBack to the TopNext The Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 131: Eleni Gayraud's Design Portfolio | Students | The Graphic Design School\n**URL:** /students/eleni-gayraud/\n**Template:** student-single\n**Priority:** 5\n**Word Count:** 559\n**Last Modified:** 2025-09-29T05:21:55.543Z\n**AI Category:** portfolio\n**AI Quality:** 4/5\n**AI Summary:** Eleni Gayraud is a graphic designer and TGDS graduate passionate about creative design and packaging.\n\nTGDS Graduate EleniGraphic designer and The Graphic Design School graduate Eleni is a self-proclaimed knitting enthusiast, outdoorswoman and all round creative. Scroll down to read the interview Hey Eleni! Tell us a bit about you. Hello there! I am Eleni, a graphic designer, a great outdoors lover, avid reader, and knitting enthusiast. I have my fair share of interests (from sports to all sorts of arts & crafts) and not always enough time for every single one of them. I used to be a translator with studies in political science when I decided to ditch the email-writing jobs I had to finally listen to my heart and go for something creative. I still don’t know where I am going, but I make sure I enjoy the ride! Dame Blanche - Logo Design Process What or who inspired you to be a designer? I have always been a creative person and have always appreciated good design, but it had never really crossed my mind to become a designer until my brother got me a Wacom tablet as a gift. Then I discovered your website, which made me think that it’s actually possible to become a designer! Dame Blanche - Corporate Identity Design What are you up to in the design world at the moment? I am working as a Graphic Designer at a small company and am constantly looking to learn more about graphic design, discover new tools and techniques. I am currently eyeing type design in particular. Craftivism - Layout Design What is your favourite part of the design process? Brainstorming, finding inspiration, trying out new things and methods, and most of all seeing the final result. Soaprise - Packaging Design Soaprise - Packaging Design You were really into all sorts of design disciplines at TGDS, branding, campaigning and even packaging.Have you a fav? My favorite was packaging. I buy products based on their packaging so the idea of designing packaging that could someday hit the shelves excites me! Tell us anything you would like to about your featured works. Everything was designed amidst a chaos of inspiration, second thoughts, excitement and frustration, yet everything went fine and these ones even got featured! Les Francofolies de Spa - Campaign Design Les Francofolies de Spa - Campaign Design What did you love most about studying design? Learning and finding out about all the options that I have in creating the things I have in mind. What’s your dream design job? Don’t hold back! Book cover designer, type designer, map illustrator. One of them or even all of them at the same time! What would you say to someone about to embark on their own journey in design? Try different things and dare to fail! The latter is easier said than done. PrevBack to the TopNext Ready to get Started?You can enrol any day of the year. As we are online and training is self paced, there is no pressure. Enrol when you are ready to start, from anywhere in the world.Click the link below to check out our flexible payment plans!Course Costs & Payment PlansAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be. PrevBack to the TopNext The Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 132: Alina Heupel's Design Portfolio | Students | The Graphic Design School\n**URL:** /students/alina-heupel/\n**Template:** student-single\n**Priority:** 5\n**Word Count:** 515\n**Last Modified:** 2025-09-29T05:21:55.875Z\n**AI Category:** portfolio\n**AI Quality:** 4/5\n**AI Summary:** Alina Heupel is a graphic designer from Germany, now freelancing in Australia after graduating from TGDS.\n\nTGDS Graduate AlinaWhen artist Alina moved from Germany to Australia, she decided to dive head first into the world of Graphic Design. Since graduating TGDS, Alina now aspires to Freelance her branding skills and build a high end clientele of her own. Scroll down to read the interview Hey Alina! Tell us a bit about you. All I’ve had in mind since I was a little kid is creating art, always painting, illustrating, crocheting, photographing. Coming to Australia six years ago gave me a new perspective on things and I finally found the courage to study what fills my heart and is my big passion now, Graphic Design. Alina Heupel - Personal Identity Design What or who inspired you to be a designer? Myself, in the last pandemic lockdown I told myself ‘Now is the time to start the course’ and ‘It is never too late’ What are you up to in the design world at the moment? I am doing freelance work for TripADeal in Byron Bay! What is your favourite part of the design process? How you get from the stage of sitting in front of a blank page to creating amazing art and designs. Pico Chocolates - Branding Design You were really into all sorts of design disciplines at TGDS, branding, campaigning and even packaging. Have you a fav? BRANDING! EDITORIAL DESIGN! What did you love most about studying design? Everything! How much I have learned! I have never used a computer before in my life hahah! Java Love - Branding Design Tell us anything you would like to about your featured works. Rebel Campaign! I tried to do the opposite of the minimal design style I usually go for, using loud vibrant colours and had soo much fun with it! Rebel - Branding Design Whats your dream design job? Don’t hold back! Working in a super busy creative design agency learning all the skills, and one day my own freelance business creating Branding for high end clients! “Graphic Design doesn’t feel like work, it is challenging your creative brain constantly, and the best thing is you can never use up creativity, the more you use it, the more creative you will become.”Floret Skin - Campaign & Packaging Design What would you say to someone about to embark on their own journey in design? Do it! You will love it, even though it is very hard at times and you want to give up! So rewarding! The Soul of Surfing - Layout Design PrevBack to the TopNext Ready to get Started?You can enrol any day of the year. As we are online and training is self paced, there is no pressure. Enrol when you are ready to start, from anywhere in the world.Click the link below to check out our flexible payment plans!Course Costs & Payment PlansAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be. PrevBack to the TopNext The Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 133: Jeraldene Robinson's Design Portfolio | Students | The Graphic Design School\n**URL:** /students/jeraldene-robinson/\n**Template:** student-single\n**Priority:** 5\n**Word Count:** 472\n**Last Modified:** 2025-09-29T05:21:55.343Z\n**AI Category:** portfolio\n**AI Quality:** 4/5\n**AI Summary:** Jeraldene Robinson showcases her graphic design journey and portfolio at The Graphic Design School.\n\nTGDS Graduate JeraldeneAustralian mum and The Graphic Design School graduate Jeraldene loved seeing all her hard work come together as she did some truly amazing design work while studying with us. Scroll down to read the interview Hey Jeraldene! Tell us a bit about you. I’m a mother and wife to two amazing humans and now officially a Designer as well! I always loved this thing called Graphic Design and finally gave into my calling. I’m very excited to be entering this next chapter of my life in the Design world. Donut King - Brand Identity Design What or who inspired you to be a designer? A love for visual communication. JAVA LOVE - Logo & Packaging Design What are you up to in the design world at the moment? Freelancing and working on personal projects. Vogue Living - Layout Design What is your favourite part of the design process? Seeing all the hard work come to a finale in a beautiful end result. Fairfield City Council - Campaign Design Fairfield City Council - Poster Design MUJI - Layout Design You were really into all sorts of design disciplines at TGDS, branding, campaigning and even packaging. Have you a fav? It’s so hard to pick one so I’ll give you my top 3 - branding, layout and photography. Tell us anything you would like to about your featured works. I’m so proud of what I have accomplished so far and amazed at the outcome. Jeraldene Identity - Personal Identity Design Keep Cup - Professional Design Concept What did you love most about studying design? Everything really. I loved learning about the history of Design, how society and culture influenced it and continues to, the greats, being able to create different projects for the design disciplines and being part of a network of like minded creative individuals. What’s your dream design job? Don’t hold back! One where I could work with a dynamic and talented team that will push me to explore and develop myself even further. Herbet Bayer - Professional Design Concept What would you say to someone about to embark on their own journey in design? Enjoy and have fun with it and be ready to see the world with new eyes. PrevBack to the TopNext Ready to get Started?You can enrol any day of the year. As we are online and training is self paced, there is no pressure. Enrol when you are ready to start, from anywhere in the world.Click the link below to check out our flexible payment plans!Course Costs & Payment PlansAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be. PrevBack to the TopNext The Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 134: Our Awesome Students | The Graphic Design School\n**URL:** /students/\n**Template:** student-single\n**Priority:** 5\n**Word Count:** 377\n**Last Modified:** 2025-09-29T05:21:54.605Z\n**AI Category:** student-work\n**AI Quality:** 4/5\n**AI Summary:** The Graphic Design School showcases the impressive work of its diverse student graduates.\n\nTGDS Students Rock! Check out work achieved by some of our amazing graduates as they worked through the course.Student Spotlight: Phimong Victoria, AustraliaSee My WorkStudent Spotlight: Cherise Vecchio Gold Coast, AustraliaSee My WorkStudent Spotlight: Zoe Morton Cornwall, UKSee My WorkStudent Spotlight: Pamela Cook Melbourne, AustraliaSee My WorkStudent Spotlight: Alina Heupel Byron Bay, AustraliaSee My WorkStudent Spotlight: Pia Karolina Rawlins Naantali, FinlandSee My WorkStudent Spotlight: Holly Fawkner Melbourne, AustraliaSee My WorkStudent Spotlight: Aimee Li Melbourne, AustraliaSee My WorkStudent Spotlight: Nevin Maylis Erk JordanSee My WorkStudent Spotlight: Daniel Hurst QLD, AustraliaSee My WorkStudent Spotlight: Caro Goh MalaysiaSee My WorkStudent Spotlight: Fer Martinez Hubard MexicoSee My WorkStudent Spotlight: Lizzy van Huenestein New ZealandSee My WorkStudent Spotlight: Laura Cassidy Sydney, AustraliaSee My WorkStudent Spotlight: Emmanuelle Bachelier Montpellier, FranceSee My WorkStudent Spotlight: Eleni Gayraud Brussels, BelgiumSee My WorkStudent Spotlight: Raluca Stefania-Persa RomaniaSee My WorkStudent Spotlight: Cheneeta Boothe Perth, AustraliaSee My WorkStudent Spotlight: Tania Loutfi Montreal, CanadaSee My WorkStudent Spotlight: Erin Sangster Melbourne, AustraliaSee My WorkStudent Spotlight: Anastasia Butrym Moscow, RussiaSee My WorkStudent Spotlight: Tamryn Van Der Merwe Cape Town, South AfricaSee My WorkStudent Spotlight: Claire Wheeler Melbourne, VictoriaSee My WorkStudent Spotlight: Monique Patience Sydney, AustraliaSee My WorkStudent Spotlight: Elie Francis Melbourne, AustraliaSee My WorkStudent Spotlight: Armanda Capaite Vilnius, LithuaniaSee My WorkStudent Spotlight: Jeraldene Robinson Sydney, AustraliaSee My WorkStudent Spotlight: Logan Shellborn British Columbia, CanadaSee My WorkStudent Spotlight: Jacqui Hunt Melbourne, AustraliaSee My WorkStudent Spotlight: Gregory Baugh Melbourne, AustraliaSee My WorkStudent Spotlight: Caio Fernandes Ottawa, CanadaSee My WorkStudent Spotlight: Becks Harrop Christchurch, New ZealandSee My WorkStudent Spotlight: Gabor Mikus Zurich, SwitzerlandSee My WorkStudent Spotlight: Ashley Van Den Heuvel Brisbane, AustraliaSee My WorkStudent Spotlight: Amy Ferreira Riverina, AustraliaSee My WorkStudent Spotlight: Angel Nicholson North Carolina, USASee My WorkBack to the TopGet Started.You can enrol any day of the year whenever you are ready to start, from anywhere in the world.Enrol hereBrochures, Phone Calls & QuestionsDownload brochures, book phone calls, or ask questions anytime.Contact TGDSOther ways to get in touchAustralia 1300 655 485International +61 1300 655 485Ask Anything info@thegraphicdesignschool.comGet a quote accounts@thegraphicdesignschool.comAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 135: Chia Lin's Design Portfolio | Students | The Graphic Design School\n**URL:** /students/chia-lin/\n**Template:** student-single\n**Priority:** 5\n**Word Count:** 323\n**Last Modified:** 2025-09-29T05:21:55.636Z\n**AI Category:** portfolio\n**AI Quality:** 4/5\n**AI Summary:** Chia Lin is a pharmacist and graphic design graduate with a passion for editorial design and various artistic pursuits.\n\nTGDS Graduate ChiaI am a full-time pharmacist that has many interests. I have recently finished this fabulous course on The Graphic Design School, which opened up my perspective about design. I am interested in editorial design. But that’s not all, I’m also fond of art, water colour, piano, violin, reading, movies, and adventurous holidays! (that’s not the full list) Which is reflected in the icon design studies! Scroll down to read the interview Miyamoto Tea Shop - Bar Menu Design Hey Chia. Tell us a bit about you. I am a full-time pharmacist that has many interests. I have recently finished this fabulous course on The Graphic Design School, which opened up my perspective about design. I am interested in editorial design. But that’s not all, I’m also fond of art, water colour, piano, violin, reading, movies, and adventurous holidays! (that’s not the full list) Which is reflected in the icon design studies! Miyamoto Tea Shop - Business Card Design What are you up to in the design world at the moment? I haven’t got much to do with the design field at the moment, but, in the future, I would love to be part of design firm that specialize in editorial design, that would be a dream job. The Other Art Fair - Packaging Design The Other Art Fair - Visual Identity Design PrevBack to the TopNext Ready to get Started?You can enrol any day of the year. As we are online and training is self paced, there is no pressure. Enrol when you are ready to start, from anywhere in the world.Click the link below to check out our flexible payment plans!Course Costs & Payment PlansAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be. PrevBack to the TopNext The Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 136: Kristen Boydstun's Design Portfolio | Students | The Graphic Design School\n**URL:** /students/kristen-boydstun/\n**Template:** student-single\n**Priority:** 5\n**Word Count:** 261\n**Last Modified:** 2025-09-29T05:21:55.308Z\n**AI Category:** portfolio\n**AI Quality:** 4/5\n**AI Summary:** Kristen Boydstun shares her journey as a graphic designer and illustrator post-graduation from TGDS.\n\nTGDS Graduate KristenThis week we’re talking to TGDS graduate Kristen. Designer and visual artist Kristen is currently working as a full time graphic designer. Scroll down to read the interview Discover Ancona Campaign - Bar Menu Design Hey Kristen. Tell us a bit about you. I’m an American illustrator and printmaker currently living in Munich, Germany. Since I finished my course with The Graphic Design School, I’ve been working as a freelance illustrator with a variety of clients including Monocle Magazine, Toyota Canada, and Bloomberg Philanthropies. Discover Ancona Campaign - Business Card Design What are you up to in the designworld at the moment? I do a mix of commissioned illustrations for clients and printmaking of my own work. This year I set up an area for screen printing in my studio, and it’s been satisfying to get away from the computer sometimes to mix ink and print with my hands. Poster Design - Packaging Design Poster Design - Visual Identity Design PrevBack to the TopNext Ready to get Started?You can enrol any day of the year. As we are online and training is self paced, there is no pressure. Enrol when you are ready to start, from anywhere in the world.Click the link below to check out our flexible payment plans!Course Costs & Payment PlansAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be. PrevBack to the TopNext The Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 137: Courses\n**URL:** /student-handbook/courses/\n**Template:** page\n**Priority:** 3\n**Word Count:** 4188\n**Last Modified:** 2025-09-29T05:21:56.051Z\n**AI Category:** courses\n**AI Quality:** 4/5\n**AI Summary:** Overview of design courses offered, including details on enrollment and curriculum.\n\nCoursesWhat is the difference between the courses? A digestible amount of blah, blah about each design course. Including course durations, curriculums, assessments as well as the Units of Competency you can achieve. Course & CurrencyCertificate IV in Design ▾Currency? ▾Table of ContentsTell Me About The School+About The Graphic Design SchoolWhat Is VET?LegislationOur Continuous Improvement Of ServicesTransitioning, Improvement & Upgrade Of Student ServicesAm I Ready To Study Online?+Do You Want To Study Online And Become A Graphic Designer?Student ResponsibilitiesOur Expectation Of YouYour EquityComplaints+Making Complaints & AppealsWhat Is A ComplaintWhat Is An Assessment Appeal?Early Resolution of Complaints and AppealsComplaint HandlingAssessment Appeals HandlingCopyright Notice+Your Copyright MaterialTell Me About Your Courses+CUA40720 Certificate IV In DesignThe Qualification In PerspectiveIntensive Foundation CourseCUA40720 Certificate IV In Design Course Upgrade OptionThe Web Design CourseThe Design@Work CourseThe Design For Social Media CourseFrequently Asked Questions+How Much Is The Course?What Is The Criteria For Enrolling?Do I Need Any Previous Experience For The IFC Or CUA40720 Certificate IV In Design?What Kind Of Software Will I Need To Own To Study?Can I Subscribe To The Adobe Creative Cloud At Student Rates?How Do I Enrol?When Can I Start My Study?What Happens Once I Enrol?What Aspects Of Graphic Design Do You Cover?How Long Is My Enrolment?How Do I Get My Assignments Marked?What Happens If I Fail An Assignment?Are There Strict Deadlines And Due Dates?Will I Graduate With A Portfolio In Hand?Can I Use My Qualification To Help Gain Entry Into Further Study?Does Your Course Apply To Me?What Are Our Data Protection And Privacy Standards?What Will I Need In Order To Complete This Course?How Will I Interact With My Instructor And My Fellow Students?Fees and Financial Transactions+Payment MethodsCourse ExtensionsFees Paid On A TraineeshipGovernment Training EntitlementsStudent Cancellation / RefundsInternational Shipping FeesAdministration FeesCourse IncompletionStudent Re-EnrolmentRe-Issuance Of CertificatePrivacy & Data Protection+Disclosure PolicyData Collection For Restricted UseYour RightsSurveysHow Do I Get Help?+Student SupportEnglish Language, Literacy And Numeracy SkillsRecordsRPL Recognition Of Your Existing Skills And KnowledgeCredit TransferTerms & Conditions+Course FeesUnique Student Identifier (USI)Disability Supplementary Information Notice For EnrolmentStudent SupportUpon EnrolmentStudent Re-EnrolmentRe-Issuance Of CertificateWhat Equipment Will I Need?+Computer RequirementsSoftwareInternetIllustration SuppliesCamera EquipmentPrinting and Scanning EquipmentCUA40720 Certificate IV In Design Full Enrolment Option Our most popular course, the government accredited CUA40720 Certificate IV in Design qualification is recognised by employers and industry groups Australia wide. This qualification is part of the national vocational education and training (VET) system, competency based and based on Training Packages. The CUA40720 Certificate IV in Design is delivered online. Unlike the upgrade option described below, enrolment in this course will see students enrolling in the full qualification from the time of enrolment. The CUA40720 Certificate IV in Design course is comprised of 12 modules that have been holistically designed around the 15 Units of Competency comprised in the CUA40720 Certificate IV in Design Training Package. Students who wish to apply for Austudy may do so via this full enrolment option only. About The CUA40720 Certificate IV In Design Course The CUA40720 Certificate IV in Design Course delivered by The Graphic Design School is designed as a course that provides a pathway to a career in Graphic Design. There are 12 modules that make up the course, you will notice that the modules are the same as in the Intensive Foundation Course and the Certificate IV Upgrade as mentioned below on this page: Module 1: Introduction to Graphic Design Module 2: Design Basics Module 3: Introduction to Typography Module 4: Colour Module 5: Advanced Typography Module 6: Photography Module 7: Logotype Design Module 8: Design Systems Module 9: Layout Design Module 10: Design Systems II Module 11: Preparing your Portfolio Module 12: Advanced Portfolio Refinement and Enhancement, Preparing for the Job Students have up to 15 months to complete the 12 modules. The modules can be worked through at your own pace during 15 months. The course has been designed to be able to complete within 32 weeks. However, as the course is self paced, you can decide how many hours a week you wish to concentrate on study. An approximate guide is 750 hours to complete the 12 Modules. What Assessments Will I Have To Do? The assessments for the CUA40720 Certificate IV in Design Course have been developed around a number of practical activities that involve software applications, graphic design generation skills including sketching, development of graphics, typography, colour, logos and branding, identity systems, layout, design communication skills, portfolio building and design industry job ready skills. The course emphasis is a ‘hands on’ practical approach. The practical assessments that you produce throughout the course can be refined and used to contribute to your final design portfolio. Achieving The Full Qualification The full CUA40720 Certificate IV in Design qualification is comprised of 15 Units of Competency. The 12 modules have been mapped back to these Units below. The 15 Units of Competency are as follows: Core Units BSBCRT411: Apply critical thinking to work practices CUADES305: Source and apply information on the history and theory of design CUADES411: Generate design solutions CUADES412: Interpret and respond to a design brief CUAWHS312: Apply work health and safety practices CUAACD411: Integrate colour theory and design processes CUAPPR411: Realise a creative project Elective Units CUADES301: Explore the use of colour CUADES302: Explore and apply the creative design process to 2D forms CUADES303: Explore and apply the creative design process to 3D forms CUADES304: Source and apply design industry knowledge CUAGRD312: Use typography techniques CUAGRD411: Research and apply graphic design techniques CUAPHI411: Capture images in response to a brief CUAPHI403: Enhance, manipulate and output photo images The Qualification In Perspective The government accredited CUA40720 Certificate IV in Design qualification is recognised by employers and industry groups Australia wide. This qualification is part of the national Vocational Education and Training System (VET), competency-based and based on Training Packages. The Intensive Foundation Course is an online intensive foundational course in graphic design. You will cover 11 modules during the 12-month course and be issued a Certificate of Completion after successfully completing the course. \n\n---\n\n## Page 138: Terms & Conditions\n**URL:** /terms/\n**Template:** page\n**Priority:** 3\n**Word Count:** 3356\n**Last Modified:** 2025-09-29T05:21:54.570Z\n**AI Category:** terms\n**AI Quality:** 4/5\n**AI Summary:** Terms & Conditions outline responsibilities and commitments for enrolled students.\n\nTerms & ConditionsAll enrollees must read and accept these conditions at registration. The following information will provide you with details of our commitment to you and your responsibilities as an enrolled student. All enrolees must read and accept these Terms & Conditions at the time of enrolment. Course & CurrencyCertificate IV in Design ▾Currency? ▾Table of ContentsTell Me About The School+About The Graphic Design SchoolWhat Is VET?LegislationOur Continuous Improvement Of ServicesTransitioning, Improvement & Upgrade Of Student ServicesAm I Ready To Study Online?+Do You Want To Study Online And Become A Graphic Designer?Student ResponsibilitiesOur Expectation Of YouYour EquityComplaints+Making Complaints & AppealsWhat Is A ComplaintWhat Is An Assessment Appeal?Early Resolution of Complaints and AppealsComplaint HandlingAssessment Appeals HandlingCopyright Notice+Your Copyright MaterialTell Me About Your Courses+CUA40720 Certificate IV In DesignThe Qualification In PerspectiveIntensive Foundation CourseCUA40720 Certificate IV In Design Course Upgrade OptionThe Web Design CourseThe Design@Work CourseThe Design For Social Media CourseFrequently Asked Questions+How Much Is The Course?What Is The Criteria For Enrolling?Do I Need Any Previous Experience For The IFC Or CUA40720 Certificate IV In Design?What Kind Of Software Will I Need To Own To Study?Can I Subscribe To The Adobe Creative Cloud At Student Rates?How Do I Enrol?When Can I Start My Study?What Happens Once I Enrol?What Aspects Of Graphic Design Do You Cover?How Long Is My Enrolment?How Do I Get My Assignments Marked?What Happens If I Fail An Assignment?Are There Strict Deadlines And Due Dates?Will I Graduate With A Portfolio In Hand?Can I Use My Qualification To Help Gain Entry Into Further Study?Does Your Course Apply To Me?What Are Our Data Protection And Privacy Standards?What Will I Need In Order To Complete This Course?How Will I Interact With My Instructor And My Fellow Students?Fees and Financial Transactions+Payment MethodsCourse ExtensionsFees Paid On A TraineeshipGovernment Training EntitlementsStudent Cancellation / RefundsInternational Shipping FeesAdministration FeesCourse IncompletionStudent Re-EnrolmentRe-Issuance Of CertificatePrivacy & Data Protection+Disclosure PolicyData Collection For Restricted UseYour RightsSurveysHow Do I Get Help?+Student SupportEnglish Language, Literacy And Numeracy SkillsRecordsRPL Recognition Of Your Existing Skills And KnowledgeCredit TransferTerms & Conditions+Course FeesUnique Student Identifier (USI)Disability Supplementary Information Notice For EnrolmentStudent SupportUpon EnrolmentStudent Re-EnrolmentRe-Issuance Of CertificateWhat Equipment Will I Need?+Computer RequirementsSoftwareInternetIllustration SuppliesCamera EquipmentPrinting and Scanning EquipmentIntroduction To Terms These terms and conditions are subject to change without notice from time to time at our sole discretion. We will post changes and amendments to these terms and conditions to this website. Unique Student Identifier (USI) Australian students participating in Nationally Recognised Training in Australia will need to have a Unique Student Identifier, or USI, upon enrolling in either the CUA40720 Certificate IV in Design or our Design@Work course. Australian students are required to have a Unique Student Identifier (USI) in order to progress through their course, students will be alerted of their required USI with a popup that will appear whenever they sign into The Schoolyard. This popup will guide them through the USI application process. Should students require assistance in understanding and applying for their USI, they will be prompted to contact support@thegraphicdesignschool.com. The USI is a form of file-number that will link students to their training records, which are held in the National Training Collection, under the purview of the Australian Federal Government. Students will be able to access their records online, download them and share them with future training organisations digitally. Students reading this page can also obtain an USI using the link below. Simply select “Get a USI” and follow the easy steps: www.usi.gov.au/students Please note - The Student Identifiers Registrar’s Privacy Policy is available at: www.usi.gov.au/about-us/privacy. It contains information about how the individual may: Access and seek correction of the personal information held about them; and Complain about a breach of privacy and how such complaints will be dealt with. Course Fees The CUA40720 Certificate IV in Design costs a full payment of CERTIV.1.PRICE.TOTAL with a fees structure described below. Initial Course Fees. The initial fee is CERTIV.1.PRICE.VALUE which is deducted on the day of enrolment. This initial course fee covers all costs for the first 4 months of tuition. 2nd, 3rd and 4th Instalments. The second instalment of CERTIV.1.PRICE.RECURRING is direct debited from the credit card you enrolled with 4 months to the day, after enrolment, the third instalment of CERTIV.1.PRICE.RECURRING is direct debited a further 4 months from then (8 months after enrolment), and the fourth instalment of CERTIV.1.PRICE.RECURRING is direct debited a further 4 months from then (12 months after enrolment). CUA40720 Certificate IV In Design Upgrade Course Fees The online CUA40720 Certificate IV in Design Upgrade Course is available to students of the Intensive Foundations Course, it costs a full price one off payment of CERTUP.11.PRICE.VALUE Students may also opt to pay for the course via a part payment method. CERTUP.12.PRICE.VALUE upfront fee followed by a CERTUP.12.PRICE.VALUE fee the following month or upon course completion, whichever comes first. This comes to a total cost of CERTUP.12.PRICE.TOTAL The above part payment schedule includes a small fee of FEES.ADMIN.VALUE for school administration and bank charges. Please Note: These prices apply to all IFC students enrolled after Aug 2019 - if you enrolled prior to this please contact us on accounts@thegraphicdesignschool.com Disability Supplementary Information Notice For Enrolment The purpose of the Disability supplement is to provide additional information to assist you with answering the disability question on the Enrolment Form. Disability in the contexts provided below does not include short-term disabling health conditions such as a fractured leg, influenza, or corrected physical conditions such as impaired vision managed by wearing glasses or lenses. Hearing/deaf - Hearing impairment is used to refer to a person who has an acquired mild, moderate, severe or profound hearing loss after learning to speak, communicates orally and maximises residual hearing with the assistance of amplification. A person who is deaf has a severe or profound hearing loss from, at, or near birth and mainly relies upon vision to communicate, whether through lip reading, gestures, cued speech, finger spelling and/or sign language. \n\n---\n\n## Page 139: Privacy & Data Protection\n**URL:** /privacy-policy/\n**Template:** page\n**Priority:** 3\n**Word Count:** 3197\n**Last Modified:** 2025-09-29T05:21:54.712Z\n**AI Category:** about\n**AI Quality:** 4/5\n**AI Summary:** The Graphic Design School prioritizes participant privacy and complies with relevant data protection laws.\n\nPrivacy & Data ProtectionThe Graphic Design School takes the privacy-policy of participants very seriously and complies with all legislative requirements. These include the Privacy Act 1988 and National Privacy Principles (2001) and the General Data Protection Regulation in the EU (2016/679). Course & CurrencyCertificate IV in Design ▾Currency? ▾Table of ContentsTell Me About The School+About The Graphic Design SchoolWhat Is VET?LegislationOur Continuous Improvement Of ServicesTransitioning, Improvement & Upgrade Of Student ServicesAm I Ready To Study Online?+Do You Want To Study Online And Become A Graphic Designer?Student ResponsibilitiesOur Expectation Of YouYour EquityComplaints+Making Complaints & AppealsWhat Is A ComplaintWhat Is An Assessment Appeal?Early Resolution of Complaints and AppealsComplaint HandlingAssessment Appeals HandlingCopyright Notice+Your Copyright MaterialTell Me About Your Courses+CUA40720 Certificate IV In DesignThe Qualification In PerspectiveIntensive Foundation CourseCUA40720 Certificate IV In Design Course Upgrade OptionThe Web Design CourseThe Design@Work CourseThe Design For Social Media CourseFrequently Asked Questions+How Much Is The Course?What Is The Criteria For Enrolling?Do I Need Any Previous Experience For The IFC Or CUA40720 Certificate IV In Design?What Kind Of Software Will I Need To Own To Study?Can I Subscribe To The Adobe Creative Cloud At Student Rates?How Do I Enrol?When Can I Start My Study?What Happens Once I Enrol?What Aspects Of Graphic Design Do You Cover?How Long Is My Enrolment?How Do I Get My Assignments Marked?What Happens If I Fail An Assignment?Are There Strict Deadlines And Due Dates?Will I Graduate With A Portfolio In Hand?Can I Use My Qualification To Help Gain Entry Into Further Study?Does Your Course Apply To Me?What Are Our Data Protection And Privacy Standards?What Will I Need In Order To Complete This Course?How Will I Interact With My Instructor And My Fellow Students?Fees and Financial Transactions+Payment MethodsCourse ExtensionsFees Paid On A TraineeshipGovernment Training EntitlementsStudent Cancellation / RefundsInternational Shipping FeesAdministration FeesCourse IncompletionStudent Re-EnrolmentRe-Issuance Of CertificatePrivacy & Data Protection+Disclosure PolicyData Collection For Restricted UseYour RightsSurveysHow Do I Get Help?+Student SupportEnglish Language, Literacy And Numeracy SkillsRecordsRPL Recognition Of Your Existing Skills And KnowledgeCredit TransferTerms & Conditions+Course FeesUnique Student Identifier (USI)Disability Supplementary Information Notice For EnrolmentStudent SupportUpon EnrolmentStudent Re-EnrolmentRe-Issuance Of CertificateWhat Equipment Will I Need?+Computer RequirementsSoftwareInternetIllustration SuppliesCamera EquipmentPrinting and Scanning EquipmentThe Graphic Design School takes the privacy-policy of participants very seriously and complies with all legislative requirements. These include the Privacy Act 1988 and National Privacy Principles (2001) and the General Data Protection Regulation in the EU (2016/679). We are committed to protecting and respecting your privacy. We want you to tell you how we use and protect your personal information. This is includes informing you of your rights regarding your personal information that we hold. As a Registered Training Organisation (RTO), we collect your personal information so we can process and manage your enrolment in a Vocational Education and Training (VET) course with us. We use your personal information to enable us to deliver VET courses to you, and otherwise, as needed, to comply with our obligations as an RTO. Disclosure Policy We are required by law (under the National Vocational Education and Training Regulator Act 2011 (Cth) (NVETR Act)) to disclose the personal information we collect about you to the National VET Data Collection kept by the National Centre for Vocational Education Research Ltd (NCVER). The NCVER is responsible for collecting, managing, analysing and communicating research and statistics about the Australian VET sector. We are also authorised by law (under the NVETR Act) to disclose your personal information to the relevant state or territory training authority. Furthermore, TGDS customarily discloses personal information to our service providers who assist us in operating the TGDS website, communications and marketing. We will not disclose personal information to an unrelated third party. The Graphic Design School makes student assessment information available to The Graphic Design School tutors and external validators in order to conduct sessions of assessment validation, continuous improvement and tutor training. For the purpose of continuous improvement and maintaining industry currency, TGDS makes student assessment available to external contractors or industry bodies for the purpose of industry consultation. In all other cases than the above mentioned The Graphic Design School will seek the written permission of the student for this disclosure. Data Collection For Restricted Use We will only collect personal information about you and given by you when you submit an inquiry, call us, contact us via social media, request a brochure or enrol for a course. We may use this information to inform our users of new offers, products, and services which may be of interest to them, send our users news items which are relevant to their interests. In addition, TGDS may also collect cookies from your computer, which enables us to determine when and if you use the TGDS website and also to help customize TGDS website experience. We do not match any of your personal information to the cookies. The information we collect is solely dedicated to our internal statistical analytics. We do not share or sell any of the information we collect. All cookie information gathered in this way is completely anonymized; IP address information, including user’s location is scrambled and encrypted before it ever leaves your browser. Your Rights What The Graphic Design School does to protect your rights The Right To Be Informed The Graphic Design School is publishing this Privacy Notice to keep you informed as to what we do with your personal information. We strive to be transparent about how we use your data. The Right To Access You have the right to access your information. Please contact The Graphic Design School Data Protection Officer if you wish to access the personal information The Graphic Design School holds about you. The Right To Rectification If the information The Graphic Design School holds about you is inaccurate or not complete, you have the right to ask us to rectify it. Please contact our Data Protection Officer if you need us to adjust your information. The Right To Erasure This is sometimes called ‘the right to be forgotten’. \n\n---\n\n## Page 140: Fees & Payments\n**URL:** /student-handbook/fees/\n**Template:** page\n**Priority:** 3\n**Word Count:** 2262\n**Last Modified:** 2025-09-29T05:21:56.004Z\n**AI Category:** courses\n**AI Quality:** 4/5\n**AI Summary:** Overview of fees, payment methods, and financial aspects for design courses.\n\nFees & PaymentsDesigners need to eat too! Here’s how you can help feed us. How to pay, what to pay and payment plans. All the financial aspects of your educational investment is listed below. Course & CurrencyCertificate IV in Design ▾Currency? ▾Table of ContentsTell Me About The School+About The Graphic Design SchoolWhat Is VET?LegislationOur Continuous Improvement Of ServicesTransitioning, Improvement & Upgrade Of Student ServicesAm I Ready To Study Online?+Do You Want To Study Online And Become A Graphic Designer?Student ResponsibilitiesOur Expectation Of YouYour EquityComplaints+Making Complaints & AppealsWhat Is A ComplaintWhat Is An Assessment Appeal?Early Resolution of Complaints and AppealsComplaint HandlingAssessment Appeals HandlingCopyright Notice+Your Copyright MaterialTell Me About Your Courses+CUA40720 Certificate IV In DesignThe Qualification In PerspectiveIntensive Foundation CourseCUA40720 Certificate IV In Design Course Upgrade OptionThe Web Design CourseThe Design@Work CourseThe Design For Social Media CourseFrequently Asked Questions+How Much Is The Course?What Is The Criteria For Enrolling?Do I Need Any Previous Experience For The IFC Or CUA40720 Certificate IV In Design?What Kind Of Software Will I Need To Own To Study?Can I Subscribe To The Adobe Creative Cloud At Student Rates?How Do I Enrol?When Can I Start My Study?What Happens Once I Enrol?What Aspects Of Graphic Design Do You Cover?How Long Is My Enrolment?How Do I Get My Assignments Marked?What Happens If I Fail An Assignment?Are There Strict Deadlines And Due Dates?Will I Graduate With A Portfolio In Hand?Can I Use My Qualification To Help Gain Entry Into Further Study?Does Your Course Apply To Me?What Are Our Data Protection And Privacy Standards?What Will I Need In Order To Complete This Course?How Will I Interact With My Instructor And My Fellow Students?Fees and Financial Transactions+Payment MethodsCourse ExtensionsFees Paid On A TraineeshipGovernment Training EntitlementsStudent Cancellation / RefundsInternational Shipping FeesAdministration FeesCourse IncompletionStudent Re-EnrolmentRe-Issuance Of CertificatePrivacy & Data Protection+Disclosure PolicyData Collection For Restricted UseYour RightsSurveysHow Do I Get Help?+Student SupportEnglish Language, Literacy And Numeracy SkillsRecordsRPL Recognition Of Your Existing Skills And KnowledgeCredit TransferTerms & Conditions+Course FeesUnique Student Identifier (USI)Disability Supplementary Information Notice For EnrolmentStudent SupportUpon EnrolmentStudent Re-EnrolmentRe-Issuance Of CertificateWhat Equipment Will I Need?+Computer RequirementsSoftwareInternetIllustration SuppliesCamera EquipmentPrinting and Scanning EquipmentPayment Methods Web enrolment is available, online 24/7 via credit card. PayPal payment is also supported for select Payment options. Clients who wish to pay via bank transfer, please email accounts@thegraphicdesignschool.com to find out if you are eligible to pay via bank transfer. Payment in cash is not accepted. Fees payable Fees are payable upon enrolment with The Graphic Design School. The Graphic Design School may discontinue training if fees are not paid as required. Administration charges of FEES.ADMIN.VALUE apply to declined transactions due through part payment. In order to avoid admin charges please email or call the school before your due transaction debit date if you are having difficulty making payments. Direct Debit agreement for part payments Direct debits will be drawn from the same credit card that you used for enrolment. It is not necessary to pay through the payment page of the website each due payment date. Payments are deducted automatically on the same date each month for the duration of the selected payment plan. Course Fees The CUA40720 Certificate IV in Design costs a full payment of CERTIV.1.PRICE.TOTAL with a fees structure described below. Initial Course Fees. The initial fee is CERTIV.1.PRICE.VALUE which is deducted on the day of enrolment. This initial course fee covers all costs for the first 4 months of tuition. 2nd, 3rd and 4th Instalments. The second instalment of CERTIV.1.PRICE.RECURRING is direct debited from the credit card you enrolled with 4 months to the day, after enrolment, the third instalment of CERTIV.1.PRICE.RECURRING is direct debited a further 4 months from then (8 months after enrolment), and the fourth instalment of CERTIV.1.PRICE.RECURRING is direct debited a further 4 months from then (12 months after enrolment). CUA40720 Certificate IV In Design Upgrade Course Fees The online CUA40720 Certificate IV in Design Upgrade Course is available to students of the Intensive Foundations Course, it costs a full price one off payment of CERTUP.11.PRICE.VALUE Students may also opt to pay for the course via a part payment method. CERTUP.12.PRICE.VALUE upfront fee followed by a CERTUP.12.PRICE.VALUE fee the following month or upon course completion, whichever comes first. This comes to a total cost of CERTUP.12.PRICE.TOTAL The above part payment schedule includes a small fee of FEES.ADMIN.VALUE for school administration and bank charges. Please Note: These prices apply to all IFC students enrolled after Aug 2019 - if you enrolled prior to this please contact us on accounts@thegraphicdesignschool.com Course Extensions Students who do not complete their course within the allotted course duration will be eligible to purchase an extension. If the student does not purchase the course extension, the student may request a certificate stating modules completed to a competent level. Access to the course and its materials will be declined after the enrolment period has elapsed. Access to learning materials not already undertaken will strictly be declined. 6 month extension: EXTENSION.6MONTH.VALUE 3 month extension: EXTENSION.3MONTH.VALUE Students who opt to purchase a course extension, must submit a module for grading within the extension period in order to be eligible to remain on the course – regardless of which extension duration was purchased. Fees Paid On A Traineeship Students who are enrolling as a trainee will not be eligible for part payments. Full price enrolments only for students who are undertaking a traineeship. Government Training Entitlements For Australian students who think they may be eligible for government training subsidies. Please quote our Centrelink #2R013 and see the page linked below. https://www.humanservices.gov.au/individuals/students-and-trainees Student Cancellation / Refunds Refunds - 7 day trial period Students who cancel their enrolment within 7 days of enrolment will be entitled to a full refund of fees paid, irrespective of whether the student has undertaken assessment. Requests for refunds will be processed and transacted at the end of each month in which the cancellation notification was received. Certificates will not be issued in the case of a full refund request. \n\n---\n\n## Page 141: Frequently Asked Questions\n**URL:** /student-handbook/faqs/\n**Template:** page\n**Priority:** 3\n**Word Count:** 1781\n**Last Modified:** 2025-09-29T05:21:56.032Z\n**AI Category:** faq\n**AI Quality:** 4/5\n**AI Summary:** The FAQ page provides essential information and support for prospective graphic design students.\n\nFrequently Asked QuestionsWe’ve got your back through your study journey, find out how. Our students mean everything to us, that’s why we support you every step of the way. Course & CurrencyCertificate IV in Design ▾Currency? ▾Table of ContentsTell Me About The School+About The Graphic Design SchoolWhat Is VET?LegislationOur Continuous Improvement Of ServicesTransitioning, Improvement & Upgrade Of Student ServicesAm I Ready To Study Online?+Do You Want To Study Online And Become A Graphic Designer?Student ResponsibilitiesOur Expectation Of YouYour EquityComplaints+Making Complaints & AppealsWhat Is A ComplaintWhat Is An Assessment Appeal?Early Resolution of Complaints and AppealsComplaint HandlingAssessment Appeals HandlingCopyright Notice+Your Copyright MaterialTell Me About Your Courses+CUA40720 Certificate IV In DesignThe Qualification In PerspectiveIntensive Foundation CourseCUA40720 Certificate IV In Design Course Upgrade OptionThe Web Design CourseThe Design@Work CourseThe Design For Social Media CourseFrequently Asked Questions+How Much Is The Course?What Is The Criteria For Enrolling?Do I Need Any Previous Experience For The IFC Or CUA40720 Certificate IV In Design?What Kind Of Software Will I Need To Own To Study?Can I Subscribe To The Adobe Creative Cloud At Student Rates?How Do I Enrol?When Can I Start My Study?What Happens Once I Enrol?What Aspects Of Graphic Design Do You Cover?How Long Is My Enrolment?How Do I Get My Assignments Marked?What Happens If I Fail An Assignment?Are There Strict Deadlines And Due Dates?Will I Graduate With A Portfolio In Hand?Can I Use My Qualification To Help Gain Entry Into Further Study?Does Your Course Apply To Me?What Are Our Data Protection And Privacy Standards?What Will I Need In Order To Complete This Course?How Will I Interact With My Instructor And My Fellow Students?Fees and Financial Transactions+Payment MethodsCourse ExtensionsFees Paid On A TraineeshipGovernment Training EntitlementsStudent Cancellation / RefundsInternational Shipping FeesAdministration FeesCourse IncompletionStudent Re-EnrolmentRe-Issuance Of CertificatePrivacy & Data Protection+Disclosure PolicyData Collection For Restricted UseYour RightsSurveysHow Do I Get Help?+Student SupportEnglish Language, Literacy And Numeracy SkillsRecordsRPL Recognition Of Your Existing Skills And KnowledgeCredit TransferTerms & Conditions+Course FeesUnique Student Identifier (USI)Disability Supplementary Information Notice For EnrolmentStudent SupportUpon EnrolmentStudent Re-EnrolmentRe-Issuance Of CertificateWhat Equipment Will I Need?+Computer RequirementsSoftwareInternetIllustration SuppliesCamera EquipmentPrinting and Scanning EquipmentHow Much Is The Course? All information on course payments can be found on the Enrolments page of this site. What Is The Criteria For Enrolling? There are a few requirements for enrolment. You must: Possess the drive and motivation needed to undertake e-learning. Be 18 or over. Have a love of design… Of course. Sufficient English language skills see Support page Do I Need Any Previous Experience For The IFC Or CUA40720 Certificate IV In Design? There’s no need to have any prior knowledge of graphic design. You’ll gain all the knowledge and skills you need to become a qualified graphic designer, as well as learning the major design software packages Adobe Illustrator, Photoshop and InDesign. You’ll complete your course with all the skills you need so you’re ready to launch your new design career. What Kind Of Software Will I Need To Own To Study? The courses are taught in the Adobe Creative Cloud. Head to the Equipment page for a full breakdown of what you will need as well as system requirements. Can I Subscribe To The Adobe Creative Cloud At Student Rates? See the Equipment page for a full Adobe breakdown. How Do I Enrol? You may enrol directly through this website on the Enrolment page. Prior to enrolling we do ask that you take the time to read through our Student Handbook (you are on the FAQ part of the Student Handbook) and our Terms and Conditions. When Can I Start My Study? On-line 24/7. As soon as you receive your log-in details you have the flexibility to study when, where and how often it suits you. What Happens Once I Enrol? Once you have paid your initial fees, we will send your login details including your unique password. You will have direct access to your very own student site, called The Schoolyard. In The Schoolyard, you will have access to: Your Course Content Your Training & Instructional Videos The Schoolyard Library The Schoolyard Inspiration You may begin learning straight away! What Aspects Of Design Do Your Courses Cover? Please refer to the following links on our website here. CUA40720 Certificate IV in Design Intensive Foundation Course Design For Social Media Web Design Course Design@Work How Long Is My Enrolment? CUA40720 Certificate IV in Design: 15 months duration Upgrade to CUA40720 Certificate IV in Design: 3 months duration (after successful completion of IFC) How Do I Get My Assignments Marked? All grading is done online through the student secure site; you will never have to send assignments via the post. There is an easy-to-use upload facility for your assignments once you have completed them within The Schoolyard. The assignments are sent directly to your graphic design tutor. They will promptly mark your assignment and give you valuable and concise feedback along with your grades. What Happens If I Fail An Assignment? Each student has the opportunity to refine and re-submit up to 3 times during the course. You will be notified via email if this is something you need to do. I Have Work And Family Commitments, Are There Strict Deadlines And Due Dates For Assignments? In a word, no. Our online graphic design courses are self paced. You do however have limits to the time the course is open to you. These are as follows; Intensive Foundation and Design@Work: 12 months duration CUA40720 Certificate IV in Design: 15 months duration Web Design Course: 6 months duration Upgrade to CUA40720 Certificate IV in Design: 3 months duration (after successful completion of IFC) With this in mind, however, we ask students to be responsible for their own learning and development. By participating actively and positively and by ensuring that they maintain progress with learning modules. It is our aim that students complete the course in the given time frames. We offer learning support when needed and also have paid extensions of 3 months and 6 months available should life get in the way and hinder your study efforts. We do not defer courses. See our Terms and Conditions for more details on our paid extensions. Will I Graduate With A Portfolio In Hand? The CUA40720 Certificate IV in Design course has been designed so that each assignment will have a final role in establishing a professional and dynamic portfolio. Your tutor will help you shape your portfolio, resume and cover letters. The Intensive Foundation Course has been designed so that each assignment will have a final role in establishing a professional and dynamic portfolio. Your tutor will help you shape your portfolio. Will I Be Able To Use My Certificate IV Qualification To Help Gain Entry Into Further Study? The qualifications are part of the Australian national system. This means that when you gain a CUA40720 Certificate IV in Design, it can be used towards a Diploma, then advanced Diploma or a Bachelors degree. If your career goals include a pathway to further study at a university, the CUA40720 Certificate IV in Design is a great start. You can use it at a University or College with higher levels of study and it will help with admission and possibly credits. Plus your portfolio of course. I Already Work In The Design Industry; I Am Self Taught. Does Your Course Apply To Me? Many of our students are practicing designers from different disciplines of design. These days it is very easy to teach yourself over the net by persisting with free software training videos on YouTube or the like. The fact of the matter is that software training is the least important element when it comes to learning about graphic design. There are many people who are very proficient in the Adobe suite, yet do not have the design foundations to make the ‘right’ design decisions during the design process. Software execution and design concepts are worlds apart; ask any designer. Depending on how proficient you are in the Adobe software, you may find the first few modules of Adobe teaching a little too basic. No need to worry. The course focuses on tying software skills together with solid design foundations. We focus on creating designers that can react creatively and thoroughly to a design brief; who employ knowledge and notion of great design. Please read the course outlines thoroughly to get a better understanding of whether what we are teaching is right for you and your career path. What Are Our Data Protection And Privacy Standards? The Graphic Design School believes that your personal information and data is of the highest importance and as such we have always been and will continue to be compliant with the current standard for data privacy, the GDPR. The GDPR or General Data Protection Regulation in European Union Law is a new framework put in place to ensure and oversee the use of personal data in all citizens of the EU. The personal data we collect will only ever be used for the following purposes: Maintaining your student records Legal requirements for Registered Training Organisations; Certificate IV student’s information is sent to AVETMISS (The Australian Vocational Education and Training Management Information Statistical Standard) as per the certificates requirement. Read more about our privacy policy What Will I Need In Order To Complete This Course? See the Equipment page for a breakdown of what you need! What Kinds Of Interaction Can I Expect From My Instructor And My Fellow Students In The Graphic Design School? Our tutors grade and give valuable feedback on all of your assignments. You can also ask questions or exchange inspirational ideas or links to share on The Graphic Design School Forum. Communication with fellow students and tutors is a great way for you to collaborate and seek feedback on design solutions that you might be having throughout the course. Throughout the graphic design courses, you will be introduced to the idea of keeping a visual journal. We will guide you step by step throughout each module, so you can build your own visual library of ideas in this journal. This journal is also a great way for you to communicate ideas to your fellow students and staff. Learning can be a challenge, and we find that there is always somebody out there that will be experiencing the same kind of challenge as you. Our strong student and tutor community is of the utmost importance to us, and we believe a key part of our success. Acknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 142: About Us\n**URL:** /student-handbook/about-tgds/\n**Template:** page\n**Priority:** 3\n**Word Count:** 1602\n**Last Modified:** 2025-09-29T05:21:56.105Z\n**AI Category:** about\n**AI Quality:** 4/5\n**AI Summary:** The Graphic Design School offers various design courses with comprehensive support for students.\n\nAbout UsWhat is the difference between the five courses? A digestible amount of blah, blah about each design course. Including course durations, curriculums, assessments as well as the Units of Competency you can achieve. Course & CurrencyCertificate IV in Design ▾Currency? ▾Table of ContentsTell Me About The School+About The Graphic Design SchoolWhat Is VET?LegislationOur Continuous Improvement Of ServicesTransitioning, Improvement & Upgrade Of Student ServicesAm I Ready To Study Online?+Do You Want To Study Online And Become A Graphic Designer?Student ResponsibilitiesOur Expectation Of YouYour EquityComplaints+Making Complaints & AppealsWhat Is A ComplaintWhat Is An Assessment Appeal?Early Resolution of Complaints and AppealsComplaint HandlingAssessment Appeals HandlingCopyright Notice+Your Copyright MaterialTell Me About Your Courses+CUA40720 Certificate IV In DesignThe Qualification In PerspectiveIntensive Foundation CourseCUA40720 Certificate IV In Design Course Upgrade OptionThe Web Design CourseThe Design@Work CourseThe Design For Social Media CourseFrequently Asked Questions+How Much Is The Course?What Is The Criteria For Enrolling?Do I Need Any Previous Experience For The IFC Or CUA40720 Certificate IV In Design?What Kind Of Software Will I Need To Own To Study?Can I Subscribe To The Adobe Creative Cloud At Student Rates?How Do I Enrol?When Can I Start My Study?What Happens Once I Enrol?What Aspects Of Graphic Design Do You Cover?How Long Is My Enrolment?How Do I Get My Assignments Marked?What Happens If I Fail An Assignment?Are There Strict Deadlines And Due Dates?Will I Graduate With A Portfolio In Hand?Can I Use My Qualification To Help Gain Entry Into Further Study?Does Your Course Apply To Me?What Are Our Data Protection And Privacy Standards?What Will I Need In Order To Complete This Course?How Will I Interact With My Instructor And My Fellow Students?Fees and Financial Transactions+Payment MethodsCourse ExtensionsFees Paid On A TraineeshipGovernment Training EntitlementsStudent Cancellation / RefundsInternational Shipping FeesAdministration FeesCourse IncompletionStudent Re-EnrolmentRe-Issuance Of CertificatePrivacy & Data Protection+Disclosure PolicyData Collection For Restricted UseYour RightsSurveysHow Do I Get Help?+Student SupportEnglish Language, Literacy And Numeracy SkillsRecordsRPL Recognition Of Your Existing Skills And KnowledgeCredit TransferTerms & Conditions+Course FeesUnique Student Identifier (USI)Disability Supplementary Information Notice For EnrolmentStudent SupportUpon EnrolmentStudent Re-EnrolmentRe-Issuance Of CertificateWhat Equipment Will I Need?+Computer RequirementsSoftwareInternetIllustration SuppliesCamera EquipmentPrinting and Scanning EquipmentAbout The Graphic Design School The Graphic Design School specialises in delivering graphic design courses. We eat, breathe, sleep and LOVE design. Our team of tutors are all hand selected and only the best will do! All are currently working within the industry and have a passion for teaching. Apart from being great designers themselves, all are accredited trainers and assessors. They have excelled within their respective careers, have good portfolios and are able to inspire students with their industry relevant feedback. Our students benefit from having one tutor dedicated to their development and learning throughout their course, but are also able to communicate with the whole team through the online School Forum. Students are able to ask the team questions, network with one another and share information. Tutors are able to give expert advice on the assessments covered, and draw on their collective experience to inspire and guide students. How Do We Deliver Our Courses? We provide self-paced, online learning services to learners throughout Australia and the world. Self-paced delivery is perfect if you would like to learn in your own time and in your own home. There’s no need to attend any face-to-face classes as you’ll receive all course materials along with access to the School’s resources online. You will find the materials you need to study online in your very own student secure area that we call The Schoolyard. In The Schoolyard you will have access to your learning and assessments, your records, information about Units of Competency and how they relate to the course content, written software training, training videos, templates for you to complete your assessments, an e-library, a gallery for your work, an uploader to submit your assessments directly to your tutor, useful links to research resources, and learner support via our ever popular Forum. Our Mission The Graphic Design School’s mission is to deliver quality training & assessment that meets the needs of learners and industry. Our Objectives In recognition of our mission, The Graphic Design School strives to achieve the following objectives: People. We strive to attract, recruit and retain talented, competent and committed people. We promote excellent performance through leadership and professional development. Safety and equality. We are committed to providing an environment which is safe, equitable and which promotes a confident and productive training environment. Integrity and ethics. We conduct ourselves in accordance with shared and agreed standards of behaviour which holds ethical conduct and integrity as out highest priorities. Quality committed. We aspire to deliver consistent high quality services and apply quality systems which support training excellence. Learner centred. We thrive on providing training that is learner centred and which supports lifelong learning. We respect our clients and strive to attract them time after time, through high quality training experiences. Industry engagement. We recognise the value of industry engagement as the driving force in shaping our training and assessment strategies. We deliver training and assessment services which are founded on industry needs and expectations. How Do I Enrol? Enrolment is provided online via the TGDS website. After you have read about the course and gone through this information handbook you simply go to the web page ‘Prices & Enrolments’. Candidates will need to fill in an enrolment form. After the enrolment form is completed and you have been approved by the school for immediate enrolment you may proceed to checkout. After payment is made you will receive a confirmation email of enrolment. Within 48 hours you will receive your unique access codes to TGDS online learning area (The Schoolyard). Once you have received your access codes you can start your first module immediately. Candidates who have indicated that they have special support needs will have a member of staff contact them within 48 hours (during business hours). Candidates under the age of 18 will need to enrol with permission of their legal guardian. What Is VET? Australia’s Vocational Education and Training (VET) system is based on nationally endorsed Training Packages which identify specific skills and knowledge applied in the workplace. Candidates for a VET qualification must demonstrate the skills and knowledge identified in a training package and be judged ‘competent’ in the selected Units of Competency to be eligible for the award of the qualification. The qualifications are part of a national system. This means that when you gain a CUA40720 Certificate IV in Design, it may be used towards a Diploma, then Advanced Diploma or a Bachelor’s degree. So, if your career goals include a pathway to further study at a university, the CUA40720 Certificate IV in Design is a great start. You may use it at a University or College with higher levels of study and it may help with admission and possibly credits. Plus your portfolio of course. Fantastic. Legislation The Graphic Design School recognises the responsibilities and undertakings required of a Registered Training Organisation to meet and maintain systems that comply with the AQF Framework and Standards for Registered Training Organisations (RTO) 2015 for quality training and assessment in a continuing RTO.Reference to these laws, regulations and standards are listed below, you will also find them mentioned throughout these documents and the course: Privacy of information in the Schoolyard and in our School records. How to acknowledge sources in your student work. Email, web and forum etiquette. Rights of all people and how to complain if you feel harassed by a fellow student or staff. Student feedback opportunities. Students will complete learning modules within the course that relate to legislation around Copyright and Intellectual property rights, employer rights and obligations, environmental sustainability in design and plagiarism. Our Continuous Improvement Of Services The Graphic Design School Pty Ltd is committed to the continuous improvement of its training and assessment services, student services and learner management system. Central to this commitment is our approach to continuous improvement and the procedures we apply to achieve systematic and sustained improvement. Students are encouraged to provide feedback so we can improve our services in the future. The Graphic Design School will notify students before a major improvement or upgrade is commenced, and will make every effort to minimise disruption to student services. All other minor upgrades to course materials can be found in the Versioning tab of The Schoolyard. The Graphic Design School Pty Ltd is required to adhere to the AQF Framework and Standards for Registered Training Organisations (RTO) 2015. This may result in necessary changes to training and assessment services, student services and management systems. The Graphic Design School will notify students before a major upgrade is commenced, and will make every effort to minimise disruption to student services. Transitioning, Improvement & Upgrade Of Student Services The Graphic Design School Pty Ltd is required to adhere to Australian educational standards and legislation. This may result in necessary changes to training and assessment services, student services and learner management system. The Graphic Design School will notify students before a major upgrade is commenced, and will make every effort to minimise disruption to student services. Any time lost to students as the result of course or website upgrade will not be recompensed by way of refund or course extension. The Graphic Design School guarantees to advise students of any changes to the services provided under agreement as soon as practicable, including any changes of ownership. Acknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 143: Our School | The Graphic Design School\n**URL:** /school/\n**Template:** page\n**Priority:** 3\n**Word Count:** 1233\n**Last Modified:** 2025-09-29T05:21:54.683Z\n**AI Category:** about\n**AI Quality:** 3/5\n**AI Summary:** The Graphic Design School fosters creativity and passion in design education.\n\nThe Graphic Design School delivers a place to be creative & unleash your ideas giving you the freedom to do something you love. Really, love!This Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosThis Week We're Listening To: Donna Summer RadioCurrently Snacking On: Peapod chips (sounds healthy, it's not!)Working On: Making DEX VideosDesigned To Be DifferentThe graphic design school was the first solely online graphic design school in the world. In 2008, we started our adventure to share our love for design and educational philosophy via the web. Our PromiseContinuous SupportOur students are our bread & butter, and support is our jam. Our Tutors and Support Angels are there to guide you. Our PromiseFlexible CoursesCreated for you. Our courses work around your life, study on your own terms at your own pace. Our PromiseGovernment AccreditedDesign is all about skills, but sometimes you need a qual. Check out our CUA40720 Certificate IV in Design course. Our PromiseContinuous SupportOur students are our bread & butter, and support is our jam. Our Tutors and Support Angels are there to guide you. Our PromiseFlexible CoursesCreated for you. Our courses work around your life, study on your own terms at your own pace. 123Learn From DesignersWe got a lot more than we bargained for. An intelligent student body, a teaching team of amazing designers, support from our design peers, and an energy that has created the best community. A community that we love. Meet the TGDS TutorsMeet the TGDS TutorsMeet the TGDS TutorsMeet the TGDS TutorsMeet the TGDS TutorsMeet the TGDS TutorsTutor PalomaTutor DannyTutor Lee-AnneTutor TimFind us on the GramBack to the TopAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 144: What Equipment Will I Need?\n**URL:** /student-handbook/what-do-i-need/\n**Template:** page\n**Priority:** 3\n**Word Count:** 1127\n**Last Modified:** 2025-09-29T05:21:55.939Z\n**AI Category:** courses\n**AI Quality:** 4/5\n**AI Summary:** Overview of equipment and software requirements for graphic design students.\n\nWhat Equipment Will I Need?All the awesome stuff you get to shop for before you start the course. For the low down on technical requirements, software and any bits and bobs you will need for your course, you’ll find it here. Course & CurrencyCertificate IV in Design ▾Currency? ▾Table of ContentsTell Me About The School+About The Graphic Design SchoolWhat Is VET?LegislationOur Continuous Improvement Of ServicesTransitioning, Improvement & Upgrade Of Student ServicesAm I Ready To Study Online?+Do You Want To Study Online And Become A Graphic Designer?Student ResponsibilitiesOur Expectation Of YouYour EquityComplaints+Making Complaints & AppealsWhat Is A ComplaintWhat Is An Assessment Appeal?Early Resolution of Complaints and AppealsComplaint HandlingAssessment Appeals HandlingCopyright Notice+Your Copyright MaterialTell Me About Your Courses+CUA40720 Certificate IV In DesignThe Qualification In PerspectiveIntensive Foundation CourseCUA40720 Certificate IV In Design Course Upgrade OptionThe Web Design CourseThe Design@Work CourseThe Design For Social Media CourseFrequently Asked Questions+How Much Is The Course?What Is The Criteria For Enrolling?Do I Need Any Previous Experience For The IFC Or CUA40720 Certificate IV In Design?What Kind Of Software Will I Need To Own To Study?Can I Subscribe To The Adobe Creative Cloud At Student Rates?How Do I Enrol?When Can I Start My Study?What Happens Once I Enrol?What Aspects Of Graphic Design Do You Cover?How Long Is My Enrolment?How Do I Get My Assignments Marked?What Happens If I Fail An Assignment?Are There Strict Deadlines And Due Dates?Will I Graduate With A Portfolio In Hand?Can I Use My Qualification To Help Gain Entry Into Further Study?Does Your Course Apply To Me?What Are Our Data Protection And Privacy Standards?What Will I Need In Order To Complete This Course?How Will I Interact With My Instructor And My Fellow Students?Fees and Financial Transactions+Payment MethodsCourse ExtensionsFees Paid On A TraineeshipGovernment Training EntitlementsStudent Cancellation / RefundsInternational Shipping FeesAdministration FeesCourse IncompletionStudent Re-EnrolmentRe-Issuance Of CertificatePrivacy & Data Protection+Disclosure PolicyData Collection For Restricted UseYour RightsSurveysHow Do I Get Help?+Student SupportEnglish Language, Literacy And Numeracy SkillsRecordsRPL Recognition Of Your Existing Skills And KnowledgeCredit TransferTerms & Conditions+Course FeesUnique Student Identifier (USI)Disability Supplementary Information Notice For EnrolmentStudent SupportUpon EnrolmentStudent Re-EnrolmentRe-Issuance Of CertificateWhat Equipment Will I Need?+Computer RequirementsSoftwareInternetIllustration SuppliesCamera EquipmentPrinting and Scanning EquipmentAs you will be studying from home there will be a certain amount of equipment that you will need to undertake the course successfully. These are as follows;A Computer: PC or Mac is fine, the course runs on any operating system. The Schoolyard itself functions like any other internet site, no special requirements are needed to run the Schoolyard. You will however be using graphics software throughout the course. These software platforms require a minimum amount of system requirements to run fast and efficiently. Computer Requirements Below are the minimum system requirements taken directly from Adobe in order to run the Creative Cloud design platform. If you wish to discuss your current computer or if you are interested in purchasing a new machine in order to complete your design studies; please don’t hesitate to get in touch with us on info@thegraphicdesignschool.com. Windows Multicore Intel processor (with 64-bit support) with SSE 4.2 or later or AMD Athlon 64 processor with SSE 4.2 or later. Microsoft® Windows® 11 (64-bit Version) or Microsoft® Windows® 10 (64-bit Version) 8GB of RAM (16GB recommended) 7GB of available hard-disk space for installation; additional free space required for course content and work (SSD recommended) 1024×768 display (1920 x 1080 recommended) Optional (not required): To use Touch Workspace in Illustrator, you must have a touch-screen-enabled tablet/monitor running Windows 10 (Microsoft Surface Pro is recommended by Adobe only for use with Touch Workspace). Optional (recommended): OpenGL 4.x. To use GPU Performance: Your Windows should have a minimum of 1GB of VRAM Stable Internet connection and registration are necessary for required Adobe software activation, membership validation, and access to Schoolyard online services. Mac OS Multicore Intel® processor (with 64-bit support) with SSE 4.2 or later, or ARM-based Apple silicon processor macOS version 12.0 (Monterey), macOS version 11.0 (Big Sur) or macOS version 10.15 (Catalina) 8GB of RAM (16GB recommended) 7GB of available hard-disk space for installation; additional free space required for course content and work (SSD recommended) 1024×768 display (1920×1080 recommended) Optional (recommended): To use GPU Performance: Your Mac should have a minimum of 1GB of VRAM (2GB recommended) and your computer must support Metal. Stable Internet connection and registration are necessary for required Adobe software activation, membership validation, and access to Schoolyard online services. Software You will be required to subscribe to the Adobe Creative Cloud. Illustrator, Photoshop, InDesign and Acrobat Pro DC are needed to complete the course. Adobe Student Discount Students enrolled with The Graphic Design School are eligible to receive the Student discount for the Adobe Creative Cloud. Discounts can be found on the Adobe website of your region and are at the sole discretion of Adobe. Contact us if you wish to purchase the software at the discounted rate and you will be forwarded a letter to present on purchase to prove your enrolment at The Graphic Design School. Internet Connection to Internet is also required. There are no particular speeds or access that is a minimum requirement as all modules can be downloaded and saved to your computer. If you do have the option to have access to higher speed internet (cable or broadband), this will help you have a more timely access when you need to conduct design research on the web. Illustration Supplies Throughout your course you will need to complete design sketches, we ask that students have a small range of lead pencils HB-4B, A4 and A3 sketching pads. Camera Equipment Module 6 and 9 requires you to have access to a DSLR camera. This camera must be at least 7 mega pixels. In Module 10 and 11 you may like to photograph your work for presentation of your portfolio projects, this is entirely personal, most students will use ready made mockups. If however you would like to create your own mockup from scratch you may need the SLR camera again. If you don’t own an DSLR camera, don’t panic. You only need the camera for a few days, you could try and borrow one from a friend or colleague. You could even rent one: Click here to see a quick search for rental options near you. Printing and Scanning Equipment In order to record evidence as part of your design processes you will be required to have access to a scanner and a printer. A colour printer is a personal preference, but not necessary for your assessments, black and white printing is acceptable. Acknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 145: Help & Support\n**URL:** /student-handbook/support/\n**Template:** page\n**Priority:** 3\n**Word Count:** 1075\n**Last Modified:** 2025-09-29T05:21:55.966Z\n**AI Category:** resources\n**AI Quality:** 4/5\n**AI Summary:** Comprehensive support for students pursuing graphic design courses.\n\nHelp & SupportWe’ve got your back through your study journey, find out how. Our students mean everything to us, that’s why we support you every step of the way.Course & CurrencyCertificate IV in Design ▾Currency? ▾Table of ContentsTell Me About The School+About The Graphic Design SchoolWhat Is VET?LegislationOur Continuous Improvement Of ServicesTransitioning, Improvement & Upgrade Of Student ServicesAm I Ready To Study Online?+Do You Want To Study Online And Become A Graphic Designer?Student ResponsibilitiesOur Expectation Of YouYour EquityComplaints+Making Complaints & AppealsWhat Is A ComplaintWhat Is An Assessment Appeal?Early Resolution of Complaints and AppealsComplaint HandlingAssessment Appeals HandlingCopyright Notice+Your Copyright MaterialTell Me About Your Courses+CUA40720 Certificate IV In DesignThe Qualification In PerspectiveIntensive Foundation CourseCUA40720 Certificate IV In Design Course Upgrade OptionThe Web Design CourseThe Design@Work CourseThe Design For Social Media CourseFrequently Asked Questions+How Much Is The Course?What Is The Criteria For Enrolling?Do I Need Any Previous Experience For The IFC Or CUA40720 Certificate IV In Design?What Kind Of Software Will I Need To Own To Study?Can I Subscribe To The Adobe Creative Cloud At Student Rates?How Do I Enrol?When Can I Start My Study?What Happens Once I Enrol?What Aspects Of Graphic Design Do You Cover?How Long Is My Enrolment?How Do I Get My Assignments Marked?What Happens If I Fail An Assignment?Are There Strict Deadlines And Due Dates?Will I Graduate With A Portfolio In Hand?Can I Use My Qualification To Help Gain Entry Into Further Study?Does Your Course Apply To Me?What Are Our Data Protection And Privacy Standards?What Will I Need In Order To Complete This Course?How Will I Interact With My Instructor And My Fellow Students?Fees and Financial Transactions+Payment MethodsCourse ExtensionsFees Paid On A TraineeshipGovernment Training EntitlementsStudent Cancellation / RefundsInternational Shipping FeesAdministration FeesCourse IncompletionStudent Re-EnrolmentRe-Issuance Of CertificatePrivacy & Data Protection+Disclosure PolicyData Collection For Restricted UseYour RightsSurveysHow Do I Get Help?+Student SupportEnglish Language, Literacy And Numeracy SkillsRecordsRPL Recognition Of Your Existing Skills And KnowledgeCredit TransferTerms & Conditions+Course FeesUnique Student Identifier (USI)Disability Supplementary Information Notice For EnrolmentStudent SupportUpon EnrolmentStudent Re-EnrolmentRe-Issuance Of CertificateWhat Equipment Will I Need?+Computer RequirementsSoftwareInternetIllustration SuppliesCamera EquipmentPrinting and Scanning EquipmentStudent Support The Graphic Design School has an online Forum that can be accessed through The Schoolyard (our Learner Management System). This forum is manned by the School’s tutors. You can find many questions by current and past students that can help you answer a query, or you can post a question to the tutors yourself. You can also give us a call at our head office if you are having any difficulties. English Language, Literacy And Numeracy Skills Language, literacy and numeracy skills are critical to almost all areas of work. This is particularly true in graphic design where there is a need to communicate with clients, read and understand design briefs and do research. Our course is delivered in English, so it is assumed that every student will have good English, reading, comprehension, speaking, listening and writing. If you can read and understand the The Graphic Design School’s website and this online Student Handbook, then that is the level of English needed for this course.The Graphic Design School will support students during their study with training and assessment materials that are easily understood and suitable to the level of the workplace skills being delivered. We will also provide one-to-one tutors throughout the course who can answer questions and help through The Schoolyard (Learner Management System) Support Forum. Records Student Progress & Records During the course you can login and access all of your records in The Schoolyard. After your access to The Schoolyard has expired (past students), you may gain access to your study records upon request. These records include soft copies of modules or units achieved (depending on the course), applications for RPL and RPL assessments. You may also gain hard copies of your certificate and/or statement of attainment for FEES.RE_ISSUANCE.HARD_COPY for each obtained. Postage and handling within Australia will be charged FEES.RE_ISSUANCE.POSTAGE.AUSTRALIA, and outside of Australia, FEES.RE_ISSUANCE.POSTAGE.OTHER. Period Of Record Retention The following time periods are to apply to the retention of student records at The Graphic Design School. All records are kept according to current RTO (AQF) guidelines: Student results / Qualifications are retained for thirty (30) years. All assessment records are stored in a SQL Database on The Graphic Design School’s Servers for 7 years. RPL Recognition Of Your Existing Skills And Knowledge In accordance with the requirements of the AQF Framework and Standards for Registered Training Organisations (RTO) 2015, The Graphic Design School provides the opportunity for students to apply to have prior learning recognised towards a qualification or Units of Competency for which they are enrolled. What Is Recognition Of Prior Learning (RPL)? Recognition involves the assessment of previously gained skills and knowledge an individual has achieved outside the formal education and training system. By removing the need for duplication of learning, recognition encourages an individual to continue upgrading their skills and knowledge through structured education and training towards formal qualifications and improved employment outcomes. This has benefits for the individual and industry. Most importantly, it should be noted that recognition is just another form of assessment. Applying For Recognition Recognition acknowledges that workplace skills and knowledge may be gained through a variety of ways including both formal and informal learning or through work-based or life experience. If you think you qualify for recognition please contact the school for more information. Credit Transfer The Graphic Design School acknowledges the requirement as a Registered Training Organisation to recognise the awards issued by other RTOs. This is limited to outcomes that are drawn from the AQF Framework and Standards for Registered Training Organisations (RTO) 2015 being Units of Competency awarded and accurately identified in statements of attainment and qualifications. What Is Credit Transfer? Credit transfer is the recognition of learning achieved through formal education and training. Under the AQF Framework and Standards for Registered Training Organisations (RTO) 2015, qualifications and statements of attainment issued by any Australian RTO are accepted and recognised by The Graphic Design School. Credit Transfer allows a student to be awarded a Units Of Competency / module based on successful completion of the unit which has been previously awarded. If you think you qualify for credit transfer please contact the school for more information. Acknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 146: Complaints\n**URL:** /complaints/\n**Template:** page\n**Priority:** 3\n**Word Count:** 1002\n**Last Modified:** 2025-09-29T05:21:54.937Z\n**AI Category:** services\n**AI Quality:** 4/5\n**AI Summary:** The Graphic Design School outlines its complaints process for staff, contractors, and students.\n\nComplaintsThe Graphic Design School recognises that staff, contractors and students may occasionally have a grievance concerning the operations, the courses, administration or other matters. Course & CurrencyCertificate IV in Design ▾Currency? ▾Table of ContentsTell Me About The School+About The Graphic Design SchoolWhat Is VET?LegislationOur Continuous Improvement Of ServicesTransitioning, Improvement & Upgrade Of Student ServicesAm I Ready To Study Online?+Do You Want To Study Online And Become A Graphic Designer?Student ResponsibilitiesOur Expectation Of YouYour EquityComplaints+Making Complaints & AppealsWhat Is A ComplaintWhat Is An Assessment Appeal?Early Resolution of Complaints and AppealsComplaint HandlingAssessment Appeals HandlingCopyright Notice+Your Copyright MaterialTell Me About Your Courses+CUA40720 Certificate IV In DesignThe Qualification In PerspectiveIntensive Foundation CourseCUA40720 Certificate IV In Design Course Upgrade OptionThe Web Design CourseThe Design@Work CourseThe Design For Social Media CourseFrequently Asked Questions+How Much Is The Course?What Is The Criteria For Enrolling?Do I Need Any Previous Experience For The IFC Or CUA40720 Certificate IV In Design?What Kind Of Software Will I Need To Own To Study?Can I Subscribe To The Adobe Creative Cloud At Student Rates?How Do I Enrol?When Can I Start My Study?What Happens Once I Enrol?What Aspects Of Graphic Design Do You Cover?How Long Is My Enrolment?How Do I Get My Assignments Marked?What Happens If I Fail An Assignment?Are There Strict Deadlines And Due Dates?Will I Graduate With A Portfolio In Hand?Can I Use My Qualification To Help Gain Entry Into Further Study?Does Your Course Apply To Me?What Are Our Data Protection And Privacy Standards?What Will I Need In Order To Complete This Course?How Will I Interact With My Instructor And My Fellow Students?Fees and Financial Transactions+Payment MethodsCourse ExtensionsFees Paid On A TraineeshipGovernment Training EntitlementsStudent Cancellation / RefundsInternational Shipping FeesAdministration FeesCourse IncompletionStudent Re-EnrolmentRe-Issuance Of CertificatePrivacy & Data Protection+Disclosure PolicyData Collection For Restricted UseYour RightsSurveysHow Do I Get Help?+Student SupportEnglish Language, Literacy And Numeracy SkillsRecordsRPL Recognition Of Your Existing Skills And KnowledgeCredit TransferTerms & Conditions+Course FeesUnique Student Identifier (USI)Disability Supplementary Information Notice For EnrolmentStudent SupportUpon EnrolmentStudent Re-EnrolmentRe-Issuance Of CertificateWhat Equipment Will I Need?+Computer RequirementsSoftwareInternetIllustration SuppliesCamera EquipmentPrinting and Scanning EquipmentComplaints and appeals will be recorded in our complaints register and documents stored for future reference, acknowledged and dealt with fairly, efficiently and effectively. Complaints and appeals must be submitted in writing to The Graphic Design School at info@thegraphicdesignschool.com these will be addressed within 5 working days of receipt. Results of the complaint and appeal will be reviewed and will be registered in the Complaints & Appeals Register. If the complainant is still not satisfied with the resolution after following and exhausting the complaints procedure, students may wish to take the matter to the National Training Complaints Hotline this is accessible on 13 38 73 (Monday to Friday from 8am to 6pm nationally) or via email at ntch@dese.gov.au. Where the RTO considers more than 60 calendar days are required to process and finalise the complaint or appeal, it will informs the complainant or appellant in writing, including reasons why more than 60 calendar days are required and regularly update the complainant or appellant on the progress of the matter. Making Complaints & Appeals The Graphic Design School is committed to providing a fair, inexpensive complaints and appeals process. What Is A Complaint? A complaint is negative feedback about services, staff or other students which has not been resolved locally. A complaint may be received by The Graphic Design School in any form and does not need to be formally documented by the complainant in order to be acted on. Complaints may be made by any person but are generally made by students and/or employers. What Is An Assessment Appeal? An assessment appeal is an application by a student for reconsideration of an unfavourable decision or finding in assessment. An appeal must be made in writing and specify the particulars of the decision or finding in dispute. Appeals must be lodged within 28 days of the assessment decision or finding being returned to the student. Early Resolution of Complaints and Appeals In all cases, issues that arise during training and assessment that are the source of frustration or are in dispute should be resolved at the time they occur between the persons involved. Complaint Handling We take complaints very seriously. Should you find that you feel the need to make a compliant for any reason, please feel free to talk to us openly about your concerns. We pride ourselves on being of the approachable variety.How to lodge a complaint: If you have a complaint you may email or telephone the school at support@thegraphicdesignschool.com or 0299183285. You may request an official complaints form to be filled in and emailed back to us. Your tutor will be contacted (if applicable to the case) and the complaint made known to them. The school will investigate the complaint and make every effort to find a resolution to the complaint. Assessment Appeals Handling If you believe that you have been given an unfair assessment decision you can appeal the decision. All appeals must be lodged within 28 days of assessment decision.How to lodge an appeal: If you have an appeal you may email or telephone the school at support@thegraphicdesignschool.com or 0299183285. An appeal process will be initiated. We will handle your appeal within 5 working days of your request. If necessary an alternate Tutor or second Assessor may be appointed to review the students work and results. If the appeal against results is deemed fair the student will have a second opportunity to be reassessed. If the assessment decision was deemed fair, the student will have a second opportunity to re-do, re-submit and be reassessed. Should resolution be a challenge a virtual meeting can be arranged. An email to the CEO may be sent if the student is still unsatisfied with the results, the CEO will respond within 5 working days. Acknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 147: Am I Ready To Study Online?\n**URL:** /student-handbook/checklist/\n**Template:** page\n**Priority:** 3\n**Word Count:** 999\n**Last Modified:** 2025-09-29T05:21:56.091Z\n**AI Category:** courses\n**AI Quality:** 4/5\n**AI Summary:** A guide to assess readiness for online study in graphic design.\n\nAm I Ready To Study Online?Are you suited to this kind of study? Some ins and outs and a quiz! Read on to discover what you can expect from us – a happy and harmonious study environment. What to expect of yourself as an independent learner. Course & CurrencyCertificate IV in Design ▾Currency? ▾Table of ContentsTell Me About The School+About The Graphic Design SchoolWhat Is VET?LegislationOur Continuous Improvement Of ServicesTransitioning, Improvement & Upgrade Of Student ServicesAm I Ready To Study Online?+Do You Want To Study Online And Become A Graphic Designer?Student ResponsibilitiesOur Expectation Of YouYour EquityComplaints+Making Complaints & AppealsWhat Is A ComplaintWhat Is An Assessment Appeal?Early Resolution of Complaints and AppealsComplaint HandlingAssessment Appeals HandlingCopyright Notice+Your Copyright MaterialTell Me About Your Courses+CUA40720 Certificate IV In DesignThe Qualification In PerspectiveIntensive Foundation CourseCUA40720 Certificate IV In Design Course Upgrade OptionThe Web Design CourseThe Design@Work CourseThe Design For Social Media CourseFrequently Asked Questions+How Much Is The Course?What Is The Criteria For Enrolling?Do I Need Any Previous Experience For The IFC Or CUA40720 Certificate IV In Design?What Kind Of Software Will I Need To Own To Study?Can I Subscribe To The Adobe Creative Cloud At Student Rates?How Do I Enrol?When Can I Start My Study?What Happens Once I Enrol?What Aspects Of Graphic Design Do You Cover?How Long Is My Enrolment?How Do I Get My Assignments Marked?What Happens If I Fail An Assignment?Are There Strict Deadlines And Due Dates?Will I Graduate With A Portfolio In Hand?Can I Use My Qualification To Help Gain Entry Into Further Study?Does Your Course Apply To Me?What Are Our Data Protection And Privacy Standards?What Will I Need In Order To Complete This Course?How Will I Interact With My Instructor And My Fellow Students?Fees and Financial Transactions+Payment MethodsCourse ExtensionsFees Paid On A TraineeshipGovernment Training EntitlementsStudent Cancellation / RefundsInternational Shipping FeesAdministration FeesCourse IncompletionStudent Re-EnrolmentRe-Issuance Of CertificatePrivacy & Data Protection+Disclosure PolicyData Collection For Restricted UseYour RightsSurveysHow Do I Get Help?+Student SupportEnglish Language, Literacy And Numeracy SkillsRecordsRPL Recognition Of Your Existing Skills And KnowledgeCredit TransferTerms & Conditions+Course FeesUnique Student Identifier (USI)Disability Supplementary Information Notice For EnrolmentStudent SupportUpon EnrolmentStudent Re-EnrolmentRe-Issuance Of CertificateWhat Equipment Will I Need?+Computer RequirementsSoftwareInternetIllustration SuppliesCamera EquipmentPrinting and Scanning EquipmentDo You Want To Study Online And Become A Graphic Designer? Below is a handy checklist to help you decide before you enrol.A good indication that you are right for the design profession is if you answer YES to the majority of the following: Are you a creative person? Do you notice layouts in magazines and books? Do you have a good eye for colour? Do you like to take photographs and have you ever operated a DSLR camera? Would you like to learn how to digitally manipulate photographs? Do you have a genuine interest in graphic design? Do you have an interest in packaging, logos, and corporate identities Do you have good communication skills? Do you enjoy working with computers Are you interested in computer arts? Would you like to master design programmes such as Adobe Photoshop, Illustrator and InDesign? Do you admire designs of websites? Do you have the ability to work independently and seek assistance when required? Student Responsibilities Students with The Graphic Design School are required to: Ensure that all the information provided to TGDS is accurate Notify TGDS of any contact changes (email, phone, address, …etc) Advise TGDS of any difficulties or problems they may experience with TGDS staff, procedures or training NOT submit nor claim as their own, work that is derived from another source or work done by another person Make a copy of all assessment work submitted electronically Our Expectation Of You The Graphic Design School expects you: To contribute to learning in a harmonious and positive manner irrespective of gender identity, race, sexual preference, political affiliation, marital status, disability or religious belief. To comply with the rules and regulations of The Graphic Design School. To be honest and respectful, this includes not falsifying work or information and not communicating in any way that may cause offence to others or The Graphic Design School. To be responsible for your own learning and development by participating actively and positively and by ensuring that you maintain progress with learning modules. To monitor your own progress by ensuring that assessments are submitted in a timely manner. To utilise facilities and The Graphic Design School publications with respect and to honour our copyrights and prevent our publication from being distributed to unauthorised persons. To respect other students and The Graphic Design School staff right to privacy and confidentiality. Your Equity The Graphic Design School is committed to ensuring that the training and assessment environment is free from discrimination and harassment. We are of the caring, egalitarian, religious and politically neutral variety at The Graphic Design School. You will find your fellow students and the faculty are kind, inquisitive, informative, sometimes humorous and often inspiring. Student Support & Forum discussions are conducted with open and honest communication. We have never had one abusive or rude comment made by a student or staff on the forum, we are very proud of this and find it a rare thing in a forum situation. We are however, aware that cyber bullying does exist online. Discrimination and harassment will not be tolerated under any circumstances by the school. Students should expect fair and friendly behaviour from The Graphic Design School staff and each other. Students who feel that they have been discriminated against or harassed should report this information to admin staff. This will initiate a complaints handling procedure which will be fair and transparent and will protect your rights as a complainant. Should you require any further information you can download our brochure from the website, refer to the website itself, info@thegraphicdesignschool.com or call us on +61 2 9918 3585. Acknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 148: Copyright Notice\n**URL:** /copyright/\n**Template:** page\n**Priority:** 3\n**Word Count:** 705\n**Last Modified:** 2025-09-29T05:21:54.882Z\n**AI Category:** about\n**AI Quality:** 4/5\n**AI Summary:** The Graphic Design School's copyright notice outlines ownership and rights regarding course materials.\n\nCopyright NoticeThe Graphic Design School website is copyrighted. Copyright for contributions to TGDS generally rests with the authors.Course & CurrencyCertificate IV in Design ▾Currency? ▾Table of ContentsTell Me About The School+About The Graphic Design SchoolWhat Is VET?LegislationOur Continuous Improvement Of ServicesTransitioning, Improvement & Upgrade Of Student ServicesAm I Ready To Study Online?+Do You Want To Study Online And Become A Graphic Designer?Student ResponsibilitiesOur Expectation Of YouYour EquityComplaints+Making Complaints & AppealsWhat Is A ComplaintWhat Is An Assessment Appeal?Early Resolution of Complaints and AppealsComplaint HandlingAssessment Appeals HandlingCopyright Notice+Your Copyright MaterialTell Me About Your Courses+CUA40720 Certificate IV In DesignThe Qualification In PerspectiveIntensive Foundation CourseCUA40720 Certificate IV In Design Course Upgrade OptionThe Web Design CourseThe Design@Work CourseThe Design For Social Media CourseFrequently Asked Questions+How Much Is The Course?What Is The Criteria For Enrolling?Do I Need Any Previous Experience For The IFC Or CUA40720 Certificate IV In Design?What Kind Of Software Will I Need To Own To Study?Can I Subscribe To The Adobe Creative Cloud At Student Rates?How Do I Enrol?When Can I Start My Study?What Happens Once I Enrol?What Aspects Of Graphic Design Do You Cover?How Long Is My Enrolment?How Do I Get My Assignments Marked?What Happens If I Fail An Assignment?Are There Strict Deadlines And Due Dates?Will I Graduate With A Portfolio In Hand?Can I Use My Qualification To Help Gain Entry Into Further Study?Does Your Course Apply To Me?What Are Our Data Protection And Privacy Standards?What Will I Need In Order To Complete This Course?How Will I Interact With My Instructor And My Fellow Students?Fees and Financial Transactions+Payment MethodsCourse ExtensionsFees Paid On A TraineeshipGovernment Training EntitlementsStudent Cancellation / RefundsInternational Shipping FeesAdministration FeesCourse IncompletionStudent Re-EnrolmentRe-Issuance Of CertificatePrivacy & Data Protection+Disclosure PolicyData Collection For Restricted UseYour RightsSurveysHow Do I Get Help?+Student SupportEnglish Language, Literacy And Numeracy SkillsRecordsRPL Recognition Of Your Existing Skills And KnowledgeCredit TransferTerms & Conditions+Course FeesUnique Student Identifier (USI)Disability Supplementary Information Notice For EnrolmentStudent SupportUpon EnrolmentStudent Re-EnrolmentRe-Issuance Of CertificateWhat Equipment Will I Need?+Computer RequirementsSoftwareInternetIllustration SuppliesCamera EquipmentPrinting and Scanning EquipmentAuthors contributing to TGDS are responsible for clearing any copyright for material and images in their work before submitting it for review and every effort has been made to identify copyright holders. The editors would be grateful for notification of any omission. Your Copyright Material Your use of copyright material is subject to this Copyright Notice and is also subject to this website’s Terms & Conditions. You may print one copy of any article from our website for your reference. Apart from any fair dealing as permitted under the Copyright Act 1968 (Cth), no part of this publication may be saved in a retrieval system, or displayed or transmitted in any form or by any means without prior written permission. Any use under fair dealing must attribute the author and source publication. You must not link any page of this website to another website without prior permission. Please contact admin@thegraphicdesignschool.com for details about applying for permission. Materials used in connection with this course are subject to copyright protection. Materials may include, but are not limited to: documents, templates, images, audio, and video. Materials in our courses are only for the use of the student enrolled in this course (even if the course is paid by another person or entity), for purposes associated with this course, and may not be retained for longer than the course duration. Unauthorised retention, duplication, distribution, or modification of copyrighted materials is strictly prohibited by law. The use of Trademarked and Copyrighted names, logos, brands, service marks, images, software, software screenshots, text and similar, even if they are not identified as such, are used only for educational and editorial purposes and are the property of their respective owners. The display of such material does not such suggest any link, relationship, endorsement, recommendation, or other association, by or of their respective owners. General queries about copyright and the scope of this notice and requests for permission to reproduce images or other material from The Graphic Design School should be directed to admin@thegraphicdesignschool.com. Acknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 149: Daily Inspiration | The Graphic Design School\n**URL:** /inspiration/\n**Template:** page\n**Priority:** 3\n**Word Count:** 314\n**Last Modified:** 2025-09-29T05:21:54.788Z\n**AI Category:** blog\n**AI Quality:** 4/5\n**AI Summary:** Daily Inspiration offers curated design work and systems for creative professionals.\n\nIndustry Design Work curated just for you. Sign up for access to more than 1200 design systems from the best of the best!Industry Inspiration Updated Daily!Industry Inspiration Updated Daily!Industry Inspiration Updated Daily!Industry Inspiration Updated Daily!Industry Inspiration Updated Daily!Industry Inspiration Updated Daily!Industry Inspiration Updated Daily!Industry Inspiration Updated Daily!Industry Inspiration Updated Daily!Industry Inspiration Updated Daily!Industry Inspiration Updated Daily!Industry Inspiration Updated Daily!Industry Inspiration Updated Daily!Industry Inspiration Updated Daily!Industry Inspiration Updated Daily!Industry Inspiration Updated Daily!Industry Inspiration Updated Daily!Industry Inspiration Updated Daily!Industry Inspiration Updated Daily!Industry Inspiration Updated Daily!Industry Inspiration Updated Daily!Industry Inspiration Updated Daily!Industry Inspiration Updated Daily!Industry Inspiration Updated Daily!Industry Inspiration Updated Daily!Industry Inspiration Updated Daily!Industry Inspiration Updated Daily!Industry Inspiration Updated Daily!Industry Inspiration Updated Daily!Industry Inspiration Updated Daily!Industry Inspiration Updated Daily!Industry Inspiration Updated Daily!Industry Inspiration Updated Daily!Industry Inspiration Updated Daily!Industry Inspiration Updated Daily!Industry Inspiration Updated Daily!Industry Inspiration Updated Daily!Industry Inspiration Updated Daily!Industry Inspiration Updated Daily!Industry Inspiration Updated Daily!Industry Inspiration Updated Daily!Industry Inspiration Updated Daily!Industry Inspiration Updated Daily!Industry Inspiration Updated Daily!Industry Inspiration Updated Daily!Industry Inspiration Updated Daily!Industry Inspiration Updated Daily!Industry Inspiration Updated Daily!Industry Inspiration Updated Daily!Industry Inspiration Updated Daily!Want to keep Scrolling?Sign up to keep scrolling feed get inspired with new inspiration items everyday!By submitting this form you will agree to receiving some emails from us.You can always unsubscribe to our emails by clicking "Unsubscribe" at the bottom of any email you've received.SubmitFind us on the GramGet Started.You can enrol any day of the year whenever you are ready to start, from anywhere in the world.Enrol hereBrochures, Phone Calls & QuestionsDownload brochures, book phone calls, or ask questions anytime.Contact TGDSOther ways to get in touchAustralia 1300 655 485International +61 1300 655 485Ask Anything info@thegraphicdesignschool.comGet a quote accounts@thegraphicdesignschool.comAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 150: Student Handbook | The Graphic Design School\n**URL:** /student-handbook/\n**Template:** page\n**Priority:** 3\n**Word Count:** 241\n**Last Modified:** 2025-09-29T05:21:54.634Z\n**AI Category:** education\n**AI Quality:** 4/5\n**AI Summary:** The Graphic Design School's Student Handbook provides essential information and support for prospective and current students.\n\nStudent Support is Our Jam! Circle back around to this page when you are ready to go, here's where the nitty-gritty stuff lives.CoursesA digestible amount of blah, blah about each design course.Learn MoreHelp & SupportAbout the most supportive, kindest and talented bunch this side of Mars.Learn MoreAbout UsWe’ve got your back through your study journey, find out how.Learn MoreFAQ'sPeople ask us awesome questions all the time, here’s the best of the best.Learn MoreStudying OnlineAre you really suited to this kind of study. Some in’s and out’s and a quiz!Learn MoreEquipmentAll the awesome stuff you get to shop for before you start the course.Learn MoreFees & Money StuffDesigners need to eat too, here’s how you can help feed us.Learn MoreTerms & ConditionsNormally boring, but a great summary of a whole bunch of stuff.Learn MoreData & PrivacyHere’s how we protect your privacy, data and eat cookies.Learn MoreBack to the TopGet Started.You can enrol any day of the year whenever you are ready to start, from anywhere in the world.Enrol hereBrochures, Phone Calls & QuestionsDownload brochures, book phone calls, or ask questions anytime.Contact TGDSOther ways to get in touchAustralia 1300 655 485International +61 1300 655 485Ask Anything info@thegraphicdesignschool.comGet a quote accounts@thegraphicdesignschool.comAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 151: Free Stuff | The Graphic Design School\n**URL:** /free-stuff/\n**Template:** page\n**Priority:** 3\n**Word Count:** 202\n**Last Modified:** 2025-09-29T05:21:54.810Z\n**AI Category:** resources\n**AI Quality:** 4/5\n**AI Summary:** The Graphic Design School offers free resources and inspiration for aspiring designers.\n\nWelcome to The Graphic Design School's home of all things free! Be sure to check out our Free Design Exercises (DEX) and subscribe to our Daily Inspiration!Subscribe and get InspiredDaily InspirationWe update our Inspiration Feed everyday with the coolest, cutest and most interesting projects from around the world. Check in here and sign up to find out what's happening in graphic design!See the latest inspiring designs!Free Tutorial VidsDesign Exercises (DEX)Our Free Design Exercise Videos will give you a taste of what it is like to study with us. These videos are suitable for graphic designers of all levels.Learn from our tutorial videos!Find us on the GramBack to the TopGet Started.You can enrol any day of the year whenever you are ready to start, from anywhere in the world.Enrol hereBrochures, Phone Calls & QuestionsDownload brochures, book phone calls, or ask questions anytime.Contact TGDSOther ways to get in touchAustralia 1300 655 485International +61 1300 655 485Ask Anything info@thegraphicdesignschool.comGet a quote accounts@thegraphicdesignschool.comAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 152: Upgrade to CUA40720 Certificate IV in Design\n**URL:** /secure/upgrade-to-certiv/\n**Template:** page\n**Priority:** 3\n**Word Count:** 83\n**Last Modified:** 2025-09-29T05:21:56.135Z\n**AI Category:** courses\n**AI Quality:** 4/5\n**AI Summary:** Upgrade your Intensive Foundation Course to CUA40720 Certificate IV in Design.\n\nUpgrade to CUA40720 Certificate IV in DesignPlease use the form below to upgrade the Intensive Foundation Course to the CUA40720 Certificate IV in Design!Please confirm the email address that you studied the Intensive Foundation Course with.Please enter your email addressCancelAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 153: Enrolment Result\n**URL:** /secure/result/\n**Template:** page\n**Priority:** 3\n**Word Count:** 80\n**Last Modified:** 2025-09-29T05:21:56.143Z\n**AI Category:** about\n**AI Quality:** 2/5\n**AI Summary:** Enrollment failed; contact accounts for assistance.\n\nWe are sorry but something went wrong with your enrolmentIf you haven't already, please get in touch with our accounts team.Oops something went wrong...Please click here to go back to our prices pageFind us on the GramAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 154: The Graphic Design School\n**URL:** /unsubscribe/\n**Template:** page\n**Priority:** 3\n**Word Count:** 72\n**Last Modified:** 2025-09-29T05:21:54.534Z\n**AI Category:** about\n**AI Quality:** 4/5\n**AI Summary:** The page allows users to unsubscribe from The Graphic Design School's communications.\n\nWe miss you alreadyPlease confirm below to unsubscribe from The Graphic Design School.Please confirm the email address you wish to unsubscribe for.Please enter your email addressCancelBack to the TopAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n## Page 155: The Graphic Design School\n**URL:** /instagram/\n**Template:** page\n**Priority:** 3\n**Word Count:** 60\n**Last Modified:** 2025-09-29T05:21:54.756Z\n**AI Category:** portfolio\n**AI Quality:** 4/5\n**AI Summary:** The Graphic Design School showcases curated student work from Instagram while honoring Indigenous culture.\n\nOur Feed from the Gram, better than the algorithm!Random Curated Student Work from InstagramBack to the TopAcknowledgement of CountryThe Graphic Design School acknowledges the Traditional Custodians of Country throughout Australia and their continued spiritual connection to land.We pay respect to Elders past, present and emerging.Always was, always will be.Back to the TopThe Graphic Design School ©2025 RTO Provider № 91706\n\n---\n\n\n\n---\n\n# AI Processing Insights Analysis of content quality and structure across the site. ## Quality Distribution\n- **1/5:** 0 pages (0.0%)\n- **2/5:** 1 pages (0.6%)\n- **3/5:** 2 pages (1.3%)\n- **4/5:** 152 pages (98.1%)\n- **5/5:** 0 pages (0.0%)\n\n## Content Type Analysis\n- **landing_page:** 18 pages (Avg Quality: 3.8/5)\n- **course_page:** 41 pages (Avg Quality: 4.0/5)\n- **contact_page:** 1 pages (Avg Quality: 4.0/5)\n- **blog_post:** 55 pages (Avg Quality: 4.0/5)\n- **portfolio_page:** 39 pages (Avg Quality: 4.0/5)\n- **about_page:** 1 pages (Avg Quality: 4.0/5)\n\n## Recommendations\n- Consider improving 1 pages with quality scores below 3/5\n- 6 pages have less than 200 words - consider expanding content\n- 155 pages lack clear keyword focus - improve SEO targeting\n- Consider expanding 6 categories with only one page\n\n---\n\n# Metadata Index ## Page Metadata Summary\n\n### The Graphic Design School | Online Graphic Design Courses\n- **URL:** /\n- **Template:** home\n- **Priority:** 10\n- **Word Count:** 2393\n- **Canonical:** https://www.thegraphicdesignschool.com/\n- **Author:** The Graphic Design School\n- **Has Videos:** Yes\n- **AI Category:** courses\n- **AI Quality:** 3/5\n\n### Our Online Design Courses | The Graphic Design School\n- **URL:** /courses/\n- **Template:** courses\n- **Priority:** 9\n- **Word Count:** 427\n- **Canonical:** https://www.thegraphicdesignschool.com/courses\n- **Author:** The Graphic Design School\n- **AI Category:** courses\n- **AI Quality:** 4/5\n\n### Learn Artificial Intelligence | The Graphic Design School\n- **URL:** /ai/\n- **Template:** ai-home\n- **Priority:** 9\n- **Word Count:** 262\n- **Canonical:** https://www.thegraphicdesignschool.com/ai\n- **Author:** The Graphic Design School\n- **Has Videos:** Yes\n- **AI Category:** courses\n- **AI Quality:** 4/5\n\n### CUA40720 Certificate IV in Design | Online Courses | The Graphic Design School\n- **URL:** /courses/certiv/\n- **Template:** course-single\n- **Priority:** 8\n- **Word Count:** 3227\n- **Canonical:** https://www.thegraphicdesignschool.com/courses/certiv\n- **Author:** The Graphic Design School\n- **AI Category:** courses\n- **AI Quality:** 4/5\n\n### Intensive Foundation Course | Online Courses | The Graphic Design School\n- **URL:** /courses/intensive-foundation/\n- **Template:** course-single\n- **Priority:** 8\n- **Word Count:** 2871\n- **Canonical:** https://www.thegraphicdesignschool.com/courses/intensive-foundation\n- **Author:** The Graphic Design School\n- **AI Category:** courses\n- **AI Quality:** 4/5\n\n### Web Design Course | Online Courses | The Graphic Design School\n- **URL:** /courses/web-design-course/\n- **Template:** course-single\n- **Priority:** 8\n- **Word Count:** 2368\n- **Canonical:** https://www.thegraphicdesignschool.com/courses/web-design-course\n- **Author:** The Graphic Design School\n- **AI Category:** courses\n- **AI Quality:** 4/5\n\n### Design For Social Media | Online Courses | The Graphic Design School\n- **URL:** /courses/design-for-social-media/\n- **Template:** course-single\n- **Priority:** 8\n- **Word Count:** 1542\n- **Canonical:** https://www.thegraphicdesignschool.com/courses/design-for-social-media\n- **Author:** The Graphic Design School\n- **AI Category:** courses\n- **AI Quality:** 4/5\n\n### Design@Work | Online Courses | The Graphic Design School\n- **URL:** /courses/design-at-work/\n- **Template:** course-single\n- **Priority:** 8\n- **Word Count:** 1430\n- **Canonical:** https://www.thegraphicdesignschool.com/courses/design-at-work\n- **Author:** The Graphic Design School\n- **AI Category:** courses\n- **AI Quality:** 4/5\n\n### Contact Us | The Graphic Design School\n- **URL:** /contact/\n- **Template:** contact\n- **Priority:** 8\n- **Word Count:** 1150\n- **Canonical:** https://www.thegraphicdesignschool.com/contact\n- **Author:** The Graphic Design School\n- **AI Category:** contact\n- **AI Quality:** 4/5\n\n### Create an Iphone Advertising Poster | Blog | The Graphic Design School\n- **URL:** /blog/create-an-iphone-advertising-poster/\n- **Template:** blog-single\n- **Priority:** 6\n- **Word Count:** 2897\n- **Canonical:** https://www.thegraphicdesignschool.com/blog/create-an-iphone-advertising-poster\n- **Author:** The Graphic Design School\n- **AI Category:** blog\n- **AI Quality:** 4/5\n\n### Professional Design Practice :: Lesson 1 :: Self-Promotion & Winning Work | Blog | The Graphic Design School\n- **URL:** /blog/professional-design-practice-lesson-1-self-promotion-winning-work/\n- **Template:** blog-single\n- **Priority:** 6\n- **Word Count:** 2174\n- **Canonical:** https://www.thegraphicdesignschool.com/blog/professional-design-practice-lesson-1-self-promotion-winning-work\n- **Author:** The Graphic Design School\n- **AI Category:** blog\n- **AI Quality:** 4/5\n\n### What Is Open Source & How Does It Relate To Graphic Design? | Blog | The Graphic Design School\n- **URL:** /blog/what-is-open-source-how-does-it-relate-to-graphic-design/\n- **Template:** blog-single\n- **Priority:** 6\n- **Word Count:** 2137\n- **Canonical:** https://www.thegraphicdesignschool.com/blog/what-is-open-source-how-does-it-relate-to-graphic-design\n- **Author:** The Graphic Design School\n- **AI Category:** blog\n- **AI Quality:** 4/5\n\n### Professional Design Practice :: Lesson 4 :: Dealing with Clients | Blog | The Graphic Design School\n- **URL:** /blog/professional-design-practice-lesson-4-dealing-with-clients/\n- **Template:** blog-single\n- **Priority:** 6\n- **Word Count:** 2011\n- **Canonical:** https://www.thegraphicdesignschool.com/blog/professional-design-practice-lesson-4-dealing-with-clients\n- **Author:** The Graphic Design School\n- **AI Category:** blog\n- **AI Quality:** 4/5\n\n### Professional Design Practice :: Lesson 3 :: Project Planning | Blog | The Graphic Design School\n- **URL:** /blog/professional-design-practice-lesson-3-project-planning/\n- **Template:** blog-single\n- **Priority:** 6\n- **Word Count:** 1974\n- **Canonical:** https://www.thegraphicdesignschool.com/blog/professional-design-practice-lesson-3-project-planning\n- **Author:** The Graphic Design School\n- **AI Category:** blog\n- **AI Quality:** 4/5\n\n### Professional Design Practice :: Lesson 2 :: Freelance Fee Structures and How to Quote :: Updated | Blog | The Graphic Design School\n- **URL:** /blog/professional-design-practice-lesson-2-freelance-fee-structures-and-how-to-quote-updated/\n- **Template:** blog-single\n- **Priority:** 6\n- **Word Count:** 1850\n- **Canonical:** https://www.thegraphicdesignschool.com/blog/professional-design-practice-lesson-2-freelance-fee-structures-and-how-to-quote-updated\n- **Author:** The Graphic Design School\n- **AI Category:** blog\n- **AI Quality:** 4/5\n\n### Mind Maps for Graphic Design :: Ideas Generation Techniques | Blog | The Graphic Design School\n- **URL:** /blog/mind-maps-for-graphic-design-ideas-generation-techniques/\n- **Template:** blog-single\n- **Priority:** 6\n- **Word Count:** 1674\n- **Canonical:** https://www.thegraphicdesignschool.com/blog/mind-maps-for-graphic-design-ideas-generation-techniques\n- **Author:** The Graphic Design School\n- **AI Category:** blog\n- **AI Quality:** 4/5\n\n### Do's and Don'ts of Website Design | Blog | The Graphic Design School\n- **URL:** /blog/dos-and-donts-of-website-design/\n- **Template:** blog-single\n- **Priority:** 6\n- **Word Count:** 1653\n- **Canonical:** https://www.thegraphicdesignschool.com/blog/dos-and-donts-of-website-design\n- **Author:** The Graphic Design School\n- **AI Category:** blog\n- **AI Quality:** 4/5\n\n### A Day in the Life at the Leo Burnett Agency | Blog | The Graphic Design School\n- **URL:** /blog/a-day-in-the-life-at-the-leo-burnett-agency/\n- **Template:** blog-single\n- **Priority:** 6\n- **Word Count:** 1600\n- **Canonical:** https://www.thegraphicdesignschool.com/blog/a-day-in-the-life-at-the-leo-burnett-agency\n- **Author:** The Graphic Design School\n- **AI Category:** blog\n- **AI Quality:** 4/5\n\n### undefined | Blog | The Graphic Design School\n- **URL:** /blog/archive/\n- **Template:** blog-single\n- **Priority:** 6\n- **Word Count:** 1562\n- **Canonical:** https://www.thegraphicdesignschool.com/blog/archive\n- **Author:** The Graphic Design School\n- **AI Category:** blog\n- **AI Quality:** 4/5\n\n### Putting Together an Effective Portfolio | Blog | The Graphic Design School\n- **URL:** /blog/putting-together-an-effective-portfolio/\n- **Template:** blog-single\n- **Priority:** 6\n- **Word Count:** 1549\n- **Canonical:** https://www.thegraphicdesignschool.com/blog/putting-together-an-effective-portfolio\n- **Author:** The Graphic Design School\n- **AI Category:** blog\n- **AI Quality:** 4/5\n\n### How & Where To Get Paid Freelance Work While You're Still A Design Student | Blog | The Graphic Design School\n- **URL:** /blog/how-do-replica-designer-chairs-stack-up-a-review-of-sorts/\n- **Template:** blog-single\n- **Priority:** 6\n- **Word Count:** 1440\n- **Canonical:** https://www.thegraphicdesignschool.com/blog/how-do-replica-designer-chairs-stack-up-a-review-of-sorts\n- **Author:** The Graphic Design School\n- **AI Category:** blog\n- **AI Quality:** 4/5\n\n### Professional Design Practice :: Lesson 5 :: Invoicing Clients | Blog | The Graphic Design School\n- **URL:** /blog/professional-design-practice-lesson-5-invoicing-clients/\n- **Template:** blog-single\n- **Priority:** 6\n- **Word Count:** 1429\n- **Canonical:** https://www.thegraphicdesignschool.com/blog/professional-design-practice-lesson-5-invoicing-clients\n- **Author:** The Graphic Design School\n- **AI Category:** blog\n- **AI Quality:** 4/5\n\n### Professional Design Practice :: Lesson 6 :: The Presentation | Blog | The Graphic Design School\n- **URL:** /blog/professional-design-practice-lesson-6-the-presentation/\n- **Template:** blog-single\n- **Priority:** 6\n- **Word Count:** 1329\n- **Canonical:** https://www.thegraphicdesignschool.com/blog/professional-design-practice-lesson-6-the-presentation\n- **Author:** The Graphic Design School\n- **AI Category:** blog\n- **AI Quality:** 4/5\n\n### Interview with Luke Feldman | Blog | The Graphic Design School\n- **URL:** /blog/interview-with-luke-feldman/\n- **Template:** blog-single\n- **Priority:** 6\n- **Word Count:** 1310\n- **Canonical:** https://www.thegraphicdesignschool.com/blog/interview-with-luke-feldman\n- **Author:** The Graphic Design School\n- **AI Category:** blog\n- **AI Quality:** 4/5\n\n### Get off the Mac, roll up your sleeves and get making. | Blog | The Graphic Design School\n- **URL:** /blog/get-off-the-mac-roll-up-your-sleeves-and-get-making-once-a-week/\n- **Template:** blog-single\n- **Priority:** 6\n- **Word Count:** 1224\n- **Canonical:** https://www.thegraphicdesignschool.com/blog/get-off-the-mac-roll-up-your-sleeves-and-get-making-once-a-week\n- **Author:** The Graphic Design School\n- **AI Category:** blog\n- **AI Quality:** 4/5\n\n### Focus :: Contemporary Type Foundries :: Part 2 | Blog | The Graphic Design School\n- **URL:** /blog/focus-contemporary-type-foundries-part-2/\n- **Template:** blog-single\n- **Priority:** 6\n- **Word Count:** 1180\n- **Canonical:** https://www.thegraphicdesignschool.com/blog/focus-contemporary-type-foundries-part-2\n- **Author:** The Graphic Design School\n- **AI Category:** blog\n- **AI Quality:** 4/5\n\n### You too can Create your Very Own Digital Characters | Blog | The Graphic Design School\n- **URL:** /blog/you-too-can-create-your-very-own-digital-characters/\n- **Template:** blog-single\n- **Priority:** 6\n- **Word Count:** 1145\n- **Canonical:** https://www.thegraphicdesignschool.com/blog/you-too-can-create-your-very-own-digital-characters\n- **Author:** The Graphic Design School\n- **AI Category:** blog\n- **AI Quality:** 4/5\n\n### Interview with Veerle Pieters | Blog | The Graphic Design School\n- **URL:** /blog/interview-with-veerle-pieters/\n- **Template:** blog-single\n- **Priority:** 6\n- **Word Count:** 1141\n- **Canonical:** https://www.thegraphicdesignschool.com/blog/interview-with-veerle-pieters\n- **Author:** The Graphic Design School\n- **AI Category:** blog\n- **AI Quality:** 4/5\n\n### Focus :: Contemporary Type Foundries :: Part 1 | Blog | The Graphic Design School\n- **URL:** /blog/focus-contemporary-type-foundries-part-1/\n- **Template:** blog-single\n- **Priority:** 6\n- **Word Count:** 1089\n- **Canonical:** https://www.thegraphicdesignschool.com/blog/focus-contemporary-type-foundries-part-1\n- **Author:** The Graphic Design School\n- **AI Category:** blog\n- **AI Quality:** 4/5\n\n### The Creative Brief :: Part 2 | Blog | The Graphic Design School\n- **URL:** /blog/the-creative-brief-part-2/\n- **Template:** blog-single\n- **Priority:** 6\n- **Word Count:** 1088\n- **Canonical:** https://www.thegraphicdesignschool.com/blog/the-creative-brief-part-2\n- **Author:** The Graphic Design School\n- **AI Category:** blog\n- **AI Quality:** 4/5\n\n### Interview with Fabien Barral | Blog | The Graphic Design School\n- **URL:** /blog/interview-with-fabien-barral/\n- **Template:** blog-single\n- **Priority:** 6\n- **Word Count:** 1041\n- **Canonical:** https://www.thegraphicdesignschool.com/blog/interview-with-fabien-barral\n- **Author:** The Graphic Design School\n- **Has Images:** Yes\n- **AI Category:** blog\n- **AI Quality:** 4/5\n\n### The Creative Brief :: Part 1 | Blog | The Graphic Design School\n- **URL:** /blog/the-creative-brief-part-1/\n- **Template:** blog-single\n- **Priority:** 6\n- **Word Count:** 925\n- **Canonical:** https://www.thegraphicdesignschool.com/blog/the-creative-brief-part-1\n- **Author:** The Graphic Design School\n- **AI Category:** blog\n- **AI Quality:** 4/5\n\n### 6 Things To Keep In Mind When Designing A Logo | Blog | The Graphic Design School\n- **URL:** /blog/6-things-to-keep-in-mind-when-designing-a-logo/\n- **Template:** blog-single\n- **Priority:** 6\n- **Word Count:** 903\n- **Canonical:** https://www.thegraphicdesignschool.com/blog/6-things-to-keep-in-mind-when-designing-a-logo\n- **Author:** The Graphic Design School\n- **AI Category:** blog\n- **AI Quality:** 4/5\n\n### Your Business Card is Crap! Not quite! | Blog | The Graphic Design School\n- **URL:** /blog/your-business-card-is-crap-not-quite/\n- **Template:** blog-single\n- **Priority:** 6\n- **Word Count:** 879\n- **Canonical:** https://www.thegraphicdesignschool.com/blog/your-business-card-is-crap-not-quite\n- **Author:** The Graphic Design School\n- **AI Category:** blog\n- **AI Quality:** 4/5\n\n### Professional Design Practice :: Lesson 7 :: Graphic Design Contracts | Blog | The Graphic Design School\n- **URL:** /blog/professional-design-practice-lesson-7-graphic-design-contracts/\n- **Template:** blog-single\n- **Priority:** 6\n- **Word Count:** 808\n- **Canonical:** https://www.thegraphicdesignschool.com/blog/professional-design-practice-lesson-7-graphic-design-contracts\n- **Author:** The Graphic Design School\n- **AI Category:** blog\n- **AI Quality:** 4/5\n\n### 6 Tips to Help You Get Started with Dall-E | Blog | The Graphic Design School\n- **URL:** /blog/6-tips-to-dall-e/\n- **Template:** blog-single\n- **Priority:** 6\n- **Word Count:** 740\n- **Canonical:** https://www.thegraphicdesignschool.com/blog/6-tips-to-dall-e\n- **Author:** The Graphic Design School\n- **AI Category:** blog\n- **AI Quality:** 4/5\n\n### Print | Blog | The Graphic Design School\n- **URL:** /blog/print/\n- **Template:** blog-single\n- **Priority:** 6\n- **Word Count:** 688\n- **Canonical:** https://www.thegraphicdesignschool.com/blog/print\n- **Author:** The Graphic Design School\n- **AI Category:** blog\n- **AI Quality:** 4/5\n\n### The Best of European Typography... Ooh la la! | Blog | The Graphic Design School\n- **URL:** /blog/the-best-of-european-typography-ooh-la-la/\n- **Template:** blog-single\n- **Priority:** 6\n- **Word Count:** 668\n- **Canonical:** https://www.thegraphicdesignschool.com/blog/the-best-of-european-typography-ooh-la-la\n- **Author:** The Graphic Design School\n- **AI Category:** blog\n- **AI Quality:** 4/5\n\n### A State of Independents | Blog | The Graphic Design School\n- **URL:** /blog/a-state-of-independents/\n- **Template:** blog-single\n- **Priority:** 6\n- **Word Count:** 661\n- **Canonical:** https://www.thegraphicdesignschool.com/blog/a-state-of-independents\n- **Author:** The Graphic Design School\n- **AI Category:** blog\n- **AI Quality:** 4/5\n\n### When times are tough, graphic designers get tactile | Blog | The Graphic Design School\n- **URL:** /blog/when-times-are-tough-graphic-designers-get-tactile/\n- **Template:** blog-single\n- **Priority:** 6\n- **Word Count:** 630\n- **Canonical:** https://www.thegraphicdesignschool.com/blog/when-times-are-tough-graphic-designers-get-tactile\n- **Author:** The Graphic Design School\n- **AI Category:** blog\n- **AI Quality:** 4/5\n\n### European Websites | Blog | The Graphic Design School\n- **URL:** /blog/european-websites/\n- **Template:** blog-single\n- **Priority:** 6\n- **Word Count:** 630\n- **Canonical:** https://www.thegraphicdesignschool.com/blog/european-websites\n- **Author:** The Graphic Design School\n- **AI Category:** blog\n- **AI Quality:** 4/5\n\n### Focus - French Graphic Design | Blog | The Graphic Design School\n- **URL:** /blog/focus-graphic-design-france/\n- **Template:** blog-single\n- **Priority:** 6\n- **Word Count:** 559\n- **Canonical:** https://www.thegraphicdesignschool.com/blog/focus-graphic-design-france\n- **Author:** The Graphic Design School\n- **AI Category:** blog\n- **AI Quality:** 4/5\n\n### James Victore :: Don't Be A Design Zombie | Blog | The Graphic Design School\n- **URL:** /blog/james-victore-dont-be-a-design-zombie/\n- **Template:** blog-single\n- **Priority:** 6\n- **Word Count:** 553\n- **Canonical:** https://www.thegraphicdesignschool.com/blog/james-victore-dont-be-a-design-zombie\n- **Author:** The Graphic Design School\n- **AI Category:** blog\n- **AI Quality:** 4/5\n\n### Visual Culture :: Brazil | Blog | The Graphic Design School\n- **URL:** /blog/visual-culture-brazil/\n- **Template:** blog-single\n- **Priority:** 6\n- **Word Count:** 545\n- **Canonical:** https://www.thegraphicdesignschool.com/blog/visual-culture-brazil\n- **Author:** The Graphic Design School\n- **AI Category:** blog\n- **AI Quality:** 4/5\n\n### Focus :: Graphic Design Studio Websites | Blog | The Graphic Design School\n- **URL:** /blog/focus-graphic-design-studio-websites/\n- **Template:** blog-single\n- **Priority:** 6\n- **Word Count:** 505\n- **Canonical:** https://www.thegraphicdesignschool.com/blog/focus-graphic-design-studio-websites\n- **Author:** The Graphic Design School\n- **AI Category:** blog\n- **AI Quality:** 4/5\n\n### How to use ChatGPT Ethically in your Graphic Design Work | Blog | The Graphic Design School\n- **URL:** /blog/how-to-use-chat-gpt/\n- **Template:** blog-single\n- **Priority:** 6\n- **Word Count:** 498\n- **Canonical:** https://www.thegraphicdesignschool.com/blog/how-to-use-chat-gpt\n- **Author:** The Graphic Design School\n- **AI Category:** blog\n- **AI Quality:** 4/5\n\n### How to use Dall-E Ethically in your Graphic Design Work | Blog | The Graphic Design School\n- **URL:** /blog/how-to-use-dall-e/\n- **Template:** blog-single\n- **Priority:** 6\n- **Word Count:** 416\n- **Canonical:** https://www.thegraphicdesignschool.com/blog/how-to-use-dall-e\n- **Author:** The Graphic Design School\n- **AI Category:** blog\n- **AI Quality:** 4/5\n\n### Logo Design Love | Blog | The Graphic Design School\n- **URL:** /blog/logo-design-love/\n- **Template:** blog-single\n- **Priority:** 6\n- **Word Count:** 373\n- **Canonical:** https://www.thegraphicdesignschool.com/blog/logo-design-love\n- **Author:** The Graphic Design School\n- **AI Category:** blog\n- **AI Quality:** 4/5\n\n### Logo Trends and Galleries | Blog | The Graphic Design School\n- **URL:** /blog/logo-trends-and-galleries/\n- **Template:** blog-single\n- **Priority:** 6\n- **Word Count:** 304\n- **Canonical:** https://www.thegraphicdesignschool.com/blog/logo-trends-and-galleries\n- **Author:** The Graphic Design School\n- **AI Category:** blog\n- **AI Quality:** 4/5\n\n### 26 Logos & Their Design Evolution | Blog | The Graphic Design School\n- **URL:** /blog/26-logos-their-design-evolution/\n- **Template:** blog-single\n- **Priority:** 6\n- **Word Count:** 178\n- **Canonical:** https://www.thegraphicdesignschool.com/blog/26-logos-their-design-evolution\n- **Author:** The Graphic Design School\n- **AI Category:** blog\n- **AI Quality:** 4/5\n\n### The Blog | The Graphic Design School\n- **URL:** /blog/\n- **Template:** blog-single\n- **Priority:** 6\n- **Word Count:** 120\n- **Canonical:** https://www.thegraphicdesignschool.com/blog\n- **Author:** The Graphic Design School\n- **AI Category:** blog\n- **AI Quality:** 4/5\n\n### Using Adobe Dimension & Photoshop To Create Striking Packaging | Dex | The Graphic Design School\n- **URL:** /dex/no-29/\n- **Template:** dex-single\n- **Priority:** 5\n- **Word Count:** 1247\n- **Canonical:** https://www.thegraphicdesignschool.com/dex/no-29\n- **Author:** The Graphic Design School\n- **AI Category:** courses\n- **AI Quality:** 4/5\n\n### Create Surreal Compositions in Photoshop | Dex | The Graphic Design School\n- **URL:** /dex/no-12/\n- **Template:** dex-single\n- **Priority:** 5\n- **Word Count:** 1213\n- **Canonical:** https://www.thegraphicdesignschool.com/dex/no-12\n- **Author:** The Graphic Design School\n- **AI Category:** courses\n- **AI Quality:** 4/5\n\n### Add contrasting light effects to a photographic image - Part 1 | Dex | The Graphic Design School\n- **URL:** /dex/no-21/\n- **Template:** dex-single\n- **Priority:** 5\n- **Word Count:** 1203\n- **Canonical:** https://www.thegraphicdesignschool.com/dex/no-21\n- **Author:** The Graphic Design School\n- **AI Category:** courses\n- **AI Quality:** 4/5\n\n### Create a punchy typographic Xmas gif, then we show you how to embed in your email signature! | Dex | The Graphic Design School\n- **URL:** /dex/no-30/\n- **Template:** dex-single\n- **Priority:** 5\n- **Word Count:** 1200\n- **Canonical:** https://www.thegraphicdesignschool.com/dex/no-30\n- **Author:** The Graphic Design School\n- **AI Category:** courses\n- **AI Quality:** 4/5\n\n### Create an Asian-inspired vintage style poster/postcard and ink-effect logo | Dex | The Graphic Design School\n- **URL:** /dex/no-11/\n- **Template:** dex-single\n- **Priority:** 5\n- **Word Count:** 1184\n- **Canonical:** https://www.thegraphicdesignschool.com/dex/no-11\n- **Author:** The Graphic Design School\n- **AI Category:** courses\n- **AI Quality:** 4/5\n\n### Create a website prototype in Adobe Xd - Part 2 | Dex | The Graphic Design School\n- **URL:** /dex/no-22/\n- **Template:** dex-single\n- **Priority:** 5\n- **Word Count:** 1181\n- **Canonical:** https://www.thegraphicdesignschool.com/dex/no-22\n- **Author:** The Graphic Design School\n- **AI Category:** courses\n- **AI Quality:** 4/5\n\n### Create a World Cup animated GIF in Photoshop to promote your event | Dex | The Graphic Design School\n- **URL:** /dex/no-25/\n- **Template:** dex-single\n- **Priority:** 5\n- **Word Count:** 1179\n- **Canonical:** https://www.thegraphicdesignschool.com/dex/no-25\n- **Author:** The Graphic Design School\n- **AI Category:** courses\n- **AI Quality:** 4/5\n\n### Social Media Series: Absolute Beginners Design & Present an Instagram Mockup | Dex | The Graphic Design School\n- **URL:** /dex/no-26/\n- **Template:** dex-single\n- **Priority:** 5\n- **Word Count:** 1125\n- **Canonical:** https://www.thegraphicdesignschool.com/dex/no-26\n- **Author:** The Graphic Design School\n- **AI Category:** courses\n- **AI Quality:** 4/5\n\n### Create an Identity Using Engraved Effect on Images - Part 1 | Dex | The Graphic Design School\n- **URL:** /dex/no-23/\n- **Template:** dex-single\n- **Priority:** 5\n- **Word Count:** 1118\n- **Canonical:** https://www.thegraphicdesignschool.com/dex/no-23\n- **Author:** The Graphic Design School\n- **AI Category:** courses\n- **AI Quality:** 4/5\n\n### Create Patterns with Photoshop, Pattern Bombing, Apply Patterns to Mockups | Dex | The Graphic Design School\n- **URL:** /dex/no-10/\n- **Template:** dex-single\n- **Priority:** 5\n- **Word Count:** 1113\n- **Canonical:** https://www.thegraphicdesignschool.com/dex/no-10\n- **Author:** The Graphic Design School\n- **AI Category:** courses\n- **AI Quality:** 4/5\n\n### Use Adobe Dimension to create a Perfect Packaging Showcase | Dex | The Graphic Design School\n- **URL:** /dex/no-13/\n- **Template:** dex-single\n- **Priority:** 5\n- **Word Count:** 1107\n- **Canonical:** https://www.thegraphicdesignschool.com/dex/no-13\n- **Author:** The Graphic Design School\n- **AI Category:** courses\n- **AI Quality:** 4/5\n\n### Social Media Series: Learn to shoot, style and edit an image for your social media channels | Dex | The Graphic Design School\n- **URL:** /dex/no-27/\n- **Template:** dex-single\n- **Priority:** 5\n- **Word Count:** 1103\n- **Canonical:** https://www.thegraphicdesignschool.com/dex/no-27\n- **Author:** The Graphic Design School\n- **AI Category:** courses\n- **AI Quality:** 4/5\n\n### How to Create a Brand Campaign with Assets | Dex | The Graphic Design School\n- **URL:** /dex/no-43/\n- **Template:** dex-single\n- **Priority:** 5\n- **Word Count:** 1093\n- **Canonical:** https://www.thegraphicdesignschool.com/dex/no-43\n- **Author:** The Graphic Design School\n- **AI Category:** courses\n- **AI Quality:** 4/5\n\n### Draw & Apply your Own One-Line Art to a Mockup | Dex | The Graphic Design School\n- **URL:** /dex/no-28/\n- **Template:** dex-single\n- **Priority:** 5\n- **Word Count:** 1092\n- **Canonical:** https://www.thegraphicdesignschool.com/dex/no-28\n- **Author:** The Graphic Design School\n- **AI Category:** courses\n- **AI Quality:** 4/5\n\n### Layered Effect With Illustrator & Photoshop | Dex | The Graphic Design School\n- **URL:** /dex/no-9/\n- **Template:** dex-single\n- **Priority:** 5\n- **Word Count:** 1082\n- **Canonical:** https://www.thegraphicdesignschool.com/dex/no-9\n- **Author:** The Graphic Design School\n- **AI Category:** courses\n- **AI Quality:** 4/5\n\n### Create a Retro Style Surf Poster | Dex | The Graphic Design School\n- **URL:** /dex/no-15/\n- **Template:** dex-single\n- **Priority:** 5\n- **Word Count:** 1080\n- **Canonical:** https://www.thegraphicdesignschool.com/dex/no-15\n- **Author:** The Graphic Design School\n- **AI Category:** courses\n- **AI Quality:** 4/5\n\n### Create a Band Artwork using Photoshop Liquify Tool | Dex | The Graphic Design School\n- **URL:** /dex/no-17/\n- **Template:** dex-single\n- **Priority:** 5\n- **Word Count:** 1052\n- **Canonical:** https://www.thegraphicdesignschool.com/dex/no-17\n- **Author:** The Graphic Design School\n- **AI Category:** courses\n- **AI Quality:** 4/5\n\n### Raluca Stefania-Persa's Design Portfolio | Students | The Graphic Design School\n- **URL:** /students/raluca-stefania-persa/\n- **Template:** student-single\n- **Priority:** 5\n- **Word Count:** 1043\n- **Canonical:** https://www.thegraphicdesignschool.com/students/raluca-stefania-persa\n- **Author:** The Graphic Design School\n- **AI Category:** portfolio\n- **AI Quality:** 4/5\n\n### Create an animated pattern of your logo in Adobe After Effects | Dex | The Graphic Design School\n- **URL:** /dex/no-35/\n- **Template:** dex-single\n- **Priority:** 5\n- **Word Count:** 1036\n- **Canonical:** https://www.thegraphicdesignschool.com/dex/no-35\n- **Author:** The Graphic Design School\n- **AI Category:** courses\n- **AI Quality:** 4/5\n\n### Create a Corny Holiday Sweater Knit Animated GIF | Dex | The Graphic Design School\n- **URL:** /dex/no-14/\n- **Template:** dex-single\n- **Priority:** 5\n- **Word Count:** 1026\n- **Canonical:** https://www.thegraphicdesignschool.com/dex/no-14\n- **Author:** The Graphic Design School\n- **AI Category:** courses\n- **AI Quality:** 4/5\n\n### Create a beautiful image design by merging two images seamlessly together in Photoshop | Dex | The Graphic Design School\n- **URL:** /dex/no-38/\n- **Template:** dex-single\n- **Priority:** 5\n- **Word Count:** 1012\n- **Canonical:** https://www.thegraphicdesignschool.com/dex/no-38\n- **Author:** The Graphic Design School\n- **AI Category:** courses\n- **AI Quality:** 4/5\n\n### Create a live animation for handwritten text in Adobe After Effects | Dex | The Graphic Design School\n- **URL:** /dex/no-18/\n- **Template:** dex-single\n- **Priority:** 5\n- **Word Count:** 1010\n- **Canonical:** https://www.thegraphicdesignschool.com/dex/no-18\n- **Author:** The Graphic Design School\n- **AI Category:** courses\n- **AI Quality:** 4/5\n\n### The Best Illustrator Brushes Tutorial Ever | Dex | The Graphic Design School\n- **URL:** /dex/no-16/\n- **Template:** dex-single\n- **Priority:** 5\n- **Word Count:** 1008\n- **Canonical:** https://www.thegraphicdesignschool.com/dex/no-16\n- **Author:** The Graphic Design School\n- **AI Category:** courses\n- **AI Quality:** 4/5\n\n### Stamp Tool & Clipping Mask in Photoshop | Dex | The Graphic Design School\n- **URL:** /dex/no-7/\n- **Template:** dex-single\n- **Priority:** 5\n- **Word Count:** 996\n- **Canonical:** https://www.thegraphicdesignschool.com/dex/no-7\n- **Author:** The Graphic Design School\n- **AI Category:** courses\n- **AI Quality:** 4/5\n\n### Create a Seamless Pattern in Photoshop and Apply it to Your Mockups - Part 2 | Dex | The Graphic Design School\n- **URL:** /dex/no-24/\n- **Template:** dex-single\n- **Priority:** 5\n- **Word Count:** 996\n- **Canonical:** https://www.thegraphicdesignschool.com/dex/no-24\n- **Author:** The Graphic Design School\n- **AI Category:** courses\n- **AI Quality:** 4/5\n\n### Create a live animation for handwritten text in Adobe After Effects | Dex | The Graphic Design School\n- **URL:** /dex/no-36/\n- **Template:** dex-single\n- **Priority:** 5\n- **Word Count:** 985\n- **Canonical:** https://www.thegraphicdesignschool.com/dex/no-36\n- **Author:** The Graphic Design School\n- **AI Category:** courses\n- **AI Quality:** 4/5\n\n### Social Media Template Design for Clients | Dex | The Graphic Design School\n- **URL:** /dex/no-44/\n- **Template:** dex-single\n- **Priority:** 5\n- **Word Count:** 975\n- **Canonical:** https://www.thegraphicdesignschool.com/dex/no-44\n- **Author:** The Graphic Design School\n- **AI Category:** courses\n- **AI Quality:** 4/5\n\n### Get Started with a Basic Animation in After Effects | Dex | The Graphic Design School\n- **URL:** /dex/no-33/\n- **Template:** dex-single\n- **Priority:** 5\n- **Word Count:** 971\n- **Canonical:** https://www.thegraphicdesignschool.com/dex/no-33\n- **Author:** The Graphic Design School\n- **AI Category:** courses\n- **AI Quality:** 4/5\n\n### Create Beautiful Type Design Editorials for Print and Web | Dex | The Graphic Design School\n- **URL:** /dex/no-42/\n- **Template:** dex-single\n- **Priority:** 5\n- **Word Count:** 968\n- **Canonical:** https://www.thegraphicdesignschool.com/dex/no-42\n- **Author:** The Graphic Design School\n- **AI Category:** courses\n- **AI Quality:** 4/5\n\n### Create Your Own Mockup | Dex | The Graphic Design School\n- **URL:** /dex/no-3/\n- **Template:** dex-single\n- **Priority:** 5\n- **Word Count:** 957\n- **Canonical:** https://www.thegraphicdesignschool.com/dex/no-3\n- **Author:** The Graphic Design School\n- **AI Category:** courses\n- **AI Quality:** 4/5\n\n### Create Wonderful Waves with the Twirl Tool | Dex | The Graphic Design School\n- **URL:** /dex/no-20/\n- **Template:** dex-single\n- **Priority:** 5\n- **Word Count:** 956\n- **Canonical:** https://www.thegraphicdesignschool.com/dex/no-20\n- **Author:** The Graphic Design School\n- **AI Category:** courses\n- **AI Quality:** 4/5\n\n### Create 3D Designs with Illustrator | Dex | The Graphic Design School\n- **URL:** /dex/no-45/\n- **Template:** dex-single\n- **Priority:** 5\n- **Word Count:** 952\n- **Canonical:** https://www.thegraphicdesignschool.com/dex/no-45\n- **Author:** The Graphic Design School\n- **AI Category:** courses\n- **AI Quality:** 4/5\n\n### Textile Design - Part 2 Creating Print Textures | Dex | The Graphic Design School\n- **URL:** /dex/no-34/\n- **Template:** dex-single\n- **Priority:** 5\n- **Word Count:** 951\n- **Canonical:** https://www.thegraphicdesignschool.com/dex/no-34\n- **Author:** The Graphic Design School\n- **AI Category:** courses\n- **AI Quality:** 4/5\n\n### Create promotion and brand materials with your own optical art design piece in Adobe Illustrator | Dex | The Graphic Design School\n- **URL:** /dex/no-39/\n- **Template:** dex-single\n- **Priority:** 5\n- **Word Count:** 949\n- **Canonical:** https://www.thegraphicdesignschool.com/dex/no-39\n- **Author:** The Graphic Design School\n- **AI Category:** courses\n- **AI Quality:** 4/5\n\n### Create your own kaleidoscope print in Photoshop | Dex | The Graphic Design School\n- **URL:** /dex/no-37/\n- **Template:** dex-single\n- **Priority:** 5\n- **Word Count:** 949\n- **Canonical:** https://www.thegraphicdesignschool.com/dex/no-37\n- **Author:** The Graphic Design School\n- **AI Category:** courses\n- **AI Quality:** 4/5\n\n### Gold Typography in Illustrator | Dex | The Graphic Design School\n- **URL:** /dex/no-8/\n- **Template:** dex-single\n- **Priority:** 5\n- **Word Count:** 945\n- **Canonical:** https://www.thegraphicdesignschool.com/dex/no-8\n- **Author:** The Graphic Design School\n- **AI Category:** courses\n- **AI Quality:** 4/5\n\n### Use the width tool to create your Own Curvy Letter | Dex | The Graphic Design School\n- **URL:** /dex/no-31/\n- **Template:** dex-single\n- **Priority:** 5\n- **Word Count:** 944\n- **Canonical:** https://www.thegraphicdesignschool.com/dex/no-31\n- **Author:** The Graphic Design School\n- **AI Category:** courses\n- **AI Quality:** 4/5\n\n### Textile Design - Part 1 Repeat Print | Dex | The Graphic Design School\n- **URL:** /dex/no-32/\n- **Template:** dex-single\n- **Priority:** 5\n- **Word Count:** 938\n- **Canonical:** https://www.thegraphicdesignschool.com/dex/no-32\n- **Author:** The Graphic Design School\n- **AI Category:** courses\n- **AI Quality:** 4/5\n\n### Create Beautiful Type Design Editorials for Print and Web | Dex | The Graphic Design School\n- **URL:** /dex/no-41/\n- **Template:** dex-single\n- **Priority:** 5\n- **Word Count:** 934\n- **Canonical:** https://www.thegraphicdesignschool.com/dex/no-41\n- **Author:** The Graphic Design School\n- **AI Category:** courses\n- **AI Quality:** 4/5\n\n### Pia Karolina Rawlins's Design Portfolio | Students | The Graphic Design School\n- **URL:** /students/pia-karolina-rawlins/\n- **Template:** student-single\n- **Priority:** 5\n- **Word Count:** 925\n- **Canonical:** https://www.thegraphicdesignschool.com/students/pia-karolina-rawlins\n- **Author:** The Graphic Design School\n- **AI Category:** portfolio\n- **AI Quality:** 4/5\n\n### Paper 3D Collage | Dex | The Graphic Design School\n- **URL:** /dex/no-5/\n- **Template:** dex-single\n- **Priority:** 5\n- **Word Count:** 925\n- **Canonical:** https://www.thegraphicdesignschool.com/dex/no-5\n- **Author:** The Graphic Design School\n- **AI Category:** courses\n- **AI Quality:** 4/5\n\n### Create a Dripping Text Effect in Illustrator | Dex | The Graphic Design School\n- **URL:** /dex/no-19/\n- **Template:** dex-single\n- **Priority:** 5\n- **Word Count:** 912\n- **Canonical:** https://www.thegraphicdesignschool.com/dex/no-19\n- **Author:** The Graphic Design School\n- **AI Category:** courses\n- **AI Quality:** 4/5\n\n### Create a Mosaic of Beautiful Polygons | Dex | The Graphic Design School\n- **URL:** /dex/no-4/\n- **Template:** dex-single\n- **Priority:** 5\n- **Word Count:** 904\n- **Canonical:** https://www.thegraphicdesignschool.com/dex/no-4\n- **Author:** The Graphic Design School\n- **AI Category:** courses\n- **AI Quality:** 4/5\n\n### Nevin Maylis Erk's Design Portfolio | Students | The Graphic Design School\n- **URL:** /students/nevin-maylis-erk/\n- **Template:** student-single\n- **Priority:** 5\n- **Word Count:** 896\n- **Canonical:** https://www.thegraphicdesignschool.com/students/nevin-maylis-erk\n- **Author:** The Graphic Design School\n- **AI Category:** portfolio\n- **AI Quality:** 4/5\n\n### Envelope Distort in Illustrator | Dex | The Graphic Design School\n- **URL:** /dex/no-6/\n- **Template:** dex-single\n- **Priority:** 5\n- **Word Count:** 892\n- **Canonical:** https://www.thegraphicdesignschool.com/dex/no-6\n- **Author:** The Graphic Design School\n- **AI Category:** courses\n- **AI Quality:** 4/5\n\n### Hand Lettering in a Shape | Dex | The Graphic Design School\n- **URL:** /dex/no-1/\n- **Template:** dex-single\n- **Priority:** 5\n- **Word Count:** 883\n- **Canonical:** https://www.thegraphicdesignschool.com/dex/no-1\n- **Author:** The Graphic Design School\n- **AI Category:** courses\n- **AI Quality:** 4/5\n\n### Laura Cassidy's Design Portfolio | Students | The Graphic Design School\n- **URL:** /students/laura-cassidy/\n- **Template:** student-single\n- **Priority:** 5\n- **Word Count:** 878\n- **Canonical:** https://www.thegraphicdesignschool.com/students/laura-cassidy\n- **Author:** The Graphic Design School\n- **AI Category:** portfolio\n- **AI Quality:** 4/5\n\n### Fer Martinez Hubard's Design Portfolio | Students | The Graphic Design School\n- **URL:** /students/fernanda-martinez-hubard/\n- **Template:** student-single\n- **Priority:** 5\n- **Word Count:** 866\n- **Canonical:** https://www.thegraphicdesignschool.com/students/fernanda-martinez-hubard\n- **Author:** The Graphic Design School\n- **AI Category:** portfolio\n- **AI Quality:** 4/5\n\n### Head Icons Design | Dex | The Graphic Design School\n- **URL:** /dex/no-2/\n- **Template:** dex-single\n- **Priority:** 5\n- **Word Count:** 866\n- **Canonical:** https://www.thegraphicdesignschool.com/dex/no-2\n- **Author:** The Graphic Design School\n- **AI Category:** courses\n- **AI Quality:** 4/5\n\n### Create your own neon flex Christmas lights sign or design your own for your wall! | Dex | The Graphic Design School\n- **URL:** /dex/no-40/\n- **Template:** dex-single\n- **Priority:** 5\n- **Word Count:** 862\n- **Canonical:** https://www.thegraphicdesignschool.com/dex/no-40\n- **Author:** The Graphic Design School\n- **AI Category:** courses\n- **AI Quality:** 4/5\n\n### Holly Fawkner's Design Portfolio | Students | The Graphic Design School\n- **URL:** /students/holly-fawkner/\n- **Template:** student-single\n- **Priority:** 5\n- **Word Count:** 844\n- **Canonical:** https://www.thegraphicdesignschool.com/students/holly-fawkner\n- **Author:** The Graphic Design School\n- **AI Category:** portfolio\n- **AI Quality:** 4/5\n\n### Weekly Design Exercises | The Graphic Design School\n- **URL:** /dex/\n- **Template:** dex-single\n- **Priority:** 5\n- **Word Count:** 822\n- **Canonical:** https://www.thegraphicdesignschool.com/dex\n- **Author:** The Graphic Design School\n- **AI Category:** courses\n- **AI Quality:** 4/5\n\n### Emmanuelle Bachelier's Design Portfolio | Students | The Graphic Design School\n- **URL:** /students/emmanuelle-bachelier/\n- **Template:** student-single\n- **Priority:** 5\n- **Word Count:** 821\n- **Canonical:** https://www.thegraphicdesignschool.com/students/emmanuelle-bachelier\n- **Author:** The Graphic Design School\n- **AI Category:** portfolio\n- **AI Quality:** 4/5\n\n### Armanda Capaite's Design Portfolio | Students | The Graphic Design School\n- **URL:** /students/armanda-capaite/\n- **Template:** student-single\n- **Priority:** 5\n- **Word Count:** 815\n- **Canonical:** https://www.thegraphicdesignschool.com/students/armanda-capaite\n- **Author:** The Graphic Design School\n- **AI Category:** portfolio\n- **AI Quality:** 4/5\n\n### Caro Goh's Design Portfolio | Students | The Graphic Design School\n- **URL:** /students/caro-goh/\n- **Template:** student-single\n- **Priority:** 5\n- **Word Count:** 796\n- **Canonical:** https://www.thegraphicdesignschool.com/students/caro-goh\n- **Author:** The Graphic Design School\n- **AI Category:** portfolio\n- **AI Quality:** 4/5\n\n### Ashley Van Den Heuvel's Design Portfolio | Students | The Graphic Design School\n- **URL:** /students/ashley-van-den-heuvel/\n- **Template:** student-single\n- **Priority:** 5\n- **Word Count:** 787\n- **Canonical:** https://www.thegraphicdesignschool.com/students/ashley-van-den-heuvel\n- **Author:** The Graphic Design School\n- **AI Category:** portfolio\n- **AI Quality:** 4/5\n\n### Daniel Hurst's Design Portfolio | Students | The Graphic Design School\n- **URL:** /students/daniel-hurst/\n- **Template:** student-single\n- **Priority:** 5\n- **Word Count:** 773\n- **Canonical:** https://www.thegraphicdesignschool.com/students/daniel-hurst\n- **Author:** The Graphic Design School\n- **AI Category:** portfolio\n- **AI Quality:** 4/5\n\n### Jacqui Hunt's Design Portfolio | Students | The Graphic Design School\n- **URL:** /students/jacqui-hunt/\n- **Template:** student-single\n- **Priority:** 5\n- **Word Count:** 770\n- **Canonical:** https://www.thegraphicdesignschool.com/students/jacqui-hunt\n- **Author:** The Graphic Design School\n- **AI Category:** portfolio\n- **AI Quality:** 4/5\n\n### Caio Fernandes's Design Portfolio | Students | The Graphic Design School\n- **URL:** /students/caio-fernandes/\n- **Template:** student-single\n- **Priority:** 5\n- **Word Count:** 770\n- **Canonical:** https://www.thegraphicdesignschool.com/students/caio-fernandes\n- **Author:** The Graphic Design School\n- **AI Category:** portfolio\n- **AI Quality:** 4/5\n\n### Cherise Vecchio's Design Portfolio | Students | The Graphic Design School\n- **URL:** /students/cherise-vecchio/\n- **Template:** student-single\n- **Priority:** 5\n- **Word Count:** 760\n- **Canonical:** https://www.thegraphicdesignschool.com/students/cherise-vecchio\n- **Author:** The Graphic Design School\n- **AI Category:** portfolio\n- **AI Quality:** 4/5\n\n### Lizzy van Huenestein's Design Portfolio | Students | The Graphic Design School\n- **URL:** /students/lizzy-van-huenestein/\n- **Template:** student-single\n- **Priority:** 5\n- **Word Count:** 756\n- **Canonical:** https://www.thegraphicdesignschool.com/students/lizzy-van-huenestein\n- **Author:** The Graphic Design School\n- **AI Category:** portfolio\n- **AI Quality:** 4/5\n\n### Becks Harrop's Design Portfolio | Students | The Graphic Design School\n- **URL:** /students/becks-harrop/\n- **Template:** student-single\n- **Priority:** 5\n- **Word Count:** 751\n- **Canonical:** https://www.thegraphicdesignschool.com/students/becks-harrop\n- **Author:** The Graphic Design School\n- **AI Category:** portfolio\n- **AI Quality:** 4/5\n\n### Anastasia Butrym's Design Portfolio | Students | The Graphic Design School\n- **URL:** /students/anastasia-butrym/\n- **Template:** student-single\n- **Priority:** 5\n- **Word Count:** 746\n- **Canonical:** https://www.thegraphicdesignschool.com/students/anastasia-butrym\n- **Author:** The Graphic Design School\n- **AI Category:** portfolio\n- **AI Quality:** 4/5\n\n### Monique Patience's Design Portfolio | Students | The Graphic Design School\n- **URL:** /students/monique-patience/\n- **Template:** student-single\n- **Priority:** 5\n- **Word Count:** 734\n- **Canonical:** https://www.thegraphicdesignschool.com/students/monique-patience\n- **Author:** The Graphic Design School\n- **AI Category:** portfolio\n- **AI Quality:** 4/5\n\n### Tamryn Van Der Merwe's Design Portfolio | Students | The Graphic Design School\n- **URL:** /students/tamryn-van-der-merwe/\n- **Template:** student-single\n- **Priority:** 5\n- **Word Count:** 720\n- **Canonical:** https://www.thegraphicdesignschool.com/students/tamryn-van-der-merwe\n- **Author:** The Graphic Design School\n- **AI Category:** portfolio\n- **AI Quality:** 4/5\n\n### Gregory Baugh's Design Portfolio | Students | The Graphic Design School\n- **URL:** /students/gregory-baugh/\n- **Template:** student-single\n- **Priority:** 5\n- **Word Count:** 716\n- **Canonical:** https://www.thegraphicdesignschool.com/students/gregory-baugh\n- **Author:** The Graphic Design School\n- **AI Category:** portfolio\n- **AI Quality:** 4/5\n\n### Claire Wheeler's Design Portfolio | Students | The Graphic Design School\n- **URL:** /students/claire-wheeler/\n- **Template:** student-single\n- **Priority:** 5\n- **Word Count:** 693\n- **Canonical:** https://www.thegraphicdesignschool.com/students/claire-wheeler\n- **Author:** The Graphic Design School\n- **AI Category:** portfolio\n- **AI Quality:** 4/5\n\n### Gabor Mikus's Design Portfolio | Students | The Graphic Design School\n- **URL:** /students/gabor-mikus/\n- **Template:** student-single\n- **Priority:** 5\n- **Word Count:** 682\n- **Canonical:** https://www.thegraphicdesignschool.com/students/gabor-mikus\n- **Author:** The Graphic Design School\n- **AI Category:** portfolio\n- **AI Quality:** 4/5\n\n### Angel Nicholson's Design Portfolio | Students | The Graphic Design School\n- **URL:** /students/angel-nicholson/\n- **Template:** student-single\n- **Priority:** 5\n- **Word Count:** 678\n- **Canonical:** https://www.thegraphicdesignschool.com/students/angel-nicholson\n- **Author:** The Graphic Design School\n- **AI Category:** portfolio\n- **AI Quality:** 4/5\n\n### Cheneeta Boothe's Design Portfolio | Students | The Graphic Design School\n- **URL:** /students/cheneeta-boothe/\n- **Template:** student-single\n- **Priority:** 5\n- **Word Count:** 656\n- **Canonical:** https://www.thegraphicdesignschool.com/students/cheneeta-boothe\n- **Author:** The Graphic Design School\n- **AI Category:** portfolio\n- **AI Quality:** 4/5\n\n### Erin Sangster's Design Portfolio | Students | The Graphic Design School\n- **URL:** /students/erin-sangster/\n- **Template:** student-single\n- **Priority:** 5\n- **Word Count:** 646\n- **Canonical:** https://www.thegraphicdesignschool.com/students/erin-sangster\n- **Author:** The Graphic Design School\n- **AI Category:** portfolio\n- **AI Quality:** 4/5\n\n### Tania Loutfi's Design Portfolio | Students | The Graphic Design School\n- **URL:** /students/tania-loutfi/\n- **Template:** student-single\n- **Priority:** 5\n- **Word Count:** 642\n- **Canonical:** https://www.thegraphicdesignschool.com/students/tania-loutfi\n- **Author:** The Graphic Design School\n- **AI Category:** portfolio\n- **AI Quality:** 4/5\n\n### Pamela Cook's Design Portfolio | Students | The Graphic Design School\n- **URL:** /students/pamela-cook/\n- **Template:** student-single\n- **Priority:** 5\n- **Word Count:** 631\n- **Canonical:** https://www.thegraphicdesignschool.com/students/pamela-cook\n- **Author:** The Graphic Design School\n- **AI Category:** portfolio\n- **AI Quality:** 4/5\n\n### Amy Ferreira's Design Portfolio | Students | The Graphic Design School\n- **URL:** /students/amy-ferreira/\n- **Template:** student-single\n- **Priority:** 5\n- **Word Count:** 624\n- **Canonical:** https://www.thegraphicdesignschool.com/students/amy-ferreira\n- **Author:** The Graphic Design School\n- **AI Category:** portfolio\n- **AI Quality:** 4/5\n\n### Phimong's Design Portfolio | Students | The Graphic Design School\n- **URL:** /students/phimong/\n- **Template:** student-single\n- **Priority:** 5\n- **Word Count:** 617\n- **Canonical:** https://www.thegraphicdesignschool.com/students/phimong\n- **Author:** The Graphic Design School\n- **AI Category:** portfolio\n- **AI Quality:** 4/5\n\n### Aimee Li's Design Portfolio | Students | The Graphic Design School\n- **URL:** /students/aimee-li/\n- **Template:** student-single\n- **Priority:** 5\n- **Word Count:** 602\n- **Canonical:** https://www.thegraphicdesignschool.com/students/aimee-li\n- **Author:** The Graphic Design School\n- **AI Category:** portfolio\n- **AI Quality:** 4/5\n\n### Logan Shellborn's Design Portfolio | Students | The Graphic Design School\n- **URL:** /students/logan-shellborn/\n- **Template:** student-single\n- **Priority:** 5\n- **Word Count:** 601\n- **Canonical:** https://www.thegraphicdesignschool.com/students/logan-shellborn\n- **Author:** The Graphic Design School\n- **AI Category:** portfolio\n- **AI Quality:** 4/5\n\n### Zoe Morton's Design Portfolio | Students | The Graphic Design School\n- **URL:** /students/zoe-morton/\n- **Template:** student-single\n- **Priority:** 5\n- **Word Count:** 597\n- **Canonical:** https://www.thegraphicdesignschool.com/students/zoe-morton\n- **Author:** The Graphic Design School\n- **AI Category:** portfolio\n- **AI Quality:** 4/5\n\n### Elie Francis's Design Portfolio | Students | The Graphic Design School\n- **URL:** /students/elie-francis/\n- **Template:** student-single\n- **Priority:** 5\n- **Word Count:** 597\n- **Canonical:** https://www.thegraphicdesignschool.com/students/elie-francis\n- **Author:** The Graphic Design School\n- **AI Category:** portfolio\n- **AI Quality:** 4/5\n\n### Eleni Gayraud's Design Portfolio | Students | The Graphic Design School\n- **URL:** /students/eleni-gayraud/\n- **Template:** student-single\n- **Priority:** 5\n- **Word Count:** 559\n- **Canonical:** https://www.thegraphicdesignschool.com/students/eleni-gayraud\n- **Author:** The Graphic Design School\n- **AI Category:** portfolio\n- **AI Quality:** 4/5\n\n### Alina Heupel's Design Portfolio | Students | The Graphic Design School\n- **URL:** /students/alina-heupel/\n- **Template:** student-single\n- **Priority:** 5\n- **Word Count:** 515\n- **Canonical:** https://www.thegraphicdesignschool.com/students/alina-heupel\n- **Author:** The Graphic Design School\n- **AI Category:** portfolio\n- **AI Quality:** 4/5\n\n### Jeraldene Robinson's Design Portfolio | Students | The Graphic Design School\n- **URL:** /students/jeraldene-robinson/\n- **Template:** student-single\n- **Priority:** 5\n- **Word Count:** 472\n- **Canonical:** https://www.thegraphicdesignschool.com/students/jeraldene-robinson\n- **Author:** The Graphic Design School\n- **AI Category:** portfolio\n- **AI Quality:** 4/5\n\n### Our Awesome Students | The Graphic Design School\n- **URL:** /students/\n- **Template:** student-single\n- **Priority:** 5\n- **Word Count:** 377\n- **Canonical:** https://www.thegraphicdesignschool.com/students\n- **Author:** The Graphic Design School\n- **AI Category:** student-work\n- **AI Quality:** 4/5\n\n### Chia Lin's Design Portfolio | Students | The Graphic Design School\n- **URL:** /students/chia-lin/\n- **Template:** student-single\n- **Priority:** 5\n- **Word Count:** 323\n- **Canonical:** https://www.thegraphicdesignschool.com/students/chia-lin\n- **Author:** The Graphic Design School\n- **AI Category:** portfolio\n- **AI Quality:** 4/5\n\n### Kristen Boydstun's Design Portfolio | Students | The Graphic Design School\n- **URL:** /students/kristen-boydstun/\n- **Template:** student-single\n- **Priority:** 5\n- **Word Count:** 261\n- **Canonical:** https://www.thegraphicdesignschool.com/students/kristen-boydstun\n- **Author:** The Graphic Design School\n- **AI Category:** portfolio\n- **AI Quality:** 4/5\n\n### Courses\n- **URL:** /student-handbook/courses/\n- **Template:** page\n- **Priority:** 3\n- **Word Count:** 4188\n- **Canonical:** https://www.thegraphicdesignschool.com/student-handbook/courses\n- **Author:** The Graphic Design School\n- **AI Category:** courses\n- **AI Quality:** 4/5\n\n### Terms & Conditions\n- **URL:** /terms/\n- **Template:** page\n- **Priority:** 3\n- **Word Count:** 3356\n- **Canonical:** https://www.thegraphicdesignschool.com/terms\n- **Author:** The Graphic Design School\n- **AI Category:** terms\n- **AI Quality:** 4/5\n\n### Privacy & Data Protection\n- **URL:** /privacy-policy/\n- **Template:** page\n- **Priority:** 3\n- **Word Count:** 3197\n- **Canonical:** https://www.thegraphicdesignschool.com/privacy-policy\n- **Author:** The Graphic Design School\n- **AI Category:** about\n- **AI Quality:** 4/5\n\n### Fees & Payments\n- **URL:** /student-handbook/fees/\n- **Template:** page\n- **Priority:** 3\n- **Word Count:** 2262\n- **Canonical:** https://www.thegraphicdesignschool.com/student-handbook/fees\n- **Author:** The Graphic Design School\n- **AI Category:** courses\n- **AI Quality:** 4/5\n\n### Frequently Asked Questions\n- **URL:** /student-handbook/faqs/\n- **Template:** page\n- **Priority:** 3\n- **Word Count:** 1781\n- **Canonical:** https://www.thegraphicdesignschool.com/student-handbook/faqs\n- **Author:** The Graphic Design School\n- **AI Category:** faq\n- **AI Quality:** 4/5\n\n### About Us\n- **URL:** /student-handbook/about-tgds/\n- **Template:** page\n- **Priority:** 3\n- **Word Count:** 1602\n- **Canonical:** https://www.thegraphicdesignschool.com/student-handbook/about-tgds\n- **Author:** The Graphic Design School\n- **AI Category:** about\n- **AI Quality:** 4/5\n\n### Our School | The Graphic Design School\n- **URL:** /school/\n- **Template:** page\n- **Priority:** 3\n- **Word Count:** 1233\n- **Canonical:** https://www.thegraphicdesignschool.com/school\n- **Author:** The Graphic Design School\n- **AI Category:** about\n- **AI Quality:** 3/5\n\n### What Equipment Will I Need?\n- **URL:** /student-handbook/what-do-i-need/\n- **Template:** page\n- **Priority:** 3\n- **Word Count:** 1127\n- **Canonical:** https://www.thegraphicdesignschool.com/student-handbook/what-do-i-need\n- **Author:** The Graphic Design School\n- **AI Category:** courses\n- **AI Quality:** 4/5\n\n### Help & Support\n- **URL:** /student-handbook/support/\n- **Template:** page\n- **Priority:** 3\n- **Word Count:** 1075\n- **Canonical:** https://www.thegraphicdesignschool.com/student-handbook/support\n- **Author:** The Graphic Design School\n- **AI Category:** resources\n- **AI Quality:** 4/5\n\n### Complaints\n- **URL:** /complaints/\n- **Template:** page\n- **Priority:** 3\n- **Word Count:** 1002\n- **Canonical:** https://www.thegraphicdesignschool.com/complaints\n- **Author:** The Graphic Design School\n- **AI Category:** services\n- **AI Quality:** 4/5\n\n### Am I Ready To Study Online?\n- **URL:** /student-handbook/checklist/\n- **Template:** page\n- **Priority:** 3\n- **Word Count:** 999\n- **Canonical:** https://www.thegraphicdesignschool.com/student-handbook/checklist\n- **Author:** The Graphic Design School\n- **AI Category:** courses\n- **AI Quality:** 4/5\n\n### Copyright Notice\n- **URL:** /copyright/\n- **Template:** page\n- **Priority:** 3\n- **Word Count:** 705\n- **Canonical:** https://www.thegraphicdesignschool.com/copyright\n- **Author:** The Graphic Design School\n- **AI Category:** about\n- **AI Quality:** 4/5\n\n### Daily Inspiration | The Graphic Design School\n- **URL:** /inspiration/\n- **Template:** page\n- **Priority:** 3\n- **Word Count:** 314\n- **Canonical:** https://www.thegraphicdesignschool.com/inspiration\n- **Author:** The Graphic Design School\n- **AI Category:** blog\n- **AI Quality:** 4/5\n\n### Student Handbook | The Graphic Design School\n- **URL:** /student-handbook/\n- **Template:** page\n- **Priority:** 3\n- **Word Count:** 241\n- **Canonical:** https://www.thegraphicdesignschool.com/student-handbook\n- **Author:** The Graphic Design School\n- **AI Category:** education\n- **AI Quality:** 4/5\n\n### Free Stuff | The Graphic Design School\n- **URL:** /free-stuff/\n- **Template:** page\n- **Priority:** 3\n- **Word Count:** 202\n- **Canonical:** https://www.thegraphicdesignschool.com/free-stuff\n- **Author:** The Graphic Design School\n- **AI Category:** resources\n- **AI Quality:** 4/5\n\n### Upgrade to CUA40720 Certificate IV in Design\n- **URL:** /secure/upgrade-to-certiv/\n- **Template:** page\n- **Priority:** 3\n- **Word Count:** 83\n- **Canonical:** https://www.thegraphicdesignschool.com/secure/upgrade-to-certiv\n- **Author:** The Graphic Design School\n- **AI Category:** courses\n- **AI Quality:** 4/5\n\n### Enrolment Result\n- **URL:** /secure/result/\n- **Template:** page\n- **Priority:** 3\n- **Word Count:** 80\n- **Canonical:** https://www.thegraphicdesignschool.com/secure/result\n- **Author:** The Graphic Design School\n- **AI Category:** about\n- **AI Quality:** 2/5\n\n### The Graphic Design School\n- **URL:** /unsubscribe/\n- **Template:** page\n- **Priority:** 3\n- **Word Count:** 72\n- **Canonical:** https://www.thegraphicdesignschool.com/unsubscribe/\n- **Author:** The Graphic Design School\n- **AI Category:** about\n- **AI Quality:** 4/5\n\n### The Graphic Design School\n- **URL:** /instagram/\n- **Template:** page\n- **Priority:** 3\n- **Word Count:** 60\n- **Canonical:** https://www.thegraphicdesignschool.com/instagram/\n- **Author:** The Graphic Design School\n- **AI Category:** portfolio\n- **AI Quality:** 4/5\n\n---\n\n# Generation Information **Generated By:** AI-Powered LLMs.txt Generator **Generation Time:** 2025-09-29T05:33:27.539Z **Total Processing Time:** Available in llms-metadata.json **AI Provider:** openai **AI Model:** gpt-4o-mini For technical questions about this content, refer to the WARP.md file in the project repository. **Note:** This content was automatically generated and enhanced with AI. Human review is recommended for critical applications.