Neon Signs

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To maintain a curious eye about the world, to look and attempt to decode the terrain around you is what separates a great designer from a mere ‘good’ one. That, at least, is what my old university professor once told me, and it seemed like a sage morsel of wisdom at the time. Still does. The world is awash with things to decode and contextualise, so, to take just one of them, and with our heads cocked quizzically to the side, let’s look at neon signs. Dazzling yet ubiquitous, and produced in a range of typographic and illustrative styles, neon has been utilized by advertisers for decades. It’s time for a fresh appraisal.

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Substrates & Finish: Article 3 of 3: Seven Sumptuous Substrates

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One of the most rewarding aspects of being a graphic designer is the sheer scale of gorgeous and tactile materials to work with and print on. There are dozens at your disposal, some in common usage and others waiting to be discovered and put to graphical use by future pioneers. Because of their widely diverse nature, substrates can be used to suggest all kinds of meanings and signify all kinds of signs, from luxury and good taste right through to anarchy and roughness. Substrates help to reinforce the messages you wish to communicate. I’ve hand-picked seven of them for the last in our unashamedly image-teeming short series of articles on substrates and finish. So without further ado…

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Do’s and Don’ts of Website Design

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A short and sweet article of the main Do’s and Don’ts in Web Design by Angela Lisl tracked back from the Creative Support website.

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Substrates & Finish, Article 2 of 3: Gorgeous Print Finishes

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As varied as they are exciting, print finishes encompass a wide range of processes for designers to investigate and use. A finish may be applied once a substrate has been printed, to provide the finishing touch to a graphic object. They can be used to add a decorative aspect to a piece, or a textural quality. In some cases a finish might aid graphical function, or even represent an integral component of a piece’s form. Seven print finishes have been chosen for this article based on their powers to captivate, dazzle and add weight to ideas. Read on, take notes, and choose one for your next project to turn a mere good response into a graphical tour-de-force…

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Recruiters – Do you need them to land a job?

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Mention the word ‘recruiter’ to a creative and you’ll always get a ‘marmite’ type reaction. You either love’em or you hate’em. Why such a strong reaction? Do you really need a recruiter to find a job, or is it better to just go it alone?

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The Worlds Best Looking Design Studios

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We searched high and low to find you the best looking design studios in the world. If you don’t see your studio here and you think you are a contender, send us a pic and we will add it on

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Professional Design Practice Lesson 6: The Presentation

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So you find yourself pitching for a job and have come up with an ingenious solution to a fiendishly tricky design conundrum, and all you want to do is get on the phone to the client and sing it to him from the bottom of your lungs. Slow down there pardner. To convince your client of the barnstorming excellence of your proposed solution, more often than not you’ll need to take him through things step-by-step in a presentation. Presentations are important to get right, and represent the ultimate test of your communication skills. Many a fine idea has been admonished or dismissed through poor presentation. Gulp down the words below to ensure this doesn’t happen to yours…

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Putting Together an Effective Portfolio

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Save perhaps his personality, the freelance graphic designer’s portfolio is, undoubtedly, the most valuable asset in his professional life. I have written elsewhere that the portfolio is the freelancer’s shop window, an intimate glimpse into his or her being for all who view it. We have to love our portfolios, agonise over what goes into them, and tend and nurture them as we would a sapling we’d once planted. Nothing should be left to chance, not even tiny details, as it’s these, at times, that we may be judged on. So let us not delay any longer, but instead plunge into the sober, matte black folds of the portfolio…

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Professional Design Practice Lesson 5: Invoicing Clients

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At the same point each month, every month, an employed person receives a wage packet from his payroll department, and his his bank account is credited with his salary. Safe in this knowledge, he can plan his finances around this fixed point. For the intrepid freelancer things are a little different, for he must send out invoices to his clients, and then wait to be paid. So far so straightforward, but there are several factors to consider with regard to invoicing, which I’ll be taking you through below. After all, getting paid on time is what keeps us all afloat, and what freelance designer doesn’t desire that?

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Should I go freelance or permanent? The pros and cons of both

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Woo hoo! You’ve finished college, you’ve put together your folio and you’re ready to take on the design world. Should you be looking for permanent or freelance roles, or just try and get whatever you can? Here are some things worth considering before you decide.

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Professional Design Practice Lesson 4: Dealing with Clients

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They come in all shapes and sizes, from all different professional backgrounds, and we rely on them to pay our fees. A large portion of the freelancer’s life is spent looking for them, bagging them, and spending a considerable amount of our daily slog trying to work out what they want. I’m speaking of course about clients, and this article is all about working with them…

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Professional Design Practice Lesson 3: Project Planning

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This week’s article on professional design practice concerns project planning. Good, thoughtful project planning can be indispensable to the smooth running of your professional life as a freelancer. By running your business along well-oiled, well-organised lines you’ll be able to wring the most amount of time out of your days, maximise your profits, avoid mislaying things and generally inject some calm into your busy life. A modicum of planning, far from acting as a restraint on creativity, can in fact free us to spend more time on the creative process. It should therefore be an integral part of all our working lives. Follow the guides below, or a life of professional chaos awaits!

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Professional Design Practice Lesson 2: Freelance Fee Structures and How to Quote

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Knowing how to price jobs and what to charge clients is as essential a component of being a successful fledging graphic designer as any. It’s a delicate thing to get right. Price a job too high and you risk your prospective client remaining just that—prospective. Too low, and the person on the other end might view this as a reflection of the quality of the services you provide in a “you get what you pay for” sort of way. So there’s a balance to be struck, and it pays to have some systems in place. Here in the second lesson of our series on professional design practice I’ll do my best to provide you with some frameworks below. So, without further ado, let’s dive in!

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26 Logos & Their Design Evolution

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Our top 26 logo revamps for better or worse you decide.It’s hard to argue with the Art Paul’s and the Paul Rand’s of the design world. Some of the greatest logos have stood the test of time, below are the ones that obviously no longer represented the modern day image of the associated brand.

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6 Things To Keep In Mind When Designing A Logo

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Paulywood for istockphoto has released an article on logo creation. A great article for those graduates or students wanting to get into creating logos for istock. Below are our fav excerpts, check out the whole article, its well worth the read.

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